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Sandspur, Vol 90, No 05, November 22, 1983
University of Central Florida STARS The Rollins Sandspur Newspapers and Weeklies of Central Florida 11-22-1983 Sandspur, Vol 90, No 05, November 22, 1983 Rollins College Find similar works at: https://stars.library.ucf.edu/cfm-sandspur University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the Newspapers and Weeklies of Central Florida at STARS. It has been accepted for inclusion in The Rollins Sandspur by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Rollins College, "Sandspur, Vol 90, No 05, November 22, 1983" (1983). The Rollins Sandspur. 1616. https://stars.library.ucf.edu/cfm-sandspur/1616 Volume 90 Number 5 photo: jerry Uelsmann (story, page 5) Rollins College Sandspur, November 22,1983 pg. 2 The Haagen-Dazs Collection Haagen-Dazs presents the two straw mi Ik Nlv Arte shake A frosty smooth shake so thick and rich, Fine Lingerie • Foundations vou'll probably want two straws to drink it! Swimwear • Loungewear 218 Park Avenue N. Winter Park, FL 32789 Haagen-Dazs Telephone: 647-5519 ^^ Park Avenue 116 E. New England Ave. • Winter Park • 644-1611 Solar Heated Water fit FAIRBANKS EASTERN POLYCLEfiN GfiS fiND BEVERAGE Just One Block North Your Complete Laundromat of Rollins Campus Just One Block North * Discount Prices On Our of Rollins Campus Large Assortment of Domestic and Imported Beer Soda and Snacks Daily Newspapers and Magazines SELF SERVICE (New York Times, Wall Street Journal Orlando Sentinel) Wash And Dry FULL SERVICE Dry Cleaning Don't Forget To Check Oat Oar Wash, Dry. -
PROSE Device and Care Guide
® PROSE™ Restoring Sight. Changing Lives PROSE Device Use and Care Guide www.bostonsight.org Copyright 2020 No part of this document may be reproduced or distributed without the consent of BostonSight TABLE OF CONTENTS Contact Information................................................................................................. 3 SET UP and APPLICATION Set up for PROSE Device Application.......................................................... 4 Preservative Free Saline Protocol................................................................. 4 Key Points for Optimal PROSE Device Application...................................... 5 The Lid Spread is Everything........................................................................ 6 How to Apply Your PROSE Device with a Plunger....................................... 7-8 How to Apply Your PROSE Device with a Lighted Plunger........................... 9 Apply Your PROSE Device with a Plunger Stand.......................................... 10 Bubbles Under Your PROSE Device............................................................. 11 REMOVAL Set Up: PROSE Device Removal.................................................................. 12 How to Remove Your PROSE Device with a Plunger................................... 12 How to Remove Your PROSE Device without a Plunger.............................. 13 DISINFECTION and CARE Setting Up Your PROSE Disinfection Case.................................................. 14 Set Up for PROSE Device Care and Cleaning............................................. -
The Yes Catalogue ------1
THE YES CATALOGUE ----------------------------------------------------------------------------------------------------------------------------------------------------- 1. Marquee Club Programme FLYER UK M P LTD. AUG 1968 2. MAGPIE TV UK ITV 31 DEC 1968 ???? (Rec. 31 Dec 1968) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- 3. Marquee Club Programme FLYER UK M P LTD. JAN 1969 Yes! 56w 4. TOP GEAR RADIO UK BBC 12 JAN 1969 Dear Father (Rec. 7 Jan 1969) Anderson/Squire Everydays (Rec. 7 Jan 1969) Stills Sweetness (Rec. 7 Jan 1969) Anderson/Squire/Bailey Something's Coming (Rec. 7 Jan 1969) Sondheim/Bernstein 5. TOP GEAR RADIO UK BBC 23 FEB 1969 something's coming (rec. ????) sondheim/bernstein (Peter Banks has this show listed in his notebook.) 