DOCSLIB.ORG

Frank Chacksfield Champs Chanters Chaquito and His

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

P A G FRANK CHACKSFIELD E Sussex, England 5/9/1914. – England, 6/9/1995 Pianist, arranger, and conductor. Part of the group of English directors such5 as Mantovani and Black, who using technical advances in the sound of the English record industry, especially from their London label FFRR (Full frequency range recording), captured the mood music market in the decade of the '50s. Oxford, work cited, page 107. Penguin, work-cited p. 220. Lp London PS-145 “Love letters in the sand – Frank Chacksfield and his orchestra” ca. 1955, Inglaterra. Andalucía EL Lp London LL-3304 “Magic strings – Frank Chacksfield and his orchestra” Inglaterra, 195_. Andalucía EL CHAMPS Challengue-CHL-613/CHS613 “Great Dance Hits” 1962. Great Dance Hits” 1962. Reissued as London Records Lp HAH- 2451. That’s all I want from you / ch CHANTERS Queens Group, New York. Larry Pendegrass, Elliot Green, Fred Paige, Bud Johnson, and Bobby Thompson. They were not successful. 45 rpm Mambo JBJ-1059 “She wants to mambo”, UK, 1954. CHAQUITO AND HIS ORCHESTRA Columbia Lp Cl-1293 “Hot Cha Cha Cha”, 1959. Me Voy Pa'l Pueblo / ch MG Whistling chacha / ch “Cha” for three / ch Midnight chachacha / ch Zigzag mambo / mb Speak up mambi / mb Fontana SRF 67607 “El bandido”, 1969. Guantanamera / r JF P A CHARLOTEERS G E 45 rpm Josie JOZ 45-787 “Don’t play no mambo”, B. Stanford. 1955 5 CHARMS 45 rpm DeLuxe 45-6072 “Mambo Sh. Mambo”. O'Hara-Cody-Newman, US, 1954. CHAVEZ AND HIS TROPICAL CUBAN WONDERS Eduardo Chavez and his Beachcombers Tropical Orchestra. Cuban wonders in the distance. V-27251 A lo lejos conga / r V-27251 El jarrito conga / r CHECKER BOX BOYS (eu) Ca. 1931 Broadway 1428 “The peanut vendor” MS Paul Durant CHUBBY CHECKER (eu) South Carolina, 10/3/1941. Rock and roll singer and dancer. He popularized the twist. 45 rpm Parway 835, “La Paloma”, US 1962 Lp Parway P/SP-7027 “Lets limbo some more”, 1963. Peanut Vendor MS BOB CHESTER (eu) Detroit, Michigan, 03/20/1908 – Detroit, Michigan, 06/14/1977. Tenor saxophonist and conductor. 7/11/1940 BB-10800 EU Rhumboogie Al Stuart HMV-EA-2631 P A EL NEGRITO CHEVALIER (o Willy Chevalier) G E Cuba, 1917- , Comic singer who made parodies of known numbers, and already named in Cuba in the mid-1940s, embarked to New York to perform in the Latin theaters of that city. He married the Puerto Rican singer and dancer Rosita Duchesne5 in 1945. They later performed in Puerto Rico, Mexico and Havana. The marriage dissolved in 1948. Chevalier later settled in New York where he continued working until his death in August 1983. Dr. Pablo Dueñas tells us that El Negrito Chevalier, who recorded for the Victor Mexicana, was from Veracruz, named Mario Tercero. So the recordings made in Mexico must belong to it. ChD – Orq. Chamaco Domínguez MBS091045 12/10/48 V 23-1164 Me Hey! Ba-Ba-Ri-Ba / boogie Hampton, & ChD V 23-1387 Me De buen humor / ft A. Razaf, G ChD (In the mood) MV-1180 Mambo italiano B. Merrill CHIPMUNKS Lp London HA-U-2205/SAHU6054 “Let’s all sing with the Chipmunks”, 1959 Old McDonald Chachacha / ch CHIQUITO (Socarrás) ver: Socarrás, Chiquito ALFREDO CIBELLI Napoli, Campania, Italy, 2/6/1885 – New York, 4/23/1955. Possibly North American of Italian origin. Cibelli appears in numerous recordings of the Victor of the 30s as a director, and others as percussionist or sound effects and even singer, of groups formed specifically to record, what is known as studio musicians. On 1/18/1928, he recorded with his sister accompanying himself with guitars. BE-40510 ca.1928 Victor La Paloma SY CLEBANOFF Y SU ORQUESTA LP Mercury MA 20869/ SR69 “Exciting Sounds”. ”. Reissued as : LP Mercury PPS 52012/6012 ; Mercury PPS 2019 Yours GR (Quiereme mucho) Cha Cha Cha Flamenco / ch P A BILL CLIFTON G Ridewood, Maryland 4/05/1931. E 5 Lp Starday SLP-213 “Soldier, sing me a song”, 1963. The Sinking of the Maine CHICAGO CLIMAX BLUES BAMET British Blues Rock band from Stafford founded in 1967 on vocalist and harmonica Colin Cooper (1939-2008), vocalist and guitarist Pete Haycock (1951-2013). Guitarist Derek Holt (1949). Bassist and Key Burds Richard Jone (1949) Drummer George newsome and neobandist Anthur Wood (1929/2005) LP Parlophone PCS 7084 “Plays On”. UK, 1969. Reissued in Japan under the Odeon label. (OP-800010, YEX-744 Cubano Chant Bryant ORQUESTA LARRY CLINTON (eu) Brooklyn, New York, 8/17/1909 – Tucson, Arizona, 5/2/1985. Trumpeter, arranger and director. After working for orchestras such as Isham Jones, Casa Loma and Tommy Dorsey, he had his own orchestra from 1937 onwards, where he devoted himself to soft music supported by the voice of his magnificent singer, Bea Wain. In less than four years he made 214 recordings for the Victor, including this one. Penguin, cited work, p. 251; Oxford, cited work, p. 120. 