Timeline of the History of La Belle Époque: World History
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Improving the Technical Knowledge and Background Level in Engineering Training by the Education Digitalization Process
E3S Web of Conferences 273, 12099 (2021) https://doi.org/10.1051/e3sconf/202127312099 INTERAGROMASH 2021 Improving the technical knowledge and background level in engineering training by the education digitalization process Konstantin Kryukov, Svetlana Manzhilevskaya*, Konstantin Tsapko, and Irina Belikova Don State University, 344000, Rostov-on-Don, Russia Abstract. The modern technical education digitalization implies an increase in the role of the information component in the training of students. At the same time there is a certain gap between the modern technologies training and the understanding of the fact that construction industry is the mixture of historically formed features and the current state of the industry. Nowadays construction industry is under continuous technical development. The main danger of an insufficient attention to the special aspects of the construction development is the neglect of the preservation of cultural background and architectural heritage, which can be observed in the modern life. The article deals with the issues of improving the effectiveness of the educational process of students by introducing into the educational training process not only modern methods of designing building structures, but also the issues of understanding the history of the emergence of individual construction objects. The construction object can't appear out of nothing. All constructive solution is preceded by a historical situation the situation of cultural and architectural heritage. However, there is no discernible connection between technical education and the humanities and social sciences. The authors use historical examples to justify the need for the use of elements of the humanities by a teacher of a higher technical educational institution with the introduction of the capabilities of modern digital information modeling technologies. -
Gustave Eiffel, a Pioneer of Aerodynamics
Int. J. Engineering Systems Modelling and Simulation, Vol. 5, Nos. 1/2/3, 2013 3 Gustave Eiffel, a pioneer of aerodynamics Bruno Chanetz* Onera, 8 rue des Vertugadins, F-92 190 Meudon, France Fax: +33-1-46-23-51-58 and University Paris-Ouest, LTIE-GTE, EA 4415, 50 rue de Sèvres, F-92410 Ville d’Avray, France Fax: +33-1-40-97-48-73 E-mail: [email protected] E-mail: [email protected] *Corresponding author Martin Peter Laboratoire Aérodynamique Eiffel, 68 rue Boileau, F-75016 Paris E-mail: [email protected] Abstract: At the beginning of the 20th century, Gustave Eiffel contributes with Ludwig Prandtl to establish a new science: aerodynamics. He was going to study the forces to which he was confronted as engineer during his life: gravity and wind. Keywords: Eiffel wind tunnel; diffuser; laminar regime; turbulent regime; transition; drag of the sphere; Eiffel chamber. Reference to this paper should be made as follows: Chanetz, B. and Peter, M. (2013) ‘Gustave Eiffel, a pioneer of aerodynamics’, Int. J. Engineering Systems Modelling and Simulation, Vol. 5, Nos. 1/2/3, pp.3–7. Biographical notes: Bruno Chanetz joins Onera in 1983 as a Research Engineer. He was the Head of Hypersonic Group in 1990, Head of Hypersonic Hyperenthalpic Project in 1997 and Head of Experimental Simulation and Physics of Fluid Unit in 1998, then Deputy Director of the Fundamental and Experimental Aerodynamics Department in 2003. He was a Lecturer in Charge of the course ‘Boundary Layer’ at the Ecole Centrale de Paris from 1996 to 2003, then Associate Professor at the University of Versailles from 2003 to 2009. -
Qualitative Freedom
