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Anthology Berhe Gebrihet Vincent Ternida Glenn Green Carol Vandenengel Anthology John Grey Donald R
Featured Authors Steve Abbott Matthew Robinson Laurence Ammann-Lanthier Ron Romanowski Bob Armstrong Jim Ross Robert Beveridge Sandra Schmidtke Gabriella Brand Korellia Schneider Diane Driedger Moneca Sinclaire Emma Durand-Wood Karen Solomon Holly Ferrier Lamont Kevin Strong Anthology Berhe Gebrihet Vincent Ternida Glenn Green Carol VandenEngel Anthology John Grey Donald R. Vogel Izzeddin Hawamda Laura White Janell Henry Nancy Wick Tricia Knoll Yvonne Kyle Foreword Jenean McBrearty Leigh Anne Parry Brendan McKay and Anders Swanson Laura McMaster Introduction Alex Merrill Sharon Chisvin Eva Morrison Cath Nichols Binh Pham Byron Rempel-Burkholder Nicole Roach Edited by Sharon Chisvin The WriteToMove anthology was created through the Winnipeg Arts Council’s WITH ART Edited by community public art program and is part of the Sharon Chisvin City of Winnipeg’s Public Art Collection. A Winnipeg Arts Council WITH ART project in partnership with the Winnipeg Trails Association WriteToMove An anthology © Winnipeg Arts Council, 2021 All rights reserved. The authors retain copyright to their own contributions. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or any information storage and retrieval system without written permission from the editor. The WriteToMove anthology was created through the Winnipeg Arts Council’s WITH ART community public art program and is part of the City of Winnipeg’s Public Art Collection. WriteToMove logo designed by Anders Swanson. With special thanks to: Marshall Carroll, Niri Carroll, Andrea Davis and Paul Doyle. ISBN 978-1-7775184-0-0 FIC003000 Fiction Anthologies (Multiple Authors) FIC019000 Fiction, Literary LCO010000 Literary Collections, Essays Printed in Canada by Hignell Book Printing TABLE OF CONTENTS 5. -
Illustration by Brian Bean April 1989 Sunstone
PAGE 20 ILLUSTRATION BY BRIAN BEAN APRIL 1989 SUNSTONE Zion vs. Babylon: The Game Has Always Been Money By Hugh Nibley THEnRsT THING TO NOTE IS THAT ZION 1s PERFECT. FLAW- the goal toward which all the labor of the Church is a less, and complete-not a structure in the.process of building. preparation. We work for the building up of the kingdom of God on earth "Blessed are they who shall seek to bring forth my Zion at and the establishment of Zion. The first stop makes the second that dayy'(1 Nephi 13:37). If they are obedient, "they shall have possible. Zion has been on the earth before in its perfection, power after many days to accomplish all things pertaining to as (we are told) it is to be found in other worlds. When the Zion" (D&C 105:37). "My people must be tried in all things, world has been ready to receive it at various happy times in that they may be prepared to receive the glory . of Zion" the past, Zion has been brought down from above; and we which lies ahead (D&C 136:31). have the joyful promise that at some future time it will again When all the accidentals and incidentals are snipped away, descend to earth. When men are no longer capable of supporting what remains that is quintessentially Zion? Buildings, walls, Zion on earth, it is bodily removed- taken up to heaven; whence streets, and gates-even of gold and jasper-do not make Zion; go forth the sayings, "Zion is fled and "Zion is no more." It neither do throngs in shining robes. -
Calontir Post-Revel Songbook Primer
