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INFORMATION TO USERS While the most advanced technology has been used to photograph and reproduce this manuscript, the quality of the reprWuction is heavily dependent upon the quality of the material submitted. For example: • Manuscript pages may have indistinct print. In such cases, the best available copy has been filmed. • Manuscripts may not always be complete. In such cases, a note will indicate that it is not possible to obtain missing pages. • Copyrighted material may have been removed from the manuscript. In such cases, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, and charts) are photographed by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is also filmed as one exposure and is available, for an additional charge, as a standard 36mm slide or as a 17”x 23” black and white photogr aphie print. Most photographs reproduce acceptably on positive microfilm or microfiche but lack the clarity on xerographic copies made from the microfilm. For an additional charge, 35mm slides of 6”x 9” black and white photographic prints are available for any photographs or illustrations that cannot be reproduced satisfactorily by xerography. Order Number 8717593 Requiem Mass for chorus and orchestra; with a monograph on the history, regulation, and content of the Missa pro defunctis. [Original composition] Onofrio, Marshall Paul, D.M.A. The Ohio State University, 1987 Copyright ©1987 by Onofrio, Marshall Paul. All rights reserved. UMI SOON.ZeebRd. Ann Arbor, Ml 48106 PLEASE NOTE: In all cases this material has been filmed in the best possible way from the available copy. Problems encountered with this document have been identified here with a check mark V 1. Glossy photographs or pages _____ 2. Colored illustrations, paper or print ______ 3. Photographs with dark background ____ 4. Illustrations are poor copy ______ 5. Pages with black marks, not original copy / 6. Print shows through as there is text on both sides of page ______ 7. Indistinct, broken or small print on several pages ^ 8. Print exceeds margin requirements _____ 9. Tightly bound copy with print lost in spine ______ 10. Computer printout pages with indistinct print ______ 11. Page(s)___________ lacking when material received, and not available from school or author. 12. Page(s)___________ seem to be missing in numbering only as text follows. 13. Two pages numbered . Text follows. 14. Curling and wrinkled pages _______ 15. Dissertation contains pages with print at a slant, filmed as received ____________ 16. Other _________________________________________________________________ University Microfilms International REQUIEM MASS FOR CHORUS AND ORCHESTRA; WITH A MONOGRAPH ON THE HISTORY, REGULATION, AND CONTENT OF THE MISSA PRO DEFUNCTIS, DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of the Ohio State University BY Marshall Paul Onofrio, B.S., B.M., M.M., M.M. The Ohio State University 1987 Dissertation Committee: Approved by M.H. Bames B.L.Green Adviser M.Haddock School of Music © Copyright by Marshall Paul Onofrio 1987 ACKNOWLEDGMENTS As with any document of this nature, acknowledgment of the assistance received from several sources is in order. My parents, in whose memory the Requiem Mass is composed, first instilled in me an appreciation for music and its emotional power. Dr. Marshall Bames has served as my academic advisor, teacher, and friend. His many words of support and encouragement have helped me significantly. Dr. Burdette Green and Mr. Marshall Haddock, members of the Reading Committee, have given valuable assistance in creadng a format that presents the various aspects of the Requiem clearly and concisely. Two liturgical specialists provided the needed expertise in the area of the reformed rites of the Church and the Requiem liturgy in particular. Sr. Rita Fisher, I.H.M., Diocesan L itu r^ Consultant for the Diocese of Columbus, Ohio answered several questions regarding the modem Mass and the latest text options. The Reverend Joseph Fete, Assistant Professor of Liturgy at the Pontifical College Josephinum and Director of Âe Office of Liturgy for the Diocese of Columbus provided valuable counsel at the outset of this project, and gave needed advice concerning the hierarchy of ruling documents and liturgical forms. The staff of the Wehrle Library at the Josephinum gave much energy and assistance in locating required documents and volumes. Finally, my wife Susan has provided countless words and actions of encouragement and support, without which this study would have foundered. Robert F. Haybum, Papal Legislation on Sacred Music: 95 AD . to 1977 A.D. ©1979 by the Order of St. Benedict, Inc. Published by The Liturgical Press, Collegeville, Minnesota Used with permission. Excerpts from the English translation of the Rite o f