Claus Dierksmeier Qualitative Freedom - Autonomy in Cosmopolitan Responsibility Translated by Richard Fincham Qualitative Freedom - Autonomy in Cosmopolitan Responsibility Claus Dierksmeier Qualitative Freedom - Autonomy in Cosmopolitan Responsibility Claus Dierksmeier Institute of Political Science University of Tübingen Tübingen, Baden-Württemberg, Germany Translated by Richard Fincham American University in Cairo New Cairo, Egypt Published in German by Published by Transcript Qualitative Freiheit – Selbstbestimmung in weltbürgerlicher Verantwortung, 2016. ISBN 978-3-030-04722-1 ISBN 978-3-030-04723-8 (eBook) https://doi.org/10.1007/978-3-030-04723-8 Library of Congress Control Number: 2018964905 © The Editor(s) (if applicable) and The Author(s) 2019. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence and indicate if changes were made. The images or other third party material in this book are included in the book’s Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the book’s Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. -
Paul Frenchfrench the OLD SHANGHAI A–Z
PaulPaul FrenchFrench THE OLD SHANGHAI A–Z 14/F Hing Wai Centre All rights reserved. No portion of 7 Tin Wan Praya Road this publication may be reproduced Aberdeen or transmitted in any form or by any Hong Kong means, electronic or mechanical, www.hkupress.org including photocopy, recording, or any information storage or retrieval system, without permission in © Paul French, 2010 writing from the publisher. ISBN 978-988-8028-89-4 Cover design and page layouts by British Library Cataloguing-in- Alex Ng Kin Man, Twin Age Limited Publication Data. A catalogue record Email: [email protected] for this book is available from the British Library. Printed in China by Twin Age Limited, Hong Kong 2 THE OLD SHANGHAI A–Z Contents How to Use This Book .............................................................................6 Road Names Index – Past to Present .....................................................8 Road Names Index – Present to Past ..................................................26 The Flag and Seal of the Shanghai Municipality ..............................44 Road Names as History and Politics ...................................................46 The Boundaries ......................................................................................48 Building Shanghai’s Roads ....................................................................62 The Name Changing Begins .................................................................67 International Settlement A-Z ...............................................................72 -
French Follow in the Footsteps of Gustave Eiffel
Follow in the footsteps of Gustave Eiffel Your mission is to construct, paint or draw your own version of the Eiffel Tower, and then fly your school flag (of your own design) from the top. Here are some ideas of ways to construct your Eiffel Tower: • Spaghetti and marshmallows • Straws and blue tack • Lego • Junk (boxes, bottles, kitchen rolls, cardboard etc) • String and pins (be careful!) • Anything else you can think of! If you are painting or drawing your Eiffel Tower, choose whichever medium (or mixture of mediums) you like: pencil, pen, crayon, oil pastel, watercolour, finger prints, light and shadows… Get inspired! Gustave Eiffel (1832-1923) La Tour Eiffel * French Civil Engineer and *Global cultural icon Architect *Most visited paying monument in the world *In his early career, he concentrated on building *Made of iron bridges *Is repainted every seven years *His company was responsible *Weighs 10000 tonnes for building the Eiffel Tower for *There are 1665 steps to climb the Universal Exhibition of 1889 *There are 5 million lights on the *Gustave Eiffel also helped to Eiffel Tower build the Statue of Liberty https://www.youtube.com/ *Gustave Eiffel only intended the watch?v=5CQoP-G5fx8 Eiffel tower to stand for 20 years, but once Parisians got used to it, https://www.toureiffel.paris/en they didn’t want it to go! https://www.youtube.com/ *Gustave Eiffel had a private watch?v=qPR24LBnRzQ apartment at the top of the Eiffel Tower! https://www.toureiffel.paris/en/ the-monument/gustave-eiffel Some ideas using food!! . -
Cervantes and the Spanish Baroque Aesthetics in the Novels of Graham Greene
TESIS DOCTORAL Título Cervantes and the spanish baroque aesthetics in the novels of Graham Greene Autor/es Ismael Ibáñez Rosales Director/es Carlos Villar Flor Facultad Facultad de Letras y de la Educación Titulación Departamento Filologías Modernas Curso Académico Cervantes and the spanish baroque aesthetics in the novels of Graham Greene, tesis doctoral de Ismael Ibáñez Rosales, dirigida por Carlos Villar Flor (publicada por la Universidad de La Rioja), se difunde bajo una Licencia Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 Unported. Permisos que vayan más allá de lo cubierto por esta licencia pueden solicitarse a los titulares del copyright. © El autor © Universidad de La Rioja, Servicio de Publicaciones, 2016 publicaciones.unirioja.es E-mail: [email protected] CERVANTES AND THE SPANISH BAROQUE AESTHETICS IN THE NOVELS OF GRAHAM GREENE By Ismael Ibáñez Rosales Supervised by Carlos Villar Flor Ph.D A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy At University of La Rioja, Spain. 2015 Ibáñez-Rosales 2 Ibáñez-Rosales CONTENTS Abbreviations ………………………………………………………………………….......5 INTRODUCTION ...…………………………………………………………...….7 METHODOLOGY AND STRUCTURE………………………………….……..12 STATE OF THE ART ..……….………………………………………………...31 PART I: SPAIN, CATHOLICISM AND THE ORIGIN OF THE MODERN (CATHOLIC) NOVEL………………………………………38 I.1 A CATHOLIC NOVEL?......................................................................39 I.2 ENGLISH CATHOLICISM………………………………………….58 I.3 THE ORIGIN OF THE MODERN -
Taller Than Eiffel's Tower: the London and Chicago Tower Projects, 1889
Taller Than Eiffel's Tower: The London and Chicago Tower Projects, 1889-1894 Author(s): Robert Jay Reviewed work(s): Source: Journal of the Society of Architectural Historians, Vol. 46, No. 2 (Jun., 1987), pp. 145-156 Published by: University of California Press on behalf of the Society of Architectural Historians Stable URL: http://www.jstor.org/stable/990183 . Accessed: 02/02/2012 10:22 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of California Press and Society of Architectural Historians are collaborating with JSTOR to digitize, preserve and extend access to Journal of the Society of Architectural Historians. http://www.jstor.org Taller than Eiffel's Tower: The London and Chicago Tower Projects, 1889-1894 ROBERT J A Y University of Hawaii During the later 19th century the rapid spread of iron and steel buildingtechnology created an engineers'architecture in which tech- nical problemsfrequently took priority over traditionalconcerns of E::::~ architecturalstyle. Perhapsno otherstructure represents a moredra- 1~ ;~~ matic statement this new in architecturethan the a,; of spirit Eiffel ~~I; "? Tower. Yet while the controversysurrounding the buildingof the Tower is well known, the almost immediateattempts on the ~:-????--a Eiffel ~iiQ ~ part of Americanand British engineersand architectsto builda taller :si:2~ ~8;? towerare not. -
AUDIO GUIDE TOUR 1 48 Wall Street/Murals
Museum of American Finance AUDIO GUIDE TOUR 1 48 Wall Street/Murals The largest object on display at the Museum of American Finance isn’t the bull and bear statue or the statue of Alexander Hamilton. You’re actually standing INSIDE the largest object! In 1797 Alexander Hamilton’s Bank of New York laid the cornerstone for its first building right here at 48 Wall Street. You can see the cornerstone outside where William Street meets Wall Street. Hamilton founded the Bank in 1784 not long after the last of the British troops left American soil for good. The current building is the third Bank of New York headquarters on this site. It opened in 1929 and was active until the Bank acquired the Irving Trust Company and moved into its towering art deco skyscraper at 1 Wall Street in 1988. Like many bank buildings from this era, the architect Benjamin Wistar Morris designed the Grand Mezzanine to convey a sense of strength and power, both in its size and its extensive use of marble and limestone. These materials invoke a sense of security, making the building look like a solid fortress, protecting clients’ money at all costs. Remember, FDIC insurance didn’t come along until 1933. If you look up at the north and east walls of the Grand Mezzanine, you’ll see eight murals painted by J. Monroe Hewlett, an accomplished turn-of-the-century muralist. Alexander Hamilton is front and center in the murals on the north side. These depict scenes from the Bank of New York’s history. -
Persistence Or Reversal of Fortune? Early State
PASXXX10.1177/0032329217704431Politics & SocietyFoa 704431research-article2017 Politics & Society 2017, Vol. 45(2) 301 –324 Persistence or Reversal © 2017 SAGE Publications Reprints and permissions: of Fortune? Early State sagepub.com/journalsPermissions.nav https://doi.org/10.1177/0032329217704431DOI: 10.1177/0032329217704431 Inheritance and the Legacies journals.sagepub.com/home/pas of Colonial Rule* Roberto Stefan Foa University of Melbourne Abstract This article assesses the relative merits of the “reversal of fortune” thesis, according to which the most politically and economically advanced polities of the precolonial era were subject to institutional reversal by European colonial powers, and the “persistence of fortune” view, according to which early advantages in state formation persisted throughout and beyond the colonial era. Discussing the respective arguments, the article offers a synthesis: the effect of early state formation on development trajectories was subject to a threshold condition. Non-European states at the highest levels of precolonial political centralization were able to resist European encroachment and engage in defensive modernization, whereas states closest to, yet just below, this threshold were the most attractive targets for colonial exploitation. Since the onset of decolonization, however, such polities have been among the first to regain independence and world patterns of state capacity are increasingly reverting to those of the precolonial era. Keywords colonialism, state formation, state capacity, decolonization, -
Ancient Polities, Modern States
Ancient Polities, Modern States The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Foa, Roberto. 2016. Ancient Polities, Modern States. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:26718768 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Ancient Polities, Modern States A dissertation presented by Roberto Stefan Foa to The Committee on Degrees in Government in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Government Harvard University Cambridge, Massachusetts January 2016 c 2016 – Roberto Stefan Foa All rights reserved. Thesis advisor Author James A. Robinson Roberto Stefan Foa Ancient Polities, Modern States Abstract Political science is concerned with the study of polities. However, remarkably few scholars are familiar with the polities of the premodern era, such as Vijayanagara, Siam, Abyssinia, the Kingdoms of Kongo or Mutapa, or the Mysore or Maratha empires. This dissertation examines the legacies of precolonial polities in India, during the period from 1707 to 1857. I argue that, contrary to the widespread perception that the Indian subcon- tinent was a pre-state society, the late eighteenth and early nineteenth centuries were a time of rapid defensive modernization across the subcontinent, driven by the requirements of gunpowder weaponry and interstate warfare among South Asian regimes and against European colonial powers. -
Visions of Electric Media Electric of Visions
TELEVISUAL CULTURE Roberts Visions of Electric Media Ivy Roberts Visions of Electric Media Television in the Victorian and Machine Ages Visions of Electric Media Televisual Culture Televisual culture encompasses and crosses all aspects of television – past, current and future – from its experiential dimensions to its aesthetic strategies, from its technological developments to its crossmedial extensions. The ‘televisual’ names a condition of transformation that is altering the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture. Shifts in production practices, consumption circuits, technologies of distribution and access, and the aesthetic qualities of televisual texts foreground the dynamic place of television in the contemporary media landscape. They demand that we revisit concepts such as liveness, media event, audiences and broadcasting, but also that we theorize new concepts to meet the rapidly changing conditions of the televisual. The series aims at seriously analyzing both the contemporary specificity of the televisual and the challenges uncovered by new developments in technology and theory in an age in which digitization and convergence are redrawing the boundaries of media. Series editors Sudeep Dasgupta, Joke Hermes, Misha Kavka, Jaap Kooijman, Markus Stauff Visions of Electric Media Television in the Victorian and Machine Ages Ivy Roberts Amsterdam University Press Cover illustration: ‘Professor Goaheadison’s Latest,’ Fun, 3 July 1889, 6. Cover design: Coördesign, Leiden -
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