DOCSLIB.ORG

Wills and Burke Music Credits

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Wills and Burke Music Credits Music Paul Grabowsky & Red Symons Music Engineer John French "Who's Laughing Now" Lyrics by Philip Dalkin Music by Philip Dalkin and Red Symons The song "Who's Laughing Now" is first performed on stage in the Wills and Burke musical by Nicole Kidman and then turns up over the end credits. The two versions have slightly different lyrics: Stage version: Stage lead except where indicated: Singer (in the film Nicole Kidman): They said I couldnʼt do it They said I shouldnʼt try They said that Iʼd be up the creek Some said Iʼd even die But I just kept on pushing on I kept on aiming high Chorus: Ummm, ummm, ummmm Whoʼs laughing now Whoʼs laughing now Whoʼs laughing now Singer: Didnʼt I tell you that I would come through it Do you remember how I said Iʼd do it? Well, you can kiss my ass ʻcause I know whoʼs laughing now Chorus: Who's laughing now? Who's laughing now? Singer: While everybody contemplated failure And said I had no guts or genitalia I went ahead and crossed Australia Who's laughing now? Iʼd like to take this opportunity to thank the team Like to thank my mum and Dad for having me And thanks to some of you from near and far For still believing in me when the times were hard Shows just how clever some folks are Whoʼs laughing now? Male stage actor: To us men heʼs like a Dad and Mother Another stage actor: As Inspiration he is like no other Actor in bad camel suit: To us camels heʼs a brother, Whoʼs laughing now? (Synth/harpsichord/fiddle interlude) Vocoder/Processor chorus: Whoʼs laughing now? Producer in theatre box seat: I thought Iʼd never get the show together I knew it wouldnʼt mix with guns and leather Now they love me more than ever Whoʼs laughing now? Audience: Whoʼs laughing now? Whoʼs laughing now? Aussie winners are a big sensation The victory deserves inebriation Welcome to the celebration Whoʼs laughing now? Singer: They said Iʼd never do it They said “you donʼt know how” Some even said ... Chorus: ...Itʼs just too hard Singer: Look whoʼs laughing Look whoʼs laughing You wanna know? Iʼll tell you whoʼs laughing Iʼm laughing now … End credits version: Chorus: Who's laughing now? Who's laughing now? Singer: While everybody contemplated failure And said I had no guts or genitalia I made us proud to be Australian Who's laughing now? Chorus: Who's laughing now? Who's laughing now? Singer: Didn't I tell you that I would come through it Do you remember how I would come though it? And all the time you thought I'd blew it Who's laughing now? Using guts, determination and the spirit to win Gone against the odds and took each blow on the chin But I was nobody And now I'm not I once was indecisive, Now I know what's what I once had bugger all And now I've got the lot So... Chorus: ...Who's laughing now? Who's laughing now? Singer: Now reporters take me out to dinner And TV chat shows love to talk to winners On top of that Now I'm a singer Who's laughing now? I'd like to take this opportunity To thank you all Who stood behind me When the rest said I would fall And thanks to those of you from near and far Who still believed in me When times were hard Shows just how clever some folks are So ... Chorus: Who's laughing now? Who's laughing now? (music fades out) The juxtaposition of Paul Grabowsky and Red Symons as joint composers of the underscore is somewhat odd, but both were relatively young in their careers, and fortunately they would go on to do other useful work, if on divergent entertainment and artistic paths. Grabowsky has a wiki here, and this short biography at the Australian Music Centre here: Paul Grabowsky is a pianist, composer, arranger, conductor, and one of Australia's most distinguished artists. Born in Lae, Papua New Guinea in 1958, Paul Grabowsky was raised in Melbourne where he attended Wesley College. During the late 1970s he became prominent in the music scene in Melbourne, working in various jazz, theater and cabaret projects. He lived and worked in Europe and the US in 