fl Calontir Post-ReiJef "- CREDITS ' .. Songs edited by Chrystofer Kensor Typed by Chrystofer Kensor Proofread by Katr~<ina op den Dijk Andreas of Green Village Rhianna of Ceffyl TWr Collated by Chrystofer Kensor Edward of Wyvern' s Keep Printed by Edward of Wyvern's Keep Additional Printers Kinko's Copies Easy Print Printing Cover Art by William Blackfox This is the Calontir Post-Revel Songbook Primer. It is not an offical publication of the Society for Creative Anachronism, and does not delineate SCA policies. It is available from the editior for $1.00 I volume {$5.00 for the complete set) at 2818 Michigan, Topeka, KS 66605. This is a non-prophit publication for the benifit of the populace. A.CA.LONTJR -pEoplEs SON). )J~JO)OJRE . volumE 1 CALONTIR'S TOP FIFTY Another Tournament Fight D-1 Conn McNiel Ball of Ball)'Noor C-1 various Bare is the Brotherless Back E-1 Aeruin ni hEarain 6 Chonemara Bastard King of England C-2 traditional y Brom' s Reign D-2 Brom Blackhand Calontir Game E-2 Ekaterina Zvyosdosomtzeva Kievskaya ' Calontir Stands Alone A-1 Brom Blackhand Catalan Vengeance E-3 Moses Ben Eldad :. Coeur d' fnnui Song D-3 William Coeur du Boeuf 1 Duchess and the Lecher C-4 Dun CCM D-4 traditional Finnegan' s Wake B-2 traditl.onal FollCM Me Up To Car lCM B-3 Patrick Joseph Me Call Gang Bang Song C-5 various Gcx::ld Ship Venus C-6 traditional Great God Tyr D-5 Ruyard Kipling Greyhound Bound for Pennsic E-4 Koshka Hampster Song A-2 Chrystofer Kensor Hot Spur A-3 Andrew Lyon of Wol venwood Johnny I Hardly Knew You B-4 traditional Jolly -
Carlton Barrett
! 2/,!.$ 4$ + 6 02/3%2)%3 f $25-+)4 7 6!,5%$!4 x]Ó -* Ê " /",½-Ê--1 t 4HE7ORLDS$RUM-AGAZINE !UGUST , -Ê Ê," -/ 9 ,""6 - "*Ê/ Ê /-]Ê /Ê/ Ê-"1 -] Ê , Ê "1/Ê/ Ê - "Ê Ê ,1 i>ÌÕÀ} " Ê, 9½-#!2,4/."!22%44 / Ê-// -½,,/9$+.)"" 7 Ê /-½'),3(!2/.% - " ½-Ê0(),,)0h&)3(v&)3(%2 "Ê "1 /½-!$2)!.9/5.' *ÕÃ -ODERN$RUMMERCOM -9Ê 1 , - /Ê 6- 9Ê `ÊÕV ÊÀit Volume 36, Number 8 • Cover photo by Adrian Boot © Fifty-Six Hope Road Music, Ltd CONTENTS 30 CARLTON BARRETT 54 WILLIE STEWART The songs of Bob Marley and the Wailers spoke a passionate mes- He spent decades turning global audiences on to the sage of political and social justice in a world of grinding inequality. magic of Third World’s reggae rhythms. These days his But it took a powerful engine to deliver the message, to help peo- focus is decidedly more grassroots. But his passion is as ple to believe and find hope. That engine was the beat of the infectious as ever. drummer known to his many admirers as “Field Marshal.” 56 STEVE NISBETT 36 JAMAICAN DRUMMING He barely knew what to do with a reggae groove when he THE EVOLUTION OF A STYLE started his climb to the top of the pops with Steel Pulse. He must have been a fast learner, though, because it wouldn’t Jamaican drumming expert and 2012 MD Pro Panelist Gil be long before the man known as Grizzly would become one Sharone schools us on the history and techniques of the of British reggae’s most identifiable figures. -
The Life of the Rev. John Wesley, AM
Sr^A- 7?.Y," from a scarce prmtBjrBLAND.publisVd in th- Y'*ar 176 ' ' J_=. ': i!. Mi. J Aerso. «5a. - r p7/A7/\/,. h<, l "Jr*w-r*.-, THE LIFE OF THE REV. JOHN WESLEY, A. M., FELLOW OF LINCOLN COLLEGE, OXFORD; IN WHICH ARE INCLUDED, THE LIFE OF HIS BROTHER, THE REV. CHARLES WESLEY, A. AL, STUDENT OF CHRIST CHURCH, AND MEMOIRS OF THEIR FAMILY: COMPREHENDING AN ACCOUNT OF €fft CSuat &tf)tbal of ISUligton, IV WHICH THEY WERE THE FIRST AND CHIEF lUSTRUM ESTi. BY THE REV HENRY MOORE, ONLY SURVIVING TRUSTEE OF MR. WESLEV'S M»s According to this lime it shall be said, "What hath God wrought ?' Numbers xxiii, i.>. Not by might, nor by power, but by my Spirit," snilhllie Lord of I/fi Zel'h. iv, 0. Ycntui-R-;iue hiemis memores, astate laborem Experiuntur, et in medium quanta rcponunt. Vihgilii <Ji:oiu;. IN TWO VOLIM1 S. VOL. I. LOXDOX: I'RIXTED FOR JOHN KERSHAW, 14, CITY-ROAD, AND 00, l'ATEKXOSTEK-KOW James Nichols, Printer, 22, Warwick-Square, London. ... CONTENTS. BOOK THE FIRST, •CONTAINING AN ACCOUNT OF MR. WESLEY'S FAMILY CHAPTER I. His Great Grandfather and Grandfather Wesley, and his maternal Grandfather Annesley . 25 CHAPTER II. An Account of Samuel Wesley, Senior . 39 CHAPTER III. Mrs. Susannah Wesley and her Daughters . 56 CHAPTER IV The Rev. Samuel Wesley, Junioi . 90 BOOK THE SECOND. CHAPTER I. Tlie Life of the Rev. John Wesley, from his Birth to the Year 1735 ; icith an Account of his Brother, the Rev. Charles Wesley . ..Ill .. CONTENTS. -
