DOCSLIB.ORG

Finding Aid for the Miscellaneous 78S (MUM01740)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Finding Aid for the Miscellaneous 78S (MUM01740) University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Miscellaneous 78s (MUM01740) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Miscellaneous 78s, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. Finding Aid for the Miscellaneous 78s (MUM01740) Questions? Contact us! Miscellaneous 78s are open for research. Some items may be restricted at the curator's discretion dependant upon condition. Finding Aid for the Miscellaneous 78s Table of Contents Descriptive Summary Administrative Information Subject Terms User Information Related Material Container List Descriptive Summary Title: Miscellaneous 78s Dates: 1920s-1940s Physical Extent: 8 boxes (4 linear feet) Repository: University of Mississippi. Department of Archives and Special Collections. University, MS 38677, USA Identification: MUM01740 Location: Blues Archive Language of Material: English Abstract: Collection of 78 rpm audio discs featuring blues, jazz, and popular music from the 1920s through the 1940s. Administrative Information Additions No further additions are expected to this collection. Subject Terms Blues (Music) Songs, English -- United States -- 20th century Formats 78 rpm records User Information Prefered Citation Miscellaneous 78s, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Access Restrictions Miscellaneous 78s are open for research. Some items may be restricted at the curator's discretion dependant upon condition. Copyright Restrictions The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use", that user may be liable for copyright infringement. Related Material Resources at the University of Mississippi For additional Blues materials housed at the University of Mississippi Blues Archive, see our Blues subject guide. Container List 1.1 Allen, Annisteen (King 4622) . Side A: Trying to Live Without You ; Side B : My Baby Keeps Rollin' 1.2 Almanac Singers, The (Keynote 302) . Side A: Which Side? ; Side B : Get Thee Behind Me 1.3 Bailey, Mildred (Decca 3953) . Side A: It's So Peaceful in the Country ; Side B : Lover, Come Back to Me! 1.4 Blackburn-Burns (Columbia 40449) . Side A: I Gave My Love (Riddle Song) ; Side B : Ballad of Davy Crockett 1.5 Blackwood Bros. Quartet (Gospel 1160) . Side A: Waiting For His Return ; Side B : I Am Going Home 1.6 Bryant, Gladys (Paramount 12026) . Side A: You've Got to See Mama Every Night ; Side B : Laughin' Cryin' Blues 1.7 Jackson, Bull Moose (Queen 4165) . Side A: Going Back to Cleveland Ohio ; Side B : Short Man 1.8 Bennett, Buster (and trio) (Columbia 36873) . Side A: Leap Frog Blues ; Side B : Reefer Head Woman 1.9 Byas, Don (Jamboree 900) . Side A: Should I ; Side B : You Call It Madness, But I Call It Love 1.10 Charloteers, The (Okeh 6310) . Side A: The Cowboy Serenade ; Side B : Yes Indeed! 1.11 Count Basie (Decca 2355) . Side A: Boogie Woogie ; Side B : How Long How Long Blues 1.12 Count Basie (Decca 1965) . Side A: Blue and Sentimental ; Side B : Doggin' Around 1.13 Count Basie (Decca 2030) . Side A: Texas Shuffle ; Side B : Mama Don't Want No Peas An' Rice An' Cocoanut Oil 1.14 Cox, Ida (Paramount 12045) . Side A: Bama Bound Blues ; Side B : Lovin' Is The Thing I'm Wild About 1.15 Dodds, Johnny (Bluebird 10241) . Side A: My Little Isabel- Fox Trot ; Side B : Heah' Me Talkin'- Fox Trot 1.16 Dodds, Johnny (Bluebird 8549) . Side A: Bucktown Stomp ; Side B : Blue Washboard Stomp 1.17 Dorsey, Tommy (RCA Victor 1842) . Side A: There's Good Blues Tonight ; Side B : Don't Be A Baby, Baby 1.18 Esmereldy and Dick Thomas (Musicraft 5152/5155) . Side A: Seven Years With The Wrong Woman ; Side B : Altoona Freight Wreck 1.19 Fitzgerald, Ella (Decca 62213) . Side A: All Over Nothing At All ; Side B : Deep In the Heart of the South 1.20 Four Tunes, The (Manor 1154) . Side A: I'm Gonna Ride Tillie Tonight ; Side B : My Muchacha 1.21 Gibson, Harry (Musicraft 292) . Side A: Get Your Juices At the Deuces ; Side B : The Hipster's Blues 1.22 Glosson, Lonnie (Acme 1140) . Side A: I Want My Mama ; Side B : Train and Cat Chase Imitation 1.23 Goofus Five, The ; Side B : Reser, Henry (and his Jazz Pilots) ( Okeh 40809) . Side A: Muddy Water (A Mississippi Moan) ; Side B : Oh, The Whipporwill Sings in the Sycamore) Just the Same 1.24 Grauer, Bill (Microgroove (Biographies in Rhythm)) . Side A: Part 1 ; Side B : Part 2 1.25 Grauer, Bill (Microgroove (Biographies in Rhythm)) . Side A: Part 3 ; Side B : Part 4 1.26 Grymes, Nicholas (SMC Pro-Arte 529) . Side A: Water Boy/Mo Mary/Mah Lindy Lou/The Ladie's Man ; Side B : Foggy, Foggy Dew/Streets of Laredo/Blue-Tail Fly/The Riddle Song 1.27 Happy Six, The ; Side B : Biese, Paul ( Columbia 3446) . Side A: You're the Sweetest Girl in All the World/Stolen Kisses ; Side B : I L O 1.28 Harlem Trio ; Side B : Smith, Mamie (and her Jazz Hounds) ( Okeh 8072) . Side A: Clarinet Laughing Blues ; Side B : Those Longing For You Blues 1.29 Hegamin, Lucille (Paramount 20052) . Side A: Jazz Me Blues ; Side B : I'll Be Good But I'll be Lonesome Note: label almost illegible 1.30 Herth, Milt (Decca 1868) . Side A: Shoot the Likker to Me, John Boy ; Side B : Egyptian Ella 1.31 Herth, Milt (Decca 1800) . Side A: Flat Foot Floojie ; Side B : Looney Little Tooney 1.32 Hickman, Art (Columbia 3387) . Side A: Siren of a Southern Sea ; Side B : Day Dreams 1.33 Howlin' Wolf (Chess 1618) . Side A: You Can't Be Beat ; Side B : Smokestack Lightning 1.34 Howlin' Wolf (Chess 1479) . Side A: Moanin' at Midnight ; Side B : How Many More Years 1.35 Howlin' Wolf (Chess 1497) . Side A: The Wolf is at Your Door ; Side B : Howlin' Wolf Boogie 1.36 Howlin' Wolf (Chess 1607) . Side A: Don't Mess With My Baby ; Side B : Come To Me Baby 2.1 Howlin' Wolf (Chess 1575) . Side A: Evil is Goin' On ; Side B : Baby How Long 2.2 Howlin' Wolf (Chess 1566) . Side A: No Place To Go ; Side B : Rockin' Daddy 2.3 Howlin' Wolf (Chess 1515) . Side A: Worried All the Time ; Side B : Saddle My Pony 2.4 Howlin' Wolf (Chess 1510) . Side A: Mr. Highway Man ; Side B : Getting' Old and Grey 2.5 Howlin' Wolf (Chess 1668) . Side A: Somebody in My Home ; Side B : Nature 2.6 Howlin' Wolf (RPM 333) . Side A: Riding in the Moonlight ; Side B : Morning at Midnight 2.7 Teagarden, Jack (Chicagoans) (Capitol 10027) . Side A: Stars Fell on Alabama ; Side B : Deed I Do 2.8 James, Elmore (Vee-Jay 259) . Side A: Elmore's Contribution to Jazz ; Side B : It Hurts Me Too 2.9 James, Elmore (Vee-Jay 269) . Side A: Cry For Me Baby ; Side B : Take Me Where You Go 2.10 James, Elmore (ACE 508) . Side A: I Wish I Was A Catfish ; Side B : I Believe My Time Ain't Long 2.11 James, Elmore (Flair 1031) . Side A: Hand In Hand ; Side B : Make My Dreams Come True 2.12 James, Elmore (Modern Hollywood 983) . Side A: Wild About You ; Side B : Long Tall Woman 2.13 James, Elmore (Flair 