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Pay TV in Australia Markets and Mergers
Pay TV in Australia Markets and Mergers Cento Veljanovski CASE ASSOCIATES Current Issues June 1999 Published by the Institute of Public Affairs ©1999 by Cento Veljanovski and Institute of Public Affairs Limited. All rights reserved. First published 1999 by Institute of Public Affairs Limited (Incorporated in the ACT)␣ A.C.N.␣ 008 627 727 Head Office: Level 2, 410 Collins Street, Melbourne, Victoria 3000, Australia Phone: (03) 9600 4744 Fax: (03) 9602 4989 Email: [email protected] Website: www.ipa.org.au Veljanovski, Cento G. Pay TV in Australia: markets and mergers Bibliography ISBN 0 909536␣ 64␣ 3 1.␣ Competition—Australia.␣ 2.␣ Subscription television— Government policy—Australia.␣ 3.␣ Consolidation and merger of corporations—Government policy—Australia.␣ 4.␣ Trade regulation—Australia.␣ I.␣ Title.␣ (Series: Current Issues (Institute of Public Affairs (Australia))). 384.5550994 Opinions expressed by the author are not necessarily endorsed by the Institute of Public Affairs. Printed by Impact Print, 69–79 Fallon Street, Brunswick, Victoria 3056 Contents Preface v The Author vi Glossary vii Chapter One: Introduction 1 Chapter Two: The Pay TV Picture 9 More Choice and Diversity 9 Packaging and Pricing 10 Delivery 12 The Operators 13 Chapter Three: A Brief History 15 The Beginning 15 Satellite TV 19 The Race to Cable 20 Programming 22 The Battle with FTA Television 23 Pay TV Finances 24 Chapter Four: A Model of Dynamic Competition 27 The Basics 27 Competition and Programme Costs 28 Programming Choice 30 Competitive Pay TV Systems 31 Facilities-based -
Media Nations 2019
Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube. -
Roy Williams Avid Offline Editor
Roy Williams Avid Offline Editor Profile Roy is a fantastic editor with the benefit of having a facilities background and experience across a broad range of genres. With an easy going and relaxed nature he is very easy to work with – nothing seems to phase him. He has a great sense of narrative, he can find a story in amongst hours of rushes and is incredibly organised. Roy is also known for his creative edge. Long-form Credits *Currently Cutting* “Motorhoming” 1 x 60min. The series follows comic couple Paul Merton and Suki Webster as they immerse themselves in the world of Motorhoming bringing the audience the ultimate A-Z guide to having an epic Great British Adventure, on four wheels. Curve Media for Channel 5 “For The Love of Kitchens” In this 8-part series, deVOL, an England-based furniture manufacturer will work with talented craftspeople to design stunning kitchens and interiors for clients. Betty TV for Discovery and Magnolia Network “Weekend Escapes with Greg Wallace” 2 x 60min. (Venice & Rome) Travelogue series which sees Wallace exploring various cities in search of the ideal weekend. In each city he’ll be experiencing the culture, exploring the history and, of course, indulging in the local cuisine. Rumpus Television for Channel 5 “Children in Need: 40 Fabulous Years” Special episode hosted by Ade Adepitan MBE, the programme will celebrate the previous appeal shows in 40 bite-sized chunks, including the funniest and the greatest moments from the last four decades. BBC One “Eastenders” Reversions of Britain’s most famous soap opera. -
New Series of a Place to Call Home for Foxtel
Seven confirms new series of A Place To Call Home for Foxtel Commissioning builds on Seven’s momentum in creation of new content in Australian and international markets The Seven Network – Australia’s most-watched broadcast television platform and a key business of Seven West Media, one of Australia’s leading integrated media and content creation companies - today confirmed the signing of an agreement with Foxtel for a new series of Seven Productions’ A Place To Call Home. This will be the fifth series for A Place To Call Home. A Place To Call Home and Home and Away are two of Seven Productions’ most successful drama series seen around the world. My Kitchen Rules – another Seven Productions creation – is seen in 160 territories and will launch a “local version” next January in primetime on FOX, one of the “big four” networks in the United States. My Kitchen Rules has also recently launched on Channel 4 in the United Kingdom. These significant commissions signal Seven’s next move in its long-term strategy in the development and creation of market-leading content. Commenting, Therese Hegarty, Seven’s Director of Content Distribution and Rights said: “We take great pride in A Place To Call Home. It is a clear indication of the future for Seven Productions. We are now creating more content than at any time in our history and expanding our presence in international content production. We look forward to further dramatically expanding our content creation and production over the coming twelve months.” Commenting, Julie McGuaran, Head of Drama for Seven, said: “All of us at Seven Productions are delighted to take A Place To Call Home to a new series. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
