Wooster, OH), 1974-05-10 Wooster Voice Editors
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Sweet and Dirty a Collaboration of Sweet Brenda and Dirty Red Band Bios
Sweet and Dirty A collaboration of Sweet Brenda and Dirty Red Band Bios When Dirty Red – Eric McDaniel – leader of modern day powerhouse band, Dirty Red and the Soul Shakers invited legendary Oklahoma Blues Singer, Sweet Brenda – Bren Severson – on stage the first time to sit in with the band, a lightning bolt of electricity melded them together and shot their sound and energy into an unsuspecting blues audience that soaked it up like fireball whiskey on freaky Saturday night. From that moment this energetic collaboration has caused quite a stirring in the blues scene. Both musicians have made a name for themselves across the blues nation with experience and expertise that speaks for itself. When all of that is combined with the background and expertise of the rest of the band, a stage full of all-stars is born. Besides the giant personalities of Dirty Red and Sweet Brenda, the scary tight rhythm section of Cliff the “Iron Man” Belcher and Forrest Worrell, both of Watermelon Slim and the Workers fame, and the lonesome but ripping tasty blues guitar of Big Robb Hibbard, former lead for Miss Blues and the Blue Notes, put the icing on the cake. Add to all of that, the fact that Dirty Red and Sweet Brenda both write all the songs with soulful and pertinent lyrics written for all people, and a jolting beat that never stops, the dance floor is full and crazy, the room is packed with a punch of energy and the blues appetite is wildly satisfied. Sweet and Dirty is a collaboration of blues monsters bragging over 130 years of performance altogether culminating into this fabulous high- energy show. -
Good Vibrations Sessions. from Came Our Way on Cassette from California, and We “Unsurpassed Masters Vol
Disc 2 231. George Fell Into His French Horn 201. Good Vibrations Sessions The longest version yet heard, and in stereo. This Tracks 1 through 28 - Good Vibrations Sessions. From came our way on cassette from California, and we “Unsurpassed Masters Vol. 15”, but presenting only the last, digitally de-hissed it. best and most complete attempt at each segment. 232. Vegetables (Alternate lyric and arrangement) Track 202. Good Vibrations Sessions Another track from the California cassettes. This Track 203. Good Vibrations Sessions version has significant lyric and arrangement Track 204. Good Vibrations Sessions differences. Track 205. Good Vibrations Sessions Track 206. Good Vibrations Sessions 233. Surf’s Up Sessions Track 207. Good Vibrations Sessions While not full fidelity, this has the best sound yet, Track 208. Good Vibrations Sessions and a bit of humorous dialogue between Brian Track 209. Good Vibrations Sessions Wilson and session bassist Carol Kaye. From the Track 210. Good Vibrations Sessions California cassetes, and now digitally de-hissed. Track 211. Good Vibrations Sessions Track 212. Good Vibrations Sessions 234. Wonderful Track 213. Good Vibrations Sessions Beach Boys incomplete vocal attempt. Track 214. Good Vibrations Sessions Track 215. Good Vibrations Sessions 235. Child is Father to The Man Track 216. Good Vibrations Sessions Beach Boys incomplete vocal attempt. Tracks 234 Track 217. Good Vibrations Sessions and 235 are from the Japanese “T-2580” “Smile” Track 218. Good Vibrations Sessions bootleg and now digitally de-hissed. Track 219. Good Vibrations Sessions Track 220. Good Vibrations Sessions 236. Heroes & Villains Part Two (Original mono Track 221. Good Vibrations Sessions mix) Track 222. -
Us Presse-Schau