1039) . Side A: Sho Nuff I Do ; Side B : 1839 Blues 2.14 James, Elmore (Flair 1048) . Side A: Rock My Baby Right ; Side B : Dark and Dreary 2.15 James, Elmore (Flair 1014) . Side A: Make a Little Love ; Side B : Can't Stop Lovin 2.16 James, Elmore (Flair 1022) . Side A: Strange Kinda' Feeling ; Side B : Please Find My Baby 2.17 James, Elmore (Chief 7004) . Side A: It Hurts Me Too ; Side B : Elmore's Contribution to Jazz 2.18 James, Elmore (Flair 1057) . Side A: Standing at the Crossroads ; Side B : Sunny Land 2.19 James, Elmore (Flair 1069) . Side A: No Love In My Heart ; Side B : Happy Home 2.20 James, Elmore (Flair 1074) . Side A: I Was a Fool ; Side B : Dust My Blues 2.21 James, Elmore (Flair 1079) . Side A: Good Bye ; Side B : Blues Before Sunrise 2.22 Jordan, Louis (Decca 23669) . Side A: Ain't That Just Like A Woman ; Side B : If It's Love You Want Baby, That's Me Note: Damaged 2.23 Kamplain, Frank (Bell 1112) . Side A: Sleep, Baby Sleep ; Side B : Roll On Silver Moon 2.24 Kaufman, Irving (Emerson 9161) . Side A: One and Two and Three and Four Rock-A-Bye ; Side B : Anything Is Nice If It Comes From Dixieland 2.25 Ladnier, Tommy (Bluebird 10086) . Side A: Weary Blues ; Side B : JA-DA 2.26 Leverett Brothers (Country Church 5003) . Side A: Old Gospel Ship ; Side B : Diamonds in the Rough 2.27 Miles, Lizzie (Southland 9004) . Side A: Careless Love ; Side B : Basin Street Blues 2.28 Lone Star Playboys (Modern Hollywood 20-534) .
Load more

Recommended publications
  • The Digital Deli Online - List of Known Available Shows As of 01-01-2003
    The Digital Deli Online - List of Known Available Shows as of 01-01-2003 $64,000 Question, The 10-2-4 Ranch 10-2-4 Time 1340 Club 150th Anniversary Of The Inauguration Of George Washington, The 176 Keys, 20 Fingers 1812 Overture, The 1929 Wishing You A Merry Christmas 1933 Musical Revue 1936 In Review 1937 In Review 1937 Shakespeare Festival 1939 In Review 1940 In Review 1941 In Review 1942 In Revue 1943 In Review 1944 In Review 1944 March Of Dimes Campaign, The 1945 Christmas Seal Campaign 1945 In Review 1946 In Review 1946 March Of Dimes, The 1947 March Of Dimes Campaign 1947 March Of Dimes, The 1948 Christmas Seal Party 1948 March Of Dimes Show, The 1948 March Of Dimes, The 1949 March Of Dimes, The 1949 Savings Bond Show 1950 March Of Dimes 1950 March Of Dimes, The 1951 March Of Dimes 1951 March Of Dimes Is On The Air, The 1951 March Of Dimes On The Air, The 1951 Packard Radio Spots 1952 Heart Fund, The 1953 Heart Fund, The 1953 March Of Dimes On The Air 1954 Heart Fund, The 1954 March Of Dimes 1954 March Of Dimes Is On The Air With The Fabulous Dorseys, The 1954 March Of Dimes Is On The Air, The 1954 March Of Dimes On The Air 1955 March Of Dimes 1955 March Of Dimes Is On The Air, The 1955 March Of Dimes, The 1955 Pennsylvania Cancer Crusade, The 1956 Easter Seal Parade Of Stars 1956 March Of Dimes Is On The Air, The 1957 Heart Fund, The 1957 March Of Dimes Galaxy Of Stars, The 1957 March Of Dimes Is On The Air, The 1957 March Of Dimes Presents The One and Only Judy, The 1958 March Of Dimes Carousel, The 1958 March Of Dimes Star Carousel, The 1959 Cancer Crusade Musical Interludes 1960 Cancer Crusade 1960: Jiminy Cricket! 1962 Cancer Crusade 1962: A TV Album 1963: A TV Album 1968: Up Against The Establishment 1969 Ford...It's The Going Thing 1969...A Record Of The Year 1973: A Television Album 1974: A Television Album 1975: The World Turned Upside Down 1976-1977.
