The Second Coming-W.B. Yeats
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For the Harmony of the Race, Each Individual Should Be
http://www.englishworld2011.info/ WILLIAM BUTLER YEATS / 2019 For the harmony of the race, each individual should be the expression of an easy & ample interpenetration of the male & female temperaments—free of stress Woman must become more responsible for the child than man— Women must destroy in themselves, the desire to be loved— The feeling that it is a personal insult when a man transfers his attentions from her to another woman The desire for comfortable protection instead of an intelligent curiosity & courage in meeting & resisting the pressure of life sex or so called love must be reduced to its initial element, honour, grief, sentimentality, pride & consequently jealousy must be detached from it. Woman for her happiness must retain her deceptive fragility of appearance, combined with indomitable will, irreducible courage, & abundant health the outcome of sound nerves— Another great illusion that woman must use all her introspective clear-sightedness & unbiassed bravery to destroy—for the sake of her self respect is the impurity of sex the realisation in defiance of superstition that there is nothing impure in sex—except in the mental attitude to it—will constitute an incalculable & wider social regeneration than it is possible for our generation to imagine. 1914 1982 WILLIAM BUTLER YEATS 1865-1939 William Butler Yeats was born to an Anglo-Irish family in Dublin. His father, J. B. Yeats, had abandoned law to take up painting, at which he made a somewhat precar- ious living. His mother came from the Pollexfen family that lived near Sligo, in the west of Ireland, where Yeats spent much of his childhood. -
End Time Chronology from Jesus in the Olivet Discourse (Matthew 24, Mark 13, Luke 21) Shawn Nelson
November 5, 2017 End Time Chronology from Jesus in the Olivet Discourse (Matthew 24, Mark 13, Luke 21) Shawn Nelson (1) How does Matthew 24 fit into our on-going study? The view we’ve been teaching (Premillennialism) says there will be a literal world leader (antichrist) who is able to establish peace treaty in the Middle East between Israel and her neighbors for 7 years (Dan. 9:24-27). In the middle of the 7 years he walks into the temple in Jerusalem, takes away the sacrifices (Dan. 12:11), and declares himself to be God (Dan. 9:27; 11:31; Matt. 24:15; Mark 13:14; 2 Thess. 2:3-4). He forces everybody to worship him (2 Thess. 2:4; Rev. 13:15) and requires them to have a mark in order to buy or sell anything anywhere in the world (Rev. 13:16). Matthew 24 helps us see that Jesus’ taught the above scenario too. Jesus mentions all of the following: the existence of the nation of Israel, the temple in Jerusalem, the antichrist, tribulation, the second coming (and possibly rapture). The Temple to Be Destroyed 24 Then Jesus went out and departed from the temple, and His disciples came up to show Him the buildings of the temple. 2 And Jesus said to them, “Do you not see all these things? [the Jerusalem temple] Assuredly, I say to you, not one stone shall be left here upon another, that shall not be thrown down.” The Disciples’ Two Questions 3 Now as He sat on the Mount of Olives, the disciples came to Him privately, saying, “Tell us, when will these things be? [temple being destroyed] And what will be the sign of Your coming, and of the end of the age?” The Tribulation 4 And Jesus answered and said to them: “Take heed that no one deceives you. -
Graham, Catherine, February 2006, Keep Rejects
