Nobody's Biz Four Fists Free Download

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nobody's biz four fists free download Nobody's biz four fists ""free download"" Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66c6860eca15dac0 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Nobody's biz four fists ""free download"" A MIDWEST HIP-HOP COLLECTIVE - Beta v 2.0. Photos. Download. Credit: Graham Tolbert. Download. Credit: Graham Tolbert. Logos. Download zip. Download zip. Music. Latest Release. Click here for Soundcloud profile. Videos. Youtube Channel. Sometimes the best way for artists to keep pushing ahead is to remember who their people are – especially when they’re the ones they’ve known for ages and have been itching to work with from the very start. Stef Alexander and Andy Bothwell, respectively known as P.O.S and Astronautalis, have been making guest appearances on each other’s records for over ten years, and date their friendship back even further. That makes a collaborative project like Four Fists both inevitable and necessary at the same time: it’s the team-up of two of Minneapolis’ most stylistically fearless artists, both of whom simultaneously inhabit the worlds of hip-hop and indie-punk in a way that the Twin Cities music community has always welcomed. “This is something Stef and I have been working on and dreaming about since we became friends in 2004,” says Andy, who moved to Stef’s Minneapolis stomping grounds in 2011. Two years later, the first Four Fists 7″ offered up two sides of finger-clenching post-hardcore for hip-hop heads, showcasing their powers as MCs, vocalists, producers, and songwriters alike. But the span between 2013 and the new album’s creation saw a string of life changes, from Andy’s marriage to Stef’s struggles with kidney failure to the state of social justice in the world, that shifted both artists’ perspectives. Any eventual full-length Four Fists release would have to account for the artists growing from young-and-hungry firebrands into career musicians with increasingly adult outlooks. But the duo hasn’t grown complacent – in fact, 6666 pools not just their talents but their experience to create a work that bristles with a collective tension. “It’s way easier working with friends,” says Stef. “It gets your juice moving quick. I think with what’s happened with our pairing, we have little chunks of each other that don’t come out in our own music.” That freed them up to build, tear down, rework, and upend their ideas, with the guiding hand of Dutch producer/remixer Subp Yao giving them the leeway to destroy their beats in order to make them even stronger. What that gave them is a sound that bumps hard while still seething with a certain determination, building off a mutual recognition of their strengths that bolsters their resolve. You can hear it in cuts like opener “Nobody’s Biz,” a backbreaking drumline run through with entreaties to action (“It’s fucked up, we all know it baby/the question is, why the fuck we waitin’?”), or the reflective chiptune burble of “G.D.F.R.” and its attempted reckoning with how these two artists even made it to where they are. In other words, 6666 bangs, but in the service of something greater than entry-level defiance. There’s a vibe that seems to draw from the life of The Clash’s Joe Strummer, who’s namechecked more than once on the album as a young punk iconoclast growing into a reflective humanist. The protests still hold weight: cops threaten even the law-abiding, hustlers don’t do enough to spread the wealth, and there’s no point waiting for someone to save you. But amidst all the tension and anxiety that looms in the background, there’s the sense that everything runs on a secular version of the Serenity Prayer: focus on bettering the situations you can control, learn to help yourself and others in the situations you don’t, and give listeners the sounds they need to endure both. Four Fists. Four sixes, four fists, two rappers and some punchy production that’s equally space age and heavy hitting. It’s my own interpretation here, but the group name is more a reference to solidarity and kinship between rappers P.O.S and Astronautalis than it’s a statement of anger or frustration. The group is built on the fluid, and often laid-back raps of Astronautalis interacting with P.O.S’s forceful yet playful style. While many collaborations play off contrast, Four Fists fits in the Venn diagram between the two artists, complemented perfectly by production that alternates between dramatic and thoughtful beats (“Joe Strummr”) and more confrontational material like “Annihilation.” While this is something of a side project for two solo artists, it truly feels like a full-formed group. Astronautalis and P.O.S first came together for a 7” in 2013 and, with both living in Minneapolis, have a clear chemistry. They trade off verses through the album, hitting on a variety of topics with overlying themes of maturation, socio-political status, activism and a repeating homage to the late, great Joe Strummer. 6666 isn’t an album of reminiscing tracks, but one of contemplation and the ongoing search for answers. It’s about life’s challenges and getting through them. One example of the tone is “Fjortis,” which takes on youthful rebellion and pent up frustration/confusion. In another case, the closeout “Unjinxed” latches onto that alienation and reframes it from their current perspective. Fittingly, the more contemplative tracks have slower, softer beats that follow the punk template of an emphasis on the big moments: storytelling to lay a foundation and using a big hitting line here and there to accentuate the point. It’s personal, emotional, and reaching beyond artist to a larger purpose. “Joe Strummr” has a looking-to-the stars tone as the artists consider the role of activism versus day-to-day living. It’s not all laid back vibes, though. “Bobby Hill” is a heavy hitter, and “Sid Vishis” shows off the power of handing off the mic at just the right time. “Dork Court” is a fun banger to lighten the mood and to keep the head bopping amid some of the deeper thoughts. Opener “Nobody’s Biz” really masters all the styles in a single song, setting the tone for what follows. While it hits on topics from teenage vandalism, to goofing around with friends, to racism, it’s ultimately a record about the ongoing journey of finding one’s place and purpose in a chaotic society. This is a really smooth-flowing album that hits different emotions without getting stagnant or digging too deep on a single abstract idea. It’s at its best when the production leans a hair more aggressive, maximizing stereo effects and with a heavy dose of reverb, switching tones in tandem with the vocal changeups between the two rappers. P.O.S & ASTRONAUTALIS ANNOUNCE DEBUT FOUR FISTS ALBUM. Oh man oh man. The wait is over. After five long years, P.O.S and Astronautalis have announced their debut full-length album as FOUR FISTS. It’s called 6666 and it’s out on October 12th from Doomtree Records. YESSSSSS. That’s the sweet album cover below. Shouts to Graham Tolbert on the photography and Andy McAlpine on all the design. Last month the duo teased out singles “Nobody’s Biz” and “G.D.F.R,” and today they’ve let loose of a third 6666 track. This one is called “Dork Court” (in the running for best song title ever), and it is a certified HEAT KNOCKER. Shouts to Breakmaster Cylinder and Subp Yao on the beat. Check out the track below and spread the word! Four Fists – “Dork Court” (produced by Breakmaster Cylinder, addition prod. by Subp Yao) And in case you’re still getting caught up on the music, here’s the awesome videos for “G.D.F.R” and “Nobody’s Biz.” Four Fists – “Nobody’s Biz” You can pre-order the album digitally and listen to these three singles on any of your favorite sites right HERE. OR…. By now you probably know that any Doomtree Records release is going to come with an insane physical pre-order filled with all sorts of wild bonus items, and 6666 is no different. We’ve got three bonkers bundles for this album, starting with the ball-on-any-budget Standard Pre-Order, which includes immediate digital download of the three singles, a free sticker, and access to a Q&A live stream with Stef and Andy. Check this out. STANDARD – $12.99 CD / $21.99 LP. – Choice of digipak CD or gatefold LP with booklet and printed lyrics. – Immediate digital download of “Nobody’s Biz,” “G.D.F.R,” and “Dork Court” – Access to Instagram Live Q&A with P.O.S and Astronautalis around release date. – Four Fists sticker.
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  • 1. in One Song, This Featured Rapper Says There Are “Clocks on the Wall, Fuck Your Wristwatch” and Decides He’S “Finna Take a Nap” Because He’S in the Title State

    1. in One Song, This Featured Rapper Says There Are “Clocks on the Wall, Fuck Your Wristwatch” and Decides He’S “Finna Take a Nap” Because He’S in the Title State

    1. In one song, this featured rapper says there are “clocks on the wall, fuck your wristwatch” and decides he’s “finna take a nap” because he’s in the title state. Rod Stewart appears in the music video for one song by this artist subtitled “a hip­hop Hollywood story.” In one song, this rapper says he needs “dead people” and that he beheads people before telling everyone he “blew past” to “kneel and kiss the ring.” This featured rapper on “Kush Coma” and “Good For You” says he “never met a motherfucker fresh like me” on a song whose hook features 2 Chainz saying that his “fuckin’ problem” is that he “loves bad bitches.” This artist included “Fashion Killa” and “Wild for the Night” on an album whose title includes Long.Live. For 10 points, name this rapper who released At.Long.Last ​ ​ ​ himself and has a dollar sign in his name. ANSWER: A$AP Rocky (generously prompt on “Danny Brown” before “Rod Stewart” for confused people who ​ ​ don’t hear the word featured) 2. One song titled for these animals describes having “weed and veggies for breakfast” and mentions “Excalibur swords, T­rexes, bibles of rhymes.” That song titled for these animals features a verse by Masta Killa and appears on 8 Diagrams. Six of these animals title a collective whose associated bands included The Apples in Stereo and The ​ Olivia Tremor Control. In one song by a band titled for these animals, the singer says “I got bills to pay, I got mouths to feed.” The singer describes “the feeling coming from my bones” and says that the title group “couldn’t hold me back” in a song that appears on an album titled for these animals that also contains “The Hardest Button to Button.” “Ain’t No Rest for the Wicked” is by a band titled for caging one of these animals.