Mcnamara's Lessons and the Fog Of
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PDF Van Tekst
Onze Taal. Jaargang 73 bron Onze Taal. Jaargang 73. Genootschap Onze Taal, Den Haag 2004 Zie voor verantwoording: https://www.dbnl.org/tekst/_taa014200401_01/colofon.php Let op: werken die korter dan 140 jaar geleden verschenen zijn, kunnen auteursrechtelijk beschermd zijn. 1 [Nummer 1] Onze Taal. Jaargang 73 4 Vervlakt de intonatie? Ouderen en jongeren met elkaar vergeleken Vincent J. van Heuven - Fonetisch Laboratorium, Universiteit Leiden Ouderen kunnen jongeren vaak maar moeilijk verstaan. Ze praten te snel, te slordig en vooral te monotoon, zo luidt de klacht. Zou dat wijzen op een verandering? Wordt de Nederlandse zinsmelodie inderdaad steeds vlakker? Twee onderzoeken bieden meer duidelijkheid. Ik heb twee zoons in de adolescente leeftijdsgroep, zo tussen de 16 en de 20. Toen ik ze nog dagelijks om me heen had (ze zijn inmiddels technisch gesproken volwassen en het huis uit), mocht ik graag luistervinken als ze in gesprek waren met hun vrienden. Dan viel op dat alle jongens, niet alleen de mijne, snel spraken, met weinig stemverheffing, en vooral met weinig melodie. Het leek wel of ze het erom deden. Een Amerikaanse collega, die elk jaar een paar weken bij mij logeert om zijn Nederlands bij te houden, gaf ongevraagd toe dat hij in het algemeen weinig moeite heeft om Nederlanders te verstaan, behalve dan mijn zoons en hun vrienden. Een paar jaar eerder was ik in een onderzoek beoordelaar van de uitspraak van 120 Nederlanders, in leeftijd variërend van puber tot bejaarde. Mij viel op dat de bejaarden zo veel prettiger waren om naar te luisteren. Niet alleen spraken ze langzamer dan de jongeren, maar vooral maakten ze veel beter gebruik van de mogelijkheden die onze taal biedt om de boodschap met behulp van het stemgebruik te structureren. -
Documentarists and Documentary/Narrative Filmmakers Those Listed Are Directors, Unless Otherwise Noted
1 COM 321, Documentary Form in Film & Television 1/15/14 Documentarists and Documentary/Narrative Filmmakers Those listed are directors, unless otherwise noted. Documentary/Narrative Filmmakers—Many have done both: Name & Key Documentaries Key Narrative Works Nation Allen, Woody Zelig, 1983 (mockumentary) Annie Hall, 1977 US Manhattan, 1979 Altman, Robert The James Dean Story, 1957 M*A*S*H, 1970 US The Player, 1992 Short Cuts, 1993 Anderson, Lindsay Thursday’s Children, 1954 (with Guy if. , 1968 Britain Brenton) O Lucky Man!, 1973 Anger, Kenneth Kustom Kar Kommandos, 1963 Fireworks, 1947 US Scorpio Rising, 1964 Apted, Michael The Up! series (1970‐2012 so far) Gorillas in the Mist, 1988 Britain Nell, 1994 The World is Not Enough, 1999 Brakhage, Stan The Act of Seeing with One’s Own Dog Star Man, 1962 US Eyes, 1971 Mothlight, 1963 Bunuel, Luis Las Hurdes (Land Without Bread), Un Chien Andalou, 1928 (with Salvador Spain/France 1933 (mockumentary?) Dali) L’Age D’Or, 1930 The Discreet Charm of the Bourgeoisie, 1972 Cameron, James Expedition Bismarck, 2002 Titanic, 1997 US Ghosts of the Abyss, 2003 Avatar, 2009 Capra, Frank Why We Fight series, 1942‐44 Mr. Deeds Goes to Town, 1936 US Mr. Smith Goes to Washington, 1939 It’s a Wonderful Life, 1946 Chukrai, Grigori Pamyat, 1971 Ballad of a Soldier, 1959 Soviet Union Cooper, Merian C. Grass: A Nation’s Battle for Life, 1925 The Four Feathers, 1929 US (with Ernest B. Schoedsack) King Kong, 1933 Chang: A Drama of the Wilderness, 1927 (with Ernest B. Schoedsack) Demme, Jonathan Stop Making Sense, -