1980-85, during which time he performed with many jazz luminaries, including Chet Baker, Art Farmer and Johnny Griffin. He returned to Australia in 1986 and established a reputation as one of Australia's leading jazz musicians with bands such as his own trio and sextet, the Wizards of Oz, and as musical director for singer Vince Jones. He was musical director of Tonight Live with Steve Vizard from 1990-1992. A lot of Paul Grabowsky's time is spent composing and arranging for various projects. He has been commissioned by the Melbourne Symphony Orchestra, Opera Australia, the Queensland Music Festival, the Australian National Academy of Music, and by various other organisations. His work for the concert stage includes orchestral and chamber music, a song cycle and works for the Australian Art Orchestra. He has written three major stage works, and is currently working on a fourth one. In his large- scale works, Grabowsky integrates influences from many different kinds of music and musical cultures. Grabowsky has written the scores for over twenty feature films in Australia, the UK and US, including The Eye of the Storm and Last Orders (Fred Schepisi), Innocence (Paul Cox), and Shiner (John Irvin). Among the many other filmmakers he has worked with are Gillian Armstrong, Nadia Tass and Clara Law. His television credits include the series Phoenix and Janus and the Emmy-winningEmpire Falls. His works for the theatre include two operas and various multimedia works. He is the founder and artistic director of the Australian Art Orchestra, with which he tours both nationally and internationally. Recent AAO projects have concentrated on collaborations with traditional and contemporary indigenous performers, something which Paul passionately advocates. Grabowsky has his own website here. His early work for the film doesn't make his extensive list of works as a film composer here. (Below: Paul Grabowsky) Red Symons has a wiki here. He has subsequently had a much more electric career than Grabowsky after their collaboration, as shown by the short CV his agent provides here: A science graduate in computer programming and pure maths, Red Symons has established himself in the entertainment industry as musician, author, stage & screen performer, record producer, composer, columnist and, most recently, breakfast announcer on ABC radio 774, Melbourne. Red's theatrical flair and humour was apparent from his early days as guitarist with the band "Skyhooks" who swept onto the Australian music charts with their "Living in the 70's" anthem, and many hits including "Ego is not a dirty word", "Women in Uniform', "Blue Jeans" and "All My Friends are Getting Married". His popularity as a media personality, however, was evidenced during his years with the long-running national television program, "Hey Hey It's Saturday". The Hey Hey team enjoyed music mixed with spontaneous banter and fun'n'games. Paradoxically, Red became one of the shows most endearing performers despite being the heartless and sarcastic judge in the weekly "Red Faces" segment. There can be few performers who have appeared on Countdown with a number one record, Neighbours in its first week ever, escaped from theBig Brother house, lost a quarter of a million dollars on Who wants to be a Millionaire, been measured as Australia's smartest celebrity ( yes, it's an oxymoron) on The National IQ Test and written music for Blue Heelers, whilst contributing a regular column to The Age newspaper. In between all this he managed to fit in a number of stage shows that inevitably involved some sort of cross-dressing. Red also wrote the music for Australia 's first condom commercial. Popular on the corporate and arts speaking circuit, a regular on ABC TV's Einstein Factor, a judge on 7 Network's Australia's Got Talent, Red Symons can be heard Monday to Friday, 5.30am-7.45am on ABC radio 774. (ABC radio Melbourne, the breakfast shift was current as of March 2015). (Below: Red Symons, in showbiz Skyhooks mode 1975, posing with dummy in 1975, working the red faces gong, and in more posed later official mode). .
