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Il Canto Della Sirena Neapolitan Baroque Cantatas

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Il Canto Della Sirena Neapolitan Baroque Cantatas GCD 922603 Il Canto della Sirena New release information November 2011 Neapolitan Baroque cantatas includes ‘La Tarantella NOTES (ENG) NOTES (FRA) del Gargano’ During the early 1990s Antonio Florio (together with Au début des années 90, Antonio Florio (en compagnie Dinko Fabris) was making substantial discoveries in de Dinko Fabris) découvrait des merveilles oubliées du the field of Baroque repertory from Naples for baroque napolitain, qu’il interpréta en concert et au performance and recording, and now that Florio and disque ; maintenant, Florio et I Turchini font de nouveaux I Turchini are making new recordings for Glossa enregistrements pour Glossa (Tenebrae et L’Adoratione (Caresana’s Tenebrae and L’Adoratione de’ Maggi), we de’ Maggi, dont la musique est pour la plupart de are delighted to be bringing back into circulation some Caresana), et nous célébrons cette occasion pour of those earlier ground-breaking recordings, signed by récupérer certains disques fondamentaux réalisés alors Roberto Meo and Sigrid Lee, focusing here – with Il par Roberto Meo et Sigrid Lee. Ce triple volume – Canto della Sirena – on Neapolitan chamber cantatas intitulé Il Canto della Sirena – privilégie les cantates from the 17th and early 18th centuries. The scene is de chambre du XVIIe siècle et du début du XVIIIe. Et set by Dinko Fabris in a characterful essay for three c’est Dinko Fabris qui nous guide, par son texte, dans discs of chamber cantatas – often mini operas in their ces pièces – qui sont souvent des opéras en own right – originally designed to reproduce the miniature ; ayant pour but de reproduire l’expérience theatrical experience away from the opera house; rich théâtrale loin ou hors de la scène opératique, elles font in local colour through the use of the Neapolitan généreusement appel à la couleur locale grâce à l’usage language and characters (comic or otherwise), popular de la langue et aux personnages napolitains, aux Il Canto della Sirena melodies and distinctive forms such as the follia. mélodies populaires et à diverses formes musicales, Cantate napoletane dell’età barocca en particulier la follia. A prominent role is taken in this music by one special Pino De Vittorio, tenor artist: that master of Neapolitan vocal delivery, tenor Ces enregistrements ont un protagoniste : le ténor Roberta Invernizzi, soprano (CD II) Pino De Vittorio. At home in the theatre and traditional Pino De Vittorio, véritable maestro de la transmission music as much as he has been in the Baroque repertory, su style vocal napolitain, qui se sent aussi à son aise Antonella Ippolito, soprano (CD II) De Vittorio is joined by other familiar names in Florio’s au théâtre comme dans les musiques traditionnelles Roberta Andalò, soprano (CD II) music-making such as Roberta Invernizzi, Roberta ou le répertoire baroque... Certaines pièces accueillent Daniela Del Monaco, alto (CD II) Andalò and Rosario Totaro. Across the “songs of love avec le même bonheur des artistes associés depuis Rosario Totaro, tenor (CD II) and madness” on these three discs the strong presence toujours à l’activité musicale de Florio : Roberta is felt of that leading Neapolitan composer Francesco Invernizzi, Roberta Andalò ou Rosario Totaro. La plupart I Turchini Provenzale, whose reputation Antonio Florio has done de ces « chansons d’amour et de folie » qui remplissent so much to revive. Also through these chamber works les 3 CDs sont signées par Francesco Provenzale, Antonio Florio – cantatas, serenades and instrumental music – there compositeur dont la réputation actuelle se doit are to be found other important names from the certainement au travail de Florio. Mais nous trouvons Neapolitan Baroque: Alessandro Scarlatti, Filippo aussi dans ces cantates, ces sérénades et ces œuvres PROGRAMME Coppola, Michelangelo Faggioli and Simone Coya. instrumentales, d’autres noms célèbres comme Alessandro Scarlatti, Filippo Coppola, Michelangelo CD I [73:59] Faggioli ou Simone Coya. Works by Francesco Provenzale, Alessandro Scarlatti, Michelangelo Faggioli, Nicola Fago, Nicola Sabino, Giuseppe Tricarico and Giulio Cesare