19656 2/11/38 V-25789 NY Martha BW/MS Lp Time (6 discos) STL-10 “Soft light and sweet music– The best of dance bands” Martha MS Lp Kapp 1124 “Dance along with Larry Clinton and his orchestra” 195_. Patricia DPP ROSEMARY CLOONEY (eu) Maysville, Kentucky, 5/23/1928 – Beverly Hills, California, 6/29/2002. Very young she began as a singer joining the Tony Pastor orchestra. Soon she became independent as a singer making an important career, and occupying important places in the Hit Parade with her recordings. She was married to the Puerto Rican actor José Ferrer. She made a record with Pérez Prado. Penguin, cited work, p. 251; Oxford, cited work, p. 120. 45 rpm Co 4-40361 “Mambo italiano” Bob Merrill, US, 1954. P A G CLAUDE CLOUD AND HIS THUNDERCLAPS E MX 545470 1954 MGM 11847 Beginners’ mambo 5 CLOVERDALE COUNTRY CLUB ORQUESTA Cloverdale is a city of 100,000 inhabitants in Canada. By 1931, they learned about "Cuban Love Songs". 10/30/31 Okeh. 41531 EU Cuban Love Song LUCAS CLYDE (eu) 1937 Variety 667 Chinese Rhumba 1941 Col 5935 Chinese Rhumba Lynn Lucas ARNETT COBB (eu) AND HIS ORQUESTA Houston, Texas 8/10/1918 – Houston, Texas, 3/24/1989. Tenor sax with a long career in major bands including his own orchestra. Atlantic1056 NY Flying Home / mb BUDDY COLE (eu) Irving, Illinois, 12/15/1916 - North Hollywood, California, 11/5/1964. Pianist and organist. He was successful both in orchestras and as a soloist and accompanying pianist. Kinkle, work-cited p. 727. 1949 CAP 1104 The peanut vendor MS LP Col CL-874 “Organ Moods in Hi-Fi”, 1956. The breeze and I / r EL LP Warner Brother - W/WS 1373 “Swing Fever”, 1960. The peanut vendor / r MS LP Col CL-1003 “Pipes, Pedals and High Fidelity”, 1957. The peanut vendor / r MS COZY COLE East Orange, New Jersey 10/17/1909 – Columbus, Ohio, 1/9/1981. Orchestra conductor and drummer. P A G 45’ rpm. King 5303 “Cozy’s Mambo”, 1959 E 45’ rpm. King 5390 “Ha Ha Cha Cha”, 1960 5 Lp King 673 “The drummer man with the big beat”, Noviembre 1959 International Chacha / ch NAT KING COLE ( eu) Montgomery, Alabama, 3/17/1917 - Santa Monica, California, 2/15/1965. Jazz pianist and singer who became one of the best ballasts in the United States from the 1940s, comparable only to Frank Sinatra. In the 1950s, he performed more than once at the Tropicana, and recorded an Lp, reviewed under the Romeu orchestra. Oxford, cited work, p. 124. Penguin, work-cited p. 250. See Leonardo Depestre Cien famosos en la Habana. Ed. Social Sciences, Havana, 1999. Cap 10103 Rhumba azul AO Cap 15240 Rex rhumba Lp Capitol SW-1220 “A mis amigos – Nat King Cole” Grabado en Brasil. 1959. Aquellos ojos verdes / b NM LP Capitol 1749 “More Cole español” Tres palabras / b OF EMIL COLEMAN (eu) AND HIS WALDORF ASTORIA ORCH. Russia 6/19/1892-New York 1/26/1965. Band from the 1930s and 1940s of the so-called "society orchestras", that is, specialized in playing soft music for American high society. Generally, like this one, they had good musicians and were well paid. The fans of the bravest music, they call them "Mickey mouse bands". See: George T. Simon, "The big bands," 4th Ed. Schirmer books, New York 1981, p.504. ca.11/19 Pa33028 NY Cuban melodies 194_ Deluxe NY The peanut vendor / r MS 1025 194_ Deluxe NY Mama Ines / r EG 1026 194_ Deluxe NY Green eyes / r NM 1027 194_ Deluxe NY Siboney / r EL 1030 194_ Deluxe NY Miami Beach rhumba W.Winchell 1073 P A G 1951 V-20-4337 NY La ola marina VG E 1951 V-204337 NY Miami Beach rhumba W.Winchell 5 1951 V 23-4330 NY La television / r JCM 1951 V-23-4330 NY Pirulí / r AVp 1951 V-20-4502 NY El caramelero / prg E.Bryon ADOLFO COLOMBO Canary Islands, 1898 - Cuba, 1925. See: Díaz Ayala, Cristóbal. 1994. See: Cuba Canta y Baila : Discografía de La Música Cubana. Fundación Musicalia. RL- Regino López AVi- Alberto Villalón 1908 Edison Vamos a Cuba Jorge Anckermann Cylinder 18899 B-12468 10/3/1912 V-63861 El Maine / r RL,AVi B-12487 10/4/1912 V-63992 Regino ante Taft y Roosevet / r G-1669 10/27/1916 V-73035 El baseball / r Rodriguez AUGIE COLON Honolulu, Hawaii 8/22/1927 – Honolulu, Hawaii, 6/4/2004. Known for his work as a percussionist in tropical music. Lp Liberty LRP/CST 3101“Sophisticated Savage” 1959 Tierra Va Tembla MM Tabu ML The Peanut Vendor MS Lp Liberty LRP3148“Chant of the Jungle” 1960.
Recommended publications
  • RHYTHM & BLUES...63 Order Terms

