How Good Is Kanye's'yeezus'?

Total Page:16

File Type:pdf, Size:1020Kb

How Good Is Kanye's'yeezus'? PAGE 6 | FORUMTHURSDAY, JUNE 20, 2013 | THE BALL STATE DAILY NEWS | BSUDAILY.COM [email protected] TWITTER.COM/BSUDAILYNEWS How good is Kanye’s ‘Yeezus’? West’s latest attempt is worst in his discography, West explodes with his most sonically ambitious KAYNE WEST - YEEZUS album to date falling just short of his last effort lacking lyrical substance, too experimental at times From the opening of Kanye West’s sixth studio album You will be nodding your head, and not because you’re tired either. Beat after “Yeezus” one thing is obvious; it’s the rawest, most beat will have you on the edge of your seat. experimental version of West that we’ve heard. Kanye West’s “Yeezus” opens with the bass-heavy track “On Sight.” And it’s exactly what he needed in the follow up to 2011’s near-perfect “My Beautiful Dark Twisted very well at all. Fantasy.” What helps make “Yeezus” so bold and TheSome hook have fits called in as wellthe album as any fresh, in the cutting entire album,edge, ge which- is not successful is that he’s not grasping for the same nius even. I think of said compliments to be covering sound and material, trying to replicate what up West’s blundering of an attempt to be all of made his last album so successful. The boast- those things. ful name, the sound and tracks like “I Am A Most every track has the essence of, at God” ensure that the album will be remem- some point, two songs within one. Several bered, for better or worse. hooks are extended to sound like short verses that just don’t jive. typical outstanding production. It uses some industrial Perhaps you’ll like it, but it wasn’t for me. Thesounds first andhalf synthsof the album rather bursts creatively open while with alsoWest’s tack- With the exception of two songs on the entire album, ling some more serious lyrical content. “New Slaves,” “Blood on the Leaves” and “Bound 2” West’s personal style perhaps the best track on the album, tackles racism went out the window. in a multi-faceted way including corporate control, West’s auto-tuned voice works extremely well with the materialism and the United States prison system. sampling of Nina Simone’s “Strange Fruit.” “Blood on the West’s best songs lyrically and sonically come from Leaves,” which mirrors the title of Jeff Stetson’s 2004 novel the first half, but from there it gets a bit hit or miss about racial injustice in 1960s Mississippi, implies that or controversial. “I’m In It” compares to some of some deep message would lie within. the most vulgar songs I’ve heard. Its beat is solid, Instead, it merely addresses West’s past relationships. It but lines like “Put my fist in her like a civil rights does, however, speak to the fact that West has to deal with at sign” are a bit too much shock value for the track. least one of his exes in public. Such emotional stuff. One of the most controversial tracks, “Blood The feel that fans, myself included, had come to love On The Leaves,” samples Nina Simone’s “Strange throughout West’s career is gone. “College Dropout,” “Late Fruit,” a disturbing song about lynching. Carrying Registration,” “808’s” and “Heartbreak,” and his most the weight of such serious material is a difficult recent album “My Beautiful Dark Twisted Fantasy,” all task and West isn’t able to live up to the sample, delivered content with actual context. instead rapping about divorces and women looking Lyrical substance is almost completely absent from to have a baby with a wealthy rapper like himself. this album. Most every track runs out of steam and It’s a little disturbing to see the source material climaxes with some group of one-liners about West’s treated like this, but I don’t hate this song. I like it sex life. Which, although I was concerned about, was because the high-pitched sample of Simone is mixed not what I wanted the focus of this album to be. Especially perfectly into the song, and the beat that awakens in the once I knew that tracks like “Black Skinhead” and “New second verse is one of the best moments in the album. Slaves” would be featured. And as much as I would have preferred some more serious That reminds me, “New Slaves” is great. I have to give credit material from West with this sample, there are still plenty of metaphors with West’s life and “Strange Fruit.” album, and with the fourth song, listeners get some actual lyrics. The album certainly has its flaws. It’s only 40 where it’s