The BBC's Use of Spectrum
The BBC’s Efficient and Effective use of Spectrum Review by Deloitte & Touche LLP commissioned by the BBC Trust’s Finance and Strategy Committee BBC’s Trust Response to the Deloitte & Touche LLPValue for Money study It is the responsibility of the BBC Trust,under the As the report acknowledges the BBC’s focus since Royal Charter,to ensure that Value for Money is the launch of Freeview on maximising the reach achieved by the BBC through its spending of the of the service, the robustness of the signal and licence fee. the picture quality has supported the development In order to fulfil this responsibility,the Trust and success of the digital terrestrial television commissions and publishes a series of independent (DTT) platform. Freeview is now established as the Value for Money reviews each year after discussing most popular digital TV platform. its programme with the Comptroller and Auditor This has led to increased demand for capacity General – the head of the National Audit Office as the BBC and other broadcasters develop (NAO).The reviews are undertaken by the NAO aspirations for new services such as high definition or other external agencies. television. Since capacity on the platform is finite, This study,commissioned by the Trust’s Finance the opportunity costs of spectrum use are high. and Strategy Committee on behalf of the Trust and The BBC must now change its focus from building undertaken by Deloitte & Touche LLP (“Deloitte”), the DTT platform to ensuring that it uses its looks at how efficiently and effectively the BBC spectrum capacity as efficiently as possible and uses the spectrum available to it, and provides provides maximum Value for Money to licence insight into the future challenges and opportunities payers.The BBC Executive affirms this position facing the BBC in the use of the spectrum. -
Channel Four Television Corporation Report and Financial Statements 2008 Channel Four Television Corporation Report and Financial Statements 2008
Channel Four Television Corporation Report and Financial Statements 2008 Channel Four Television Corporation Report and Financial Statements 2008 Broadcasting Act 1990 Presented to Parliament pursuant to Paragraph 13(1) of Schedule 3 to the Broadcasting Act 1990 Contents Introduction Scale and impact Chairman’s introduction 04 Viewer impact 60 Chief Executive’s introduction 06 Top tens 64 Output and spend 66 Channel 4’s public impact 08 Creative economy impact 68 Talent ladder 70 Nurture Partnerships 71 Awards 72 Film4 Productions and Slumdog Millionaire 12 Comedy Lab 14 Final comments on public impact report 76 The Devil’s Whore 16 Assurance statement 77 City of Vice 18 Key measures 20 Finance Challenge Operating and financial review 80 Report of the members 84 Saving Africa’s Witch Children 24 Report of the auditors 86 Dispatches and Unreported World 26 Consolidated income statement 88 Channel 4 News 28 Balance sheets 89 The Family 30 Cashflow statements 90 Key measures 32 Significant accounting policies 91 Notes to the financial statements 95 Champion Corporate governance 121 Members 127 Islam Unveiled 36 Report on members’ remuneration 128 Big Brother 38 Programmes and the licence 132 Hunger 40 Historical record 134 Disarming Britain 42 Key measures 44 Inspire Secret Millionaire 48 Embarrassing Bodies and The Sex Education Show 50 Big Food Fight 52 Battlefront 54 Key measures 56 Chairman’s introduction Luke Johnson Chairman The media establishment is undergoing its most violent In recent months, Channel 4 has demonstrated its creative upheaval since Channel 4 was founded 26 years ago. The credentials in spades. With Slumdog Millionaire, Film4 won digital revolution, combined with a severe economic downturn, a spectacular array of Oscars and BAFTAs, and enjoyed a true means all commercial broadcasters are under significant international box office smash. -
ABC2 Program Schedule
1 | P a g e ABC2 Program Guide: National: Week 19 Index Index Program Guide .............................................................................................................................................................. 3 Sunday, 7 May 2017 .............................................................................................................................................. 3 Monday, 8 May 2017 ............................................................................................................................................ 8 Tuesday, 9 May 2017 .......................................................................................................................................... 13 Wednesday, 10 May 2017................................................................................................................................... 18 Thursday, 11 May 2017 ....................................................................................................................................... 23 Friday, 12 May 2017 ............................................................................................................................................ 29 Saturday, 13 May 2017 ....................................................................................................................................... 35 Marketing Contacts ..................................................................................................................................................... 40 2 | P a g e ABC2 Program -