Load more

Recommended publications
  • Cashbox, International Bestsellers
    2 — cash box, international bestsellers Great Britain Japan TW LW TW LW — Stylistics - Avco — Cyril Shane 1 '1 Kokoronokori —Takashi Hosokawa — Columbia — Pub: JCM 1 5 I Can’t Give You Anything Gull Gull 2 7 Omoide Makura — Kyoko Kosaka — Aard Vark/Canyon — Pub: 2 1 Barbados — Typically Tropical — — — Rak — Chinnichap/Rak Yamaha Music 3 3 If You Think You Know — Smokey Akira — King — Pub: Watanabe 4 2 Give A Little Love — Bay City Rollers — Bell — Utopia/DJM 3 3 Shikuramen No Kaori — Fuse — Polydor — Pub: Fuji 5 4 Jive Talking — Bee Gees — RSO — Abigail/Slam 4 2 Yuudachi No Atode — Goro Noguchi Farewell — Roger Whittaker — EMI Tembo 5 4 Yasuragi — Toshio Kurosawa — Columbia — Pub: Nichion 6 20 The Last — 7 8 Delilah — Alex Harvey — Vertigo — Donna 6 6 Sasowarete Framenco — Hiromi Goh — CBS-Sony Pub: 8 7 It’s In His Kiss — Linda Lewis — Arista — Carlin Nichion — Downtown Bugiwugi 9 14 It’s Been So Long — George McCrae — Jayboy — Sunbury 7 5 Minatono Yooko Yokohama Yokosuka 10 11 Sherry — Adrian Baker — Magnet — KPM Band — Express/Toshiba — Pub: PMP 11 6 Sealed With A KiSs — Brian Hyland — ABC — DA 8 8 Junana No Natsu — Junko Sakurada — Victor — Pub: Sun 12 17 Blanket On The Ground — Billy Joe Spears — DA — Cambell 9 10 Itsuka Machide Attanara — Masatoshi Nakamura — Columbia — Connelly Pub: NTV 13 15 Dolly My Love — Moments — All Platinum — Sunbury 10 9 Natsuhiraku Seishun — Momoe Yamaguchi — CBS-Sony — Pub: 14 9 Tears On My Pillow — Johnny Nash — CBS — ATV Tokyo 15 12 Je T’Aime — Judge Dread — Cactus — S. Nernstein 11 11 Chikumagawa — Hiroshi Itsuki — Minoruphone/Tokuma — Pub: — David Cassidy — Sunbury — Warner Bros.
    [Show full text]
  • Annual Report 2009–10
    Annual report 2009–10 communicating | facilitating | regulating Annual report 2009–10 Requests and enquiries concerning reproduction and rights, and any enquiries arising from the contents of the report, should be addressed to: Manager Communications and Publishing Australian Communications and Media Authority PO Box 13112 Law Courts Melbourne Vic 8010 T (03) 9963 6800 F (03) 9963 6899 E [email protected] This report is available on the ACMA website at www.acma.gov.au/annualreport. © Commonwealth of Australia 2010. ISSN 1834-1519 This work is copyright. Apart from any use as permitted under the Copyright Act 1968, no part may be produced by any process without prior written permission from the Australian Communications and Media Authority. Contents 10 Chairman’s foreword 16 Highlights 17 Digital television 17 Public inquiry into customer service and complaints-handling 18 Cybersafety 18 Completion of review of the Children’s Television Standards 18 New codes of practice registered 19 Mobile premium services 19 Online content complaints 19 Do Not Call Register 20 Anti-spam activity 20 Investigations and enforcement action 21 Spectrum planning 21 International activities 21 Research and reporting 21 Conferences and events 22 Chapter 1: About the ACMA 23 Functions and responsibilities 24 Revenue collection 24 Structure 24 The Authority 25 About the Authority 27 Corporate structure 27 The ACMA restructure 28 Corporate governance 28 Strategic and business planning 28 Strategic planning 28 Corporate plan 28 Operating plan 29 Business planning
    [Show full text]
  • Press Release
    SKYHOOKS – DON’T YOU BELIEVE WHAT YOU’VE SEEN OR YOU’VE HEARD FESTIVAL/WARNER TO CELEBRATE 40 YEARS OF ‘HOOKS HYSTERIA' WITH DELUXE 3CD SET! SET FOR RELEASE - OCTOBER 30 1975. A momentous year in Australia. The Dismissal. Medibank. Double J. Countdown. Colour TV. and Skyhooks. Although ‘Living in the 70’s’ was released in October 1974 and was an instant smash, it only became clear the following year that Skyhooks were not only breaking both rules and records, but they were seriously breaking new ground as well. New ground as in new frontiers, as in taking the country to places it had never been before. As in changing the culture in a way that hadn’t happened seen since The Beatles visited the Antipodes 11 years earlier. Yes - Skyhooks were that different, and, in Australia in 1975, that ubiquitous. And after 16 weeks atop the national album charts with their first album (and 6 months in that spot in Victoria – hometown fans in Melbourne of course led the charge for the band), they released ‘Ego Is Not A Dirty Word’ in June and spent another 11 weeks there. Their success and their cultural impact was unprecedented for an Australian band. And make no mistake, they were a very Australian band – one who sung about Australian places (that weren’t Gundagai) and an Australian life that mainstream society had barely glimpsed, and one who were all of a sudden the biggest and brightest thing in a country that was undergoing some serious changes. While things inevitably tapered off slightly in ’76 as the band set its sights on the US, 1975 remains the year that Skyhooks peaked.
    [Show full text]
  • Hits of the 50'S
    HITS OF THE 70’S sorted by Artist This List is obviously not all the songs from this decade and comprises only a small percentage of our total music database, however based on internet research these are generally regarded as the most popular songs of the era. Feel free to compile a personal playlist across all the decades or add your own selections. SONG TITLE ARTIST Dreadlock Holiday 10CC I’m Not In Love 10CC Rubber Bullets 10CC The Things We Do For Love 10CC I’m On Fire 5000 Volts Chiquitita ABBA Dancing Queen ABBA Fernando ABBA I Do, I Do, I Do, I Do, I Do ABBA Knowing Me, Knowing You ABBA Mamma Mia ABBA Money, Money, Money ABBA Ring, Ring ABBA S.O.S. ABBA Take A Chance On Me ABBA Voulez Vous ABBA Waterloo ABBA Dirty Deeds Done Dirt Cheap ACDC High Voltage ACDC Highway to Hell ACDC It’s A Long Way To The Top ACDC T.N.T. ACDC Whole Lotta Rosie ACDC Come Together Aerosmith Sweet Emotion Aerosmith Walk This Way Aerosmith Love and Other Bruises Air Supply Let’s Stay Together Al Green Department of Youth Alice Cooper Only Women Bleed Alice Cooper School’s Out Alice Cooper I Love The Nightlife Alicia Bridges My Coo Ca Choo Alvin Stardust A Horse with No Name America Knock On Wood Amii Stewart More, More, More Andrea True Connection I Just Want To Be Your Everything Andy Gibb Am I Ever Gonna See Your Face Again Angels Shadow Boxer Angels Take A Long Line Angels Ring My Bell Anita Ward Rock Lobster B52’s Isn’t It Time Babys Yes Sir I Can Boogie Baccara Takin’ Care of Business Bachman Turner Overdrive You Ain’t Seen Nothin’ Yet Bachman Turner
    [Show full text]
  • NEWMEDIA Jocks’ Journal June 1-30,2021 “Australia’S Longest Running Radio Industry Publication” Lisa Barnes Departs 6PR After 13 Years
    Volume 33.No 11-12 NEWMEDIA Jocks’ Journal June 1-30,2021 “Australia’s longest running radio industry publication” Lisa Barnes Departs 6PR After 13 Years Postal Address: Lisa Barnes, 6PR News director has announced she is leaving PO Box 2363 the station.“Barnsy from the burbs” has worked in the news Mansfield BC Qld 4122 team for the last 13 years. “I am sad to be leaving the 6PR www.newmedia.com.au family and obviously all our beautiful listeners,” she said. Email: “But it’s a new chapter in my life and I am really looking [email protected] forward to what I do next. I’m going to a highly regarded PR company here in Perth, Profile Media.“ The mother of two Phone Contacts: - who is currently on maternity leave from her job as news Office: (07) 3422 1374 director — joined Gareth Parker on Breakfast to announce Mobile: 0407 750 694 her resignation from the station. Radio News Cameron Smith has signed with SEN. He will co-host the weekly There’s been another shake- show, ‘The Captain’s Run’, every up at Mix 102.3. Richie Wednesday at noon, alongside Wright has been moved on from retired NRL playerDenan Kemp. his role as content director. Each Thursday Smith will join Wright had been in the role Pat Welsh and Ian Healy on for Mix and Cruise 1323, SEN’s QLD ‘Breakfast with Pat which are both owned by ARN and Heals’, heard on 1053 (Australian Radio Network). He Brisbane, 1620 Gold Coast, and Sami Lukis has returned Editor & Assistant to returned from holidays to be across regional QLD on the SEN to radio.