Media Information im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] US PRESSE-SCHAU http://www.rollingstone.com/music/news/beach-boys-to-officially-release-long-incomplete-album-smile-this- year-20110311 Beach Boys to Officially Release Long-Incomplete Album 'Smile' This Year Recordings will be sold as double CD and box set Kent Gavin/Hulton Archive/Getty Capitol Records have announced that they will be releasing the Beach Boys' lost, incomplete album Smile later this year. Smile was originally planned as the follow-up to the band's 1966 classic Pet Sounds, but the material was mostly abandoned due to creative mastermind Brian Wilson's fragile mental health at the time. Though no release date has been set, the official release of Smile will be sold as a two-CD set and as a deluxe box set including four CDs, two vinyl LPs, two vinyl singles and a 60-page hardbound book penned by Beach Boys historian Dominic Priore. The final track listing has not been announced, but disc one of the CD set and the first three sides of the vinyl edition will contain a close approximation of the Smile album, with the remainder collecting outtakes and alternate versions from the sessions. The Smile sessions have been widely bootlegged among fans for decades, but the proper track listing for the album has never been established, largely due to the fact that the record was never completed as intended. According to engineer Mark Linett, Brian Wilson's 2004 version of Smile has been used as the template for this project, though it could turn out a bit different depending on input from Wilson and the surviving members of the group. -
NDR Kultur NDR Kultur Neo Musikprogramm Am 19.06.2021 23:00 Bis 24:00 Uhr Von Und Mit Hendrik Haubold
NDR Kultur NDR Kultur Neo Musikprogramm am 19.06.2021 23:00 bis 24:00 Uhr Von und mit Hendrik Haubold Titel Länge Komponist Interpret CD-Titel Slip On Through 2:20 Dennis Wilson/Gregg The Beach Boys Feel Flows Jakobson Good Vibrations 3:38 Brian Wilson/ Mike The Beach Boys Smiley Smile Love Sundown 3:37 Hannah Jadagu Hannah Jadagu What is going on? Bleep Bloop 3:46 Jadagu Jadagu What is going on? Mr Updike 3:20 Gary Louris Gary Louris Jump for Joy White Squirrel 3:38 Gary Louris Gary Louris Jump for Joy Malaise de Falaise 3:25 Martha Wainwright Martha Wainwright Love Will Be Reborn Seasons 3:17 Jon Middleton Jon and Roy Know Your Mind Nothing Brings Me 3:56 Emiliana Torrini Emiliana Torrini Fisherman's Woman Down Fireheads 3:44 Emiliana Torrini Emiliana Torrini Me And Armini Long Promised Road 3:34 Jack Rieley/Carl Wilson The Beach Boys Feel Flows Don't Go Near The 2:43 Mike Love/Al Jardine The Beach Boys Feel Flows Water Surf's Up 4:12 Brian Wilson/Van Dyke The Beach Boys Feel Flows Parks What'll I Do 12:00 Irving Berlin Charlie Haden & Brad Long Ago And Far Away Mehldau Door Maverick 3:35 Howe Gelb Howe Gelb & A Band of Alegrías Gypsies Uneven Light of Day 3:33 Howe Gelb Howe Gelb & A Band of Alegrías Gypsies More Exes 4:20 Aarich Jespers/ Howe Colorist Orchestra & Not on the map Gelb / Jo Francken / Howe Gelb feat.Pieta Kobe Proessmans Brown That Great Pacific 3:42 Todd Snider Todd Snider First Agnostic Garbage Patch Turn Me Loose (I'll 3:45 Todd Snider Todd Snider First Agnostic Never Be The Same) Oh God, Where Are You 9:24 Sufjan Stevens Sufjan Stevens Greetings From Now? (In Pickerel Lake? Michigan - The Great Pigeon? Marquette? Lake State Mackinaw?) New Star 3:05 Andrew Marlin Watchhouse Beautiful Flowers Our Sweet Love 2:41 Brian Wilson/Al The Beach Boys Feel Flows Jardine/Carl Wilson Cool, Cool Water 5:05 Mike Love/Brian Wilson The Beach Boys Feel Flows There 3:19 JW Francis JW Francis We share a similar joy Salute to the Sun 11:02 Matthew Halsall Matthew Halsall Salute to the Sun . -
Pacific Ocean Blue Bambu
Dennis Wilson - Pacific Ocean Blue Produced by Dennis Wilson & Gregg Jakobson Released August 22, 1977 - Caribou PZ 34354 (CBS) Pacific Ocean Blue - Legacy Edition Originial Recordings Produced by Dennis Wilson & Gregg Jakobson Bonus Tracks Produced by Dennis Wilson, John Hanlon & Gregg Jakobson Executive Producer: James William Guercio Released June 17, 2008 - Caribou/Epic/Legacy 88697-07916-2 (Sony/BMG) Disc One Dennis Wilson had always been considered the quintessential "Beach Boy": not in a musical sense (that, of course, was Brian), but in a lifestyle sense. His love of surfing inspired the others to adopt the image that launched the band, and his further adventures in the worlds of fast cars, fast bikes, and fast women continued to fuel the imagination and song catalog of his older brother and cousin. But in the first five or six years of their career, his musical contributions were limited to drumming and singing backup (and sometimes not even that), with an occasional lead vocal opportunity (either covers of other artists or new songs that Brian and Mike would throw his way). However, with Brian Wilson's retreat from full artistic control of the band in 1967, the other members (Dennis included) began to be relied upon more and more for compositional and production efforts. Dennis' first contributions in this respect appear on the 1968 Friends album, and would continue over the next five years; tunes like "Little Bird", "Be With Me", "Celebrate The News", and "Forever" were highlights of the late '60s-early '70s Beach Boys era. In order for Dennis to evolve musically into something more than "just the fun-loving playboy drummer", he needed to master a melodic/chordal instrument well enough to compose on it. -
January 29- 1973.Pdf
Vol 10 No. 1 York College of the City University of New YorkN Jamaica-Bayside January 29,1973 Urban Center Robbed King Park to be Closed? by Adele Zylber had been first discovered on by Gabriel Ceron Saturday morning when the center The Urbar Center was was opened for classes. "I im- Rufus King Park may be closed burglarized sometime during the mediately notified the police of the during the remaining of the winter night of Friday, January 5. The 203rd precinct," he stated. as a result of a suspicious fire items taken were two large electric When Detective Partland which destroyed the front steps of typewriters and some stereo-radio arrived, the only clue to be found King Mansion on January 17. equipment. Mr. Elias Page, was a broken knife blade lying on Employees of the park said that Assistant to the Director of the the floor of room 215. Mr. Page, teenagers congregate in the heated Urban Center, who informed the who is now working in close comfort station during the winter police of the robbery, is now cooperation with the police, stated, months and were seen on the steps working closely with Detective "This is the fourth time the of the mansion just before the fire. Mickey Partlard of the 16th building has been ripped off. In The damage at the Colonial Division burglar squad of the each instance, when we have been Mansion was held down con- 103rd precinct and Mr. Ricardo burglarized, it has happened at siderably, as the blaze was spotted Santiago, Chief of Security at night or over a weekend period." quickly by a nearby group of York. -
Pic.Plot by Example
pic.plot by Example Hans Peter Wolf December 23, 2016 Contents 1 The first example 2 2 A single frequency as input 3 3 Grouping by coloring pictograms 7 4 Grouping by different pictogram elements 12 5 Layouts for placing pictogram elements 17 6 Simple xy-groupings of the pictograms 20 7 Multiple xy-groupings 28 8 Data Input and Transformations 38 9 Panels proportional to frequencies 43 10 Larger units and fractional numbers 51 11 Negative frequencies 59 12 Raster and PPM Graphics 62 13 Picture Generating Functions 71 14 Graphical Add-ons for Pictogram Plots 82 15 Built-in generating pictograms 89 16 Different Color and Pictogram Legends 94 1 1 THE FIRST EXAMPLE 2 1 1 The first example 2 Here is the first example. 1 > margin.table(Titanic/10, 2:1)[2:1,] Class Sex 1st 2nd 3rd Crew Female 14.5 10.6 19.6 2.3 Male 18.0 17.9 51.0 86.2 3 This is a margin table of the data set Titanic divided by 10. Let's call pic.plot() and study 4 the result. 2 > pic.plot(data = Titanic/10, grp.color = Survived) pictogram plot of Titanic/10 Female Sex Male 1st 2nd 3rd Crew Class Survived No Yes 5 6 Remarks: pic.plot() constructs graphical representations of contingency tables or data matrices. 7 In this example the first two variables of the table Titanic/10 are used to span the plotting area 8 of the pictogram plot. Each of the eight resulting panels of the plot visualizes a cells of the table 9 printed above. -
Observation & Comprehension Quiz 1. What Is the Crowd Doing in the Opening Scene?