6. Marquee Club Programme FLYER UK m p ltd. MAR 1969 (Yes was featured in this edition.) 7. GOLDEN ROSE TV FESTIVAL tv SWITZ montreux 24 apr 1969 - 25 apr 1969 8. radio one club radio uk bbc 22 may 1969 9. THE JOHNNIE WALKER SHOW RADIO UK BBC 14 JUN 1969 Looking Around (Rec. 4 Jun 1969) Anderson/Squire Sweetness (Rec. 4 Jun 1969) Anderson/Squire/Bailey Every Little Thing (Rec. 4 Jun 1969) Lennon/McCartney 10. JAM TV HOLL 27 jun 1969 11. SWEETNESS 7 PS/m/BL & YEL FRAN ATLANTIC 650 171 27 jun 1969 F1 Sweetness (Edit) 3:43 J. Anderson/C. Squire (Bailey not listed) F2 Something's Coming' (From "West Side Story") 7:07 Sondheim/Bernstein 12. SWEETNESS 7 M/RED UK ATL/POLYDOR 584280 04 JUL 1969 A Sweetness (Edit) 3:43 Anderson/Squire (Bailey not listed) B Something's Coming (From "West Side Story") 7:07 Sondheim/Bernstein 13. -
A Progresszív Rock
A PROGRESSZÍV ROCK monográfia írta: Bernáth Zsolt 2007. TARTALOM BEVEZETÉS............................................................................................................................ 4 I. A PROGRESSZÍV ROCK HELYE A ROCKZENE TÖRTÉNETÉBEN I.1. A rockzene születése és az ifjúsági kultúra kialakulása (1950-es évek) ................ 7 I.1.1. A rockzene gyökerei ................................................................................ 7 I.1.2. A rockzene születése és hatása .............................................................. 10 I.2. A beatkorszak (1960-as évek) .............................................................................. 13 I.2.1. A Beatles ............................................................................................... 13 I.2.2. Az els ő közismert concept-album ..................................... ................... 15 I.2.3. A progresszív rock közvetlen el őzményei ............................................. 17 I.2.4. Szimfonikus kísérletek .......................................................................... 19 I.3. A progresszív rock megjelenése és fénykora (1970-es évek) .............................. 20 I.4. A progresszív rock második hulláma (1980-as évek) .......................................... 28 I.5. A progresszív rock harmadik hulláma (1990-es évekt ől napjainkig) .................. 32 I.6. Magyar vonatkozások .......................................................................................... 37 I.6.1. A magyar beatzene ............................................................................... -
Resolution May/June 08 V7.4.Indd
craft Horn and Downes briefl y joined legendary prog- rock band Yes, before Trevor quit to pursue his career as a producer. Dollar and ABC won him chart success, with ABC’s The Lexicon Of Love giving the producer his fi rst UK No.1 album. He produced Malcolm McLaren and introduced the hitherto-underground world of scratching and rapping to a wider audience, then went on to produce Yes’ biggest chart success ever with the classic Owner Of A Lonely Heart from the album 90125 — No.1 in the US Hot 100. Horn and his production team of arranger Anne Dudley, engineer Gary Langan and programmer JJ Jeczalik morphed into electronic group Art Of Noise, recording startlingly unusual-sounding songs like Beat Box and Close To The Edit. In 1984 Trevor pulled all these elements together when he produced the epic album Welcome To The Pleasuredome for Liverpudlian bad-boys Frankie Goes To Hollywood. When Trevor met his wife, Jill Sinclair, her brother John ran a studio called Sarm. Horn worked there for several years, the couple later bought the Island Records-owned Basing Street Studios complex and renamed it Sarm West. They started the ZTT imprint, to which many of his artists such as FGTH were signed, and the pair eventually owned the whole gamut of production process: four recording facilities, rehearsal and rental companies, a publisher (Perfect Songs), engineer and producer management and record label. A complete Horn discography would fi ll the pages of Resolution dedicated to this interview, but other artists Trevor has produced include Grace Jones, Propaganda, Pet Shop Boys, Band Aid, Cher, Godley and Creme, Paul McCartney, Tina Turner, Tom Jones, Rod Stewart, David Coverdale, Simple Minds, Spandau Ballet, Eros Ramazzotti, Mike Oldfi eld, Marc Almond, Charlotte Church, t.A.T.u, LeAnn Rimes, Lisa Stansfi eld, Belle & Sebastian and Seal. -
