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What You Should Know About Rattlesnakes
Rattlesnakes in The Rattlesnakes of Snake Bite: First Aid WHAT San Diego County Parks San Diego County The primary purpose of the rattlesnake’s venomous bite is to assist the reptile in securing The Rattlesnake is an important natural • Colorado Desert Sidewinder its prey. After using its specialized senses to find YOU SHOULD element in the population control of small (Crotalus cerastes laterorepens) its next meal, the rattlesnake injects its victim mammals. Nearly all of its diet consists of Found only in the desert, the sidewinder prefers with a fatal dose of venom. animals such as mice and rats. Because they are sandy flats and washes. Its colors are those of KNOW ABOUT so beneficial, rattlesnakes are fully protected the desert; a cream or light brown ground color, To prevent being bitten, the best advice is to leave within county parks. with a row of brown blotches down the middle snakes alone. RATTLESNAKES If you encounter a rattlesnake while hiking, of the back. A hornlike projection over each eye Most bites occur when consider yourself lucky to have seen one of separates this rattlesnake from the others in our area. Length: 7 inches to 2.5 feet. someone is nature’s most interesting animals. If you see a trying to pick rattlesnake at a campsite or picnic area, please up a snake, inform the park rangers. They will do their best • Southwestern Speckled Rattlesnake (Crotalus mitchelli pyrrhus) tease it, or kill to relocate the snake. it. If snakes are Most often found in rocky foothill areas along the provided an coast or in the desert. -
A Player's Guide Part 1
A Player’s Guide Effective: 9/20/2010 Items labeled with a are available exclusively through Print-and-Play Any page references refer to the HeroClix 2010 Core Rulebook Part 1 – Clarifications Section 1: Rulebook 3 Section 2: Powers and Abilities 5 Section 3: Abilities 9 Section 4: Characters and Special Powers 11 Section 5: Special Characters 19 Section 6: Team Abilities 21 Section 7: Alternate Team Abilities 23 Section 8: Objects 25 Section 9: Maps 27 Part 2 – Current Wordings Section 10: Powers 29 Section 11: Abilities 33 Section 12: Characters and Special Powers 35 Section 13: Team Abilities 71 Section 14: Alternate Team Abilities 75 Section 15: Objects 77 Section 16: Maps 79 How To Use This Document This document is divided into two parts. The first part details every clarification that has been made in Heroclix for all game elements. These 40 pages are the minimal requirements for being up to date on all Heroclix rulings. Part two is a reference guide for players and judges who often need to know the latest text of any given game element. Any modification listed in part two is also listed in part one; however, in part two the modifications will be shown as fully completed elements of game text. [This page is intentionally left blank] Section 1 Rulebook at the time that the player gives the character an action or General otherwise uses the feat.‖ Characters that are removed from the battle map and placed Many figures have been published with rules detailing their on feat cards are not affected by Battlefield Conditions. -
The World's Greatest Heroes for D&D 5E
The Vengeance The World's Greatest Heroes for D&D 5E In a world filled with heroes, some still known as Captain Americana – in honour of manage to stand above their peers. The his long-lost homeland – and the Man of band known as The Vengeance are among Iron, an exceptionally talented arcanist that the most respected men and women to battles from within the confines of his have ever taken up arms in defence of enchanted Iron Plate armor. righteousness and the very survival of all The final two core members are a pair of civilised peoples. deadly assassins. Black Spider is reputed to The exact make-up of the group varies over be an exceptionally talented spy and time, but there are six heroes that are widely infiltrator, able to blend in with all manner of recognised as its core. races and deliver death with a single blow. Though primarily made up of humans, The She’s often accompanied by Eagle Eye, widely Vengeance nevertheless includes the huge, believed to be the greatest archer in rage-fuelled aberration known as the Hulking existence. One and a powerful celestial named Odinson Their methods are sometimes called into that claims to wield the power of thunder. question, but once they get to work it’s rare The more public-facing members of the that anybody is able to do anything but group include its leader, a former soldier marvel at their effectiveness. art by thedurrrrian || thedurrrrian..deviantart..com design by u/therainydaze || winghornpress..com Captain Americana Teamwork. When Captain Americana is within 5 ft. -