Catherine Graham Collection: February 2006, 1. Krans, Horatio Sheafe, William Butler Yeats and the Irish Literary Revival. London: William Heinemann, 1905. 2. Moore, George, Confessions of a Young Man. London and Toronto: William Heinemann, 1935. 3. Meredith, George, A Reading of Life: With Other Poems. Westminster: Archibald Constable, 1901. 4. Synge, J.M., (Robin Skelton ed.), Some Sonnets from “Laura in Death” after the Italian of Frencesco Petrarch. Dolmen Eds. Dublin: Dolmen Press Ltd., 1971. 5. Skelton, Robin (ed.), The Collected Plays of Jack B. Yeats. Indianapolis and New York: Bobbs-Merrill Co., 1971. 6. Johnston, Denis, The Brazen Horn: A Non-Book for those, who, in revolt today, could be in command tomorrow. Dublin: Dolmen Press, 1976. 7. Skelton, Robin, An Irish Album. Dublin: Dolmen Press, 1969. 8. Montague, John, All Legendary Obstacles. Dublin: Dolmen Press, 1966. 9. Synge, J.M., My Wallet of Photographs. Dublin: Dolmen Press, 1971. 10. Clarke, Austin, Mnemosyne Lay in Dust. Dublin: Dolmen Press, 1966. 11. O’Grady, Desmond, The Gododdin. Dublin: Dolmen Press, 1977. 12. Bickley, Francis, J.M. Synge and the Irish Dramatic Movement. Toronto: Musson Book Co. 13. Horton, W.T. and W.B. Yeats, A Book of Images. London: Unicorn Press, 1898. 14. Yeats, W.B. (ed.), Beltaine: An Occasional Publication. Nos. 1, 2, 3, 1899-1900. London: Sign of the Unicorn, 1900. 15. Poems and Ballads of Young Ireland, 1888. Dublin: M.H. Gill and Son, 1888. 16. Moore, George, Heloise and Abelard. In two volumes, V.I. New York: Boni and Liveright, 1921. 17. Raine, Kathleen, Yeats, The Tarot and the Golden Dawn. -
Download the Yeats 2015 Report to Learn More About The
Activities by the Department of Foreign Affairs and Trade in support of Yeats 2015 Introduction 2015 marked the 150th anniversary of the birth of WB Yeats, the Nobel Prize-winning poet. A Yeats 2015 steering committee oversaw the presentation of an impressive programme of events to celebrate Yeats’ life and legacy. While most events took place in Ireland, a great number of events also took place overseas and the Department of Foreign Affairs and Trade was very pleased to provide its support to the delivery of an engaging programme in a diverse range of locations. The Department, through the Embassy network, worked closely with the Yeats 2015 steering committee and with overseas partners, to organise or support over 100 international events and activities that celebrated the range and depth of Yeats’ work and brought Yeats’ legacy to the attention of audiences new and old across the globe. Among the events that took place were recitals and musical performances, exhibitions, lectures, international academic conferences and symposia, the publication of new translations of Yeats’ poetry, and prominent poetry displays on the London and Shanghai underground transport networks, in each case lasting for a period of many weeks. The Department’s travelling exhibition “The Life and Works of WB Yeats”, based on an exhibition curated by the National Library of Ireland, also proved particularly popular throughout 2015, as the 11 separate language versions were exhibited in five continents throughout the year. The programme culminated in December’s worldwide recitation of ‘The Lake Isle of Innisfree’, in which Minister Flanagan also participated. The programme of events attracted extensive coverage in overseas media over the course of the year, reinforced through interviews with visiting Irish Ministers and local Ambassadors. -
Online Version Available at Special Issue on WB Yeats Volume 1, Number 3, 2015
The Golden Line A Magazine of English Literature Online version available at www.goldenline.bcdedu.net Special Issue on W. B. Yeats Volume 1, Number 3, 2015 Guest-edited by Dr. Zinia Mitra Nakshalbari College, Darjeeling Published by The Department of English Bhatter College, Dantan P.O. Dantan, Dist. Paschim Medinipur West Bengal, India. PIN 721426 Phone: 03229-253238, Fax: 03229-253905 Website: www.bhattercollege.ac.in Email: [email protected] The Golden Line: A Magazine on English Literature Online version available at www.goldenline.bcdedu.net ISSN 2395-1583 (Print) ISSN 2395-1591 (Online) Inaugural Issue Volume 1, Number 1, 2015 Published by The Department of English Bhatter College, Dantan P.O. Dantan, Dist. Paschim Medinipur West Bengal, India. PIN 721426 Phone: 03229-253238, Fax: 03229-253905 Website: www.bhattercollege.ac.in Email: [email protected] © Bhatter College, Dantan Patron Sri Bikram Chandra Pradhan Hon’ble President of the Governing Body, Bhatter College Chief Advisor Pabitra Kumar Mishra Principal, Bhatter College Advisory Board Amitabh Vikram Dwivedi Assistant Professor, Shri Mata Vaishno Devi University, Jammu & Kashmir, India. Indranil Acharya Associate Professor, Vidyasagar