80S 697 Songs, 2 Days, 3.53 GB
80s 697 songs, 2 days, 3.53 GB Name Artist Album Year Take on Me a-ha Hunting High and Low 1985 A Woman's Got the Power A's A Woman's Got the Power 1981 The Look of Love (Part One) ABC The Lexicon of Love 1982 Poison Arrow ABC The Lexicon of Love 1982 Hells Bells AC/DC Back in Black 1980 Back in Black AC/DC Back in Black 1980 You Shook Me All Night Long AC/DC Back in Black 1980 For Those About to Rock (We Salute You) AC/DC For Those About to Rock We Salute You 1981 Balls to the Wall Accept Balls to the Wall 1983 Antmusic Adam & The Ants Kings of the Wild Frontier 1980 Goody Two Shoes Adam Ant Friend or Foe 1982 Angel Aerosmith Permanent Vacation 1987 Rag Doll Aerosmith Permanent Vacation 1987 Dude (Looks Like a Lady) Aerosmith Permanent Vacation 1987 Love In An Elevator Aerosmith Pump 1989 Janie's Got A Gun Aerosmith Pump 1989 The Other Side Aerosmith Pump 1989 What It Takes Aerosmith Pump 1989 Lightning Strikes Aerosmith Rock in a Hard Place 1982 Der Komimissar After The Fire Der Komimissar 1982 Sirius/Eye in the Sky Alan Parsons Project Eye in the Sky 1982 The Stand Alarm Declaration 1983 Rain in the Summertime Alarm Eye of the Hurricane 1987 Big In Japan Alphaville Big In Japan 1984 Freeway of Love Aretha Franklin Who's Zoomin' Who? 1985 Who's Zooming Who Aretha Franklin Who's Zoomin' Who? 1985 Close (To The Edit) Art of Noise Who's Afraid of the Art of Noise? 1984 Solid Ashford & Simpson Solid 1984 Heat of the Moment Asia Asia 1982 Only Time Will Tell Asia Asia 1982 Sole Survivor Asia Asia 1982 Turn Up The Radio Autograph Sign In Please 1984 Love Shack B-52's Cosmic Thing 1989 Roam B-52's Cosmic Thing 1989 Private Idaho B-52's Wild Planet 1980 Change Babys Ignition 1982 Mr. -
Acquaintance Rape Is a Sexual Assault Crime Committed by Someone Who Knows the Victim
If you have issues viewing or accessing this file contact us at NCJRS.gov. ~ ___________________________________ -L~~D WHEN THE RAPIST IS SOMEONE YOU KNOW 146610 U.S. Department of Justice National Institute of Justice This document has been reproduced exactly as received from the person or organization originating it. Points of view or opinions stated in this document are those of the authors and do not necessarily represent the official position or policies of the Natlonallnstilute of Justice. Permission to reproduce this copyrighted material has been granted by Illinois Criminal Justice Information Authority to the National Criminal Justice Reference Service (NCJRS). Further reproduction outside of the NCJRS system requires permission of the copyright owner. • Published by the Illinois Coalition Against Sexual Assault Updated 1993 "I " , illinoiS Coalillon Agaiml Sexual Assault (J123 South Seventh Streel, Swto 500 Sprlngfiald. IL 62701-1302 (217) 753-41~7 TERMS Victim - The words "victim" and "survivor" are both commonly used to describe a person who is raped. In this booklet, the word "victim" is used, as it is more often associated with a person who • was recently assaulted. Attacker - In this booklet, the person who raped the victim is referred to as the "attacker." "She" - In this booklet, the sexual assault victim is referred to as "she" because women are most commonly the victims of sexual assault. Men are also sexual assault victims, and this booklet is for both male and female victims. Sexual Assault and Rape - The terms "sexual assault" and "rape" are used interchangeably in this booklet. Photos by Ginny Lee ILLINOIS CRlMINAL JUSTICE INFORMATION AUTHORITY Funding for the printing of this booklet was provided through the Victims of Crime Act of 1984 by the Illinois Criminal Justice Information Authority. -
