DOCSLIB.ORG

I © Copyright 2016 Xiqing Zheng

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

i © Copyright 2016 Xiqing Zheng ii Borderless Fandom and Contemporary Popular Cultural Scene in Chinese Cyberspace Xiqing Zheng A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2016 Reading Committee: Yomi Braester, Chair Jennifer M. Bean John Christopher Hamm Program Authorized to Offer Degree: Comparative Literature, Cinema and Media iii University of Washington Abstract Borderless Fandom and Contemporary Popular Cultural Scene in Chinese Cyberspace Xiqing Zheng Chair of the Supervisory Committee: Professor Yomi Braester Department of Comparative Literature, Cinema and Media This dissertation introduces the current Chinese internet fan culture, a subculture basing on consumption and rewriting media and literary texts of various national origins. In seven topics and case studies, I discuss the relationship between the online fan subculture and the mainstream cultural value system, showing the dynamic of consumption, reproduction and community building process of media fans. I argue that Chinese fan culture is far from a subversive community in the periphery that simply rebels against the center, but a constantly negotiating subculture that adopts various evaluation system and hierarchies from the mainstream culture and the educational institution. Compared to the pre-internet age, reading and (re)writing practices of the online fan culture do not present a significant break in its taste, content or form. iv Instead, online fan culture manifests its uniqueness in the special intimacy that each individual enjoys with the texts he/she likes and the idiosyncratic evaluation systems contingent to personal preferences and desires. This dissertation uses ethnography, including self-ethnography as the main methodology, also incorporating textual analysis and historical analysis. I assume double identities in this study as both a scholar and a fan, taking both perspectives and being responsible for both communities. This position does not guarantee that I have privilege in knowledge, but it constantly reminds me to question the relationship between the studying subject and objects in ethnography. Fan culture’s research value lies not in its literary merit as the canonical literature. It should be understood and studied under a new logic of a decentered and tribalized global society, but not without a neoliberal cultural hierarchy. Fan culture has thoroughly saturated into people’s daily life experience and shifted the meaning of being an audience in the new digital world. Fan culture is never an independent entity, but is deeply rooted in the contemporary social and cultural environment, responding to social issues and cultural debates, including the convergence of global popular culture, the complicated interactions between the internet and the print media, the blurry boundary between the mainstream and the subculture, among others. These issues directly present the unique cultural experience of contemporary Chinese youths and provide an insightful perspective to view social changes that are taking place in China. Because fan culture and community manifest themselves on the internet as decentered but interconnected tribes, they are not easily generalized and quantified. The phenomena I study are biased and localized. I do not aim for a conclusion based on a generalized view but instead, focus on the particularity of each phenomenon, especially its relationship with contemporary sociocultural details. I aim to provide a glimpse into the authentic online subculture in China, not v as an example for youth subversion, but as a mode of cultural experience on the internet in a globalizing world. i TABLE OF CONTENTS List of Figures ................................................................................................................................ iv INTRODUCTION......................................................................................................................... 1 Invisible (or Nonexistent?) Dimensional Shield ......................................................................... 4 Fan Culture in China ................................................................................................................... 7 Fan Studies and Aca-Fan .......................................................................................................... 12 Chapters Overview ................................................................................................................... 18 Concerning Terminology .......................................................................................................... 22 CHAPTER 1. Chinese Fan Fiction: Its “Ancestors” and Lineage .............................................. 25 Intertextuality and the Boundary of Fan Fiction ....................................................................... 28 Shi Xiu and His Three Avatars ................................................................................................. 36 Rewriting, Modernism, and Genre ........................................................................................... 51 Folk Practices of Collective Writing, Premodern and Postmodern .......................................... 58 “Internet Literature” and the Revival of the Folk Tradition? ................................................... 68 CHAPTER 2. Genre Literature, Fandom and the Global Communication Tide: Novoland and Phenomena Related ....................................................................................................................... 74 What is Fantasy Anyway? ........................................................................................................ 76 High Fantasy, Novoland and the Re-imagination of “Chineseness” ........................................ 87 Quasi-Fan Fiction Community: Novoland as a Participatory Cultural Community ................. 92 Fan Community, Gossip Community ..................................................................................... 100 i ii CHAPTER 3. Border Crossing Fan Culture, Imaginary Community and Nationalism: Axis Power: Hetalia and Its Chinese Fandom .................................................................................... 109 Cultural Politics and Japanese Historical Narrative ............................................................... 114 APH Fandom, Database Consumption and Otaku .................................................................. 124 Chinese Online Nationalism and the Trespassed Dimensional Shield ................................... 134 Be a Dragon ............................................................................................................................ 144 Afterwards… .......................................................................................................................... 157 CHAPTER 4. Global Homoromance: Female Experience, Fantasy and Utopia ...................... 161 Slash/Yaoi/Danmei .................................................................................................................. 163 The Rhetoric of Resistance and Feminine Experience ........................................................... 175 The Problem with Mary Sue ................................................................................................... 182 Omegaverse, Porn and Utopia ................................................................................................ 192 CHAPTER 5. Elitism and Fantasy: Mainstream versus Subcultural Danmei Writing ............. 210 Discursive Mantras ................................................................................................................. 213 Danmei and Subcultural Capital ............................................................................................. 218 Favilla Mundi .......................................................................................................................... 229 Danmei literature, Tongzhi literature, Queer Cinema ............................................................. 235 Beijing Story, Lan Yu and Two Modes of Melodrama ........................................................... 243 Diverged Roads: Danmei as Family Melodrama .................................................................... 253 CHAPTER 6. Fansub: Amateurs vs. Professionals ................................................................... 262 Fansub, A Brief Introduction .................................................................................................. 265 ii iii Encoding, Decoding ................................................................................................................ 270 Academic Otaku: Collective Intelligence and Translational Voice ........................................ 274 Literal Translation ............................................................................................................... 276 Footnoting ........................................................................................................................... 278 Tucao ................................................................................................................................... 283 “Down to Earth” and Expectation of “Good” ......................................................................... 288 Red Book of Middle Earth: Armatures surpassing professionals? ......................................... 300 Conclusion .............................................................................................................................
Recommended publications
  • Cinephilia Or the Uses of Disenchantment 2005