University, West Bengal, India. Krishna KBS Assistant Professor in English, Central University of Himachal Pradesh, Dharamshala. Subhajit Sen Gupta Associate Professor, Department of English, Burdwan University. Editor Tarun Tapas Mukherjee Assistant Professor, Department of English, Bhatter College. Editorial Board Santideb Das Guest Lecturer, Department of English, Bhatter College Payel Chakraborty Guest Lecturer, Department of English, Bhatter College Mir Mahammad Ali Guest Lecturer, Department of English, Bhatter College Thakurdas Jana Guest Lecturer, Bhatter College ITI, Bhatter College External Board of Editors Asis De Assistant Professor, Mahishadal Raj College, Vidyasagar University. -
Muhammad Speaking of the Messiah: Jesus in the Hadīth Tradition
MUHAMMAD SPEAKING OF THE MESSIAH: JESUS IN THE HADĪTH TRADITION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Fatih Harpci (May 2013) Examining Committee Members: Prof. Khalid Y. Blankinship, Advisory Chair, Department of Religion Prof. Vasiliki Limberis, Department of Religion Prof. Terry Rey, Department of Religion Prof. Zameer Hasan, External Member, TU Department of Physics © Copyright 2013 by Fatih Harpci All Rights Reserved ii ABSTRACT Much has been written about Qur’ānic references to Jesus (‘Īsā in Arabic), yet no work has been done on the structure or formal analysis of the numerous references to ‘Īsā in the Hadīth, that is, the collection of writings that report the sayings and actions of the Prophet Muhammad. In effect, non-Muslims and Muslim scholars neglect the full range of Prophet Muhammad’s statements about Jesus that are in the Hadīth. The dissertation’s main thesis is that an examination of the Hadīths’ reports of Muhammad’s words about and attitudes toward ‘Īsā will lead to fuller understandings about Jesus-‘Īsā among Muslims and propose to non-Muslims new insights into Christian tradition about Jesus. In the latter process, non-Muslims will be encouraged to re-examine past hostile views concerning Muhammad and his words about Jesus. A minor thesis is that Western readers in particular, whether or not they are Christians, will be aided to understand Islamic beliefs about ‘Īsā, prophethood, and eschatology more fully. In the course of the dissertation, Hadīth studies will be enhanced by a full presentation of Muhammad’s words about and attitudes toward Jesus-‘Īsā. -
Amillennialism Reconsidered Beatrices
Andrews University Seminary Studies, Vol. 43, No. 1,185-210. Copyright 0 2005 Andrews University Press. AMILLENNIALISM RECONSIDERED BEATRICES. NEALL Union College Lincoln, Nebraska Introduction G. K. Beale's latest commentary on Revelation and Kim Riddlebarger's new book A Casefor Ami~~ennialismhave renewed interest in the debate on the nature of the millennium.' Amillennialism has an illustrious history of support from Augustine, theologians of the Calvinistic and ~utheran confessions, and a long line of Reformed theologians such as Abraham Kuyper, Amin Vos, H. Ridderbos, A. A. Hoekema, and M. G. line? Amillennialists recognize that a straightforward reading of the text seems to show "the chronologicalp'ogression of Rev 19-20, the futurity of Satan's imprisonment,the physicality of 'the first resurrection' and the literalness of the one thousand years" (emphasis supplied).) However, they do not accept a chronologicalprogression of the events in these chapters, preferring instead to understand the events as recapitulatory. Their rejection of the natural reading of the text is driven by a hermeneutic of strong inaugurated eschatology4-the paradox that in the Apocalypse divine victory over the dragon and the reign of Christ and his church over this present evil world consist in participating with Christ in his sufferings and death? Inaugurated eschatology emphasizes Jesus' victory over the powers of evil at the cross. Since that monumental event, described so dramatically in Rev 12, Satan has been bound and the saints have been reigning (Rev 20). From the strong connection between the two chapters (see Table 1 below) they infer that Rev 20 recapitulates Rev 12. -
W. B. Yeats Selected Poems