    [Show full text]
  • A Beat for You Pseudo Echo a Day in the Life the Beatles a Girl Like
    A Beat For You Pseudo Echo A Day In The Life The Beatles A Girl Like You Edwyn Collins A Good Heart Feargal Sharkey A Groovy Kind Of Love Phil Collins A Hard Rain's A-Gonna Fall Bryan Ferry A Kind Of Magic Queen A Little Less Conversation Elvis vs JXL A Little Ray of Sunshine Axiom A Matter of Trust Billy Joel A Sky Full Of Stars Coldplay A Thousand Miles Vanessa Carlton A Touch Of Paradise John Farnham A Town Called Malice The Jam A View To A Kill Duran Duran A Whiter Shade Of Pale Procol Harum Abacab Genesis About A Girl Nirvana Abracadabra Steve Miller Band Absolute Beginners David Bowie Absolutely Fabulous Pet Shop Boys Accidentally In Love Counting Crows Achy Breaky Heart Billy Ray Cyrus Adam's Song Blink 182 Addicted To Love Robert Palmer Adventure of a Lifetime Coldplay Aeroplane Red Hot Chili Peppers Affirmation Savage Garden Africa Toto After Midnight Eric Clapton Afterglow INXS Agadoo Black Lace Against All Odds (Take A Look At Me Now) Phil Collins Against The Wind Bob Seger Age of Reason John Farnham Ahead of Myself Jamie Lawson Ain't No Doubt Jimmy Nail Ain't No Mountain High Enough Jimmy Barnes Ain't No Sunshine Bill Withers Ain't No Sunshine The Rockmelons feat. Deni Hines Alive Pearl Jam Alive And Kicking Simple Minds All About Soul Billy Joel All Along The Watchtower Jimi Hendrix All By Myself Eric Carmen All Fired Up Pat Benatar All For Love Bryan Adams, Rod Stewart & Sting All I Do Daryl Braithwaite All I Need Is A Miracle Mike & The Mechanics All I Wanna Do Sheryl Crow All I Wanna Do Is Make Love To You Heart All I Want
    [Show full text]
  • Whose House with Amanda Keller
    WHOSE HOUSE WITH AMANDA KELLER WHOSE HOUSE – KATE CEBERANO Amanda visits Melbourne’s Butterfly Club and is served by one of the most incompetent waitresses she’s ever met – singer Kate Ceberano. Kate is recreating her first job for Amanda but as customers Red Symons and Russell Gilbert discover its lucky she’s a great singer. FAST FACTS • Kate Ceberano is an Australian singing institution - over her 30 years in the industry, she has released 24 Albums, been a three-time ARIA Award Winner, with a staggering count of ten ARIA Award nominations, and racked up over twenty other awards and accolades. • Of her 24 albums 13 have gone gold or platinum. • She’s just been inducted into the Australian Songwriters Hall Of Fame – the first ever woman songwriter to be inducted. • Previous inductees include Don Walker, Vanda and Young, Richard Clapton and the Little River Band. • As a songwriter her biggest hit was the song “Pash” which went gold in 1998. • The first song Kate wrote was “Brave” the title track of her first album in 1988 and a hit single. • She came to public notice as a seventeen year old singer in the funk group I’m Talking who formed in 1983. • I’m Talking’s debut album Bear Witness went to 14 on the ARIA national charts spawning three hit singles. • She’s won Dancing With The Stars in 2007. • She also played Mary Magdalene in Jesus Christ Superstar alongside John Farnham and Jon Stevens in 1992. • Her first job was as a waitress when she was 15.
    [Show full text]
  • Gough Whitlam, Double J and the Youth Radio Revolution
    THE WHITLAM LEGACY A SERIES OF OCCASIONAL PAPERS PUBLISHED BY THE WHITLAM INSTITUTE VOL 4 | SEPTEMBER 2015 G O U G H W H I T L A M , DOUBLE J AND THE YOUTH RADIO REVOLUTION DR LIZ GIUFFRE Authored by Dr Liz Giuffre Dr Liz Giuffre is a Lecturer in Communication at the University of Technology Sydney. She works regularly in the national independent arts press as a journalist and commentator, including work as contributing editor for Metro Magazine, is a regular contributor to Critical Studies in Television, and occasional contributor for The Conversation. She is an honorary associate of the Centre for Media History, and an executive member of the Australia/New Zealand branch of the International Association for the Study of Popular Music. Her previous publications include a study of Sydney-based band The Whitlams and their use of Gough and Margaret Whitlam’s name as a marker of iconic Australian identity, as well as work on Australian music broadcasting with research projects completed on Countdown, Rage, Spicks and Specks, RocKwiz, Video Hits and SBS PopAsia. The author would like to thank former and current Double and Triple J staff for their assistance, including Chris Scaddan, Marius Webb, Nick Franklin, Ros Cheney, Gina McKeon and Dennis Altman, as well as ABC RN staff Jane Connors and Ian Coombe, and Brian Scales, Jeanne Baker and Bruce Johnson for their archival assistance. Sincere thanks also to the staff at The Whitlam Institute including Eric Sidoti, Sandra Stevenson and Amy Sambrooke, and the tireless efforts and support provided by Bridget Griffen-Foley and the Centre for Media History at Macquarie University.