Christ the Breaker - Part 1
Christ The Breaker - Part 1 “I will surely assemble all of you, Jacob, I will surely gather the remnant of Israel. I will put them together like sheep in the fold; Like a flock in the midst of its pasture They will be noisy with men. The Breaker goes up before them; They break out, pass through the gate, and go out by it. So their king goes on before them, And the LORD at their head.” (Micah 2:12-13-note) CHRIST THE BREAKER - Have you ever heard our Lord Jesus Christ referred to as "The Breaker (Heb = happores fromp arats)?" Spurgeon said "He who has many crowns, has many titles. Jesus, the King of kings (Rev 19:16-note), has many Names, each of them fraught with meaning, and full of sweetness." The glorious Names of Jesus are like windows through which we see His attributes and character and in which we experience His power and presence, for the Name of Jehovah is forever and ever a Strong Tower for the righteous who run into it and make it their safe haven (lifted up above the fray) (Pr 18:10-note). The more we grow in the grace and knowledge of the great Names of Jesus (2Pe 3:18-note), the Name above every name (Php 2:9-note), the more we will gladly place our trust in His sufficiency to meet our every need (2Cor 9:8-John MacDuff), for as David learned through manifold trials "Those who know (experientially know, not just head knowledge but heart change) God's Name, will put their trust in Him" (Ps 9:10-note). -
Noah East Ari. Ari. Plus
SEEN & HeardMusic. Fashion. Relative. Noah East talks music, love and clothes Mark of ari. ari. gives us 12 minutes Plus: 8 new Tim Sukits shoes to Madonna rock your & Gwen socks off May, 2006 Vol. 1 Issue 1 Dear S & H Cut this out and send it in to cast your votes! Best New Artist: __Clap Your Hands and Say Yeah __The Heliosequence __Matisyahu Best New Comeback CD: ___Fiona Apple ___The Rollingstones ___Madonna Best New Song: ___”Crash” Gwen Stefani ___”Doorbell” The White Stripes ___”On the Road to Zion” Damien Marley Best Dressed Artist: ___Gwen Stefani ___Jack White ___Madonna Best Hip Hop Artist: ___Zion I ___Aseop Rock ___Damien Marley Send to: Best of 2006 4200 Luxemburg Dr. New York, NY 90025 or get online at: s&hmagazine.com Contents Dear S & H Features A word from the editors of Seen & Heard: Noah East Rising indie star Noah East A huge thank you to you and every one talks about sexy instruments of our readers. We had a dream when we 16 and rockin’ clothes. started this magazine, hoping and wish- ing to please all of our readers. While it may not be possible to please everyone, Mark Tester we try and if we dont-tell us! That’s Interview with Mark Tester from Ari Ari on music, fashion what Dear S&H is all about. What do and of course, the band. you like, what can we do better, who 22 and what should we feature in the up- coming issues? Departments Tim Sukits & Caroline Hayes, Fashion Hall of Fame Seen & Heard editorial staff 4 The one, the only, Madonna. -
Doctrine and Covenants Student Manual Religion 324 and 325