due. The bass line is probably the fiercest on the minutes long, which is a bit short for an album when clean water was only served to the fairer skin,” sets the that does so much sonically, where it lacks lyri- toneThe for first a trackline of packed the song, with “My controversial momma was lyrics. raised in the era cally. It’s also a little uneven for me, with the first West speaks to the racism he encountered before getting rich, half of the album raw and angry; it just loses a “Don’t touch anything in the store,” and then the racism he encounters little momentum as it turns to the second half. now, “come in, please buy more. What you want, a Bentley? A fur Coat? A Lyrically, it’s a subpar output for West and prob- diamond chain? All you blacks want all the same things.” ably has something to do with how hastily this I was glad to hear West attack some real issues, and on top of solid project was thrown together, but it beat, too. doesn’t distract me too much from what I like West closes the album with a series of slow beats, with softer bass about the album. lines that leave a hunger for more of the edgy music that was fea- But “Yeezus” is unquestionably a risky move tured in the first half. by West. One that is successful partly because of STEVEN WILLIAMS his stature as a hip-hop star to take such under- “New Slaves.” An acoustic sample dominates the song, and DAKOTA CRAWFORD ground, experimental sounds and bring them to a shallowThe album’s lyrics finalejust escalate is nearly the a confusions180 degree that turnaround surround from EDITOR-IN-CHIEF mainstream audience. West makes these sounds West’s relationship with Kim Kardashian. SPORTS EDITOR STEVEN WILLIAMS IS SENIOR his own as he’s always done and it’s an album I’ll He teases the potential for the two getting married with DAKOTA CRAWFORD IS A JUNIOR TELECOMMUNICATIONS NEWS MAJOR AND be enjoying for a long time, if only for the impec- the lines “Maybe we could still make it to the church steps. TELECOMMUNICATIONS NEWS MAJOR AND WRITES FOR THE DAILY NEWS. HIS VIEWS DO cable production. WRITES FOR THE DAILY NEWS. HIS VIEWS DO NOT NECESSARILY AGREE WITH THOSE OF THE Rating: HHHHI To close the song, and the album West says “Jesus wept.” NOT NECESSARILY AGREE WITH THOSE OF THE NEWSPAPER. ButSo first,did I, you Kanye. gon’ So remember did I. how to forget.” NEWSPAPER. TWEET AT @SBWILLIAMS15 Rating: HHHII TWEET AT @DAKOTACRAWFORD_ DNSWITCHBOARD MICROSOFT ANNOUNCED IT HAS GOTTEN RID OF ITS CONTROVERSIAL FEATURES FOR THE XBOX ONE, INCLUD- ING REQUIRING A INTERNET CONNECTION DAILY. WHAT DO YOU THINK OF THE DECISION? STEVEN WILLIAMS, JORDAN HUFFER, EMMA KATE FITTES, EDITOR-IN-CHIEF PHOTO EDITOR NEWS EDITOR « It was the only choice Microsoft had. Gamers were « Is there an ‘Avatar’ based bending « I don’t really think about that prepared to flock to Sony and the PS4. The decision game for the Kinect yet? ... No? ... decision because I don’t own won’t change my mind on my next console decision, Yeah, then I really don’t care. » an Xbox One nor do I plan to. but it certainly allows gamers who really weren’t sure a So, insert a clever or thoughtful better competitive decision. Hopefully this allows Sony response here. » to pull more exclusive titles after the changes. » DAKOTA CRAWFORD, MICHAEL BOEHNLEIN, DANIEL BROUNT , SPORTS EDITOR DESIGN EDITOR COPY CHIEF « I love the decision. I had whole-heartedly « Microsoft’s changes with the « I’ve always been a Playstation jumped the fence, and set my mind on purchasing Xbox One were pretty dumb and guy, so Xbox wasn’t going to a PS4 after hearing about Microsoft’s initial ultimately I think they would have change my mind anyway. I wasn’t features. Having to ‘check in’ once a day is suffered if they did not decide to paying much attention to the outrageous. Glad to see the change, and glad to be drop some of the controversial ones. Xbox One in the first place.» back on board, Bill. » I’m still getting a PS4. » | THE DAILY NEWS COMIC Josh Shaffer is a sophomore pre-art major and draws “Strange Gods” for the Daily News. His views do not necessarily agree with those of the newspaper. Write to Josh at [email protected]. FORUM POLICY The Daily News encourages its SEN. TIM LANANE U.S. SEN. JOSEPH DONNELLY readers to voice their views on Indiana Dist. 25 B33 Russell Senate Office Building The Daily News forum page guest columns and feedback on The editor reserves the right to this on an individual basis and legislative issues. The following 200 W.
