Harold Land Damisi Mp3, Flac, Wma

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Harold Land Damisi mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Damisi Country: US Released: 1972 MP3 version RAR size: 1864 mb FLAC version RAR size: 1840 mb WMA version RAR size: 1998 mb Rating: 4.3 Votes: 294 Other Formats: AAC MOD AHX MP3 FLAC DMF DTS Tracklist Hide Credits A1 Step Right Up To The Bottom 3:38 A2 In The Back, In The Corner, In The Dark 5:42 A3 Pakistan 7:57 Chocolate Mess B1 7:26 Composed By – Ndugu (Leon Chancler)* B2 Damisi 9:10 Credits Acoustic Bass, Bass [Fender] – Buster Williams Composed By – Harold Land (tracks: A1 to A3, B2) Design [Cover] – MPI* Drums – Ndugu (Leon Chancler)* Electric Piano, Piano – Bill Henderson* Flugelhorn, Trumpet – Oscar Brashear Oboe, Tenor Saxophone – Harold Land Photography By – David Shepard Producer – Bob Shad Supervised By – Ernie Wilkins Notes ℗ 1972 Mainstream Records Available on Ampex Tapes. A1 to A3, B2 published by Lifestyle Music (BMI); B1 published by Hey Skimo Publ. (BMI). A product of Mainstream Records, Inc., 1700 Broadway, New York, N.Y. 10019. Made in USA. Mainstream - A Red Lion Production Gatefold cover. Barcode and Other Identifiers Matrix / Runout (Runout Side A): MRL-367-A Matrix / Runout (Runout Side B): MRL-367-B Other (Copyright collecting society): BMI Other versions Category Artist Title (Format) Label Category Country Year Damisi (CD, Harold CDSOL-45293 Album, Ltd, Solid Records CDSOL-45293 Japan 2018 Land RE, RM) Mainstream Damisi (CD, MDCD 714, Harold Records, MDCD 714, Album, RE, UK 1991 MDCD714 Land Mainstream MDCD714 RM) Records Damisi (LP, Harold Mainstream MRL 367 Album, Promo, MRL 367 US 1972 Land Records DJ ) Harold Damisi (LP, Mainstream UPS - 610 - A UPS - 610 - A Japan Unknown Land Album) Records Harold Damisi (LP, Mainstream MRL 367 MRL 367 Canada 1972 Land Album) Records Related Music albums to Damisi by Harold Land Johnny Coles - Katumbo (Dance) Andy Gibson And His Orchestra / The Mainstream Sextet - Mainstream Jazz Drunken Bastard - fuck the mainstream we are the mainstream The Harold Land Quintet - The Fox Harold Land - West Coast Blues! Harold Land - Promised Land Harold Land Quintet - Harold Land - Xocia's Dance.

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Neglected Jazz Figures of the 1950S and Early 1960S New World NW 275
Introspection: Neglected Jazz Figures of the 1950s and early 1960s New World NW 275 In the contemporary world of platinum albums and music stations that have adopted limited programming (such as choosing from the Top Forty), even the most acclaimed jazz geniuses—the Armstrongs, Ellingtons, and Parkers—are neglected in terms of the amount of their music that gets heard. Acknowledgment by critics and historians works against neglect, of course, but is no guarantee that a musician will be heard either, just as a few records issued under someone’s name are not truly synonymous with attention. In this album we are concerned with musicians who have found it difficult—occasionally impossible—to record and publicly perform their own music. These six men, who by no means exhaust the legion of the neglected, are linked by the individuality and high quality of their conceptions, as well as by the tenaciousness of their struggle to maintain those conceptions in a world that at best has remained indifferent. Such perseverance in a hostile environment suggests the familiar melodramatic narrative of the suffering artist, and indeed these men have endured a disproportionate share of misfortunes and horrors. That four of the six are now dead indicates the severity of the struggle; the enduring strength of their music, however, is proof that none of these artists was ultimately defeated. Selecting the fifties and sixties as the focus for our investigation is hardly mandatory, for we might look back to earlier years and consider such players as Joe Smith (1902-1937), the supremely lyrical trumpeter who contributed so much to the music of Bessie Smith and Fletcher Henderson; or Dick Wilson (1911-1941), the promising tenor saxophonist featured with Andy Kirk’s Clouds of Joy; or Frankie Newton (1906-1954), whose unique muted-trumpet sound was overlooked during the swing era and whose leftist politics contributed to further neglect.
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Seconded By~+--~· \ Gq '
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