Amphibians and R,Eptiles of Joshua Tree Nationat Monument
r,-. 1 $ ,35 Sidewinder AMPHIBIANS AND R,EPTILES OF JOSHUA TREE NATIONAT MONUMENT Text by lerry Moore Drawings by Yic Koch Desert Tortoise ,OSHUA TREE NATIONAL MONUMENT )oshua Tree National Monument is one of the areas administered by the National Park Service, a bureau of the U.S. Department of the Interior. The Monument was established to preserve the richness and variety of the resources of this des- Chuckwdlla ert area. Preservation extends to all natural, archaeological and historic obiects, so that vis' itors today and for generations to come may enioy this desert in its natural state. Published by the Produced in Cooperction with the JOSHUA TREE ilATIONAL PARK SERVICE NATURAL HISTORY ASSOCIATION 1 973 a non-profit organization pledged to aid in the preservation and interpretation of the scenic and scientific features of the Monurnent. loshua Trce National Monument T wentynine P alms, Californit 92277 INTRODUCTION other geckos in lacking foot pads and having ordinarl' eyelids. Reptiles and amphibians are among the most interesting and unusual animals found in our ZEBRA-TAILED LIZARD Callisaurus draconoides (2Y2"-)Yz") is light-colored with deserts. Many superstitions and misconceptions two Iongitudinal rows of dark spots on its back have resulted from a lack of knowledge of them: that give way to dark bands on the tail; is fast, most are rarely seen because of their shy nature maneuverable, often runs on its hindlegs curling and habits. These, like all plants and animals. its tail forward to act as counterbalance; com- mon in sandy areas. are protected within foshua Tree National Mon' ument. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
Schurken Im Batman-Universum Dieser Artikel Beschäftigt Sich Mit Den Gegenspielern Der ComicFigur „Batman“
Schurken im Batman-Universum Dieser Artikel beschäftigt sich mit den Gegenspielern der Comic-Figur ¹Batmanª. Die einzelnen Figuren werden in alphabetischer Reihenfolge vorgestellt. Dieser Artikel konzentriert sich dabei auf die weniger bekannten Charaktere. Die bekannteren Batman-Antagonisten wie z.B. der Joker oder der Riddler, die als Ikonen der Popkultur Verankerung im kollektiven Gedächtnis gefunden haben, werden in jeweils eigenen Artikeln vorgestellt; in diesem Sammelartikel werden sie nur namentlich gelistet, und durch Links wird auf die jeweiligen Einzelartikel verwiesen. 1 Gegner Batmans im Laufe der Jahrzehnte Die Gesamtheit der (wiederkehrenden) Gegenspieler eines Comic-Helden wird im Fachjargon auch als sogenannte ¹Schurken-Galerieª bezeichnet. Batmans Schurkengalerie gilt gemeinhin als die bekannteste Riege von Antagonisten, die das Medium Comic dem Protagonisten einer Reihe entgegengestellt hat. Auffällig ist dabei zunächst die Vielgestaltigkeit von Batmans Gegenspielern. Unter diesen finden sich die berüchtigten ¹geisteskranken Kriminellenª einerseits, die in erster Linie mit der Figur assoziiert werden, darüber hinaus aber auch zahlreiche ¹konventionelleª Widersacher, die sehr realistisch und daher durchaus glaubhaft sind, wie etwa Straûenschläger, Jugendbanden, Drogenschieber oder Mafiosi. Abseits davon gibt es auch eine Reihe äuûerst unwahrscheinlicher Figuren, wie auûerirdische Welteroberer oder extradimensionale Zauberwesen, die mithin aber selten geworden sind. In den frühesten Batman-Geschichten der 1930er und 1940er Jahre bekam es der Held häufig mit verrückten Wissenschaftlern und Gangstern zu tun, die in ihrem Auftreten und Handeln den Flair der Mobster der Prohibitionszeit atmeten. Frühe wiederkehrende Gegenspieler waren Doctor Death, Professor Hugo Strange und der vampiristische Monk. Die Schurken der 1940er Jahre bilden den harten Kern von Batmans Schurkengalerie: die Figuren dieser Zeit waren vor allem durch die Abenteuer von Dick Tracy inspiriert, der es mit grotesk entstellten Bösewichten zu tun hatte. -