Doctrine and Covenants Student Manual Religion 324 and 325 Prepared by the Church Educational System Published by The Church of Jesus Christ of Latter-day Saints Salt Lake City, Utah Send comments and corrections, including typographic errors, to CES Editing, 50 E. North Temple Street, Floor 8, Salt Lake City, UT 84150-2722 USA. E-mail: <[email protected]> Second edition © 1981, 2001 by Intellectual Reserve, Inc. All rights reserved Printed in the United States of America English approval: 4/02 Table of Contents Preface . vii Section 21 Maps . viii “His Word Ye Shall Receive, As If from Mine Own Mouth” . 43 Introduction The Doctrine and Covenants: Section 22 The Voice of the Lord to All Men . 1 Baptism: A New and Everlasting Covenant . 46 Section 1 The Lord’s Preface: “The Voice Section 23 of Warning”. 3 “Strengthen the Church Continually”. 47 Section 2 Section 24 “The Promises Made to the Fathers” . 6 “Declare My Gospel As with the Voice of a Trump” . 48 Section 3 “The Works and the Designs . of Section 25 God Cannot Be Frustrated” . 9 “An Elect Lady” . 50 Section 4 Section 26 “O Ye That Embark in the Service The Law of Common Consent . 54 of God” . 11 Section 27 Section 5 “When Ye Partake of the Sacrament” . 55 The Testimony of Three Witnesses . 12 Section 28 Section 6 “Thou Shalt Not Command Him Who The Arrival of Oliver Cowdery . 14 Is at Thy Head”. 57 Section 7 Section 29 John the Revelator . 17 Prepare against the Day of Tribulation . 59 Section 8 Section 30 The Spirit of Revelation . -
Songs by Title
Sound Master Entertainment Songs by Title smedenver.com Title Artist Title Artist #thatPower Will.I.Am & Justin Bieber 1994 Jason Aldean (Come On Ride) The Train Quad City DJ's 1999 Prince (Everything I Do) I Do It For Bryan Adams 1st Of Tha Month Bone Thugs-N-Harmony You 2 Become 1 Spice Girls Bryan Adams 2 Legit 2 Quit MC Hammer (Four) 4 Minutes Madonna & Justin Timberlake 2 Step Unk & Timbaland Unk (Get Up I Feel Like Being A) James Brown 2.Oh Golf Boys Sex Machine 21 Guns Green Day (God Must Have Spent) A N Sync 21 Questions 50 Cent & Nate Dogg Little More Time On You 22 Taylor Swift N Sync 23 Mike Will Made-It & Miley (Hot St) Country Grammar Nelly Cyrus' Wiz Khalifa & Juicy J (I Just) Died In Your Arms Cutting Crew 23 (Exp) Mike Will Made-It & Miley (I Wanna Take) Forever Peter Cetera & Crystal Cyrus' Wiz Khalifa & Juicy J Tonight Bernard 25 Or 6 To 4 Chicago (I've Had) The Time Of My Bill Medley & Jennifer Warnes 3 Britney Spears Life Britney Spears (Oh) Pretty Woman Van Halen 3 A.M. Matchbox Twenty (One) #1 Nelly 3 A.M. Eternal KLF (Rock) Superstar Cypress Hill 3 Way (Exp) Lonely Island & Justin (Shake, Shake, Shake) Shake KC & The Sunshine Band Timberlake & Lady Gaga Your Booty 4 Minutes Madonna & Justin Timberlake (She's) Sexy + 17 Stray Cats & Timbaland (There's Gotta Be) More To Stacie Orrico 4 My People Missy Elliott Life 4 Seasons Of Loneliness Boyz II Men (They Long To Be) Close To Carpenters You 5 O'Clock T-Pain Carpenters 5 1 5 0 Dierks Bentley (This Ain't) No Thinkin Thing Trace Adkins 50 Ways To Say Goodbye Train (You Can Still) Rock In Night Ranger 50's 2 Step Disco Break Party Break America 6 Underground Sneaker Pimps (You Drive Me) Crazy Britney Spears 6th Avenue Heartache Wallflowers (You Want To) Make A Bon Jovi 7 Prince & The New Power Memory Generation 03 Bonnie & Clyde Jay-Z & Beyonce 8 Days Of Christmas Destiny's Child Jay-Z & Beyonce 80's Flashback Mix (John Cha Various 1 Thing Amerie Mix)) 1, 2 Step Ciara & Missy Elliott 9 P.M. -
The Generalife Gardens, Alhambra, Granada, 1991
A N I mortar rake glove sausan broom basin sansui First Book, Three Gardens of Andalucfa by Gerry Shikatani mortar rake glove sausan broom basin sansui The title of this book employs one Arabic and one Japanese word: the Arabic sausan (white lily); and Japanese sansui (beautiful landscape). forEsther y Andres Joaquin y Bonnie Editor Sharon Thesen Managing Editor Carol L. Hamshaw Manuscript Editors Daphne Marlatt Steven Ross Smith Contributing Editors Pierre Coupey Ryan Knighton Jason LeHeup Katrina Sedaros George Stanley Cover Design Marion Llewellyn The CapilanoReview is published by The Capilano Press Society. Canadian