Rubino and anonymous NOTAS (ESP) NOTIZEN (DEU) CD II [74:56] Works by Francesco Provenzale, Gaetano Greco, Durante los primeros años 90, Antonio Florio (al lado Während der frühen 1990er Jahre hat Antonio Florio Filippo Coppola, Francesco Manelli, Giovanni de Dinko Fabris) estaba haciendo sustanciales (zusammen mit Dinko Fabris) bei Konzerten und Cesare Netti and anonymous descubrimientos en el campo del repertorio barroco Aufnahmen wesentliche Erkenntnisse auf dem Gebiet napolitano, que reflejó en conciertos y grabaciones, y der neapolitanischen Barockmusik erlangt. Heute CD III [62:48] ahora que Florio e I Turchini están realizando nuevas nehmen Florio und I Turchini für Glossa auf (Caresanas Works by Francesco Provenzale, Simone Coya, grabaciones para Glossa (Tenebrae y L’Adoratione de’ Tenebrae und L’Adoratione de’ Maggi), und daher sind Maggi, con música sobre todo de Caresana), nos wir sehr erfreut darüber einige dieser bahnbrechenden Francesco Durante, Michelangelo Faggioli, Pietro complacemos en recuperar algunos de estos registros Einspielungen wieder auf den Markt zu bringen, für die Marchitelli, Leonardo Vinci and anonymous fundamentales, firmados en su día por Roberto Meo y Sigrid Lee und Roberto Meo verantwortlich zeichneten. Sigrid Lee. En este estuche triple –titulado Il Canto Mit Il Canto della Sirena legen wir besonderes della Sirena–, el foco está situado sobre las cantatas Augenmerk auf neapolitanische Kammerkantaten aus PRODUCTION DETAILS de cámara del siglo XVII y principios del XVIII. El dem 17. und frühen 18. Jahrhundert. Dinko Fabris propio Dinko Fabris nos guía con su ensayo a través macht mit seinem aussagekräftigen Essay die Bühne de estas piezas –a menudo verdaderas óperas en für drei CDs mit Kammerkantaten bereit, die häufig 3 CDs - digipak miniatura– diseñadas para reproducir la experiencia richtiggehende Miniaturopern sind. Sie waren Recorded in Naples (Palazzo d’Avalos) and teatral lejos del escenario operístico, ricas en color ursprünglich dazu bestimmt, eine Theatererfahrung Bologna (Eremo di Ronzano) in June 1991, May local a través del uso de la lengua y de personajes auch jenseits der Opernbühne zu ermöglichen, und 1994 and April 1996 napolitanos, melodías populares y formas distintivas sind durch die Verwendung der neapolitanischen Sprache Engineered by Roberto Meo como la follia. und (teils komischer) neapolitanischer Charaktere, Produced by Sigrid Lee populärer Melodien und spezifischer Formen wie der En estas grabaciones, a un artista en particular le follia auch reich an Lokalkolorit. Design: Valentín Iglesias corresponde un papel prominente. Se trata del tenor Booklet essay:Dinko Fabris Pino De Vittorio, auténtico maestro en la transmisión Bei dieser Musik gebührt einem besonderen Künstler English Français Deutsch Italiano del estilo vocal napolitano, que se siente tan a gusto eine prominente Rolle: dem Tenor Pino De Vittorio, en el teatro como en las músicas tradicionales y el einem Meister des neapolitanischen Gesangsstils, der repertorio barroco, y al que se suman en algunas piezas auf der Bühne ebenso zuhause ist wie in der otros nombres asociados desde siempre a la actividad traditionellen Musik und im barocken Repertoire. An musical de Florio, como Roberta Invernizzi, Roberta seine Seite gesellen sich mit Robert Invernizzi, Roberta Andalò y Rosario Totaro. En estas «canciones de amor Andalò oder Rosario Totaro weitere bekannte Namen y locura» que se extienden a lo largo de los 3 CDs, es aus Florios musikalischem Umfeld. In all diesen »Liedern Francesco Provenzale el compositor más presente, un von Liebe und Tollheit« auf den drei CDs ist die autor cuya reputación actual se debe sin duda al trabajo Gegenwart des führenden neapolitanischen Komponisten de Florio. Pero en estas cantatas, serenatas y música Francesco Provenzale spürbar, dessen Ruhm dank instrumental encontramos también a otros nombres Antonio Florio wiederbelebt wurde. Daneben finden como Alessandro Scarlatti, Filippo Coppola, Michelangelo sich in diesen Kammerwerken (Kantaten, Serenaden Faggioli o Simone Coya. und Instrumentalmusik) noch weitere bedeutende Namen des neapolitanischen Barock: Alessandro Scarlatti, Filippo Coppola, Michelangelo Faggioli oder Simone Coya. www.glossamusic.com.
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