Les Mis, Lyrics
LES MISERABLES Herbert Kretzmer (DISC ONE) ACT ONE 1. PROLOGUE (WORK SONG) CHAIN GANG Look down, look down Don't look 'em in the eye Look down, look down You're here until you die. The sun is strong It's hot as hell below Look down, look down There's twenty years to go. I've done no wrong Sweet Jesus, hear my prayer Look down, look down Sweet Jesus doesn't care I know she'll wait I know that she'll be true Look down, look down They've all forgotten you When I get free You won't see me 'Ere for dust Look down, look down Don't look 'em in the eye. !! Les Miserables!!Page 2 How long, 0 Lord, Before you let me die? Look down, look down You'll always be a slave Look down, look down, You're standing in your grave. JAVERT Now bring me prisoner 24601 Your time is up And your parole's begun You know what that means, VALJEAN Yes, it means I'm free. JAVERT No! It means You get Your yellow ticket-of-leave You are a thief. VALJEAN I stole a loaf of bread. JAVERT You robbed a house. VALJEAN I broke a window pane. My sister's child was close to death And we were starving. !! Les Miserables!!Page 3 JAVERT You will starve again Unless you learn the meaning of the law. VALJEAN I know the meaning of those 19 years A slave of the law. JAVERT Five years for what you did The rest because you tried to run Yes, 24601. -
Yes - Progeny: Seven Shows from Seventy-Two
Yes - Progeny: Seven Shows from Seventy-Two Scritto da Gianluca Livi Giovedì 18 Giugno 2015 18:49 Progeny: Seven Shows from Seventy-Two è l'ultima uscita postuma degli Yes. Si tratta delle registrazioni live da cui, in parte, fu estratto il famoso album live Yessongs del 1973. E' stato edito in tre versioni: 1) quella monumentale di 14 CD, che cattura sette spettacoli completi registrati nel 1972 nel tour di Close to the Edge. 2) una versione edit di 2-CD 3) la versione in vinile di quest'ultima, costituita da 3 LP E' qui recensita l'ultima uscita discografica, essendo chi scrive appassionato di vinile. Questa recensione deve essere scissa in due parti: Nella prima,qui l'intervista deve essere al batterista necessariamente a firma di commentata chi scrive ) ela presentando scelta criticabile una discaletta limitare deciamente l'edizione inpiù vinile completa a soli ed3 LP, esaustiva cosa che (in a particolare, mio modesto mancano avviso, Perpetualrende questo Change, titolo The un prodotto Fish e Starship quasi gemello Tropper, di Yessongs.registrati in Anzi, occasione a dirla del tutta, tour Yessongs precedente). era anche più completo raccogliendo testimonianze esecutive dell'immenso Bill Bruford ( Confrontate voi stessi: questa la scaletta di YesSongs e a seguire quella di Progeny: YESSONGS Opening (Excerpt From 'Firebird Suite') Siberian Khatru Heart Of The Sunrise Perpetual Change And You And I Mood For A Day Excerpts From 'The Six Wives Of Henry VIII' 1 / 4 Yes - Progeny: Seven Shows from Seventy-Two Scritto da Gianluca Livi Giovedì 18 Giugno 2015 18:49 Roundabout I've Seen All Good People Long Distance Runaround-The Fish (Schindleria Praematurus) Close To The Edge Yours Is No Disgrace Starship Trooper PROGENY Opening (Excerpt From Firebird Suite) Siberian Khatru I've Seen All Good People: Your Move / All Good People Heart of the Sunrise Clap/Mood For A Day And You And I Close To The Edge Excerpts From "The Six Wives of Henry VIII" Roundabout Yours is No Disgrace Tuttavia, va detto che la qualità di Progeny è decisamente superiore a quella di YesSongs. -
Alan Sillitoe the LONELINESS of the LONG- DISTANCE RUNNER