Current Topics in Federal Criminal Defense
THE OFFICE OF THE FEDERAL PUBLIC DEFENDER FOR THE EASTERN DISTRICT OF VIRGINIA AND THE FEDERAL BAR ASSOCIATION’S CRIMINAL LAW SECTION AND ITS CHAPTERS IN NORTHERN VIRGINIA, RICHMOND, & HAMPTON ROADS PRESENT A CJA PANEL TRAINING PROGRAM CURRENT TOPICS IN FEDERAL CRIMINAL DEFENSE Wednesday, November 16, 2016, 10:30 a.m. - 3:30 p.m. Hilton Downtown Richmond, 501 East Broad Street, Richmond This page intentionally left blank for double-sided pagination and printing TABLE OF CONTENTS Program Schedule. iii Faculty Information. iv Lessons From Defending Federal Fraud Charges.. 1 Discussion overview. 1 Memorandum, Managing Large Volumes of Discovery in Federal CJA Cases (May 14, 2015). 3 Memorandum opinion and order (re. government interference with witnesses). 7 Motion reply (re. government sending of “victim notification” letters to potential defense witnesses). 14 Order (re. witnesses receiving “victim notification” letters, admissibility of certain testimony). 23 Rule 29 motion for judgment of acquittal (wire fraud, conspiracy).. 27 Rule 29 motion for judgment of acquittal (health care fraud, aggravated identity theft).. 46 Sentencing position (conspiracy to commit wire fraud).. 62 National Institute of Justice, Five Things About Deterrence (July 2014) . 100 Amendments to the U.S. Sentencing Guidelines. 101 Presentation slides.. 102 U.S. Sentencing Comm’n, Amendments to the Sentencing Guidelines (effective Aug. 1, 2016). 122 -i- Amy Baron-Evans et al., Litigating Challenges to the Amended Definition of “Crime of Violence” in § 4B1.2(a). 135 U.S. Sentencing Comm’n, Amendments to the Sentencing Guidelines (effective Nov. 1, 2016). 154 Cooperation: Preparing for Success in Dealing With the Devil.. 225 Discussion overview. -
Michael Moore: a Man on a Mission Or How Far A
Michael Moore: A Man on a Mission or How Far a Reinvigorated Populism Can Take Us Garry Watson (Cineaction 70) My focus in this essay will be on Michael Mooreʼs four documentaries – Roger and Me (1989), The Big One (1997), Bowling for Columbine (2002) and Fahrenheit 9/11 (2004) – with most of my attention being given to the first and third of these, and least to the second. These four films are significant and worth studying for a number of reasons: (i) The size of the audiences they have succeeded in reaching; (ii) the political impact they have had (on which, among other things, see Robert Brent Toplinʼs useful book on Michael Mooreʼs “Fahreneit 9/11”: How One Film Divided A Nation [2006]); (iii) and the extent to which they helped prepare the reception for such recent political documentaries as, for example, Errol Morrisʼs The Fog of War (2004), Mark Achbar and Jennifer Abbottʼs The Corporation (2005), Alex Gibneyʼs Enron: The Smartest Guys in the Room (2005), Eugene Jareckiʼs Why We Fight (2005), David Guggenheimʼs An Inconvenient Truth (2006), and Chris Paineʼs Who Killed the Electric Car? (2006). It may not be redundant to rehearse some of the facts. If Roger and Me was more successful at the box office than any documentary that preceded it, Moore went on to break the same record on two subsequent occasions – first with Bowling for Columbine, then with Fahrenheit 9/11. And as far as the latter is concerned, we get some sense of the excitement that was generated when it first screened in the US by the Foreword that John Berger wrote in 2004 for The Official “Fahrenheit 9/11” Reader (while the film was “still playing in hundreds of theaters across America”1). -