Funerals. ©1970, International Committee on English in the Liturgy, Inc. All rights reserved. Used with permission. Excerpts from the General Introduction and firom the English translation of the Order of Christian Funerals. ©1985, International Committee on English in the Liturgy, Inc. All rights reserved. Used with permission. September 20, 1955 Bom — New Haven, CT 1977 B.Science, University of Connecticut, Storrs, CT 1978 B.Music, University of Connecticut Applied Trumpet 1978, 1979 Brass Faculty, Dlinois Summer Youth Music, Champaign, IL 1979 M.Music, University of Illinois, Urbana, IL, Applied Trumpet 1979-1983 Assistant Professor of Music, Midland College, Fremont, NE 1982 M.Music, University of Nebraska, Lincoln, NE, Composition 1983-1986 Assistant Professor of Music, Muskingum College, New Concord, OH 1983-1987 Assistant Conductor, Southeastern Ohio Symphony Orchestra, New Concord, OH 1985-1987 Graduate Associate, Ohio State University, Columbus, OH 1987 . Music Coordinator, Governor's Summer Institute in the Arts, Columbus, OH TABLE OF CONTENTS ACKNOWLEDGMENTS VTTA LIST OF TABLES PART ONE INSTRUMENTATION/NOTES TO THE CONDUCTOR MOVEMENT PAGE PRELUDE/INTROIT 1 KYRIE 15 SANCTUS 25 AGNUS DEI 47 INTRODUCTION I. THE DEVELOPMENT OF AN ORGANIZED CATHOLIC FUNERAL LITURGY and THE REQUIEM MASS-TO 1969 4 Sources 4 Liturgical Format 11 Funeral Liturgy 15 Codification of the Sung Requiem Mass 20 II. A SUMMARY OF THE DOCUMENTS REGULATING THE REQUIEM MASS, SACRED MUSIC, AND THE USE OF INSTRUMENTS 31 Introduction 31 The Requiem Mass 35 Sacred Music 43 Reforms, The Use of Instruments 52 Major Documents on Music 59 Conclusions 68 III. THE REQUIEM SINCE THE SECOND VATICAN COUNCIL 7i Introduction 71 The Rite of Funerals 73 Mass Sections Cuirently Available for Musical Settings 78 The Five Divisions of the Mass 83 The Requiem Mass--1987 88 Conclusion 102 APPENDICES A.I. Glossary 108 A.2. Chronological List of Popes: 1823-1987 110 B. Major Documents on Music 111 C. Alternate Texts for the Requiem 135 D. Excerpts: Rite of Funerals, Order of Christian Funerals 142 E. Additional Documents Pertaining to Chapter II 151 BIBLIOGRAPHY LIST OF TABLES TABLES 1. Chronology of Developments: The Funei^ Ritual/The Requiem Mass 30 2. The Requiem Mass: Portions That May Be Set 107 INSTRUMENTATION Flute 1,2 Horn 1,2 Oboe 1,2 C Trumpet 1,2 B Clarinet 1,2 Trombone 1,2,3 Bassoon 1,2 Timpani/Snare Drum Percussion I; Bells, Chimes, Snare Drum, Bongos (with Rattan sticks) Percussion II: Medium Suspended Cymbal, Crash Cymbals, Gong, Snare Drum Violin 1,2 Viola Cello Bass NOTES TO THE CONDUCTOR Duration: ca. 45 minutes. In the absence of a bass trombone. Tuba may substitute for Trombone 3. Concerning the Agmis Dei: 1) All instrumental passages enclosed in brackets and marked with * are to be used only when absolutely necessary. Whenever possible, these passages should be sung unaccompanied. 2) If the Agnus Dei is used as a portion of a celebrated funeral mass, it should end at the first double bar, measure 74. If used in a concert situation, go on to the next measure without pause, ending at the double bar in measure 88. PART ONE r e q u ie m mass for Chorus and Orchestra anti ^'fii/tAoniina ('nojfiiu REQUIEM MASS J réé, i=i6,€sfrenjro j=é6,^tptan» llOdlNI r r 1 \ J ^ — IL _ 1 — 1 1 1 lii 1 1 - / r ?L ., ^ ^ tt lux p«r-p*-tw-* lu-c«-«t A fill .-i-. > I 1 1 1 A ÿn- V --U'-------- ^ ' 1 T ' 1^^' 4 ^-' - - - 4.. U; t. d « .t B ‘yk -:i:: ~ r-T 1 ' - T - ^ ^ pou !0-'yU> --- 1#;,# -V. j 1 '^ 'L Z Z Z Z Z ••/■' , |‘ - f ------ ' ^ ’ 1 '1— F '' 1 U---------------- -------------- -h - ^ 1 J=/08 1 1 1 ------ 1-----~ ------ t________ f T* ' j - - m kr -' - 1^ llr r.}.-. li.. f i;-----k-----H 11 4 ^ 1 11^ ^ ~7 , 1 y # - - -"- - 4 k - ......r — =n mA---- ........ -|- 1 ^ — ...I.---= j5^tVJ«92) i KYRIE 15 l6 m 1? 7 ^ - - n ----- r-^-n-----------,ff. r-n .=rr-r: ,L,"^ T/ ------ LfTTn. 1.1 - W=. J - rt - . 1.-1-WO. SIP ^ r~r'f^r|frrrrFrr 2 0 (Q ^ I l I I 1 t I H- ------ F V t - — 1 . | . r h j-y -f.- .— | . - - . ^ f ~ ] — ! r “ i f A . 1 L— 1---------- F = 4— 1----- 1— t r ~ r n , i --------- f= O irK - u a-l« - l-«oa C brlcti • - — i — r - i - i - . » . m 23 SANCTUS J=/oo n r - " ------- q — — --------------- ' 1 1 JTTlJi.. f „ ‘h J f ...... l" f ' / ' T -------------------- ' ' ; i ^ - ■ / — an^k ---------------------- - -------------------------- 1 - - - ........ t - — — - 1 ........... - ~ V ------ = 25 - m IJ. J=38 :z: =1 4t—-................. - - - - - f f 1 - i ) — ------- 1------ ------- ------- ............... I. .-I- ,41 I .1 - - _.T----- ■g|.‘r~^ r=^ ^eaÿdL>àJi @J=72 ^.=72= ^ . I-.. ■ ) , 1 i ^ .... " l r 4 ---- ------ A — ?) --E _______ ' '___* ' ' " ' ir n rr ■ , 1 , , ■ , -,.....- , . ■ M ,.T 1 A yttj 1 1 1 1 J >-^..i-....J^-..:Lj-.j.i^Wj.^.- ■ ■■ l-j-.
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