    RHYTHM & BLUES...63 Order Terms

    5 COUNTRY .......................6 BEAT, 60s/70s ..................71 AMERICANA/ROOTS/ALT. .............22 SURF .............................83 OUTLAWS/SINGER-SONGWRITER .......23 REVIVAL/NEO ROCKABILLY ............85 WESTERN..........................27 PSYCHOBILLY ......................89 WESTERN SWING....................30 BRITISH R&R ........................90 TRUCKS & TRAINS ...................30 SKIFFLE ...........................94 C&W SOUNDTRACKS.................31 AUSTRALIAN R&R ....................95 C&W SPECIAL COLLECTIONS...........31 INSTRUMENTAL R&R/BEAT .............96 COUNTRY AUSTRALIA/NEW ZEALAND....31 COUNTRY DEUTSCHLAND/EUROPE......32 POP.............................103 COUNTRY CHRISTMAS................33 POP INSTRUMENTAL .................136 BLUEGRASS ........................33 LATIN ............................148 NEWGRASS ........................35 JAZZ .............................150 INSTRUMENTAL .....................36 SOUNDTRACKS .....................157 OLDTIME ..........................37 EISENBAHNROMANTIK ...............161 HAWAII ...........................38 CAJUN/ZYDECO ....................39 DEUTSCHE OLDIES ..............162 TEX-MEX ..........................39 KLEINKUNST / KABARETT ..............167 FOLK .............................39 Deutschland - Special Interest ..........167 WORLD ...........................41 BOOKS .........................168 ROCK & ROLL ...................43 BOOKS ...........................168 REGIONAL R&R .....................56 DISCOGRAPHIES ....................174 LABEL R&R
  • Guide to Ella Fitzgerald Papers