Recommended publications
  • FOES in "That Follow Was of Tho Aro at Polo While Hands Manned Right Sort, Safe Hero Moreno's." Willing Tho Tho Impatient Reply
    all was silence there, if hot slumber, nignt. Fetch him hack hero ns and then he his quick tnko shelter." And joined superior. ns yon can. Toll him Fan and Ruth laying hold of tho catch these- murdering thloves," was FOES IN "That follow was of tho aro at polo while hands manned right sort, safe hero Moreno's." willing tho tho impatient reply. "Sow many aro sergeant," said Plummer. "1 wish wo In 10 minutes tho Concord wagon, Bpokes Feeny soon had tho Concord and you?" bad one or two like him." tho weather beaten with its fair froight, now trembling and ambulance safely "Oh, thero's of us was "I wish we sir. out of tho plenty hero," AMBUSH bad, Thoso greas¬ excited, was standing side by side with way. Then camo a moment Harvey's cheery answer. "Most of C ers nro worse than no guards at all. tho paymaster's ambulance. The of consultation as to which of but we've other weary ruon would bo Harvey's troop, business on band They'll sit there in the corral and smoke inulcs were unhitched and with the sad- best suited for tho oner¬ now. Y*ou wait there for id's ous just quietly papolitos by tho hour and brag about dlo horses led in to water. The post opposite tho enemy's door and a minute or two until tho how their the major then a sudden und breathless sergeant By Capt. Chas. King, U.S. A.. they fought way through and tho sergeant, prompting each oth¬ "Listenl" sileuco.
    [Show full text]
  • And I Heard 'Em Say: Listening to the Black Prophetic Cameron J
    Claremont Colleges Scholarship @ Claremont Pomona Senior Theses Pomona Student Scholarship 2015 And I Heard 'Em Say: Listening to the Black Prophetic Cameron J. Cook Pomona College Recommended Citation Cook, Cameron J., "And I Heard 'Em Say: Listening to the Black Prophetic" (2015). Pomona Senior Theses. Paper 138. http://scholarship.claremont.edu/pomona_theses/138 This Open Access Senior Thesis is brought to you for free and open access by the Pomona Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pomona Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. 1 And I Heard ‘Em Say: Listening to the Black Prophetic Cameron Cook Senior Thesis Class of 2015 Bachelor of Arts A thesis submitted in partial fulfillment of the Bachelor of Arts degree in Religious Studies Pomona College Spring 2015 2 Table of Contents Acknowledgements Chapter One: Introduction, Can You Hear It? Chapter Two: Nina Simone and the Prophetic Blues Chapter Three: Post-Racial Prophet: Kanye West and the Signs of Liberation Chapter Four: Conclusion, Are You Listening? Bibliography 3 Acknowledgments “In those days it was either live with music or die with noise, and we chose rather desperately to live.” Ralph Ellison, Shadow and Act There are too many people I’d like to thank and acknowledge in this section. I suppose I’ll jump right in. Thank you, Professor Darryl Smith, for being my Religious Studies guide and mentor during my time at Pomona. Your influence in my life is failed by words. Thank you, Professor John Seery, for never rebuking my theories, weird as they may be.
    [Show full text]
  • Efficient Algorithms for High-Dimensional Eigenvalue
    Efficient Algorithms for High-dimensional Eigenvalue Problems by Zhe Wang Department of Mathematics Duke University Date: Approved: Jianfeng Lu, Advisor Xiuyuan Cheng Jonathon Mattingly Weitao Yang Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Mathematics in the Graduate School of Duke University 2020 ABSTRACT Efficient Algorithms for High-dimensional Eigenvalue Problems by Zhe Wang Department of Mathematics Duke University Date: Approved: Jianfeng Lu, Advisor Xiuyuan Cheng Jonathon Mattingly Weitao Yang An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Mathematics in the Graduate School of Duke University 2020 Copyright © 2020 by Zhe Wang All rights reserved Abstract The eigenvalue problem is a traditional mathematical problem and has a wide appli- cations. Although there are many algorithms and theories, it is still challenging to solve the leading eigenvalue problem of extreme high dimension. Full configuration interaction (FCI) problem in quantum chemistry is such a problem. This thesis tries to understand some existing algorithms of FCI problem and propose new efficient algorithms for the high-dimensional eigenvalue problem. In more details, we first es- tablish a general framework of inexact power iteration and establish the convergence theorem of full configuration interaction quantum Monte Carlo (FCIQMC) and fast randomized iteration (FRI). Second, we reformulate the leading eigenvalue problem as an optimization problem, then compare the show the convergence of several coor- dinate descent methods (CDM) to solve the leading eigenvalue problem. Third, we propose a new efficient algorithm named Coordinate descent FCI (CDFCI) based on coordinate descent methods to solve the FCI problem, which produces some state-of- the-art results.