Crotalus Cerastes, the Sidewinder
180 / Litteratura Serpentium, 1993, Vol. 13, Nr. 6 CROTALUS CERASTES, THE SIDEWINDER By: Pete Strimple, 5310 Sultana Drive, Cincinnati, Ohio 45238, U.S.A. Contents: Historical -Habitat- Food -Habits -Breeding- The subspecies of Crotalus cerastes - Key to the subspecies of Crotalus cerastes. * * * HISTORICAL The sidewinder is a small to intermediate sized rattlesnake found in the southwestern United States and northwestern Mexico. It was first described by Hallowell in 1854 as Crotalus cerastes. The type specimen was collected by Dr. A.L. Heerman, with the type locality being designated as 'borders of the Mojave River, and in the desert of the Mojave (California).' In 1944, Laurence Klauber described the first subspecies based on a specimen collected at the Narrows, San Diego County, California. Klauber named the subspecies Crotalus cerastes laterorepens, the Colorado Desert sidewinder. The subspecies name 'laterorepens' is quite fitting for a sidewinder, because it is latin for 'sideways creeping.' In accordance with the rules of nomenclature, this established the nominate subspecies as Crotalus cerastes cerastes Hallowell, the Mojave desert sidewinder. These remained the only two subspecies of the sidewinder until 1953, when Savage and Cliff described Crotalus cerastes cercobombus, the Sonora sidewinder. The subspecies name 'cercobombus' is actually a combination of a Greek and Latin word which mean 'buzzing tail.' HABITAT Crotalus cerastes is primarily a desert dwelling form, whose habitats include desert flatland, sand dunes, and sand hammocks topped with creosote or mesquite bushes. FOOD Sidewinders feed mainly on small mammals (kangaroo rats, mice, pocket gophers, etc.) and lizards (desert iguanas, utas, whiptails, etc.). There are also records of sidewinders eating birds, and even a case of cannibalism. -
Experience of Snakebite Envenomation by a Desert Viper in Qatar
Hindawi Journal of Toxicology Volume 2020, Article ID 8810741, 5 pages https://doi.org/10.1155/2020/8810741 Review Article Experience of Snakebite Envenomation by a Desert Viper in Qatar Amr Elmoheen ,1 Waleed Awad Salem ,1 Mahmoud Haddad ,1 Khalid Bashir ,1 and Stephen H. Thomas1,2,3 1Department of Emergency Medicine, Hamad Medical Corporation, Doha, Qatar 2Weill Cornell Medical College in Qatar, Doha, Qatar 3Barts and "e London School of Medicine, Queen Mary University of London, London, UK Correspondence should be addressed to Amr Elmoheen; [email protected] Received 8 June 2020; Revised 8 September 2020; Accepted 28 September 2020; Published 12 October 2020 Academic Editor: Mohamed M. Abdel-Daim Copyright © 2020 Amr Elmoheen et al. &is is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. Crotaline and elapid snakebites are reported all over the world as well as in the Middle East and other countries around this region. However, data regarding snakebites and their treatment in Qatar are limited. &is review paper is going to investigate the presentation and treatment of snakebite in Qatar. A good assessment helps to decide on the management of the snakebites envenomation. Antivenom and conservative management are the mainstays of treatment for crotaline snakebite. Point-of-care ultrasound (POCUS) has been suggested to do early diagnosis and treatment of soft tissue problems, such as edema and compartment syndrome, after a snakebite. &e supporting data are not sufficient regarding the efficiency of POCUS in diagnosing the extent and severity of tissue involvement and its ultimate effect on the outcome. -
Media Industry Approaches to Comic-To-Live-Action Adaptations and Race