W. B. Yeats Selected Poems Compiled by Emma Laybourn 2018 This is a free ebook from www.englishliteratureebooks.com It may be shared or copied for any non-commercial purpose. It may not be sold. Cover picture shows Ben Bulben, County Sligo, Ireland. Contents To return to the Contents list at any time, click on the arrow ↑ before each poem. Introduction From The Wanderings of Oisin and other poems (1889) The Song of the Happy Shepherd The Indian upon God The Indian to his Love The Stolen Child Down by the Salley Gardens The Ballad of Moll Magee The Wanderings of Oisin (extracts) From The Rose (1893) To the Rose upon the Rood of Time Fergus and the Druid The Rose of the World The Rose of Battle A Faery Song The Lake Isle of Innisfree The Sorrow of Love When You are Old Who goes with Fergus? The Man who dreamed of Faeryland The Ballad of Father Gilligan The Two Trees From The Wind Among the Reeds (1899) The Lover tells of the Rose in his Heart The Host of the Air The Unappeasable Host The Song of Wandering Aengus The Lover mourns for the Loss of Love He mourns for the Change that has come upon Him and his Beloved, and longs for the End of the World He remembers Forgotten Beauty The Cap and Bells The Valley of the Black Pig The Secret Rose The Travail of Passion The Poet pleads with the Elemental Powers He wishes his Beloved were Dead He wishes for the Cloths of Heaven From In the Seven Woods (1904) In the Seven Woods The Folly of being Comforted Never Give All the Heart The Withering of the Boughs Adam’s Curse Red Hanrahan’s Song about Ireland -
Shadows Deep: Change and Continuity in Yeats
Colby Quarterly Volume 22 Issue 4 December Article 3 December 1986 Shadows Deep: Change and Continuity in Yeats Donald Pearce Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, Volume 22, no.4, December 1986, p.198-204 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Pearce: Shadows Deep: Change and Continuity in Yeats Shadows Deep: Change and Continuity in Yeats by DONALD PEARCE He made songs because he had a will to make songs and not because love moved him thereto. Ue de Saint-eire VERY POET is, at bottom, a kind of alchemist, every poem an ap E paratus for transn1uting the "base metal" of life into the gold of art. Especially is this true of Yeats, not only as regards the ambient world of other people and events, but also the private one of his own art and thought: "Myself must I remake / Till I am Timon and Lear / Or that William Blake...." So persistent was he in this work of transmutation, and so adept at it, that the ordinary affairs of daily life often must have seemed to him little more than a clumsy version of a truer, more intense life lived in the clarified world of his imagination. However that may have been for Yeats, it is certainly true for his readers: incidents, persons, squabbles with which or whom he was intermittently entangled increas ingly owe what importance they still have for us to the fact of occurring somewhere, caught and finalized, in the passionate world of his poems. -
Untitled.Pdf
STRUCTURE IN THE COLLECTED POEMS OF W. B. YEATS A Thesis Presented to the School of Graduate Studies Drake University In Partial Fulfil£ment of the Requirements for the Degree Master of Arts in English by Barbara L. Croft August 1970 l- ----'- _ u /970 (~ ~ 7cS"' STRUCTURE IN THE COLLECTED POEMS OF w. B. YEATS by Barbara L. Croft Approved by CGJmmittee: J4 .2fn., k ~~1""-'--- 7~~~ tI It t ,'" '-! -~ " -i L <_ j t , }\\ ) '~'l.p---------"'----------"? - TABLE OF CONTENTS Chapter Page 1. INTRODUCTION ••••• . 1 2. COMPLETE OBJECTIVITY . • • . 23 3. THE DISCOVERY OF STRENGTH •••••••• 41 4. C~1PLETE SUBJECTIVITY •• • • • ••• 55 5. THE BREAKING OF STRENGTH ••••••••• 79 BIBLIOGRAPHY • • • • • • • • • • • • • • • • • • • 90 i1 CHAPTER I INTRODUCTION There is, needless to say, an abundance of criticism on W. B. Yeats. Obsessed with the peet's occultism, critics have pursued it to a depth which Yeats, a notedly poor scholar, could never have equalled; nor could he have matched their zeal for his politics. While it is not the purpose here to evaluate or even extensively to examine this criticism, two critics in particular, Richard Ellmann and John Unterecker, will preve especially