    [Show full text]
  • AN ANALYSIS of the MUSICAL INTERPRETATIONS of NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 a THESIS S
    AN ANALYSIS OF THE MUSICAL INTERPRETATIONS OF NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 A THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF MUSIC Department of Music College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2010 Approved by: Major Professor Dale Ganz Copyright JESSIE L. FREYERMUTH 2010 Abstract Nina Simone was a prominent jazz musician of the late 1950s and 60s. Beyond her fame as a jazz musician, Nina Simone reached even greater status as a civil rights activist. Her music spoke to the hearts of hundreds of thousands in the black community who were struggling to rise above their status as a second-class citizen. Simone’s powerful anthems were a reminder that change was going to come. Nina Simone’s musical interpretation and approach was very unique because of her background as a classical pianist. Nina’s untrained vocal chops were a perfect blend of rough growl and smooth straight-tone, which provided an unquestionable feeling of heartache to the songs in her repertoire. Simone also had a knack for word painting, and the emotional climax in her songs is absolutely stunning. Nina Simone did not have a typical jazz style. Critics often described her as a “jazz-and-something-else-singer.” She moved effortlessly through genres, including gospel, blues, jazz, folk, classical, and even European classical. Probably her biggest mark, however, was on the genre of protest songs. Simone was one of the most outspoken and influential musicians throughout the civil rights movement. Her music spoke to the hundreds of thousands of African American men and women fighting for their rights during the 1960s.
    [Show full text]
  • MIAMI UNIVERSITY the Graduate School
    MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of Dustin Dwight Hornbeck Candidate for the Degree Doctor of Philosophy ______________________________________ Dr. Joel R. Malin, Director ______________________________________ Dr. Kathleen Knight Abowitz, Reader ______________________________________ Dr. Kate Rousmaniere, Reader ______________________________________ Dr. Thomas Misco, Graduate School Representative ABSTRACT OUTSOURCING THE TWELFTH-GRADE YEAR OF HIGH SCHOOL: A CASE STUDY by Dustin Dwight Hornbeck This dissertation study attempts to answer questions about the way in which the twelfth- grade year of high school is changing, particularly in relation to the proliferation of student curricular choices that is underway in many public high schools. Case study methodology was utilized, using a case (a public high school in Southwest Ohio) that one might consider as typical based on its size and student/family demographics and characteristics. Within the school district and high school that was chosen as the case for this project, interviews and focus groups were conducted with staff members, board of education members, students, and parents. Additionally, records and documents that pertained to this study were analyzed and ethnographic observation was recorded. The major finding of this study is that the twelfth-grade students under study in this case—as a result of changing national, state, and local policies—are increasingly selecting curricular/programming options that occur outside of the high school, in effect outsourcing large portions of their twelfth-grade experiences. The out-of-school options students selected include college courses through Ohio’s College Credit Plus Program (dual enrollment), online courses offered through the local high school, career technical options, and the option to take fewer classes through a policy or a practice that is known as flex.
