The Dark Insurrection: Supremacismo Meltdown
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By Anne-Sophie Adelys
by Anne-Sophie Adelys © Anne-Sophie Adelys - 2013 - www.adelys.co.nz © Anne-Sophie Adelys - 2013 - www.adelys.co.nz 3 © Anne-Sophie Adelys - 2013 - www.adelys.co.nz © Anne-Sophie Adelys - 2013 - www.adelys.co.nz My name is Anne-Sophie Adelys. I’m French and have been living in New Zealand since 2001. I’m an artist. A painter. Each week I check “The Big idea” website for any open call for artists. On Saturday the 29th of June 2013, I answered an artist call titled: “Artist for a fringe campaign on Porn” posted by the organisation: The Porn Project. This diary documents the process of my work around this project. I’m not a writer and English is not even my first language. Far from a paper, this diary only serves one purpose: documenting my process while working on ‘The Porn Project’. Note: I have asked my friend Becky to proof-read the diary to make sure my ‘FrenchGlish’ is not too distracting for English readers. But her response was “your FrenchGlish is damn cute”. So I assume she has left it as is… © Anne-Sophie Adelys - 2013 - www.adelys.co.nz 4 4 © Anne-Sophie Adelys - 2013 - www.adelys.co.nz The artist call as per The Big Idea post (http://www.thebigidea.co.nz) Artists for a fringe campaign on porn 28 June 2013 Organisation/person name: The Porn Project Work type: Casual Work classification: OTHER Job description: The Porn Project A Fringe Art Campaign Tāmaki Makaurau/Auckland, Aotearoa/New Zealand August, 2013 In 2012, Pornography in the Public Eye was launched by people at the University of Auckland to explore issues in relation to pornography through research, art and community-based action. -
Touchstones of Popular Culture Among Contemporary College Students in the United States
Minnesota State University Moorhead RED: a Repository of Digital Collections Dissertations, Theses, and Projects Graduate Studies Spring 5-17-2019 Touchstones of Popular Culture Among Contemporary College Students in the United States Margaret Thoemke [email protected] Follow this and additional works at: https://red.mnstate.edu/thesis Part of the Higher Education and Teaching Commons Recommended Citation Thoemke, Margaret, "Touchstones of Popular Culture Among Contemporary College Students in the United States" (2019). Dissertations, Theses, and Projects. 167. https://red.mnstate.edu/thesis/167 This Thesis (699 registration) is brought to you for free and open access by the Graduate Studies at RED: a Repository of Digital Collections. It has been accepted for inclusion in Dissertations, Theses, and Projects by an authorized administrator of RED: a Repository of Digital Collections. For more information, please contact [email protected]. Touchstones of Popular Culture Among Contemporary College Students in the United States A Thesis Presented to The Graduate Faculty of Minnesota State University Moorhead By Margaret Elizabeth Thoemke In Partial Fulfillment of the Requirements for the Degree of Master of Arts in Teaching English as a Second Language May 2019 Moorhead, Minnesota iii Copyright 2019 Margaret Elizabeth Thoemke iv Dedication I would like to dedicate this thesis to my three most favorite people in the world. To my mother, Heather Flaherty, for always supporting me and guiding me to where I am today. To my husband, Jake Thoemke, for pushing me to be the best I can be and reminding me that I’m okay. Lastly, to my son, Liam, who is my biggest fan and my reason to be the best person I can be. -
Snuff Boxing: Revisiting the Snuff Coda | Cinephile: the University of British Columbia S Film Journal
13/03/2012 Snuff Boxing: Revisiting the Snuff Coda | Cinephile: The University of British Columbia’s Film Journal You are here: Home » Archives » Volume 5 No. 2: The Scene » Snuff Boxing: Revisiting the Snuff Coda SNUFF BOXING: REVISITING THE SNUFF CODA Alexandra Heller-Nicholas Snuff (Findlay/Nuchtern, 1976) might not be the ‘best’ film produced in the Americas in the 1970s, but it may be the decade’s most important ‘worst’ film. Rumoured to depict the actual murder of a female crewmember in its final moments, its notoriety consolidated the urban legend of snuff film. The snuff film legacy has manifested across a broad range of media, from fictional snuff narratives like Vacancy (Nimród Antal, 2007) and 8mm (Joel Schumacher, 1999), to purportedly real snuff footage distributed online and through mobile phones. Despite Snuff’s status as a unique trash artefact, the suddenness with which the controversy exploded into the public arena allowed it very little time for a ‘micro’ analytical moment.[1] The snuff film enigma was so intoxicatingly extra-diegetic that it instantly transcended the nuts-and-bolts details of the film itself. The shocking impact of those final five minutes appeared to render close analysis unnecessary: Snuff, like snuff, was predicated upon a hyperactive theatricality of ambiguity, rumour and moral panic. cinephile.ca/archives/volume-5-no-2-the-scene/snuff-boxing-revisiting-the-snuff-coda/ 1/9 13/03/2012 Snuff Boxing: Revisiting the Snuff Coda | Cinephile: The University of British Columbia’s Film Journal The power inherent in the word “snuff” is dependent upon its vagueness; its enigmatic force stems directly from its nebulousness as a concept. -