    Guide to Ella Fitzgerald Papers

    Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996.................................................................
  • 2020 Submissions

    2020 Submissions

    2020 Submissions FEMALE VOCALIST CORINNA SOWERS ADLER Second Stories; Songs from the Heart; Winter Song The Triad, Laurie Beechman, Oakeside Bloomfield Cultural Center LUCILLE CARR-KAFFASHAN How the Light Gets In Don’t Tell Mama CYNTHIA CRANE This Is a Changing World, My Dear Don’t Tell Mama SALLY DARLING And Kurt Weill Begat Kander & Ebb Don’t Tell Mama, Urban Stages DAWN DEROW The House That Built Me Laurie Beechman GOLDIE DVER Back in Mama’s Arms Don’t Tell Mama RENEE KATZ When It Happens to You: Renee Katz Sings Jule Styne; How Can I Keep From Singing Don't Tell Mama, Laurie Beechman ANN KITTREDGE Fancy Meeting You Here; Movie Nite Feinstein’s/54 Below, Urban Stages, Feinstein’s at Vitello's, Beach Cafe ANGELA LEONE Mathis and More Don’t Tell Mama SUSANNE MACK Where I Belong Pangea, Don’t Tell Mama NICCI NICHOLAS Nothin’ Can Be Done Don’t Tell Mama LESLIE OROFINO Shine Don’t Tell Mama, BJ Ryan's Magnolia Room YAEL RASOOLY Glamour in the Dark; Love Must Have an End Laurie Beechman, Don’t Tell Mama WENDY SCHERL Town & Country; You’ll See Laurie Beechman, Davenport’s, BJ Ryan's Magnolia Room JILL SENTER Celebrate the Moment Laurie Beechman - 1 - MAUREEN KELLEY STEWART There Will Never Be Another You: The Songs of Harry Warren; A Gershwin Sampler; Everything’s Coming Up Roses: The Music of Jule Styne Laurie Beechman, Mohonk Mountain House, Sharon Country Club, Spencertown Academy Art Center MAUREEN TAYLOR Cosmic Connections: The Lyrics of Michael Colby Don’t Tell Mama STEPHANIE TRUDEAU Chavela: Think of Me Don’t Tell Mama LISA VIGGIANO From Lady Day to The Boss Pangea, Don’t Tell Mama ROBIN WESTLE In the Summer of ‘69 Don’t Tell Mama AMY BETH WILLIAMS Meet Me at the Bar Don’t Tell Mama MALE VOCALIST ARI AXELROD A Celebration of Jewish Broadway Birdland Theater, The Kranzberg (St.
  • Proquest Dissertations

    Proquest Dissertations

    INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation.
  • Redalyc.Mambo on 2: the Birth of a New Form of Dance in New York City

    Redalyc.Mambo on 2: the Birth of a New Form of Dance in New York City

    Centro Journal ISSN: 1538-6279 [email protected] The City University of New York Estados Unidos Hutchinson, Sydney Mambo On 2: The Birth of a New Form of Dance in New York City Centro Journal, vol. XVI, núm. 2, fall, 2004, pp. 108-137 The City University of New York New York, Estados Unidos Available in: http://www.redalyc.org/articulo.oa?id=37716209 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Hutchinson(v10).qxd 3/1/05 7:27 AM Page 108 CENTRO Journal Volume7 xv1 Number 2 fall 2004 Mambo On 2: The Birth of a New Form of Dance in New York City SYDNEY HUTCHINSON ABSTRACT As Nuyorican musicians were laboring to develop the unique sounds of New York mambo and salsa, Nuyorican dancers were working just as hard to create a new form of dance. This dance, now known as “on 2” mambo, or salsa, for its relationship to the clave, is the first uniquely North American form of vernacular Latino dance on the East Coast. This paper traces the New York mambo’s develop- ment from its beginnings at the Palladium Ballroom through the salsa and hustle years and up to the present time. The current period is characterized by increasing growth, commercialization, codification, and a blending with other modern, urban dance genres such as hip-hop. [Key words: salsa, mambo, hustle, New York, Palladium, music, dance] [ 109 ] Hutchinson(v10).qxd 3/1/05 7:27 AM Page 110 While stepping on count one, two, or three may seem at first glance to be an unimportant detail, to New York dancers it makes a world of difference.
  • + Brh Dissertation Post-Defense Draft 2018-09-24 FINAL