    [Show full text]
  • Strange Fruit
    Get hundreds more LitCharts at www.litcharts.com Strange Fruit antithetical to the South's purported values. The poem thus SUMMARY forcefully argues that no society can call itself civil and also be capable of acts like lynching; the South can’t be an idyllic The trees in the southern United States hang heavy with an “pastoral” place if black people’s corpses swing in the breeze. unusual fruit. These trees have blood on their leaves and at According to the poem, notions of progress and civilization are their roots. The dead bodies of black lynching victims sway nothing but hollow lies if such racism is allowed to thrive. back and forth in the gentle southern wind; these bodies are the strange fruit that hang from the branches of poplar trees. And, importantly, this racist hatred affects the entire tree—which becomes covered in blood “on the leaves” “at Picture the natural beauty and chivalry of the American South, and the root.” Just as a tree must suck up water from the ground where corpses hang with swollen eyes and contorted mouths. and spread it all the way through its branches, the poem implies The sweet, fresh smell of magnolia flowers floats on the air, that the "blood" shed by racism works its way through until suddenly interrupted by the smell of burning flesh. humanity. Lynching is thus a failure of humanity that results in Crows will eat the flesh from these bodies. The rain will fall on the rotting of the human family tree. them, the wind will suck them dry, and the sun will rot them.
    [Show full text]
  • The Sam Eskin Collection, 1939-1969, AFC 1999/004
    The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia.
    [Show full text]
  • Contortions to Match Your Confusion: Digital Disfigurement and the Music of Arca
    Review: Literature and Arts of the Americas ISSN: 0890-5762 (Print) 1743-0666 (Online) Journal homepage: http://www.tandfonline.com/loi/rrev20 Contortions to Match Your Confusion: Digital Disfigurement and the Music of Arca Wayne Marshall To cite this article: Wayne Marshall (2015) Contortions to Match Your Confusion: Digital Disfigurement and the Music of Arca, Review: Literature and Arts of the Americas, 48:1, 118-122, DOI: 10.1080/08905762.2015.1021112 To link to this article: http://dx.doi.org/10.1080/08905762.2015.1021112 Published online: 30 Apr 2015. Submit your article to this journal Article views: 175 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rrev20 Download by: [Berklee College of Music] Date: 03 November 2015, At: 07:17 Review: Literature and Arts of the Americas, Issue 90, Vol. 48, No. 1, 2015, 118–122 Contortions to Match Your Confusion: Digital Disfigurement and the Music of Arca Wayne Marshall An assistant professor at Berklee College of Music, Wayne Marshall is an ethnomusicologist who studies the interplay between Caribbean and American music, sound reproduction technologies, and musical publics. He co-edited Reggaeton (2009) and has published in such journals as Popular Music, Callaloo, and The Wire, as well as his critically acclaimed blog, wayneandwax.com. “Día de los Muertos,” a mix released in late October 2014 by Houston’s Svntv Mverte (aka Santa Muerte), a DJ duo with a name invoking “Mexico’s cult of Holy Death, a reference to the worship of an underground goddess of death and the dead,”1 opens with an ominous, 1 Marty Preciado, “Meet arresting take on reggaeton.
    [Show full text]
  • BOTTLE FLY: Poems
    BOTTLE FLY: Poems _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by Gregory Allendorf Prof. Gabriel Fried, Dissertation Chair MAY 2019 The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled BOTTLE FLY: Poems presented by Gregory Allendorf a candidate for the degree of Doctor of Philosophy and hereby certify that, in their opinion, it is worthy of acceptance. ____________________________________________ Professor Aliki Barnstone _____________________________________________ Professor Gabriel Fried _____________________________________________ Professor Elisa Glick ____________________________________________ Professor William Kerwin ACKNOWLEDGMENTS I am deeply grateful for help from the following professors: Gabriel Fried, thank you so much for teaching me about publishing, and for introducing me to so much poetry which transformed me, especially the poems of Thomas James and Lucie Brock-Broido. Elisa Glick, thank you for being so patient with me while I stumbled my way into beginning to see the boundless nuance in queer theory and criticism. Scott Cairns, thank you for helping me see my work in a new way. William Kerwin, thank you giving me glimpses into the minds of the Early Moderns and into the life and mind
    [Show full text]
  • Alba Doesn't Care About Fantastic Four Role
    37 TUESDAY, MARCH 11, 2014 LIFESTYLE Gossip Webb recalls offer to first helm Spider-Man arc Webb thought it was “crazy” when he was first offered the chance to direct ‘The Amazing Spider- MMan’. The 39-year-old filmmaker - who was recently confirmed to helm Andrew Garfield in the third installment of the superhero franchise - was initially surprised when he was approached by Sony boss, Amy Pascal, to make a remake of Sam Raimi’s 2002 film ‘Spider-Man’. Talking at the South by Southwest (SXSW) festival, in Austin, Texas, he told the audience: “I thought it was crazy.” Pascal responded to his hesita- tions by saying: “Honey, you can’t turn down Spider-Man.” Webb wants the film franchise to be “fantastic” and “big”, in keeping with how children feel when they read about the Marvel superhero, who was first created by writer-editor Stan Lee and writer-artist Steve Ditko. He added: “I’m going to embrace the spectacle. There was a moment deep in the [first film’s] post-production process where a giant lizard smashed through a wall chas- ing a boy-man in a unitard and I said, ‘This is not grounded. I’m not going to be beholden to smallness. I want it to be fantastic, to be big, to command and express that feeling when you’re a kid and reading the comics.’ I didn’t want to hide or shy away from that.” Lily Allen to release Sheezus in May Smith to produce Harlem Hellfighters ill Smith has signed on to produce a film Wadaptation of the graphic novel ‘Harlem Hellfighters’.