valuable in this discussion. Ellmann's Yeats: ----The Man and The Masks is essentially a critical biography, Unterecker's ! Reader's Guide l! William Butler Yeats, while it uses biographical material, attempts to fecus upon critical interpretations of particular poems and groups of poems from the Collected Poems. In combination, the work of Ellmann and Unterecker synthesize the poet and his poetry and support the thesis here that the pattern which Yeats saw emerging in his life and which he incorporated in his work is, structurally, the same pattern of a death and rebirth cycle which he explicated in his philosophical book, A Vision. -
The Oldskull Necronomicon
Sample file 2 | P a g e Sample file CASTLE OLDSKULL ~ LOV1 KENT DAVID KELLY P a g e | 3 CASTLE OLDSKULL FANTASY ROLE-PLAYING SUPPLEMENT LOV1 THE OLDSKULL NECRONOMICON By KENT DAVID KELLY (DARKSERAPHIM) THE NECRONOMICON SERIES (I ~ III) IS COLLECTIVELY ILLUSTRATED BY HEINRICH ALDEGREVER, ULISSE ALDROVANDI, FILIPPO BALBI, FRANCESCO BALLESIO, SampleJAN CHRISTIAN BIERPFAFF, WILLIAM BLAKE,file CASTLE OLDSKULL ~ LOV1 KENT DAVID KELLY 4 | P a g e LEON BONNAT, HIERONYMUS BOSCH, FERDINAND MAX BREDT, AGNOLO BRONZINO, ALFRED CHATAUD, HARRY CLARKE, HERBERT COLE, HERMAN DAVID SALOMON CORRODI, JEAN DELVILLE, GUSTAVE DORE, HENRY J. FORD, EUGENE FROMENTIN, JOHANN HEINRICH FUSSLI, EUGENE-ALEXIS GIRARDET, HENRY GILLARD GLINDONI, FREDERIC GOODALL, CARL HAAG, ARTHUR HACKER, ERNST HAECKEL, ALBRECHT VON HALLER, JOHN HUSS, THEODOR KITTELSEN, MAX KLINGER, JULES LAURENS, EDWIN LONG, AUGUSTE MAYER, LUC-OLIVIER MERSON, JOHN MILFORD, KAY NIELSEN, ERNEST NORMAND, BERNARDINO PARENZANO, ADRIAEN PIETERSZ, HOWARD PYLE, EDOUARD RIOU, DAVID ROBERTS, ALBERT ROBIDA, MARCEL ROUX, HERBERT GUSTAV SCHMALZ, SIDNEY SIME, CARL SPITZWEG, ELIHU VEDDER, VASILY VERESHCHAGIN, SampleET ALII file CASTLE OLDSKULL ~ LOV1 KENT DAVID KELLY P a g e | 5 WONDERLAND IMPRINTS 2017 ONLY THE FINEST WORKS OF FANTASY ~ O s r Copyright © 2017 Kent David Kelly. All rights reserved. No part of this book may be used or reproduced without the written permission of the copyright holder, Kent David Kelly. (Document Version 1.0) Please feel welcome to contact the author at [email protected] with comments, questions, requests, recommendations and greetings. And thank you for reading! “Only the Finest Works of Fantasy” Sample file CASTLE OLDSKULL ~ LOV1 KENT DAVID KELLY 6 | P a g e HIC SVNT DRACONES HERE THERE BE DRAGONS CASTLE OLDSKULL (“Old School”) is a well-regarded, system neutral line of supplements designed for use in Fantasy Role-Playing Games (FRPGs). -
Romantic Elements in Yeats's Poetry
Romantic Elements in Yeats’s Poetry The different attempts that has been made to define romanticism have only added to the confusion that has prevailed about the concept of romanticism. However, there is a broad agreement on a common factor that a romantic writer is dissatisfied with the contemporary values of life and escapes into the golden past or the ideal future. He moves into a fantasy world having the values of life cherished by him. Yeats, on this basis, clearly turns out to be a romantic poet. His dissatisfaction with the modern industrial society and the colonial rule over his country drove him to theme of love and beauty, love of folk - lore, simplicity of life away from the complex modern industrial life and a love of music and vague epithets and phrases. His cyclical view of history had convinced him of the impending violence and anarchy and he sought shelter in courtesy, innocence and ceremony and away from intellection. Like most of the romantics, he is concerned with the problem of life art and death. Like them again, he frequently writes about himself in his poetry. Yeats is connected with the last generation of the romantic poets, the members of the Rhymer's Club and poets and painters of the pre-Raphaelite School. His early writings in particular are coloured by this association. His youthful imagination was nourished on the poetry of Shelley. In his day- dreaming he was apt to pose as Manfred, Prince Athanese and Alastor. The early poetry of Yeats has all the characteristics flavour and limitations of the typical romantic verse.