    + Brh Dissertation Post-Defense Draft 2018-09-24 FINAL

    In the Wake of Insurgency: Testimony and the Politics of Memory and Silence in Oaxaca by Bruno E. Renero-Hannan A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology and History) in the University of Michigan 2018 Doctoral Committee Professor Ruth Behar, Co-Chair Associate Professor Sueann Caulfield, Co-Chair Professor Paul C. Johnson Professor Stuart Kirsch Professor Richard Turits, College of William and Mary Bruno E. Renero-Hannan [email protected] ORCID iD: 0000-0003-1529-7946 © Bruno E. Renero-Hannan 2018 Para Elena, Louisa, y Amelia Y para Elvira ii Acknowledgements It takes a village, and I have gained many debts in the elaboration of this dissertation. At every step of the way I have benefited from guidance and support of family, friends, colleagues, teachers, and compas. To begin with, I would like to thank my advisors and the co-chairs of my dissertation committee. Ruth Behar helped me find the voices I was looking for, and a path. I am grateful for her generosity as a reader, story-listener, and mentor, as well as her example as a radical practitioner of ethnography and a gifted writer. I came to know Sueann Caulfield as an inspiring teacher of Latin American history, whose example of commitment to teaching and research I carry with me; as co-chair, she guided me through multiple drafts of this work, offering patient encouragement and shrewd feedback, and motivating me to complete it. Stuart Kirsch was a supportive advisor throughout my early years at Michigan and fieldwork, introducing me to social movement studies and helping to shape the focus of my research.
  • Announcing the 2019 Scholastic Art & Writing

    Announcing the 2019 Scholastic Art & Writing

    ANNOUNCING THE 2019 SCHOLASTIC ART & WRITING AWARDS NATIONAL MEDALISTS! Student & Educator National Medalists: Please log into your account at artandwriting.org/login to review required next steps to accept your award(s). Important Note for Educators: If one of your students is a National Medalist listed below, but you do not have a Scholastic Awards account or you do not see any information about your student's Award in your account, please email [email protected]. In your email, be sure to include the title and work ID number as listed on this document. The following list is sorted by the student's school state and then by last name. Last First Grade School City State Title National Awards Work ID Category Carr Sally 12 Home School Wasilla AK Portraiture Silver Medal with 13183357 Art Portfolio Distinction Carr Sally 12 Home School Wasilla AK Elizabeth Gold Medal, 13387176 Ceramics & Glass American Visions Medal Laird Anna J. 11 Home School Cordova AK Blood of Mary Silver Medal 13224628 Short Story Altubuh Dalia 12 Bob Jones High School Madison AL Me As Human Silver Medal 13199019 Digital Art Altubuh Dalia 12 Bob Jones High School Madison AL LITTLE BOY and FAT MAN Silver Medal 13223746 Poetry Brown Maggie 10 Bob Jones High School Madison AL Kintsugi and Other Poems Gold Medal 13098325 Poetry Dewberry Lauryn- 11 Alabama School of Fine Arts Birmingham AL My Grandparents, In Love Silver Medal 13082772 Poetry Elizabeth Fernandez Kristine 11 Sparkman High School Harvest AL Masked Silver Medal 13082442 Photography Gardner Abigail 11 Alabama
  • Lecuona Cuban Boys

    Lecuona Cuban Boys

    SECCION 03 L LA ALONDRA HABANERA Ver: El Madrugador LA ARGENTINITA (es) Encarnación López Júlvez, nació en Buenos Aires en 1898 de padres españoles, que siendo ella muy niña regresan a España. Su figura se confunde con la de Antonia Mercé, “La argentina”, que como ella nació también en Buenos Aires de padres españoles y también como ella fue bailarina famosísima y coreógrafa, pero no cantante. La Argentinita murió en Nueva York en 9/24/1945.Diccionario de la Música Española e Hispanoamericana, SGAE 2000 T-6 p.66. OJ-280 5/1932 GVA-AE- Es El manisero / prg MS 3888 CD Sonifolk 20062 LA BANDA DE SAM (me) En 1992 “Sam” (Serafín Espinal) de Naucalpan, Estado de México,comienza su carrera con su banda rock comienza su carrera con mucho éxito, aunque un accidente casi mortal en 1999 la interumpe…Google. 48-48 1949 Nick 0011 Me Aquellos ojos verdes NM 46-49 1949 Nick 0011 Me María La O EL LA CALANDRIA Y CLAVELITO Duo de cantantes de puntos guajiros. Ya hablamos de Clavelito. La Calandria, Nena Cruz, debe haber sido un poco más joven que él. Protagonizaron en los ’40 el programa Rincón campesino a traves de la CMQ. Pese a esto, sólo grabaron al parecer, estos discos, y los que aparecen como Calandria y Clavelito. Ver:Calandria y Clavelito LA CALANDRIA Y SU GRUPO (pr) c/ Juanito y Los Parranderos 195_ P 2250 Reto / seis chorreao 195_ P 2268 Me la pagarás / b RH 195_ P 2268 Clemencia / b MV-2125 1953 VRV-857 Rubias y trigueñas / pc MAP MV-2126 1953 VRV-868 Ayer y hoy / pc MAP LA CHAPINA.
  • Rumberos De Ayer Músicos Cubanos En México (1930-1950)

    Rumberos De Ayer Músicos Cubanos En México (1930-1950)

    Gonzalo Martré CON LA COLABORACIÓN DE SILVESTRE MÉNDEZ RUMBEROS DE AYER MÚSICOS CUBANOS EN MÉXICO (1930-1950) COLECCIÓN CIENCIA Y SOCIEDAD INSTITUTO VERACRUZANO DE CULTURA GOBIERNO DEL ESTADO DE VERACRUZ Patricio Chirinos Calero, Gobernador Constitucional Roberto Bravo Garzón, Secretario de Educación y Cultura INSTITUTO VERACRUZANO DE CULTURA Rafael Arias Hernández, Director General Ángel José Fernández, Coordinador General de Publicaciones Manuel Sol, encargado de la Colección Portada: Página 4, con una fotografía de Gonzalo Martré y Silvestre Méndez Viñeta: Carlos Szymansky Primera edición, 1997 DERECHOS RESERVADOS INSTITUTO VERACRUZANO DE CULTURA Canal esquina Zaragoza Código Postal 91700 Veracruz, Veracruz, México Impreso y hecho en México ISBN 968 7824-09-3 LA MIGRACIÓN MUSICAL CUBANA EN LAS décadas de los años treinta a cincuenta un gran número de músicos cubanos salieron de la Isla Bella en busca de horizontes más amplios para su ta­ lento. Entre ellos había compositores, arreglistas y ejecutantes. Dos vertientes tuvo esa migración: México y Estados Unidos. Por una sencilla razón hemos de ocuparnos en esta suerte de crónica, de quienes escogieron México: muchos to­ davía viven aquí y pueden contarnos de viva voz por qué salieron de su patria, por qué no regresaron a ella, o por qué también se fueron de México aquellos que nos visitaban esporádicamente. Estos testimonios nos darán una idea del ambiente musical que privaba en la época considerada y su repercusión en el cine, el teatro de variedades y el cabaret de lo que se ha estimado
  • The Victor Black Label Discography

    The Victor Black Label Discography

    The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig ISBN 978-1-7351787-3-8 ii The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig American Discography Project UC Santa Barbara Library © 2017 John R. Bolig. All rights reserved. ii The Victor Discography Series By John R. Bolig The advent of this online discography is a continuation of record descriptions that were compiled by me and published in book form by Allan Sutton, the publisher and owner of Mainspring Press. When undertaking our work, Allan and I were aware of the work started by Ted Fa- gan and Bill Moran, in which they intended to account for every recording made by the Victor Talking Machine Company. We decided to take on what we believed was a more practical approach, one that best met the needs of record collectors. Simply stat- ed, Fagan and Moran were describing recordings that were not necessarily published; I believed record collectors were interested in records that were actually available. We decided to account for records found in Victor catalogs, ones that were purchased and found in homes after 1901 as 78rpm discs, many of which have become highly sought- after collector’s items. The following Victor discographies by John R. Bolig have been published by Main- spring Press: Caruso Records ‐ A History and Discography GEMS – The Victor Light Opera Company Discography The Victor Black Label Discography – 16000 and 17000 Series The Victor Black Label Discography – 18000 and 19000 Series The Victor Black
  • Afro-Cuban All Stars a Toda Cuba Le Gusta Mp3, Flac, Wma

    Afro-Cuban All Stars a Toda Cuba Le Gusta Mp3, Flac, Wma

    Afro-Cuban All Stars A Toda Cuba Le Gusta mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Latin Album: A Toda Cuba Le Gusta Country: Mexico Released: 1998 Style: Afro-Cuban, Son, Guaguancó MP3 version RAR size: 1142 mb FLAC version RAR size: 1818 mb WMA version RAR size: 1550 mb Rating: 4.1 Votes: 583 Other Formats: AAC VOC AU MIDI AA AC3 TTA Tracklist Hide Credits Amor Verdadero 1 Arranged By – Demetrio MuñizLaúd [Laoud] – Barbarito TorresLead Vocals – Manuel 6:38 "Puntillita" Licea* Alto Songo 2 Guitar [Slide] – Ry CooderLead Vocals – José Antonio "Maceo" Rodríguez, Manuel 6:46 "Puntillita" Licea*, Pío Levya*, Raúl Planas Habana Del Este 3 6:39 Flute – Richard Egües A Toda Cuba Le Gusta 4 5:48 Lead Vocals – Raúl Planas Fiesta De La Rumba 5 5:53 Lead Vocals – Félix Valoy* Los Sitio' Asere 6 5:20 Lead Vocals – Félix Valoy*, José Antonio "Maceo" Rodríguez Pío Mentiroso 7 4:37 Lead Vocals – Pío Levya* María Caracoles 8 4:48 Arranged By – José Manuel CerutoLead Vocals – Ibrahim Ferrer 9 Clasiqueando Con Rubén 5:12 Elube Changó 10 4:03 Lead Vocals – Juan De Marcos González Companies, etc. Phonographic Copyright (p) – World Circuit Copyright (c) – Discos Corason Glass Mastered At – Sony Music México Credits Arranged By – Juan de Marcos González (tracks: 2 to 7, 9, 10) Baritone Saxophone, Flute – Javier Zalba Bass – Orlando "Cachaíto" López Bongos – Carlos González Chorus – Amadito Valdés, Juan de Marcos González, Luis Barzaga Congas – Miguel "Angá" Díaz Guiro – Carlos Puisseaux Liner Notes [Translations] – Francesca Clark*, Jenny Adlington
  • ^VOICE to Top ABCD '76 Goal MARCH 26, 1976 VOL

    ^VOICE to Top ABCD '76 Goal MARCH 26, 1976 VOL

    Parishes racing time ^VOICE to top ABCD '76 goal MARCH 26, 1976 VOL. XVIII No. 3 25c As contributions to the continued to arrive at the Arch- half of the families in the Arch- ArchBishop's Charities Drive diocesan Chancery this week, diocese at the time of the Archbishop Coleman F. Carroll meeting on March 10, it is praised the zeal and dedication anticipated that the ABCD of South Florida priests and goal of $2,500,000 will be ex- lauded the generosity of the ceeded. Victim less faithful who have expressed IN VIEW of the sacrificial their concern for the needy spirit of giving already through early donations. exhibited by South Floridians, The drive is continuing Archbishop Carroll said that following the first general there is every indication that report meeting more than one the goal will be met. He week ago when Archbishop reiterated that "this is what Carroll thanked Archdiocesan God intended we should do, priests for their work on the this is our responsibility." drive and noted that many During the weeks since the families had obviously made annual drive — inaugurated 17 sacrifices to increase their years ago by Archbishop pledges of last year. Carroll —began early in IN ADDITION, the Arch- January, thousands of persons bishop cited the "continuing throughout the Archdiocese dedication of men and women have heard first-hand the many in the Archdiocese who have needs of the more than 40 become part of the work of the charitable facilities made Church not only through available by the Church in prayer, sanctification, and South Florida to dependent sacrifice but by personal in- children, youth, drug addicts, volvement in aiding those in unwed mothers, agricultural need." farm workers, the mentally The incomplete total retarded and the aged, through reported at the general meeting donations to the ABCD.