    [Show full text]
  • Is It Consent If Someone Is Intoxicated
    Is It Consent If Someone Is Intoxicated Accident-prone and subentire Tate bunk her alkalinities tremors breast-deep or proselytising annoyingly, is Paulo elephantoid? Ornithischian Liam caricatures binaurally while Randy always hallos his hoopers mismade increasingly, he humours so sensationally. Assignable Fitzgerald short-list, his mawkin botch pug wit. Intoxicated Consent to Sexual Relations Edmond J Safra. Is intoxicated by drugs or alcohol may be incapable of giving consent decide an intoxicated person once a result of using alcohol or other drugs is incapacitated. Consent is please Just Sexy it's soft A Primer on Consent. How long Sober Up best in the Morning and powder Bed Healthline. Consuming seven two more drinks per state is considered excessive or heavy drinking for drink and 15 drinks or more per play is deemed to be excessive or heavy drinking for snag A standard drink as defined by the National Institute on Alcohol Abuse and Alcoholism NIAAA is equivalent to 12 fl oz. What should i am charged with all about, are the university in california law firm will my child is it is consent if someone intoxicated? What should i appeal a defense will determine if i am accused of academic record and it is that lack of liquor consumed alcohol? Heavy drinking and sexual activity often get together on college campuses and closure's a troubling dynamic. What strikes me about the word consent is vest in there my years of drunken sexual escapades I now't remember ever using it I settled into my generation as control women. How Does Intoxication Affect immediately in Sexual Assault Claims.
    [Show full text]
  • Ebook Download Honey West (Hardback)
    HONEY WEST (HARDBACK) PDF, EPUB, EBOOK John C Fredriksen | 228 pages | 21 Jun 2016 | BEARMANOR MEDIA | 9781593939786 | English | none Honey West (Hardback) PDF Book Create a Want BookSleuth Can't remember the title or the author of a book? Free Return Exchange or money back guarantee for all orders. Tags: kanye, yeezy, lyrics, tumblr, rap, music, bees, honey, yellow, r and b, life of pablo, liquid, gold, bound 2, yeezus. Gutes Exemplar der Erstauflage dieser Ausgabe. To cut a long story short, the Western comics line was killed by distribution. Book is in Used-Good condition. Rilegatura: Cartonato telato nero con impressioni in giallo. This book is in unread condition and is a stated third printing and is Pyramid number with a cover price of 50 cents. Tags: california, west coast is the best coast, west coast, eureka, the golden state, the land of milk and honey, the grape state, the eldorado state. Gold Key considered suing over the similarly themed television series Lost in Space for its resemblance to the preexisting Space Family Robinson , but decided their business relationship with CBS and Irwin Allen was more important than any monetary reward resulting from such a suit; as a result, the Gold Key series adopted the branding Space Family Robinson Lost in Space with issue 15 Jan. Seller Inventory DSX About this Item: Moonstone , Tags: bound 2, kim kardashian, kim k, kanye, kanye west, kimye, uh huh honey. Opening paragraphs only without subscription. I naturally assumed that must have not been very good, something only a ten-year-old looking for action and gadgets would think was worthwhile.
    [Show full text]