subscription rates for one year are $25 CST included for individuals. Institutional rates are $30 plus CST. Address correspondence to The Capilano Review, 2055 Purcell Way, North Vancouver, British Columbia V7J 3H5. Subscribe online at www.capcollege.bc.ca/ dept/TCR or through the CMPA at magOmania, www.magomania.com. The Capilano Reviewdoes not accept simultaneous submissions or previously pub lished work. U.S. submissions should be sent with Canadian postage stamps, international reply coupons, or funds for return postage - not U.S. postage stamps. The Capilano Reviewdoes not take responsibility for unsolicited manuscripts. Copyright remains the property of the author or artist. No portion of this publication may be reproduced without the permission of the author or artist. The Capilano Reviewgratefully acknowledges the financial assistance of the Capilano College, the Canada Council forthe Arts, and its Friends and Benefactors. The Capilano Reviewis a member of the Canadian Magazine Publishers Association and the BC Association of Magazine Publishers. TCR is listed with the Canadian Periodical Index, with the American Humanities Index, and available online through InfoGlobe. -
Mathemaku No. 4C
Mathemaku No. 4c chestnuts park ) autumn zzle 0 2 > o 74470 R78fl4 ~ New Orleans Review Summer 1995 Volume 21, Number 2 Editor Associate Editors Ralph Adamo Sophia Stone Cover: poem, "Mathemaku 4c," by Bob Grumman. Michelle Fredette Art Editor Douglas MacCash New Orleans Review is published quarterly by Loyola University, New Orleans, Louisiana 70118, United States. Copyright© 1995 by Loyola Book Review Editor Copy Editor University. Mary A. McCay T.R. Mooney New Orleans Review accepts submissions of poetry, short fiction, essays, and black and white art work or photography. Translations are also welcome but must be accompanied by the work in its original language. All submis Typographer sions must be accompanied by a self-addressed stamped envelope. Al John T. Phan though reasonable care is taken, NOR assumes no responsibility for the loss of unsolicited material. Send submissions to: New Orleans Review, Box 195, Loyola University, New Orleans, Louisiana 70118. Advisory/Contributing Editors John Biguenet Subscription rates: Individuals: $}8.00 Bruce Henricksen Institutions: $21.00 William Lavender Foreign: $32.00 Peggy McCormack Back Issues: $9.00 apiece Marcus Smith Contents listed in the PMLA Bibliography and the Index of American Periodical Verse. Founding Editor US ISSN 0028-6400 Miller Williams New Orleans Review is distributed by: Ingram Periodicals-1226 Heil Quaker Blvd., LaVergne, TN 37086-7000 •1-800-627-6247 DeBoer-113 East Centre St., Nutley, NJ 07110 •1-201-667-9300 Thanks to Julia McSherry, Maria Marcello, Lisa Rose, Mary Degnan, and Susan Barker Adamo. Loyola University is a charter member of the Association of Jesuit University Presses (AJUP). -
Scholarworks@UNO Lost
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-19-2017 Lost Nathaniel Kostar the university of new orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Poetry Commons Recommended Citation Kostar, Nathaniel, "Lost" (2017). University of New Orleans Theses and Dissertations. 2332. https://scholarworks.uno.edu/td/2332 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Lost A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing Poetry by Nathaniel Kostar B.A. Rutgers University, 2008 May 2017 Copyright 2017, Nathaniel Kostar. ii ACKNOWLEDGEMENTS Thank you to John Gery for your advice and mentorship throughout this process, and to Peter Thompson and Kay Murphy for serving on my thesis committee. Thanks also to my family—who never questioned why I roamed, to the musicians I’ve had the chance to work with in New Orleans, and the venues that let us play their stages.