THE RUTLES in ALL YOU NEED IS CASH (Part 1: http://www.youtube.com/watch?v=Fu3T_2GzXSo) Observation & Comprehension Quiz 1. What is the crowd doing in the opening scene? Why? ……..……………………..……………… ……..……………………..……………………..……..……………………..……………………………. 2. What are the Rutles doing after their arrival at the airport? Why? ……………………………. ……..……………………..……………………..……..……………………..……………………………. 3. (1:11) What can you read on the back of the van? ………………..……………………………. 4. (1:26) What does the car registration number say? ………………..……………………………. 5. (1:35) Name the venue (=place) in Liverpool where the Rutles first played? …………….. 6. (1:39) What is the nickname of the Rutles? ………………..……………………….…………. 7. Complete the table with the full names of the Rutle members: Rutle member Styled after Beatle member Played by the actor John Lennon Neil Innes Paul McCartney Eric Idle George Harrison Ricky Fataar Richard Starkey John Halsey Nickname: Nickname: Ringo Starr th (=The 5 Rutle) Stuart Sutcliffe (=The 5th Beatle) Ollie Halsall 8. (1:50) What is the name of the Rutles’ manager? ………..……………………….…………. 9. Where did he discover them? ………………..………………………….………….…………. 10. How long did it take to record their 1st album? ………………………….………….…………. 11. (1:59) And their 2nd album? ………………………….………….……………………….………. 12. The reporter goes on to explain what his documentary (“mockumentary”) is about by saying : “Tonight we examine the ………… of the Rutles, we look at their …………, their …………, their ………… We ………… some of the ………… that ………… them what they are ………… And we shall also be ………… some of the people who …………with them whether they were really the ………… people they were made out to be. We shall be asking many people who ………… them what they ………… ………… …………(…)” 13. (2:20) Where are the Rutles probably playing? ….………….……………………….………. 14. -
Blues Notes August 2012
Volume SeVenteen, number eight • AuguSt 2012 Come join us for 3 days of delicious, mouth watering barbecue and entertainment on the beautiful grounds of Stinson Park at Aksarben Village! FREE ADMISSION! FREE PARKING! FREE MUSIC! Our inaugural family-oriented event will feature nationally renowned professional Saturday, August 11th McKenna’s rib cooking crews, each bringing you a unique style of barbecue and fixins! will host an all day Blues, Booze THURSDAY AUGUST 16 and BBQ party at the bar. The Back 5:00 ~ Blues Ed - Blues Dilemma • 6:00 ~ Blues Ed - Crimson Dawn Alley Blues Band, as well as many 8:00-10:30 ~ BlueHouse & The Rent To Own Horns Blues Ed bands will take the stage thoughout the day. FRIDAY AUGUST 17 5:00-6:30 ~ Chad Lee • 7:00-8:30 ~ Collective Twang • 9:00-10:30 ~ Tami Hall Also August 11th, The OK Sisters will make a rare appearance in SatURDAY AUGUST 18 the area at Heartland Cafe! For 11:00 ~ Blues Ed - What Happened? • 12:00 ~ Blues Ed - Us & Them • 1:00 ~ Blues Ed - Mojo Bag • 3:00-4:30 ~ Lou Deluca a complete concert series lineup 5:00-6:30 ~ The Pounders • 7:00-8:30 - Little Joe & Big Trouble • 9:00-10:30 ~ Brad Cordle please visit heartlandcafe.net Blues Society Of Omaha Presents: THE JOHNSEN BROTHERS RETURN! CAROLYN Friday, August 3rd WONDERLAND The Heartland Cafe, 8pm • 2615 North Main, Elkhorn Tuesday, August 28th - 5pm The Waiting Room Advanced tickets on sale at etix.com THE ALLMAN BROTHERS BAND The Bluesmasters Concert Featuring The Allman Brothers Band and Master of Ceremonies, Mick Fleetwood When: Friday, August 31, 2012 @ 6 p.m. -
Spotswood Music Credits
Music composed by Ricky Fataar (cast) "Cicadas" Billy Baxter & The Hollowmen Music Arranged & Produced by Chong Lim Music Recorded & Mixed by Don Miller-Robinson Music Co-Ordinator Chris Gough "Catch the Wind” (D Leitch) Performed by Donovan Courtesy of Castle Communications Published by Southern Music Publishing Company "Deep in the Heart of Texas" (Herschey/Swandler) Performed by the Geoff Love Banjos Courtesy of EMI Records Published by Southern Music Publishing Company "Hey Baby" (B Channel/M Cobb) Performed by the La De Das Courtesy of Zodiac Records Published by J Albert & Son "The Loved One" (Lovett/Clyne/Humphreys) Performed by The Loved Ones Courtesy of Mushroom Records Published by Mushroom Music "Sick and Tired" (Kenner/Bartholomew) Performed by Billy Thorpe Courtesy of Albert Productions Published by J Albert & Son "Who Wants to