Documentarists and Documentary/Narrative Filmmakers Those Listed Are Directors, Unless Otherwise Noted
1 COM 321, Documentary Form in Film, Television, & Interactive Media 1/27/17 Documentarists and Documentary/Narrative Filmmakers Those listed are directors, unless otherwise noted. Documentary/Narrative Filmmakers—Many have done both: Name & Key Documentaries Key Narrative Works Nation Allen, Woody Zelig, 1983 (mockumentary) Annie Hall, 1977 US Manhattan, 1979 Altman, Robert The James Dean Story, 1957 M*A*S*H, 1970 US The Player, 1992 Short Cuts, 1993 Anderson, Lindsay Thursday’s Children, 1954 (with Guy if. , 1968 Britain Brenton) O Lucky Man!, 1973 Anderson, Paul Junun, 2015 Boogie Nights, 1997 Thomas There Will be Blood, 2007 The Master, 2012 Anger, Kenneth Kustom Kar Kommandos, 1963 Fireworks, 1947 US Scorpio Rising, 1964 Antonioni, Ragazze in bianco, 1949 L’Avventura, 1960 Michelangelo Chung Kuo – Cina, 1972 La Notte, 1961 Italy L'Eclisse, 1962 Apted, Michael The Up! series (1970‐2012 so far) Gorillas in the Mist, 1988 Britain Nell, 1994 The World is Not Enough, 1999 Berlinger, Joe Brother’s Keeper, 1992 Book of Shadows: Blair Witch 2, 2000 US The Paradise Lost Trilogy, 1996-2011 Facing the Wind, 2015 (all with Bruce Sinofsky) Berman, Shari The Young and the Dead, 2000 The Nanny Diaries, 2007 Springer & Pulcini, Hello, He Lied & Other Truths from Cinema Verite, 2011 Robert the Hollywood Trenches, 2002 Girl Most Likely, 2012 US American Splendor, 2003 (hybrid) Wanderlust, 2006 Blitz, Jeffrey Spellbound, 2002 Rocket Science, 2007 US Lucky, 2010 The Office, 2006-2013 (TV) Brakhage, Stan The Act of Seeing with One’s Own Dog Star Man, -
Empathize with Your Enemy”
PEACE AND CONFLICT: JOURNAL OF PEACE PSYCHOLOGY, 10(4), 349–368 Copyright © 2004, Lawrence Erlbaum Associates, Inc. Lesson Number One: “Empathize With Your Enemy” James G. Blight and janet M. Lang Thomas J. Watson Jr. Institute for International Studies Brown University The authors analyze the role of Ralph K. White’s concept of “empathy” in the context of the Cuban Missile Crisis, Vietnam War, and firebombing in World War II. They fo- cus on the empathy—in hindsight—of former Secretary of Defense Robert S. McNamara, as revealed in the various proceedings of the Critical Oral History Pro- ject, as well as Wilson’s Ghost and Errol Morris’s The Fog of War. Empathy is the great corrective for all forms of war-promoting misperception … . It [means] simply understanding the thoughts and feelings of others … jumping in imagination into another person’s skin, imagining how you might feel about what you saw. Ralph K. White, in Fearful Warriors (White, 1984, p. 160–161) That’s what I call empathy. We must try to put ourselves inside their skin and look at us through their eyes, just to understand the thoughts that lie behind their decisions and their actions. Robert S. McNamara, in The Fog of War (Morris, 2003a) This is the story of the influence of the work of Ralph K. White, psychologist and former government official, on the beliefs of Robert S. McNamara, former secretary of defense. White has written passionately and persuasively about the importance of deploying empathy in the development and conduct of foreign policy. McNamara has, as a policymaker, experienced the success of political decisions made with the benefit of empathy and borne the responsibility for fail- Requests for reprints should be sent to James G. -
Concordia Theological Quarterly
teach the faithful, reach lost, and care for all. Forming servants in Jesus Christ who CONCORDIA THEOLOGICAL QUARTERLY CONCORDIA THEOLOGICAL SEMINARY THEOLOGICAL CONCORDIA CONCORDIA Fort Wayne, IN 46825-4996 Fort Wayne, 6600 North Clinton Street THEOLOGICAL QUARTERLY Volume 81 Number 3–4 July/October 2017 REFORMATION 500 ANNIVERSARY ISSUE The Ninety-Five Theses Cameron A. MacKenzie Luther on Galatians as the Banner of the July/Oct 2017 Reformation Naomichi Masaki Pfarramt, Geography, and the Order of the Church Mark D. Nispel Luther’s Use of Apologetics Adam S. Francisco Antichrist in the Scriptures and Lutheran Confessions 81:3–4 Charles A. Gieschen ORGANIZATION Berne, IN 46711 NON-PROFIT NON-PROFIT Permit No. 43 Will the Real Martin Luther Stand Up? U.S. Postage PAID David P. Scaer Luther Lessons for the Present Crisis Peter J. Scaer The Great Litany Benjamin T. G. Mayes US ISSN 0038-8610 Concordia Theological Quarterly Concordia Theological Quarterly, a continuation of The Springfielder, is a theological journal of The Lutheran Church—Missouri Synod, published for its ministerium by the faculty of Concordia Theological Seminary, Fort Wayne, Indiana. Editor: David P. Scaer ([email protected]) Associate Editor: Charles A. Gieschen ([email protected]) Assistant Editor: Benjamin T.G. Mayes ([email protected]) Book Review Editor: Peter J. Scaer ([email protected]) Members of the Editorial Committee James G. Bushur, Paul J. Grime, John G. Nordling, and Lawrence R. Rast Jr. Editorial Assistant: Eamonn M. Ferguson The Faculty James G. Bushur Naomichi Masaki David P. Scaer Carl C. Fickenscher II Benjamin T.G. -
The Wire the Complete Guide
The Wire The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Tue, 29 Jan 2013 02:03:03 UTC Contents Articles Overview 1 The Wire 1 David Simon 24 Writers and directors 36 Awards and nominations 38 Seasons and episodes 42 List of The Wire episodes 42 Season 1 46 Season 2 54 Season 3 61 Season 4 70 Season 5 79 Characters 86 List of The Wire characters 86 Police 95 Police of The Wire 95 Jimmy McNulty 118 Kima Greggs 124 Bunk Moreland 128 Lester Freamon 131 Herc Hauk 135 Roland Pryzbylewski 138 Ellis Carver 141 Leander Sydnor 145 Beadie Russell 147 Cedric Daniels 150 William Rawls 156 Ervin Burrell 160 Stanislaus Valchek 165 Jay Landsman 168 Law enforcement 172 Law enforcement characters of The Wire 172 Rhonda Pearlman 178 Maurice Levy 181 Street-level characters 184 Street-level characters of The Wire 184 Omar Little 190 Bubbles 196 Dennis "Cutty" Wise 199 Stringer Bell 202 Avon Barksdale 206 Marlo Stanfield 212 Proposition Joe 218 Spiros Vondas 222 The Greek 224 Chris Partlow 226 Snoop (The Wire) 230 Wee-Bey Brice 232 Bodie Broadus 235 Poot Carr 239 D'Angelo Barksdale 242 Cheese Wagstaff 245 Wallace 247 Docks 249 Characters from the docks of The Wire 249 Frank Sobotka 254 Nick Sobotka 256 Ziggy Sobotka 258 Sergei Malatov 261 Politicians 263 Politicians of The Wire 263 Tommy Carcetti 271 Clarence Royce 275 Clay Davis 279 Norman Wilson 282 School 284 School system of The Wire 284 Howard "Bunny" Colvin 290 Michael Lee 293 Duquan "Dukie" Weems 296 Namond Brice 298 Randy Wagstaff 301 Journalists 304 Journalists of The Wire 304 Augustus Haynes 309 Scott Templeton 312 Alma Gutierrez 315 Miscellany 317 And All the Pieces Matter — Five Years of Music from The Wire 317 References Article Sources and Contributors 320 Image Sources, Licenses and Contributors 324 Article Licenses License 325 1 Overview The Wire The Wire Second season intertitle Genre Crime drama Format Serial drama Created by David Simon Starring Dominic West John Doman Idris Elba Frankie Faison Larry Gilliard, Jr. -
Advance Program Notes Powaqqatsi: Life in Transformation Philip Glass Ensemble Friday, November 1, 2013, 8 PM
Advance Program Notes Powaqqatsi: Life in Transformation Philip Glass Ensemble Friday, November 1, 2013, 8 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. CENTER FOR THE ARTS AT VIRGINIA TECH presents POWAQQATSI LIFE IN TRANSFORMATION The CANNON GROUP INC. A FRANCIS FORD COPPOLA and GEORGE LUCAS Presentation Music by Directed by PHILIP GLASS GODFREY REGGIO Photography by Edited by GRAHAM BERRY IRIS CAHN/ ALTON WALPOLE LEONIDAS ZOURDOUMIS Performed by PHILIP GLASS and the PHILIP GLASS ENSEMBLE conducted by Michael Riesman with the Blacksburg Children’s Chorale Patrice Yearwood, artistic director PHILIP GLASS ENSEMBLE Philip Glass, Lisa Bielawa, Dan Dryden, Stephen Erb, Jon Gibson, Michael Riesman, Mick Rossi, Andrew Sterman, David Crowell Guest Musicians: Ted Baker, Frank Cassara, Nelson Padgett, Yousif Sheronick The call to prayer in tonight’s performance is given by Dr. Khaled Gad Music Director MICHAEL RIESMAN Sound Design by Kurt Munkacsi Film Executive Producers MENAHEM GOLAN and YORAM GLOBUS Film Produced by MEL LAWRENCE, GODFREY REGGIO and LAWRENCE TAUB Production Management POMEGRANATE ARTS Linda Brumbach, Producer POWAQQATSI runs approximately 102 minutes and will be performed without intermission. SUBJECT TO CHANGE PO-WAQ-QA-TSI (from the Hopi language, powaq sorcerer + qatsi life) n. an entity, a way of life, that consumes the life forces of other beings in order to further its own life. POWAQQATSI is the second part of the Godfrey Reggio/Philip Glass QATSI TRILOGY. With a more global view than KOYAANISQATSI, Reggio and Glass’ first collaboration, POWAQQATSI, examines life on our planet, focusing on the negative transformation of land-based, human- scale societies into technologically driven, urban clones. -
ROBERT S. MCNAMARA 9 June 1916 . 6 July 2009
ROBERT S. MCNAMARA AP PHOTO / MARCY NIGHSWANDER 9 june 1916 . 6 july 2009 PROCEEDINGS OF THE AMERICAN PHILOSOPHICAL SOCIETY VOL. 160, NO. 4, DECEMBER 2016 McNamara.indd 425 1/24/2017 9:07:37 AM biographical memoirs McNamara in Winter: The Quixotic Quest of an Unquiet American He was impregnably armored by his good intentions and his ignorance. —Graham Greene, The Quiet American (1955) Sanity may be madness, but the maddest of all is to see life as it is and not as it should be. —Miguel de Cervantes, Don Quixote de La Mancha Errol Morris: This is a movie [“The Fog of War”] with one inter- view, but sometimes I think there are two characters: the 85-year- old McNamara speaking to the 45-year-old McNamara. Terry Gross: Yeah, I know exactly what you mean. I mean, as a viewer, this was my impression too, yeah. —National Public Radio interview on “Fresh Air,” 5 January 2004 An American Dr. Jekyll and Mr. Hyde Following Robert S. McNamara’s death on 6 July 2009, at age 93, dozens of obituaries appeared, most of them telling the same basic story. McNamara was portrayed as an American variant of Robert Louis Stevenson’s Dr. Jekyll and Mr. Hyde, a bright and successful man but also a bad and destructive man whose pursuit of power and colossal arrogance led America and the world into the quagmire of the Vietnam War. First, Dr. Jekyll. A quick perusal of McNamara’s life seems initially to prove that the so-called “Horatio Alger Myth” is sometimes reality: rags to riches, obscurity to fame, blue collar to the corridors of power. -
Documentary Film-Making in Theory and Practise