COVID-19: How Hateful Extremists Are Exploiting the Pandemic
COVID-19 How hateful extremists are exploiting the pandemic July 2020 Contents 3 Introduction 5 Summary 6 Findings and recommendations 7 Beliefs and attitudes 12 Behaviours and activities 14 Harms 16 Conclusion and recommendations Commission for Countering Extremism Introduction that COVID-19 is punishment on China for their treatment of Uighurs Muslims.3 Other conspiracy theories suggest the virus is part of a Jewish plot4 or that 5G is to blame.5 The latter has led to attacks on 5G masts and telecoms engineers.6 We are seeing many of these same narratives reoccur across a wide range of different ideologies. Fake news about minority communities has circulated on social media in an attempt to whip up hatred. These include false claims that mosques have remained open during 7 Since the outbreak of the coronavirus (COVID-19) lockdown. Evidence has also shown that pandemic, the Commission for Countering ‘Far Right politicians and news agencies [...] Extremism has heard increasing reports of capitalis[ed] on the virus to push forward their 8 extremists exploiting the crisis to sow division anti-immigrant and populist message’. Content and undermine the social fabric of our country. such as this normalises Far Right attitudes and helps to reinforce intolerant and hateful views We have heard reports of British Far Right towards ethnic, racial or religious communities. activists and Neo-Nazi groups promoting anti-minority narratives by encouraging users Practitioners have told us how some Islamist to deliberately infect groups, including Jewish activists may be exploiting legitimate concerns communities1 and of Islamists propagating regarding securitisation to deliberately drive a anti-democratic and anti-Western narratives, wedge between communities and the British 9 claiming that COVID-19 is divine punishment state. -
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A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/110900 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications THE BRITISH LIBRARY BRITISH THESIS SERVICE COPYRIGHT Reproduction of this thesis, other than as permitted under the United Kingdom Copyright Designs and Patents Act 1988, or under specific agreement with the copyright holder, is prohibited. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. REPRODUCTION QUALITY NOTICE Th e quality of this reproduction is dependent upon the quality of the original thesis. Whilst every effort has been made to ensure the highest quality of reproduction, some pages which contain small or poor printing may not reproduce well. Previously copyrighted material (journal articles, published texts etc.) is not reproduced. THIS THESIS HAS BEEN REPRODUCED EXACTLY AS RECEIVED FLATLINE CONSTRUCTS: GOTHIC MATERIALISM AND CYBERNETIC THEORY-FICTION Mark Fisher Presented for the degree of Doctor of Philosophy Department of Philosophy University of Warwick July 1999 Numerous Originals in Colour Abstract FLATLINE CONSTRUCTS: GOTHIC MATERIALISM AND CYBERNETIC THEORY- FICTION Cyberpunk fiction has been called “the supreme literary expression, if not of postmodernism then of late capitalism itself.” (Jameson) This thesis aims to analyse and question this claim by rethinking cyberpunk Action, postmodernism and late capitalism in terms of three - interlocking - themes: cybernetics, the Gothic and fiction. -
Identity & In-Group Critique in James Mason's Siege
A Paler Shade of White: Identity & In-group Critique in James Mason’s Siege J.M. Berger RESOLVE NETWORK | April 2021 Racially and Ethnically Motivated Violent Extremism Series https://doi.org/10.37805/remve2021.1 The views expressed in this publication are those of the author. They do not necessarily reflect the views of the RESOLVE Network, the U.S. Institute of Peace, or any entity of the U.S. government. CONTENTS EXECUTIVE SUMMARY ......................................................................................... 1 INTRODUCTION ...................................................................................................... 2 HISTORY AND CONTEXT ...................................................................................... 