be a Millionaire" (Cole Porter) Performed by Bruno Lawrence Published by Warner Chappell Music CD Release: A CD was released of the soundtrack for the film. This is now very rare, suggesting not many copies were sold in the day. CD Picture This Records PTR1 1992 Original Music Composed by Ricky Fataar (Capuccino Music) Produced and arranged by Chong Lim Recorded and mixed by Don Miller-Robinson at the Chinese Laundry Studios, Sydney Soundtrack co-ordination: Chris Gough, Mana Music Catch The Wind (Leitch) Vocals: Donovan (Peer Southern Music), courtesy of Castle Communications The Loved One (Lovett/Clyne/Humphries) Vocals: The Loved Ones (Mushroom), courtesy of Polygram Records Hey Baby (Channel/Cobb) Vocals: La De Das (Alberts), courtesy of Zodiac Records Sick And Tired (Bartholomew/Kenner) Vocals: Billy Thorpe (Alberts), courtesy of Albert Productions Spotswood Durmack’s Factory Midnight Sad Theme Slot-Car Race Pentimento + Drivin’ And Jivin’ Seduction Spotswood Orchestral Canteen Strut In The Rain Bicycle Race Spotswood Reprise Lyrics: Head credits: A truly terrible rendition of the traditional House of the Rising Sun runs over the head credits, performed by Billy Baxter and the Hollowmen. -
SURF MUSIC by Geoffrey Himes
SURF MUSIC By Geoffrey Himes It often seems that the United States is a pool table that has been tilted so all its hopes and dreams roll to the west. Whenever Americans want a new and better life, they head toward the setting sun. Whether it was the white-canvas covered wagons of the 1850s, the rusty Okie jalopies of the 1930s or the painted hippie vans of the 1960s, the direction is always westward—and eventually they collect in the pool table’s corner pocket known as Southern California. When Chuck Berry went chasing after his imagined utopia in the song “Promised Land," where did he end up? Los Angeles. Thousands of Hollywood movies had advertised Southern California as a nirvana of palm trees, sunshine, beautiful girls and beautiful boys, convincing folks from Oklahoma, Kansas and Ohio to pack up and move to the coast. By the end of the 1950s, the area around L.A. was full of almost as many transplanted Midwesterners as native Californians. The natives knew the region was no utopia, but the first and second-generation immigrants, these strangers in paradise, still clung to the notion of America’s western edge as the place where their dreams might come true. The teens and twentysomethings in these families—too young and too new to the West Coast to be disillusioned— turned that utopian impulse into a new kind of rock'n'roll: surf music. Brian, Dennis and Carl Wilson, whose father and mother had moved to California from Kansas and Minnesota respectively, formed the Beach Boys. -
A Face with a View Cassie S
Washington University in St. Louis Washington University Open Scholarship Graduate School of Art Theses Graduate School of Art Spring 5-16-2014 A Face with a View Cassie S. Jones Washington University in St. Louis, [email protected] Follow this and additional works at: https://openscholarship.wustl.edu/samfox_art_etds Part of the Art and Design Commons Recommended Citation Jones, Cassie S., "A Face with a View" (2014). Graduate School of Art Theses. ETD 16. https://doi.org/10.7936/K77H1GG1. This Thesis is brought to you for free and open access by the Graduate School of Art at Washington University Open Scholarship. It has been accepted for inclusion in Graduate School of Art Theses by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. Washington University in St. Louis Graduate School of Art A FACE WITH A VIEW * * * By Cassie Jones A thesis presented to the Sam Fox School of Design and Visual Arts of Washington University in St. Louis in partial fulfillment of the requirement for the degree of Master of Fine Arts Graduate Committee: Richard Krueger Lisa Bulawsky Carmon Colangelo John Sarra Monika Weiss May 2014 Abstract This thesis serves to examine my practice as a visual artist. In its contents I consider both the internal image and the external image and the constant negotiation that happens between these two sets of images. What comes to represent the internal is my own image, in particular, my face . What comes to represent the external are prevailing images of socially idealized beauty.