    Cinephilia Or the Uses of Disenchantment 2005

    Repositorium für die Medienwissenschaft Thomas Elsaesser Cinephilia or the Uses of Disenchantment 2005 https://doi.org/10.25969/mediarep/11988 Veröffentlichungsversion / published version Sammelbandbeitrag / collection article Empfohlene Zitierung / Suggested Citation: Elsaesser, Thomas: Cinephilia or the Uses of Disenchantment. In: Marijke de Valck, Malte Hagener (Hg.): Cinephilia. Movies, Love and Memory. Amsterdam: Amsterdam University Press 2005, S. 27– 43. DOI: https://doi.org/10.25969/mediarep/11988. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell 3.0 Lizenz zur Verfügung Attribution - Non Commercial 3.0 License. For more information gestellt. Nähere Auskünfte zu dieser Lizenz finden Sie hier: see: https://creativecommons.org/licenses/by-nc/3.0 https://creativecommons.org/licenses/by-nc/3.0 Cinephilia or the Uses of Disenchantment Thomas Elsaesser The Meaning and Memory of a Word It is hard to ignore that the word “cinephile” is a French coinage. Used as a noun in English, it designates someone who as easily emanates cachet as pre- tension, of the sort often associated with style items or fashion habits imported from France. As an adjective, however, “cinéphile” describes a state of mind and an emotion that, one the whole, has been seductive to a happy few while proving beneficial to film culture in general. The term “cinephilia,” finally, re- verberates with nostalgia and dedication, with longings and discrimination, and it evokes, at least to my generation, more than a passion for going to the movies, and only a little less than an entire attitude toward life.
  • Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum

    Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum

    Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved.
  • L'expérience De Création De Jeux Vidéo En Amateur Travailler Son