Alan Sillitoe THE LONELINESS OF THE LONG- DISTANCE RUNNER Published in 1960 The Loneliness of the Long-Distance Runner Uncle Ernest Mr. Raynor the School-teacher The Fishing-boat Picture Noah's Ark On Saturday Afternoon The Match The Disgrace of Jim Scarfedale The Decline and Fall of Frankie Buller The Loneliness of the Long-Distance Runner AS soon as I got to Borstal they made me a long-distance cross-country runner. I suppose they thought I was just the build for it because I was long and skinny for my age (and still am) and in any case I didn't mind it much, to tell you the truth, because running had always been made much of in our family, especially running away from the police. I've always been a good runner, quick and with a big stride as well, the only trouble being that no matter how fast I run, and I did a very fair lick even though I do say so myself, it didn't stop me getting caught by the cops after that bakery job. You might think it a bit rare, having long-distance crosscountry runners in Borstal, thinking that the first thing a long-distance cross-country runner would do when they set him loose at them fields and woods would be to run as far away from the place as he could get on a bellyful of Borstal slumgullion--but you're wrong, and I'll tell you why. The first thing is that them bastards over us aren't as daft as they most of the time look, and for another thing I'm not so daft as I would look if I tried to make a break for it on my longdistance running, because to abscond and then get caught is nothing but a mug's game, and I'm not falling for it. -
Retriever, November 6, 1978 15 ~ ~@UIT©Rnl~£!\[L ~@[MJ[MJ~~IJ======Red Tape Cheating UMBC Students
Retriever, November 6, 1978 15 ~ ~@UIT©rnl~£!\[l ~@[MJ[MJ~~IJ========= Red tape cheating UMBC students Eighty-eight students were denied defernnents on their tuition and housing bills after there was still some delay in processing federal financial aid requests. That means they have been deregistered and are officially no longer stu dents at UMBC. What can they do now? They have attended classes for two months, all the time assuming they would receive financial aid. They've been thrown out of UMBC with bills ranging from $380 to nearly $1,200 for residence that they must pay. This doesn't even include all the other expenses they have had, such as books, gas, bus fares, parking registration, pens and paper. To top it off they have 90 days to pay their bills before the state central collection agency begins collecting. If these students had known they were ineligible- which isn't necessarily true -they could have spent the past two months earning enough to pay the spring semester tuition or to find an alternative source of income for this semester. Instead, they've spent the past two months toiling away. And for what? Nothing, apparently. They are to be taken off class lists and they can start packing. They can't pay their bills because of a snag in the federal bureaucracy. It just doesn't seem fair. Federal bureaucracy fouls things up, a "thinking" computer delays the procedures and the victims, UMBC students, must pay for it. The 88 students in this predicament should be allowed to continue attend- bureaucratic red tape. -
PROGRESSIVE ROCK ELEMENTS in the POP-ROCK MUSIC of GENESIS, 1978-91 by Michael Paul Koss
From Prog to Pop: Progressive Rock Elements in the Pop-Rock Music of Genesis, 1978-91 Item Type Electronic Dissertation; text Authors Koss, Michael Paul Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 22:27:18 Link to Item http://hdl.handle.net/10150/145489 FROM PROG TO POP: PROGRESSIVE ROCK ELEMENTS IN THE POP-ROCK MUSIC OF GENESIS, 1978-91 by Michael Paul Koss _____________________________________ Copyright © Michael P. Koss 2011 A Dissertation Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2011 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Michael Koss entitled From Prog to Pop: Progressive Rock Elements in the Pop-Rock Music of Genesis, 1978-91 and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. ________________________________________________ Date: April 11, 2011 Donald G. Traut ________________________________________________ Date: April 11, 2011 Pamela Decker ________________________________________________ Date: April 11, 2011 Kelland Thomas Final approval and acceptance of this dissertation is contingent upon the candidate‘s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement.