November 22, 2011 5% DISCOUNT on New Release Items Through November 29
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STREET DATE: February 18, 2014 5% DISCOUNT on New Release Items Through Feb 25
FEBRUARY NEW RELEASE GUIDE STREET DATE: February 18, 2014 5% DISCOUNT on New Release Items through Feb 25 Burnside Distribution Corp, 6635 N. Baltimore Ave, Suite 285, Portland, OR, 97203 phone (503) 231-0876 / fax (503) 231-0420 / www.bdcdistribution.com BDC New Releases Feb 2014 (503) 231-0876 / www.bdcdistribution.com 2 Feb 2014 Welcome!BDC Welcome! New Releases Andre Cymone has a history. Bass player in a band with his high school pal, Prince Rogers Nelson before there was a symbol or a revolution. Has three high- If there was a soundtrack to this guide, right about now we would be hearing ly regarded albums and a hit in the early 80s. Produces albums for Adam Ant, Hail To The Chief because The Presidents are back! The Presidents of the Pebbles, Jody Watley, Tom Jones and others. Takes a break for 27 years and now United States of America commence their third decade of Seattle quirk pop. re-emerges with a very strong rock and roll record. Dig It!! An accidental pouring forth of new tunes posits Kudos To You! to the delight of young and old (especially old). It’s about time! Steve Dawson, major domo of Canada’s Black Hen Records, Juno Winner (both solo and with Zubot and Dawson), rewarded for his Blues, Folk and Jazz efforts, What is it about Texas that has guitar slingers spewing from within? This month is sometimes referred to as The Canadian Ry Cooder for his knowledge, abilities we have Dallas’ Jim Suhler back with his first album since 2008’s Tijuana Bible. -
Gala Dinner DLF
James McCartney announces 47 date US Tour and 1st Full-Length album! (07/02/2013) This is a big announcement that has just been made: James McCartney is back in the US for a major tour made of 47 dates! The tour will begin on April 6th in Portland, Oregon and will finish mid-June in Nashville, ... Home News Biography Lifework Concerts Forum Shop Contact Search JMFC... Search > Hom e > Concerts > Concerts 2012 > Gala Dinner DLF Transforming Lives From Within Benefit Gala Dinner, David Lynch Foundation UK Review by Julie Eagleton Last week I was delighted to attend the Transforming Lives From Within benefit gala dinner; the first of its kind for the David Lynch Foundation UK at the Underglobe, a quite magical space under Shakespeare’s Globe Theatre. The David Lynch Foundation for Consciousness-Based Education and World Peace was first set up by Lynch in the USA in 2005, and in 2012 the foundation was established here in the UK. Its aim is to ensure that any child who wants to learn and practise the Transcendental Meditation programme can do so. TM is the most thoroughly researched and widely practiced programme in the world for developing the full creative potential of the brain and mind, improving health, reducing stress, and improving academic outcomes. The DLF UK also works with stressed teachers, the homeless, prisoners and the many thousands of war veterans suffering from post traumatic stress disorder (PTSD). Award-winning director, writer and producer, David Lynch, has been “diving within” through the Transcendental Meditation technique for over 3o years. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Witty Songs ©Ted Schaar 2011
Witty Songs ©Ted Schaar 2011 Several years ago through eBay I bought colored-vinyl versions of The Beatles 1962-1966 (The Red Album) and The Beatles 1967-1970 (The Blue Album) from a major fan named Ed. After I paid, he asked if I would be interested in some bootlegs he had that featured sessions recorded while The Beatles were working on their amazing albums—he was willing to transfer them to CD free of charge. I mentioned in my thank you e-mail that I was old enough to have seen the Beatles when they first appeared on The Ed Sullivan Show in 1964. He replied it was "an honor" to meet someone who saw the Beatles live (Ed was born in 1966). This made me think that although those who watched The Beatles that night were part of a huge television audience—almost 74 million1—it's a set whose numbers have decreased tremendously in the 45 years that have passed. That realization, Ed's comment and generous offer to send the CDs, and the about-the-same-time coincidence of having dinner with a man named Bill who saw the Beatles perform in Milwaukee in the fall of 1964 started a chain of events that led me to write two articles. The first, "A Day in the Center of Beatlemania," is about the band's September 4, 1964, appearance at the Arena in