    L'expérience De Création De Jeux Vidéo En Amateur Travailler Son

    Université de Liège Faculté de Philosophie et Lettres Département Médias, Culture et Communication L’expérience de création de jeux vidéo en amateur Travailler son goût pour l’incertitude Thèse présentée par Pierre-Yves Hurel en vue de l’obtention du titre de Docteur en Information et Communication sous la direction de Christine Servais Année académique 2019-2020 À Anne-Lyse, à notre aventure, à nos traversées, à nos horizons. À Charlotte, à tes cris de l’oie, à tes sourires en coin, à tes découvertes. REMERCIEMENTS Écrire une thèse est un acte pétri d’incertitudes, que l’auteur cherche à maîtriser, cadrer et contrôler. J’ai eu le bonheur d’être particulièrement bien accompagné dans cette pratique du doute. Seul face à mon document, j’étais riche de toutes les discussions qui ont jalonné mes années de doctorat. Je souhaite particulièrement remercier mes interlocuteurs pour leur générosité : - Christine Servais, pour sa direction minutieuse, sa franchise, sa bienveillance, ses conseils et son écoute. - Les membres du jury pour avoir accepté de me livrer leur analyse du présent travail. - Tous les membres du Liège Game Lab pour leur intelligence dans leur participation à notre collectif de recherche, pour leur capacité à échanger de manière constructive et pour leur humour sans égal. Merci au Docteure Barnabé (chercheuse internationale et coauteure de cafés-thèse fondateurs), au Docteure Delbouille (brillante sitôt qu’on l’entend), au Docteur Dupont (titulaire d’un double doctorat en lettres modernes et en élégance), au Docteur Dozo (dont le sens du collectif a tant permis), au futur Docteur Krywicki (prolifique en tout domaine), au futur Docteur Houlmont (dont je ne connais qu’un défaut) et au futur Docteur Bashandy (dont le vécu et les travaux incitent à l’humilité).
  • Imōto-Moe: Sexualized Relationships Between Brothers and Sisters in Japanese Animation

    Imōto-Moe: Sexualized Relationships Between Brothers and Sisters in Japanese Animation

    Imōto-Moe: Sexualized Relationships Between Brothers and Sisters in Japanese Animation Tuomas Sibakov Master’s Thesis East Asian Studies Faculty of Humanities University of Helsinki November 2020 Tiedekunta – Fakultet – Faculty Koulutusohjelma – Utbildningsprogram – Degree Programme Faculty of Humanities East Asian Studies Opintosuunta – Studieinriktning – Study Track East Asian Studies Tekijä – Författare – Author Tuomas Valtteri Sibakov Työn nimi – Arbetets titel – Title Imōto-Moe: Sexualized Relationships Between Brothers and Sisters in Japanese Animation Työn laji – Arbetets art – Level Aika – Datum – Month and Sivumäärä– Sidoantal – Number of pages Master’s Thesis year 83 November 2020 Tiivistelmä – Referat – Abstract In this work I examine how imōto-moe, a recent trend in Japanese animation and manga in which incestual connotations and relationships between brothers and sisters is shown, contributes to the sexualization of girls in the Japanese society. This is done by analysing four different series from 2010s, in which incest is a major theme. The analysis is done using visual analysis. The study concludes that although the series can show sexualization of drawn underage girls, reading the works as if they would posit either real or fictional little sisters as sexual targets. Instead, the analysis suggests that following the narrative, the works should be read as fictional underage girls expressing a pure feelings and sexuality, unspoiled by adult corruption. To understand moe, it is necessary to understand the history of Japanese animation. Much of the genres, themes and styles in manga and anime are due to Tezuka Osamu, the “god of manga” and “god of animation”. From the 1950s, Tezuka was influenced by Disney and other western animators at the time.
  • Birth and Evolution of Korean Reality Show Formats

    Birth and Evolution of Korean Reality Show Formats

    Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the
  • Huya (HUYA): Winner Takes All

    Huya (HUYA): Winner Takes All

    JAGUAR MEDIA AUG 3RD, 2020 UPDATED AUG 6TH, 2020 (see end of research note) “CHINESE TECH DEMYSTIFIED” SERIES – EPISODE 2 DouYu (DOYU) & Huya (HUYA): Winner Takes All Often referred to as China’s Twitch equivalents, DouYu and Huya are the providers of China’s biggest game livestreaming platforms. In Chinese, DouYu means “fighting fish”, while Huya is a nonsensical phrase where “Hu” means “tiger” and “ya” means “tooth”. Hence why the latter’s logo is a tiger with teeth. As a company, Huya was a late-2014 spinoff from JOYY (previously known as YY), with the latter as the new entity’s biggest shareholder. However, in 2018, Tencent acquired a 35% stake in Huya with an option to boost its control to 50.1% within the period March 8th, 2020 and March 8th, 2021. Then in April 2020, Tencent proceeded to exercise that option, effectively becoming Huya’s biggest controlling shareholder as JOYY's stake was reduced to 43% from 56%. Meanwhile, DouYu began as a livestreaming sub-segment of AcFun, a video hosting platform geared towards animation and games. But due to constant ownership issues and former employees leaving to start up their own competing businesses, a lot of spinoffs resulted from AcFun (including Bilibili, which we’ll cover another time). And not liking the direction AcFun was headed, DouYu founder Chen Shaojie decided in 2014 to sever ties with the parent company and run DouYu as its own entity. Then in 2018, Tencent invested ¥4B in DouYu in exchange for a controlling stake, on the very same day it acquired its 35% stake in Huya (see above).
  • The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan

    The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan

    University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2017 The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan. Kendra Nicole Sheehan University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Comparative Methodologies and Theories Commons, Japanese Studies Commons, and the Other Religion Commons Recommended Citation Sheehan, Kendra Nicole, "The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan." (2017). Electronic Theses and Dissertations. Paper 2850. https://doi.org/10.18297/etd/2850 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Humanities University of Louisville Louisville, Kentucky December 2017 Copyright 2017 by Kendra Nicole Sheehan All rights reserved THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Approved on November 17, 2017 by the following Dissertation Committee: __________________________________ Dr.
  • Imagined Identity and Cross-Cultural Communication in Yuri!!! on ICE Tien-Yi Chao National Taiwan University

    Imagined Identity and Cross-Cultural Communication in Yuri!!! on ICE Tien-Yi Chao National Taiwan University

    ISSN: 2519-1268 Issue 9 (Summer 2019), pp. 59-87 DOI: 10.6667/interface.9.2019.86 Russia/Russians on Ice: Imagined Identity and Cross-cultural Communication in Yuri!!! on ICE tien-yi chao National Taiwan University Abstract Yuri!!! on ICE (2016; 2017) is a Japanese TV anime featuring multinational figure skaters com- peting in the ISU Grand Prix of Figure Skating Series. The three protagonists, including two Russian skaters Victor Nikiforov, and Yuri Purisetsuki (Юрий Плисецкий), and one Japanese skater Yuri Katsuki (勝生勇利), engage in extensive cross-cultural discourses. This paper aims to explore the ways in which Russian cultures, life style, and people are ‘glocalised’ in the anime, not only for the Japanese audience but also for fans around the world. It is followed by a brief study of Russian fans’ response to YOI’s display of Russian memes and Taiwanese YOI fan books relating to Russia and Russians in YOI. My reading of the above materials suggests that the imagined Russian identity in both the official anime production and the fan works can be regarded as an intriguing case of cross-cultural communication and cultural hybridisation. Keywords: Yuri!!! on ICE, Japanese ACG (animation/anime, comics, games), anime, cross-cul- tural communication, cultural hybridisation © Tien-Yi Chao This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. http://interface.ntu.edu.tw/ 59 Russia/Russians on Ice: Imagined Identity and Cross-cultural Communication in Yuri!!! on ICE Yuri!!! on ICE (ユーリ!!! on ICE; hereinafter referred to as YOI)1 is a TV anime2 broadcast in Japan between 5 October and 21 December 2016, featuring male figure skaters of various nationalities.
  • The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii

    The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii

    The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子.
  • Meilyne Tran BOOK WALKER Co.Ltd. Pr-Gl@Bookwalker.Co.Jp Ph: +81-3-5216-8312