Documentary Film-making in Theory and Practise By Didem Pekün [email protected] +90 537 4160103 Office no: TBC Office Hours: Fridays 2.30- 5 pm(Earlier hours can be arranged by appointment) Course Description The aims of the course are to foster an understanding of documentary as a diverse form, with a range of styles and genres, to root this diversity in its various historical and social contexts, and to introduce you to some analytical tools appropriate for study of your own and other filmmakers’ work. The course is formed by two sections; while the students will be informed of the history of the genre they will also make their own short documentary videos. As the course is practise-based, it is necessary that the students who wish to take it have a basic knowledge of film-making. Learning outcomes By the end of the course the students will be able to • Distinguish between, and critically evaluate, the principle ‘modes’ of documentary making • Be able to read a documentary text closely and write about how it communicates meaning • Understanding documentary production in its social and historical context • Be conversant with, and sensitive to, current debates about documentary ethics and aesthetics. • Produce their own short film, making informed and creative decisions at every stage of production process. Assesment Methods In-class participation and edit analysis presentation to the class 20 – each presentation starting from the 4th week Essay, 30 (1500 words) 17 MAY DEADLINE 2 video projects, 50; first one 5 minutes long - second one 10 – 15 mns long. (it can be an extended version of the first video or a completely new project) – Bibliography 1) History / Accounts on Documentary The Art of Record, John Corner (Manchester, 1996) Documentary, Bill Nichols (Indiana, 2001) New Documentary, Stella Bruzzi Documentary; a history of non-fiction film; Erik Barnouw Documentary : a history of the non-fiction film / Erik Barnouw. -
Timeline of the Cold War
Timeline of the Cold War 1945 Defeat of Germany and Japan February 4-11: Yalta Conference meeting of FDR, Churchill, Stalin - the 'Big Three' Soviet Union has control of Eastern Europe. The Cold War Begins May 8: VE Day - Victory in Europe. Germany surrenders to the Red Army in Berlin July: Potsdam Conference - Germany was officially partitioned into four zones of occupation. August 6: The United States drops atomic bomb on Hiroshima (20 kiloton bomb 'Little Boy' kills 80,000) August 8: Russia declares war on Japan August 9: The United States drops atomic bomb on Nagasaki (22 kiloton 'Fat Man' kills 70,000) August 14 : Japanese surrender End of World War II August 15: Emperor surrender broadcast - VJ Day 1946 February 9: Stalin hostile speech - communism & capitalism were incompatible March 5 : "Sinews of Peace" Iron Curtain Speech by Winston Churchill - "an "iron curtain" has descended on Europe" March 10: Truman demands Russia leave Iran July 1: Operation Crossroads with Test Able was the first public demonstration of America's atomic arsenal July 25: America's Test Baker - underwater explosion 1947 Containment March 12 : Truman Doctrine - Truman declares active role in Greek Civil War June : Marshall Plan is announced setting a precedent for helping countries combat poverty, disease and malnutrition September 2: Rio Pact - U.S. meet 19 Latin American countries and created a security zone around the hemisphere 1948 Containment February 25 : Communist takeover in Czechoslovakia March 2: Truman's Loyalty Program created to catch Cold War