Milwaukee. The seed for the second—this one—was planted after Ed's CDs arrived. These were interesting for their roughness and for the insights they provided into the experimentation that produced musical passages such as the unusual Paul McCartney organ part that opens and becomes the backbone of "Lucy in the Sky With Diamonds." On one I was hearing works in progress ranging from the acoustic beginning of "All Together Now" to John Lennon performing an early version of "Good Morning, Good Morning" when out of the blue comes Pete Drake, his talking guitar, and the sliding-steel-words: "I'm just a guitar, everybody picks on me." The track is from the bootleg Through Many Years that focuses on George Harrison and Ringo Starr.2 Ed had combined various bootlegs on each of the CDs he sent. -
Dessa & Jocelyn Hagen
Look Out Above Dessa & Jocelyn Hagen pdf download $1.50 GP-D026 printed $3.00 SATB, a cappella COLLABORATION Dessa & Jocelyn Hagen Look Out Above for a cappella SATB choir, soloists, body percussion, opt. movement Commissioned by & dedicated to the Macalester College Choirs with special thanks to Dr. Michael McGaghie, conductor www.graphitepublishing.com GP-D026 Commissioned by & Dedicated to the Macalester College Choirs pdf download $1.50 with special thanks to Dr. Michael McGaghie, conductor (2017) Look Out Above for SATB a cappella choir, soloists, body percussion & optional movement Text: IPA Guide: We can’t be stopped [ɑ] - car they can’t catch us - sitting just like midnight on the clock: [ɪ] Text by: Dessa Dessa & Jocelyn Hagen it’s all hands up-- [ʌ] - cup, luck with help from the Macalester College Choir Students before tick goes toc, [ɔ] - call, saw it’s just the dust we kick up, so - boat [o] INSTRUCTIONS: Resembling a clock, conductor sweeps look out, look out, look out [u] - who left arm from left to right, like the arm of a clock. Choir look out above members create their ticking sound loudest when the arm cause we’re coming up is directly pointed at them. There should be gradual overlap look about above between sections. there’s no stopping us We can’t be stopped…. Presto = 166-170 q - Dessa pwhispering: P Left 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ã 4 Ó ∑ ∑ Ó From the Composers: tI tI tI tI tI tI tI-kʌ-tI-kʌ-tI-kʌ-tI-kʌ - tI-kʌ-tI - kʌ whispering: p P Some vocal works ask to be delivered by a perfect blend of instructions for its performance, but I am asking you to Middle 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ voices: a finely tuned, powerful, unified sound. -
Forward the Road to Austin Was a Magical Night of Friendship And
Forward The Road To Austin was a magical night of friendship and amazing music! The date was May 19, 2007 and over sixty artists performed for over 3.5 hours in front of 20,000 people. This event was designed to create and capture a heightened level of excitement towards understanding how and why Austin, Texas has become known as the “live music capital of the world”. The vision was to create a unique live musical showcase of local and world-renowned artists that are deeply rooted to the Austin music scene legacy. The production includes a scripted visual and musical experience delivered via state of the art theatrical staging technology and world class talent. The late Stephen Bruton was the musical director for the show and a founding member of the FORMAX Group. Our top-flight team of producers, directors, engineers, crew, and an amazing roster of performers seamlessly came together to accomplish this historic event. Stephen assembled a 15-piece world class house band and led them through a forty song setlist. The lineup was developed to include multiple genres of music, including poetry, and attempted to blend and blur this artistic diversity in order to deliver many never-seen-before collaborations. The panoply of celebrity headliners heightened the impact of the evening’s apex and afforded Austin’s local artists an opportunity to have these legends accompany them during their performances. A five-day rehearsal and staging period, occurring directly prior to the event was where all these critical components were perfected and new and old friendships magically collided to create a truly unforgettable evening. -
POS Chill, Dummy Mp3, Flac
P.O.S. Chill, Dummy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Chill, Dummy Country: US Released: 2017 Style: Conscious MP3 version RAR size: 1367 mb FLAC version RAR size: 1908 mb WMA version RAR size: 1742 mb Rating: 4.3 Votes: 315 Other Formats: AA AIFF AU MMF MP3 MP4 TTA Tracklist Hide Credits Born A Snake 1 2:32 Backing Vocals – GeraldGuitar – Jeremy YlvisakerProducer – P.O.S. Wearing A Bear 2 2:41 Producer – Lazerbeak Bully 3 3:29 Featuring – Moncelas Boston, Rapper HooksProducer – Makr Faded 4 3:51 Featuring – Justin Vernon, Lady MidnightProducer – P.O.S. Pieces/Ruins 5 5:21 Featuring – Busdriver, Dwynell RolandProducer – Cory Grindberg Get Ate 6 1:25 Featuring – GeraldProducer – P.O.S. Roddy Piper 7 4:20 Featuring – Moncelas BostonProducer – Lazerbeak, Ryan Olson Thieves/Kings 8 2:44 Backing Vocals – Lady MidnightProducer – Cory Grindberg Infinite Scroll 9 Backing Vocals – Lady MidnightBass – James BuckleyFeaturing – Manchita*, Open Mike 4:02 EagleProducer – Cory Grindberg Lanes 10 1:50 Producer – P.O.S. Gravedigger 11 Backing Vocals – Lady MidnightBass – James BuckleyFeaturing – AngelenahProducer – 4:17 Cory GrindbergScratches [Cuts] – DJ Abilities Sleepdrone/Superposition 12 Drums – Joe MabbottFeaturing – Allan Kingdom, Astronautalis, Eric Mayson, Hard_R, 8:48 Kathleen Hanna, Lizzo, Lydia Liza, Nicholas L. PerezProducer – P.O.S. Companies, etc. Manufactured By – www.copycatsmedia.com – 6236-CD-0041 Credits Engineer – Joe Mabbott Executive-Producer – Lazerbeak, P.O.S. Mastered By – Bruce Templeton Mixed By – BJ Burton (tracks: 2), Joe Mabbott Photography, Design – Brian Hart Recorded By – BJ Burton (tracks: 2), Joe Mabbott, P.O.S. Notes Gatefold style packaging. -
October 15, 2013 5% DISCOUNT on New Release Items Through Oct 22
OCTOBER NEW RELEASE GUIDE STREET DATE: October 15, 2013 5% DISCOUNT on New Release Items through Oct 22 Burnside Distribution Corp, 6635 N. Baltimore Ave, Suite 285, Portland, OR, 97203 phone (503) 231-0876 / fax (503) 231-0420 / www.bdcdistribution.com BDC New Releases Oct 2013 (503) 231-0876 / www.bdcdistribution.com 2 Oct 2013 Welcome!!BDC Welcome!! New Releases Augie Meyers - often imitated; never duplicated. A legend whose 50+ year career has resulted in Sean Chambers has not been in a hurry - he knows that patience is a virtue, good things come to those who wait, you can’t hurry love and a half-dozen other aphorisms. He spent five years with Grammys, chart hits and 17 solo albums. Here is the latest; a Texas-centric Country album with Hubert Sumlin before going solo and has only now released his fifth album in a decade and a nods toward Harlan Howard and Lefty Frizell. He is one of a kind. half; a patient man who records music he wishes to instead of dropping some kind of a new Recess Monkey is from Seattle but known nationally with great press, exposure on SiriusXM Kids album every other year just to tour behind. The Rock House Sessions is more than worth the wait. Place Live due to member Jack Forman’s daily program and their tenth(!) release. And check out In the last couple of years, Burnside has reached an affinity with Minneapolis bands; be it The these new ones by Quiet Life (on tour with The Head and The Heart), Modern Kin, Vikesh Kapoor, Shouting Matches, Polica, Solid Gold, The Ocean Blue or Davina and the Vagabonds, we’ve been Field Study, Patrick Park and Son of Stan. -
David Grissom :: How It Feels to Fly Blue Rose/Sonic Rendezvous
David Grissom :: How It Feels To Fly Blue Rose/Sonic RendezVous The “eternal sideman” David Grissom has successfully been working on a solo career for a number of years now. With his 4th album, the exceptional Texan guitarist finally arrives where he belongs: on the Blue Rose label. With its roots/guitar/Americana roster, Blue Rose is the natural home for the Austin-based string wrangler and will contribute to his long-overdue breakthrough in Europe. How It Feels To Fly is the album title – and indeed, Grissom plays music that will elevate your spirits – be it at full volume in your home stereo or on stage. He will soon play his first headlining tour through German clubs! John Mellencamp, Joe Ely, James McMurtry, Storyville, Charlie & Bruce Robison, Chris Knight, the Allman Brothers, Robben Ford, Ringo Starr, John Mayall, Buddy Guy, Chris Issak and the Dixie Chicks can’t all be wrong. And those are only the most important cornerstones of Grissom’s career. The guitarist is the go-to guy when a singer-songwriter wants to up the rock factor of their music. David Grissom has succeeded in creating his own sound and a stellar reputation based on his bone-dry Keith-inspired riffing and his signature no frills-lead guitar attacks. But amid his busy schedule as a sidekick he has never lost sight of his true dream which he has been making come true since 2008: writing his own songs, singing them with a surprisingly charismatic voice, recording and producing them at home (Spicewood Studios, Texas) and … obviously, putting his inimitable style of playing the guitar in focus! In 2008 he debuted with the aptly titled Loud Music, followed by 10,000 Feet in the spring of ’09. -
Exclusive: Copy CUCFS
FREEFREE Take a Takecopy a Exclusive: copy CUCFS Charity reveal Remembering Kobe Vulture 32-33 Sport 40 Behind the lens No. 878 White Lies Friday 31st January 2020 with varsity.co.uk Music 20 Cambridge’s Independent Student Newspaper since 1947 Government disability bene ts scheme continually fails Cambridge student is comes ater Cambridge MP Daniel Sophie Huskisson Zeichner raised the case in parliament Senior News Editor on Tuesday. Ward was unable to do a year abroad, Anna Ward, an MML undergraduate at a compulsory part of the MML degree, Emmanuel College, has been battling due to a requirement of receiving PIP with the Department for Work and Pen- bene ts stating that you cannot leave sions (DWP) since April last year ater the country for more than 12 weeks they unexpectedly stopped receiving at a time. Ward planned to split their their Personal Independence Payments year abroad into time periods less than of £77 a week. 12 weeks long up until July last year, Although the process should take but had to end this arrangement early three months from start to nish, Ward when the DWP cancelled their bene ts explained they have only received a date in April. for a home visit to assess their eligibil- ▲ Minister for Disabled People, Justin Tomlinson , said they are “urgently investigating” ity for receiving PIP bene ts this week. Full story on page 2 ▶ New funding boost to ‘innovatively’ ght homelessness in Cambridge £486,457 will go towards enhancing age one Cambridgeshire family becomes already earmarked by the Council for ad- “more funding is being allocated to serv- Victor Jack current projects and developing new homeless every ve hours. -
The History of Rock Music - the 2000S
The History of Rock Music - The 2000s The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Bards and Dreamers (These are excerpts from my book "A History of Rock and Dance Music") Bards of the old world order TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. Traditionally, the purposefulness and relevance of a singer-songwriter were defined by something unique in their lyrical acumen, vocal skills and/or guitar or piano accompaniment. In the 1990s this paradigm was tested by the trend towards larger orchestrastion and towards electronic orchestration. In the 2000s it became harder and harder to give purpose and meaning to a body of work mostly relying on the message. Many singer-songwriters of the 2000s belonged to "Generation X" but sang and wrote for members of "Generation Y". Since "Generation Y" was inherently different from all the generations that had preceeded it, it was no surprise that the audience for these singer-songwriters declined. Since the members of "Generation X" were generally desperate to talk about themselves, it was not surprising that the number of such singer- songwriters increased. The net result was an odd disconnect between the musician and her or his target audience. The singer-songwriters of the 2000s generally sounded more "adult" because... they were. -
November '92 Sound
mb Nove er ’92 . 2 , NoSS UUNN DD HHHH, YOU DON’T know the shape I’m “O in,” Levon Helm was wailing plaintively over the P.A. as the lights came up at Off Broad- way, a St. Louis nightclub. The DJ’s choice of that particular Band normally prohibits). Brian McTavish of the number couldn’t have been more Star’s “Nighthawk” column was on assign- relevant. Four days on the road ment, so no luck there. A television spot with the Tom Russell Band were wasn't in the budget, so we'd have to rely coming to a close, leaving me primarily on word of mouth for ticket sales. fatigued and exhilarated at the same time. Day 1 – Kansas City The show had run late, and The Tom Russell Band, standin’ on the corner: Barry the management was doing its Ramus (bass), Fats Kaplin (accordion, pedal steel, Waiting at the Comfort Inn for the band harmonica, and more), Tom Russell (guitar, vocals), to roll in to town provided a chance to see a best to herd patrons out the Mike Warner (drums, backing vocals), Andrew Hardin door. As the crowd congratulat- (guitar, harmony vocals). prima donna in action. A member of Lash ing the band dispersed, S LaRue’sband was pressuring the desk clerk staff cartoonist Dug joined me in ap- to change his room assignment, first to down the hall, then, deciding that wasn’t proaching Tom, and in our best Wayne and up a request for an interview left on his toll good enough, to a different floor.