    Meilyne Tran BOOK WALKER Co.Ltd. [email protected] Ph: +81-3-5216-8312

    MEDIA CONTACT: Meilyne Tran BOOK WALKER Co.Ltd. [email protected] Ph: +81-3-5216-8312 FOR IMMEDIATE RELEASE BOOK☆WALKER CELEBRATES ANIME BOSTON WITH GIVEAWAYS, NEW TITLES KADOKAWA's Online Store for Manga & Light Novels MARCH 15, 2016 – BookWalker returns to N. America with its first anime con appearance of 2016 at Anime Boston. Anime Boston will be held on March 25-27 at the Hynes Convention Center in Boston, Massachusetts. Manga and light novel readers, visit booth #308 for your chance to win prizes, like Sword Art Online, Fate/ and Kill La Kill figures, limited edition Sword Art Online clear file folders, or a $10 gift card good toward purchasing any digital manga or light novel title on BookWalker Global. WIN PRIZES FROM BOOKWALKER AT ANIME BOSTON There are several ways to win! If you’re new to BookWalker, just visit http://global.bookwalker.jp and subscribe to our mailing list. Show your “My Account” page to BookWalker booth staff at Anime Boston, and you’ll get a chance to try for one of the prizes. For a second chance to win, use your $10 gift card to purchase any eBook on BookWalker. Want another chance to take home a prize? Take a photo at the BookWalker booth, follow BookWalker on Twitter at @BOOKWALKER_GL and post your photo on Twitter with the hashtags #AnimeBoston and #BOOKWALKER. Show your tweet to BookWalker booth staff, and you’ll get a chance to win one of three Neon Genesis Evangelion figures. Haven’t tried BookWalker yet? Anime Boston is also your chance to get a hands-on look at our eBook store.
  • God in Chinatown

    God in Chinatown

    RELIGION, RACE, AND ETHNICITY God in Chinatown General Editor: Peter J. Paris Religion and Survival in New York's Public Religion and Urban Transformation: Faith in the City Evolving Immigrant Community Edited by Lowell W. Livezey Down by the Riverside: Readings in African American Religion Edited by Larry G. Murphy New York Glory: Kenneth ]. Guest Religions in the City Edited by Tony Carnes and Anna Karpathakis Religion and the Creation of Race and Ethnicity: An Introduction Edited by Craig R. Prentiss God in Chinatown: Religion and Survival in New York's Evolving Immigrant Community Kenneth J. Guest 111 New York University Press NEW YORK AND LONDON NEW YORK UNIVERSITY PRESS For Thomas Luke New York and London www.nyupress.org © 2003 by New York University All rights reserved All photographs in the book, including the cover photos, have been taken by the author. Library of Congress Cataloging-in-Publication Data Guest, Kenneth J. God in Chinatown : religion and survival in New York's evolving immigrant community I Kenneth J. Guest. p. em.- (Religion, race, and ethnicity) Includes bibliographical references (p. 209) and index. ISBN 0-8147-3153-8 (cloth) - ISBN 0-8147-3154-6 (paper) 1. Immigrants-Religious life-New York (State)-New York. 2. Chinese Americans-New York (State )-New York-Religious life. 3. Chinatown (New York, N.Y.) I. Title. II. Series. BL2527.N7G84 2003 200'.89'95107471-dc21 2003000761 New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. Manufactured in the United States of America 10 9 8 7 6 5 4 3 2 1 Chinatown and the Fuzhounese 37 36 Chinatown and the Fuzhounese have been quite successful, it also includes many individuals who are ex­ tremely desperate financially and emotionally.
  • TWO CASES of CHINESE INTERNET STUDIES a Thesis

    TWO CASES of CHINESE INTERNET STUDIES a Thesis

    TWO CASES OF CHINESE INTERNET STUDIES A Thesis Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Master of Arts by Yuan Liang August 2019 © 2019 Yuan Liang ABSTRACT This thesis consists of two parts. Chapter 1 concentrates on one genre of Chinese online literature and its relationship with gender and sexuality. It aims at exploring the diversity of Chinese danmei fiction and relating it to the gendered self- identifications of young and educated women in contemporary China. It argues that while danmei fiction in China creates a channel of gender and sexual expressions, it also reflects the difficulties and contradictions that women encounter and experience when they try to place themselves into the current social and economic structure. Chapter 2 studies Chris Marker’s documentary Sunday in Peking and its reception in contemporary China. It closely examines the internet reviews on a Chinese website from the perspectives of idealization and exoticization, and contends that both the filmmaker and his Chinese audiences are under the influences of stereotypes that their society, culture or ideology impose on them. BIOGRAPHICAL SKETCH Yuan Liang was born and raised in Chengdu, China. She started her undergraduate studies at Beijing Normal University in 2013 and earned her bachelor’s degree in Chinese Language and Literature in 2017. In the same year, she joined the M.A. program in Asian Studies at Cornell University. She is expected to receive her master’s degree in August 2019. After graduation, she will become a Ph.D.