From Serials to Blockbusters: Media Industry Approaches to Comic-to-Live-Action Adaptations and Race by Kathryn M. Frank A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in the University of Michigan 2015 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Lisa A. Nakamura Associate Professor Aswin Punathambekar © Kathryn M. Frank 2015 “I don't remember when exactly I read my first comic book, but I do remember exactly how liberated and subversive I felt as a result.” ― Edward W. Said, Palestine For Mom and Dad, who taught me to be my own hero ii Acknowledgements There are so many people without whom this project would never have been possible. First and foremost, my parents, Paul and MaryAnn Frank, who never blinked when I told them I wanted to move half way across the country to read comic books for a living. Their unending support has taken many forms, from late-night pep talks and airport pick-ups to rides to Comic-Con at 3 am and listening to a comics nerd blather on for hours about why Man of Steel was so terrible. I could never hope to repay the patience, love, and trust they have given me throughout the years, but hopefully fewer midnight conversations about my dissertation will be a good start. Amanda Lotz has shown unwavering interest and support for me and for my work since before we were formally advisor and advisee, and her insight, feedback, and attention to detail kept me invested in my own work, even in times when my resolve to continue writing was flagging. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
The Trail to LOBO: the First Afrian-American Comic Book Hero
Details: Amazon rank: #1,870,800 Price: $25.75 bound: 132 pages Publisher: CreateSpace Independent Publishing Platform (March 17, 2017) Language: English ISBN-10: 1544614721 ISBN-13: 978-1544614724 Weight: 9 ounces The Trail to LOBO: the First Afrian-American Comic Book Hero by Tony & Tony Tallarico rating: 5.0 (1 reviews) ->>->>->>DOWNLOAD BOOK The Trail to LOBO: the First Afrian-American Comic Book Hero ->>->>->>ONLINE BOOK The Trail to LOBO: the First Afrian-American Comic Book Hero 1 / 6 2 / 6 3 / 6 4 / 6 . Warner Bros. Has 11 DC Comics Movies . with additional superhero films having . DC currently has a total of eleven comic book film adaptations in .Top 5 Biggest Rip-Off Characters in Comics. They just got the comic book . If everyones going to bitch about who was first then every super hero is a .. Wonder Woman represents not just the first blockbuster helmed by a female superhero, but also the first . The comic book adaptation game is . first black .how is the first black superhero i all comic books? . How is the first black superhero i all comic . Lobo from Dell Comics is the first black .Moved Permanently. The document has moved here. Critical Mention.Watchmen is a twelve-issue comic book limited . of the Black Freighter comic . of the contemporary superhero comic book," is "a domain he .Image of the day: Old school Lobo returns . (duh, hes in every book these days), Black Canary . Fangrrls Wonder Woman Shea Fontana DC Superhero Girls DC .Characters; Comics; Movies; TV; Games; Collectibles; . the first and most influential super hero of all time has inspired us across comic books, .Vintage Lobo #1 Dell Western 1965 1st African American Comic Hero . -
Clinical Inbox
Clinical Documentation in AED AED Poisoning Case Management Form Dr. Joseph Yao Health Informatics Hong Kong Hospital Authority Poisoning incidents are common Background • According to The Hong Kong Poison Information Centre (HKPIC), there were around 4,000 poisoning cases reported in 2010 in Hong Kong • Most of the patients were admitted via AEDs and received immediate treatment • The Poison Form was developed to align with the enhanced features of CMS III, as well as the readiness for electronic clinical documentation in AEDs Efficiency Challenges in AED • High patient volume • Timing critical Mobility • Interacting with multiple patients and team members at any one time • Vast variety of clinical conditions • Sentinel point for the whole Knowledge community support • ….. Connect to the Community Goal ... • Full electronic clinical documentation in AEDs • Poisoning Case Management Form as a trial Most cases are clinically less critical Data items standardized Case load not too heavy AED record Free Text Future interface Induce frontline staff to adopt electronic documentation at AEDs Acquisition Institutionalization % of User Adoption Adoption Trial Use Understanding Awareness Contact Time How do we record Poisoning Cases in AEDs?? Current situation • Poisoning cases in A&E are manually recorded: i. Handwritten AED card ii. Locally-developed manual forms • Wide range of non-standardized information captured among different hospitals. Limited standardized data captured in A&D card Limitations • Difficult to retrieve information based