    [Show full text]
  • Hyper-Heteromasculinity in 1970S Australian Popular Music Cultures
    ‘Sheilas and Pooftas’: Hyper-Heteromasculinity in 1970s Australian Popular Music Cultures Rebecca Hawkings Macquarie University In 1978, a letter writer to Rock Australia Magazine (RAM) wrote disparagingly of pop music’s ‘sheilas and pooftas’, and positioned them as the antithesis of ‘Aussie rock and roll.’1 The colloquial language employed by the letter writer reveals a deeper fear and loathing of non-masculine (‘sheila’) and non-heterosexual (‘poofta’) influences on Australian popular music culture. Indeed, gender and sexuality were two key ways by which ‘Australianness’ in popular music during the 1970s was recognised, and this article seeks to unpack and problematise those nationalising demarcations. Using the analytical framework of performative hyper-heteromasculinity (specifically, the ‘ocker’ identity and variations thereof), this article will critically engage with artists including Billy Thorpe and The Aztecs, Skyhooks, and The Angels, in order to better understand the complex nexus of gender, sexuality, and cultural nationalism that defined much of 1970s Australian popular music. Introduction In 1978, a letter writer to Rock Australia Magazine (RAM) wrote, At last Australia is coming up with some good recording artists. People like Midnight Oil, David Warner, the Angels, Cold Chisel etc. Not like this fuckin’ disco shit which is fit for sheilas and pooftas… There is Aussie rock and roll playing in the pubs these days.2 Colloquial language and slurs aside, the letter writer articulates an under-examined aspect of Australian popular music of the 1970s; namely, the demarcative role of gender and sexuality in ascribing ‘Australianness’ to music cultures. Indeed, the 1970s provide a fascinating example of the fear and loathing of the non-masculine (‘sheilas’) and non-heterosexual (‘pooftas’) in music cultures recognised as ‘Australian’.
    [Show full text]
  • Pride August 2018.Pdf
    Corio Bay Lions Club Geelong _ Lions Pride Chartered 1963 August 2018 Corio Bay Lions Club Geelong Zone 4, District 201 V2 Newsletter for Members, Family, Friends, Partners and Supporters. Full of information and good stuff! Serving the community for 55+ years. Secretary: Elaine Anderson President: Annaisse Novak Treasurer: Helen Bollenhagen The Club News Our Annual General meeting was incorporated into Already our new President, Lion Annaisse, has set her our 1st meeting of August. Being an Incorporated body mark and style upon our club, as do all Presidents. we need to fulfil our legal responsibilities. The steep learning curve of a new treasurer, Lion Hel- The first board meeting of this Lions year is to be held en, is greatly softened by the unstinting support of Thursday 23rd August. Great new board with a mixture past treasurer Lion Alan Dowler. of experienced Lions and with new Lions full of new Lion Elaine has quickly settled into the position of ideas. Always refreshing to engage with new ideas and club secretary, no surprise there. visions. The mail box, physical and electronic, has been con- The Geelong Eisteddfod is underway and the Lions stantly filling with information from LCI, District team assisting are doing a great job in support of this 201V2 and other clubs as well as external organisa- wonderful organisation. tions. There has been and will continue to be many The Geelong Show, Christmas cake sales and a Bunning calls on our club for assistance in a variety of ways. BBQ in October to raise some funds for ongoing com- Each request is carefully considered after due dili- mitments are just some of the commitments coming gence is given to the requesting organisation and or up in the next few months.
    [Show full text]
  • Sf Commentary 87
    SF COMMENTARY 87 April 2014 80 pages MICHAEL BISHOP FEATURE: MICHAEL BISHOP PAUL DI FILIPPO CONTRIBUTORS: Doug Barbour Greg Benford Larry Bigman Michael Bishop Ned Brooks Jennifer Bryce Jason Burnett Stephen Campbell Cy Chauvin Peggyann Chevalier Gian Paolo Cossato Paul Di Filippo Brad Foster Ditmar (Dick Jenssen) Leigh Edmonds Brad Foster Bruce Gillespie Steve Jeffery Jerry Kaufman Rick Kennett Carol Kewley David Lake Dave Langford Fred Lerner Patrick McGuire Tim Marion DJ Frederick Moe Murray Moore Richard Mordern Ian Nichols Lloyd Penney Gillian Polack Mark Plummer Yvonne Rousseau Guy Salvidge Steve Sneyd Milt Stevens Steve Stiles Joe Szabo Tim Train Taral Wayne Robyn Whiteley Martin Morse Wooster Pete Young Cover: Steve Stiles SF COMMENTARY 87 April 2014 80 pages SF COMMENTARY No. 87, April 2014, is edited and published in a limited number of print copies by Bruce Gillespie, 5 Howard Street, Greensborough, VIC 3088, Australia. Phone: 61-3-9435 7786. Preferred means of distribution .PDF file from eFanzines.com: Portrait edition (print equivalent) or Landscape edition (widescreen): http://efanzines.com or from my email address: [email protected]. Front cover: Steve Stiles: ‘Night Flight’. Back cover: Carol Kewley: ‘Venus’. Artwork: Brad Foster (p. 43); Joe Szabo (pp. 47, 48); Gian Paolo Cossato (p. 56); Dino Battaglio (p. 57). Photographs: Helena Binns (p. 3); Richard Mordern (pp. 5, 6); Bruce Gillespie (p. 7); The Age (p. 11); Murray Moore (p. 55); Jeff Kleinbard (p. 73). 14 MICHAEL BISHOP FEATURE 43 FIRST, THE LETTERS ... 14 Unaimed
    [Show full text]
  • Songs by Artist
    Nice N Easy Karaoke Songs by Artist Bookings - Arie 0401 097 959 10 Years 50 Cent A1 Through The Iris 21 Questions Everytime 10Cc Candy Shop Like A Rose Im Not In Love In Da Club Make It Good Things We Do For Love In Da' Club No More 112 Just A Lil Bit Nothing Dance With Me Pimp Remix Ready Or Not Peaches Cream Window Shopper Same Old Brand New You 12 Stones 50 Cent & Olivia Take On Me Far Away Best Friend A3 1927 50 Cents Woke Up This Morning Compulsory Hero Just A Lil Bit Aaliyah Compulsory Hero 2 50 Cents Ft Eminem & Adam Levine Come Over If I Could My Life (Clean) I Don't Wanna 2 Pac 50 Cents Ft Snoop Dogg & Young Miss You California Love Major Distribution (Clean) More Than A Woman Dear Mama 5Th Dimension Rock The Boat Until The End Of Time One Less Bell To Answer Aaliyah & Timbaland 2 Unlimited 5Th Dimension The We Need A Resolution No Limit Aquarius Let The Sun Shine In Aaliyah Feat Timbaland 20 Fingers Stoned Soul Picnic We Need A Resolution Short Dick Man Up Up And Away Aaron Carter 3 Doors Down Wedding Bell Blues Aaron's Party (Come And Get It) Away From The Sun 702 Bounce Be Like That I Still Love You How I Beat Shaq Here Without You 98 Degrees I Want Candy Kryptonite Hardest Thing The Aaron Carter & Nick Landing In London I Do Cherish You Not Too Young, Not Too Old Road Im On The Way You Want Me To Aaron Carter & No Secrets When Im Gone A B C Oh, Aaron 3 Of Hearts Look Of Love Aaron Lewis & Fred Durst Arizona Rain A Brooks & Dunn Outside Love Is Enough Proud Of The House We Built Aaron Lines 3 Oh 3 A Girl Called Jane Love Changes
    [Show full text]