4 METHODOLOGY: LINKAGEBASED ANALYSIS ............................................... 6 OVERVIEW OF CONTENT ..................................................................................... 7 INGROUP CRISIS: A PALER SHADE OF WHITE .............................................13 INGROUPS IN CRISIS ........................................................................................20 THE OUTGROUP IN THE INGROUP ...............................................................23 CONCLUSION: INSIGHTS & RECOMMENDATIONS .....................................25 BIBLIOGRAPHY .....................................................................................................28 EXECUTIVE SUMMARY Discussions of extremist ideologies naturally focus on how in-groups criticize and attack out-groups. But -
How White Supremacy Returned to Mainstream Politics
GETTY CORUM IMAGES/SAMUEL How White Supremacy Returned to Mainstream Politics By Simon Clark July 2020 WWW.AMERICANPROGRESS.ORG How White Supremacy Returned to Mainstream Politics By Simon Clark July 2020 Contents 1 Introduction and summary 4 Tracing the origins of white supremacist ideas 13 How did this start, and how can it end? 16 Conclusion 17 About the author and acknowledgments 18 Endnotes Introduction and summary The United States is living through a moment of profound and positive change in attitudes toward race, with a large majority of citizens1 coming to grips with the deeply embedded historical legacy of racist structures and ideas. The recent protests and public reaction to George Floyd’s murder are a testament to many individu- als’ deep commitment to renewing the founding ideals of the republic. But there is another, more dangerous, side to this debate—one that seeks to rehabilitate toxic political notions of racial superiority, stokes fear of immigrants and minorities to inflame grievances for political ends, and attempts to build a notion of an embat- tled white majority which has to defend its power by any means necessary. These notions, once the preserve of fringe white nationalist groups, have increasingly infiltrated the mainstream of American political and cultural discussion, with poi- sonous results. For a starting point, one must look no further than President Donald Trump’s senior adviser for policy and chief speechwriter, Stephen Miller. In December 2019, the Southern Poverty Law Center’s Hatewatch published a cache of more than 900 emails2 Miller wrote to his contacts at Breitbart News before the 2016 presidential election. -
Is There a Future for Accelerationism?
Is there a Future for Accelerationism? Abstract Accelerationism emerged from the insatiable market of ideas, a market that it attempts to intensify and ultimately repurpose in its own image. It is, however, an idea with consequences. The logic of accelerationism is not simply to exacerbate an inherent crisis of capitalism, either in order to provide a remedy in a more speedy fashion or consign it to its doom as a merciful gesture – putting it out of its misery, as it were. The process of acceleration underpinning the theory, of speeding up or intensification, is instead an active component of a re-imagined (post-)capitalism. This re-imagining is hyperstitional – a performative fiction invoked to overturn many seldom-questioned assumptions held across the academic spectrum. In attempting to foment the approach it both craves and envisages renders accelerationism almost unrecognisable as a serious contribution to academic debates on organisations and their management, even from critical perspectives. This article is not an attempt to accelerate nor to exemplify accelerationism, but instead contributes to the debate by identifying, examining and connecting core features of the conceptual framework underpinning the different approaches to accelerationism. It will focus in particular on Deleuze and Guattari’s contribution to this framework (desiring production; deterritorialisation; Body Without Organs, etc.) and examine their version of assemblage (agencement) as a way of conceptualising both the transformation of the machinery of capitalism -
Studying Political Bias Via Word Embeddings
Studying Political Bias via Word Embeddings Josh Gordon Marzieh Babaeianjelodar Jeanna Matthews Clarkson University jogordo,babaeim,[email protected] ABSTRACT 1 INTRODUCTION Machine Learning systems learn bias in addition to other patterns In 2016, Bolukbasi et al. [1] published an influential paper demon- from input data on which they are trained. Bolukbasi et al. pio- strating a method to quantify and remove gender bias that a ma- neered a method for quantifying gender bias learned from a corpus chine learning (ML) model learned from a corpus of human text. of text. Specifically, they compute a gender subspace into which This is important for revealing bias in human text as well as re- words, represented as word vectors, can be placed and compared ducing the impact biased ML systems can have on hiring, housing, with one another. In this paper, we apply a similar methodology and credit. In this paper, we explore how we might use a similar to a different type of bias, political bias. Unlike with gender bias, methodology to model other kinds of bias such as political bias. it is not obvious how to choose a set of definitional word pairs to As with gender, we begin as Bolukbasi et al. did with attempting compute a political bias subspace. We propose a methodology for to model political bias as simply two binary extremes along a single doing so that could be used for modeling other types of bias as well. axis. Neither gender nor political bias is as simple in the real world We collect and examine a 26 GB corpus of tweets from Republican as two points on a single axis, but we wanted to see how useful and Democratic politicians in the United States (presidential candi- this model could be in the case of political bias. -
King's Research Portal
King’s Research Portal DOI: 10.1080/21693293.2019.1609199 Document Version Peer reviewed version Link to publication record in King's Research Portal Citation for published version (APA): Michelsen, N., & de Orellana, P. G. (2019). Discourses of Resilience in the US Alt Right. Resilience, International Policies, Practices and Discourses, 7(3), 271-287. https://doi.org/10.1080/21693293.2019.1609199 Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
The Great Telecom Meltdown for a Listing of Recent Titles in the Artech House Telecommunications Library, Turn to the Back of This Book
The Great Telecom Meltdown For a listing of recent titles in the Artech House Telecommunications Library, turn to the back of this book. The Great Telecom Meltdown Fred R. Goldstein a r techhouse. com Library of Congress Cataloging-in-Publication Data A catalog record for this book is available from the U.S. Library of Congress. British Library Cataloguing in Publication Data Goldstein, Fred R. The great telecom meltdown.—(Artech House telecommunications Library) 1. Telecommunication—History 2. Telecommunciation—Technological innovations— History 3. Telecommunication—Finance—History I. Title 384’.09 ISBN 1-58053-939-4 Cover design by Leslie Genser © 2005 ARTECH HOUSE, INC. 685 Canton Street Norwood, MA 02062 All rights reserved. Printed and bound in the United States of America. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher. All terms mentioned in this book that are known to be trademarks or service marks have been appropriately capitalized. Artech House cannot attest to the accuracy of this information. Use of a term in this book should not be regarded as affecting the validity of any trademark or service mark. International Standard Book Number: 1-58053-939-4 10987654321 Contents ix Hybrid Fiber-Coax (HFC) Gave Cable Providers an Advantage on “Triple Play” 122 RBOCs Took the Threat Seriously 123 Hybrid Fiber-Coax Is Developed 123 Cable Modems -
Rec Center Gets a Makeover Dordt Instructor Challenges Steve King for Congress Concert Choir Tour: Ain't No Sickness Can Hold
Dordt NISO Dordt Changes media concert theatre to DCC truck Piano in ACTF Dreamer page 3 page 3 page 4 page 8 January 31, 2019 Issue 1 Follow us online Concert Choir tour: ain’t no sickness can hold them down Haemi Kim -- Staff Writer could incorporate this beautiful language into our piece. I loved the excitement on people’s During winter break, Dordt College Concert faces in the audience—or fear among the high Choir and its conductor Ryan Smit went on a schoolers—when we did this song and I had tour, sharing their talents to many different people at almost every stop come up to me audiences. It was a week-long tour going afterwards and thank me for it.” around Iowa, Wisconsin, Illinois, and Indiana. Even though the choir tour was a blast to Many of the choir students enjoyed being on many of the choir members, this year, the tour because it was an opportunity to meet other stomach flu spread within the choir, affecting choir members and build relationships with around 14 students, and even the conductor other choir members. during their last concert before coming back. “It’s a unique opportunity to get to know the Because of this, TeBrake and Seaman stepped other choir members outside of the choir room,” up to conduct the last concert, each taking half said senior soprano Kourtney TeBrake. of the performance. “Before tour, you recognize people in the As music education majors, it wasn’t their first choir, maybe know their names, but when you time conducting for a choir.