    [Show full text]
  • Don't Fence Me in Full Score
    Jazz Lines Publications Presents don’t fence me in recorded by bing crosby with the andrews sisters Arranged by Vic schoen transcribed and adapted for publication by dylan canterbury full score jlp-9045 Words and Music by Cole Porter © 1944 (Renewed) WB MUSIC CORP. This Arrangement © 2019 WB MUSIC CORP. All Rights Reserved Including Public Performance Used by Permission Published by the Jazz Lines Foundation Inc., a not-for-profit jazz research organization dedicated to preserving and promoting America’s musical heritage. The Jazz Lines Foundation Inc. PO Box 1236 Saratoga Springs NY 12866 USA andrews sisters series don’t fence me in (1944) The Music: Vic Schoen’s arrangement of the Cole Porter classic Don’t Fence Me In became a huge hit for Bing Crosby with the Andrews Sisters in 1944. Supposedly Crosby went into the studio on July 25, 1944 having not previously seen or heard this song and within 30 minutes, he and the Andrews Sisters had made the recording, which later sold over a million copies and topped the Billboard charts for eight weeks in 1944-45. This is not a difficult arrangement from an instrumental point of view. But, similar to our other Andrews Sisters arrangements, the hard part will be recreating the Andrews Sisters sound of the vocal trio with a solo male vocalist. Woodwind 1 is on clarinet throughout. Dylan Canterbury - August 2019 jLp-9045 Jazz lines PubLications don't Fence Me In Music and Words by Cole Porter Score Recorded by bing crosby with the andrews sisters Arranged By Vic Schoen Transcribed and Adapted by Dylan Canterbury Medium swing = 120 Male Vocal ? Oh, give me Soprano & Alto 1 & Alto 2 & Woodwind 1: Clarinet & Woodwind 2: Alto Sax.
    [Show full text]
  • ACT I the 1940S, a Time When All America Was Listening and Dancing to the Same Kind of Music! St
    ITM_017_playbill program.qxp_ITM_017_playbill program 23/12/2015 3:28 pm Page 1 ITM_017_playbill program.qxp_ITM_017_playbill program 23/12/2015 3:28 pm Page 2 ACT I The 1940s, a time when all America was listening and dancing to the same kind of music! St. Louis Blues March (Handy, arr. Gray) Yes, Indeed (Oliver) Well All Right (Faye, Kapp, Raye) In the Mood (Garland) Big Band Medley Swinging On A Star (Van Heusen, Burke) Jeepers Creepers (Warren, Mercer) That Old Feeling (Fain, Brown) Taking a Chance On Love (Duke, Latouche, Fetter) Ain’t We Got Fun (Egan, Kahn, Whiting) Elmer’s Tune (Albrecht, Gallop, Jurgens) Chattanooga Choo Choo (Warren, Gordon) Well, Git It! (Oliver) I’m Getting Sentimental Over You (Bassman) Moonlight Serenade (Miller, Parish) Dream (Mercer) I Can’t Get Started (Duke, I. Gershwin) Begin the Beguine (Porter) Serenade In Blue (Warren, Gordon) Hey! Ba Ba Re Bop (Hamner, Hampton) Skylark/Mood Indigo (Carmichael, Mercer) (Bigard, Mills, Ellington) Say That We’re Sweethearts Again (Brent) Tuxedo Junction (Dash, Feyne, Hawkins, Johnson) ACT II This was the time when music moved the nation’s spirit! It Don’t Mean A Thing (Ellington, Mills) The Sisters and Brothers Medley Over There (Cohan) La Vie En Rose (Piaf, Guigliemi, Eng. Lyrics David) The Last Time I Saw Paris (Kern, Hammerstein II) All the Things You Are (Kern, Hammerstein II) What Do You Do In the Infantry? (Loesser) Boogie Woogie Bugle Boy (Prince, Raye) He’s 1A In The Army, A1 In My Heart (Evans) This Is Worth Fighting For (DeLange, Stepf) Bugle Call Rag (Meyers,
    [Show full text]
  • THE JERRY GRAY STORY – 1947 [Updated Jun 15, 2018 – Version JG.002E]
    THE JERRY GRAY STORY – 1947 [Updated Jun 15, 2018 – Version JG.002e] January 26, 1947 [Sunday]: Jerry Gray arranged tunes made famous by Glenn Miller for New York City-based “Here’s To Ya” broadcast over the CBS radio network, January 26, 1947, 2:30 – 3:00 pm local time, performed by the Phil Davis Orchestra [including Trigger Alpert and Bernie Privin] and the Hires Hands vocal group [including Bill Conway]. Sponsored by Hires Root Beer. Moonlight Serenade – arranged by Jerry Gray Don’t Sit Under The Apple Tree – arranged by Jerry Gray Moonlight Cocktail – arranged by Jerry Gray A String Of Pearls – arranged by Jerry Gray Serenade In Blue – arranged by Jerry Gray In The Mood – arranged by Jerry Gray Chattanooga Choo Choo – arranged by Jerry Gray _______________ Harrisburg Telegraph [Harrisburg, Pennsylvania], Jan 18, 1947, Page 19: NEW SUNDAY MUSICAL SHOW HEARD ON WHP ‘Here’s To Ya’ Opens Jan. 26; Stars Louise Carlyle, Phil Hanna, Phil Davis “Here’s To Ya,” sparkling half-hour of popular and familiar music, featuring Contralto Louise Carlyle, Baritone-Emcee Phil Hanna, Phil Davis’ orchestra, and the Hires Hands singing group, starts on the Columbia network and WHP Sunday, January 26, 2:30-3 p.m. “Here’s To Ya” will be the first of a series of new shows to be added to the WHP schedule during the first few weeks of 1947 daytime schedule. Time and all information on the new programs will be announced in the near future on this page. Louise Carlyle, feminine star of “Here’s To Ya,” got her first big break several years ago as vocalist with her brother Russ’ orchestra.
    [Show full text]
  • Ella Fitzgerald 1944-1947
    Ella Fitzgerald: syllabic choice in scat singing and her timbral syllabic development between 1944 and 1947 By Justin Garrett Binek 2 It is common in jazz discourse to praise Ella Fitzgerald as the greatest vocal improviser in the music’s history – Ella in fact declared herself to be exactly that1 - and this is part of the commonly accepted vocal jazz historical narrative. Improvisational methods praise her ideas as “excellent models for students of vocal jazz”2 and “musically and verbally inventive, filled with the joy of her creativity… represent[ing] the essence and pinnacle of scat singing”3; critical commentaries praise her “perfect balance between a steam enginelike propulsion and an ethereal playfulness”4; and reference books mention Fitzgerald as an exemplar of scat singing in definitions of the term5, using phrases like “It is mostly closely associated by the general public with Ella Fitzgerald and her many imitators.”6 Ella’s influence on other singers is illuminated in Chip Deffaa’s profile from Jazz Veterans: A Portrait Gallery7, written shortly before her death in 1996: “No living singer is more respected by other singers.” Deffaa quotes – among others – Annie Ross (“Like Charlie Parker, Ella can think it and execute it.”8), Jon Hendricks (“Ella’s a one-in-a-lifetime.”9), Anita O’Day (“The first time I heard Ella, in 1937, I said, ‘That is the girl. 1 Friedwald, Jazz Singing: America’s Great Voices from Bessie Smith to Bebop and Beyond, 282. 2 Madura, Getting Started with Vocal Improvisation, 29. 3 Stoloff, Scat! Vocal Improvisation Techniques, 8.
    [Show full text]
  • Play Guide for Christmas of Swing
    Christmas of Swing Written by Bob Beverage and Ron Peluso In collaboration with David Lohman and Jan Puffer November 24 – December 23, 2012 1 History Theatre 30 East Tenth Street Saint Paul, MN 55101 Box Office: 651.292.4323 Group Sales: 651.292.4320 www.HistoryTheatre.com Table of Contents Historical Context • About The Andrews Sisters ...................................... 3 • The Andrews Sisters Top Ten Hits ........................... 7 • About the USO Camp Tours ..................................... 8 • Women and the War Effort, an essay by Eleanor Roosevelt ............................ 10 Activity : Letter Writing ..................................................... 12 Activity : Create Your Own USO Tour .............................. 22 Bibliography ..................................................................... 24 Play Guide to accompany Christmas of Swing published by History Theatre ©2012 2 About The Andrews Sisters The Andrew Sisters were a close harmony singing group consisting of sisters LaVerne, Maxene, and Patricia Andrews. They boasted an exuberant, close-harmony style well-suited to cheery novelty songs, and their intricate vocal arrangements and rhythmic ability mirrored the sound of the swing bands that constituted their chief competition in their heyday. For the most part, The Andrews Sisters did not focus on romantic material, but rather sang upbeat songs, often borrowed from other cultures. Although they were well-established by the time the U.S. entered World War II, their optimistic tone made them perfect boosters of the war effort. In later years they remained closely identified with the war years, remembered as wearing military uniforms and singing their signature song: Boogie Woogie Bugle Boy. The three sisters were born in Minnesota to a Greek immigrant father, Peter Andreos (changed to Andrews upon arriving in the US) and Olga Sollie, a Norwegian-American mother.
    [Show full text]
  • Rick L. Pope Phonograph Record Collection 10 Soundtrack/WB/Record
    1 Rick L. Pope Phonograph Record Collection 10 soundtrack/WB/record/archives 12 Songs of Christmas, Crosby, Sinatra, Waring/ Reprise/record/archives 15 Hits of Jimmie Rodgers/Dot / record/archives 15 Hits of Pat Boone/ Dot/ record/archives 24 Karat Gold From the Sound Stage , A Double Dozen of All Time Hits from the Movies/ MGM/ record/archives 42nd Street soundtrack/ RCA/ record/archives 50 Years of Film (1923-1973)/WB/ record set (3 records and 1 book)/archives 50 Years of Music (1923-1973)/WB/ record set (3 records and 1 book)/archives 60 years of Music America Likes Best vols 1-3/RCA Victor / record set (5 pieces collectively)/archives 60 Years of Music America Likes Best Vol.3 red seal/ RCA Victor/ record/archives 1776 soundtrack / Columbia/ record/archives 2001 A Space Oddyssey sound track/ MGM/ record/archives 2001 A Space Oddyssey sound track vol. 2 / MCA/ record/archives A Bing Crosby Christmas for Today’s Army/NA/ record set (2 pieces)/archives A Bing Crosby Collection vol. 1/ Columbia/record/archives A Bing Crosby Collection vol. 2/ Columbia/record/archives A Bing Crosby Collection vol. 3/ Columbia/record/archives A Bridge Too Far soundtrack/ United Artists/record/archives A Collector’s Porgy and Bess/ RCA/ record/archives A Collector’s Showboat/ RCA/ record/archives A Christmas Sing with Bing, Around the World/Decca/record/archives A Christmas Sing with Bing, Around the World/MCA/record/archives A Chorus Line soundtrack/ Columbia/ record/ archives 2 A Golden Encore/ Columbia/ record/archives A Legendary Performer Series (
    [Show full text]
  • Begin the Beguine
    Jazz Lines Publications Presents begin the beguine As recorded by the andrews sisters arranged by vic schoen fuLL score Transcribed by Jonathan Lorentz Words and Music By Cole Porter © 1935 (Renewed) WB MUSIC CORP. This Arrangement © 2008 WB MUSIC CORP. All Rights Reserved Including Public Performance Used by Permission Layout, Design, and Logos © 2009 HERO ENTERPRISES INC. DBA JAZZ LINES PUBLICATIONS AND EJAZZLINES.COM Jazz Lines Publications "bringing historic manuscripts from the closet to the concert" www.ejazzlines.com PO Box 1236 Saratoga Springs NY 12866 USA JLP-9050 Jazz lines PubLicationsbegin the beguine JlP-9050 AS Recorded by the andrews sisters Score Words and Music by Cole Porter dixieland = 170 arranged by vic schoen Female Vocal 1 Female Vocal 2 Female Vocal 3 Alto Sax. 1 f Alto Sax. 2 f Clarinet 3 f Tenor Sax. 4 f Baritone Sax. 5 f Trumpet 1 f Trumpet 2 f Trumpet 3 f Trumpet 4 f Trombone 1 ~~~~~~ f Trombone 2 ~~~~~~ f Trombone 3 ~~~~~~ f Trombone 4 ~~~~~~ f Guitar Piano Bass Drum Set ã 1 2 3 4 © 1935 (Renewed) WB MUSIC CORP. This Arrangement © 2008 WB MUSIC CORP. All Rights Reserved Including Public Performance Used by Permission Layout, Design, and Logos © 2009 HERO ENTERPRISES INC. DBA JAZZ LINES PUBLICATIONS AND EJAZZLINES.COM JlP-9050 begin the beguine Jazz lines PubLications Score - Page 3 [A] F Vox 1 when they be gin be gin the Be guine It F Vox 2 When they be gin be gin the be guine It F Vox 3 when they be gin be gin the Be guine It A.
    [Show full text]
  • Conyers Old Time Radio Presents Twelve Days of Christmas!
    Conyers Old Time Radio Presents Twelve Days of Christmas! 1. Boris Karloff ‐ 1957 Christmas Message to Station Owners (0:25) 2. The Paul Weston Orchestra with Jo Stafford and The Starlighters ‐ Happy Holiday (0:43) 3. Judy Garland ‐ 440420 Have Yourself A Merry Little Christmas (war‐time version) (2:50) 4. Leroy Anderson ‐ Sleighride (3:02) 5. The Cinnamon Bear ‐ 371126 (01) Surprised By The Cinnamon Bear (14:48) 6. The Campbell Playhouse ‐ 391224 (42) A Christmas Carol starring Lionel Barrymore and Orson Welles (55:41) 7. Les Brown Orchestra ‐ Let It Snow! Let It Snow! Let It Snow! (2:29) 8. Hugo Winterhalter ‐ Carol of the Bells (2:39) 9. Fibber McGee and Molly ‐ 451218 Fibber Paints The Christmas Tree White (28:20) 10. The Great Gildersleeve ‐ 471224 (268) Leroy's Christmas Dog (27:45) 11. Family Theater ‐ 491214 (148) The Other Wise Man (29:26) 12. The Dinah Shore Show ‐ 411221 (08) First Song ‐ A Merry American Christmas (14:24) 13. Two Ton Baker The Music Maker ‐ Jingle Bells (2:57) 14. Alma Cogan ‐ Christmas Cards (2:48) 15. Nat 'King' Cole ‐ Buon Natale (Merry Christmas To You) (1:34) 16. Sherlock Holmes ‐ 451224 (198) The Night Before Christmas starring Basil Rathbone and Nigel Bruce (29:54) 17. Candy Matson, Yukon 28209 ‐ 501218 (71) San Juan Batista (29:35) 18. Kraft Music Hall (extract), Paul Whiteman Orchestra ‐ 331214 Parade Of The Wooden Soldiers (3:49) 19. Fred Waring and His Pennsylvanians ‐ 310515 Sing a Little Jingle (2:42) 20. The Dinning Sisters ‐ Winter Wonderland (3:02) 21. Gunsmoke ‐ 521220 (35) Christmas Story (29:50) 22.
    [Show full text]
  • Spring 2010 8X10 Print
    The ASCAP Foundation Making music grow since 1975 www.ascapfoundation.org Spring 2010 Notations Paul Williams Elected To Presidency of The ASCAP Foundation The Board of Directors of The ASCAP Foundation recently elected songwriter Paul Williams President of the Foundation. Williams was also elected President and Chairman of the Board of ASCAP (the American Society of Composers, Authors and Publishers) in 2009. Williams succeeds Marilyn Bergman as President of the Foundation. Bergman served in that post for 15 years during which time she contributed significantly to the growth and stature of the Foundation. She remains an active member of The ASCAP Foundation Board. Paul Williams Paul Williams is an Oscar, Grammy and Golden Globe winning Hall of Fame songwriter. "We've Only Just Begun," "Rainy Days and Mondays," "You and Me Against the World," "An Old Fashioned Love Song," "I Won't Last a Day Without You" and "Let Me Be The One" are among his timeless standards. His songs have been recorded by such diverse musical icons as Elvis Presley, Frank Sinatra, Willie Nelson, Ella Fitzgerald, David Bowie, Ray Charles, R.E.M., Tony Bennett, Sarah Vaughan, Johnny Mathis, Luther Vandross and Kermit the Frog. Bugsy Malone and Phantom of the Paradise are among his song scores for film. "The Rainbow Connection" from the children's classic The Muppet Movie and "Evergreen" from A Star is Born are two of his songs that grace the American Film Institute's list of the top 100 movie songs of all times. Having completed the music and lyrics for the Garry Marshall musical Happy Days, Williams joined forces with the Jim Paul Williams (far right) with ASCAP CEO John Henson Company to produce a new musical based on the LoFrumento (left) and the 2009 recipient of The perennial favorite, Emmet Otter's Jugband Christmas.
    [Show full text]
  • N E O F V O “ * S M I L E
    OCTOBER 1951 • Vol. 9 • No. 10 NEWS 1/£THf s u n s h /n e O F V o “ * s m i l e MV PRAYER AMERICA'S NO. 1 BAND mholy Rhapsody tetij Eqed Babq Faithfully Yours CAPITOL N E W S PAGE 3 \ Bud Freeman's Anthony Voted Top Band dissonance % In the annual Billboard .. Disk Jockey Survey Ray Anthony was chosen top keeping adult deli band quents ofF the street. W hile this is an end not necessarily of the year. Ray led to be desired it still remains that characters who would he voting with 990 points beat- never recognize the inside of a parlor if the furniture pg out Ralph Flanagan w ho weren't carved by Brunswicke-Balke-Collender have lately scored 939. Les Brown to o k the been observed spending an evening at home—some ever ¡|,ow spot and Stan Kenton was in th e ir o w n —g lim m ing h a lf nelsons and necklines of tv, fourth by the deejays. When Seeley Quaver, Pentup Miller and Moosejov Jockeys were asked to rate Stayle gather in the loges arranged before Mrs. Pizatz'i their preference by answ e rin g the 16" screen a dramatic contest is in the making. Seeley question, "Which band on records Quaver was once technical advisor on the Hades Grove Jo you like most—y o u r current a ll Garden Club production of "Three Men on a Horse, ¡round favorite." First choice W hen the channel is tuned, Seeley focuses.
    [Show full text]
  • GSAS Submission 131202
    Performing Conformity, Unleashing Craft: Female Vocalists of Postwar Pop, 1945-1956 Sarah Elizabeth Culpeper Charlottesville, Virginia B.A., University of Toronto, 1998 B.F.A., Concordia University, 2002 M.A., McGill University, 2005 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Music University of Virginia December, 2013 Abstract Performing Conformity, Unleashing Craft: Female Vocalists of Postwar Pop, 1945-1956 By Sarah Elizabeth Culpeper This dissertation centers on female postwar pop singers and the hit records they made between the years 1945 and 1956. I consider the vocal styles of Doris Day, Patti Page and Mary Ford in combination with the personae and images they projected through records and other media. The project serves in part to document and recuperate the sometimes-disparaged genre of postwar pop, and to restore its neglected female singers to popular music history narratives. I glean my understanding of the singing voice from pedagogy and science literature, and from these sources I build a technique-based analytical vocabulary for vocal style. I apply this vocabulary to close readings and interpretations of the singers’ hit recordings, and I bring my readings into dialogue with historical reception discourse. To understand how the singers may have resonated with postwar audiences beyond the vocal dimension, I connect the images they projected to historical scholarship about gender and sexuality in postwar America. All three singers presented a degree of conformity while also complicating the era’s mores. Day never transgressed norms of postwar sexual propriety, yet the discourse around her appeal suggests that audiences found her sexually desirable.
    [Show full text]