Mappingthe Creative Economyof Greater Birmingham
GREATER BIRMINGHAM CREATIVE ECONOMY MAPPING 1 Mapping the Creative Economy of Greater Birmingham DECemBer 2017 — BOP Consulting 2 GREATER BIRMINGHAM CREATIVE ECONOMY MAPPING GREATER BIRMINGHAM CREATIVE ECONOMY MAPPING 1 CONTENTS INTRODUCTION 5,100 6,150 Introduction 1 Greater Birmingham and Solihull Local Enterprise Partnership (GBSLEP) commissioned BOP Consulting to Growth of the Creative Industries 2 map the scale and output of the creative economy across the LEP area, comprising: Birmingham, Bromsgrove, Clustering in the Creative Industries 6 Cannock Chase, East Staffordshire, Lichfield, Solihull, Tamworth and Wyre Forest. 2010 2015 Creative Economy 8 Digital & creative businesses This includes not just cultural organisations, creative and Creative Value Chains 10 digital businesses and self-employed creative workers; but also the thousands of people deploying their creative talents in other sectors of Greater Birmingham’s economy. Regional Clusters 12 18,400 people employed in billion We were excited to receive this commission. We believe Creative Services, generating it is a significant innovation in terms of studies of creative £1.9 in GVA Skills 14 sectors in UK core cities, and one that provides policy Conclusions 16 makers, employers and investors with a clearer indication of the true scale and economic contribution of creative 16,850 people employed in Creative Content skills across the economy. Production sector generating Our findings, summarised below, bear out the extent to which the LEP was right to take this wider view. Not only has our research and consultation shown the full scale £1.4 and dynamism of a cultural and creative industries sector which is not always as celebrated as that of other cities; billion in GVA but it demonstrates the level to which creative and digital innovation is embedded in other sectors, enhancing the potential growth of the whole Greater Birmingham economy. -
Best Practices Re Regulatory Regimes and Incentives to Develop the Audiovisual Sector in the Caribbean
Best Practices re Regulatory Regimes and Incentives to Develop the Audiovisual Sector in the Caribbean Draft Report on World Best Practices in Legislation, Regulatory Regimes and Incentives Juillet 2009 Best Practices re Regulatory Regimes and Incentives to Develop the Audiovisual Sector in the Caribbean Contrat Nr: 042/2009/WP2/ Project no 28.1-1.048 Cariforum Region By : Yvon Thiec Fernando Labrada Submitted by Altair Asesores S.L. Les opinions exprimées dans ce rapport n’engagent que les auteurs et ne reflètent pas nécessairement celles de la Commission Européenne / The Views expressed in this report do not necessarily reflect the views of the European Commission TABLE OF CONTENTS Executive Summary ........................................................................... 3 I. Foreword ..................................................................................... 7 II. Introduction: Audiovisual regulation for cinema and television programs ........................................................................................ 11 III. The origin of audiovisual regulation ............................................ 13 IV. Quota requirements ................................................................. 15 1. Quota Requirements for theatrical exhibition ............................ 15 1.1. International rules related to quota requirements for theatrical exhibition .................................................................................. 15 1.2. Application of quota requirements for theatrical exhibitions in Western -
Inner Light – Good and Evil – Open and Hidden
2 n d e d n © T G 2 0 2 1 £ 1 0 v i a 1 b i l d e r b e r g . o extracts companion to The Siege Of Heaven with my thoughts on solutions – ed.on Heaven The solutions – with my thoughts Siege Of toextracts companion under guise of a never-ending pandemic, modelled on their never ending war on terror. terror. endingwar never pandemic, theiron modelled on a guiseofunder never-ending legallyandtaken up,overbeingboughtfreedom as mediaFood is thought for all ismySo career!this secretRothschilds Victor on Fifth ‘Thesee Man’ Please financially. Since the Anglo-Zionist empire has been defeated militarilyinMiddle defeated Russia, been East Anglo-Zionist by empire hasthe Sincethe eyecrushing their journalism in the they’ve own population, to subduing their turned surveillance bringing to the authoritarian state west, – the China Assange Julian ofperson Portland Communications boss George Pascoe-Watson with Lord with and Bethell who funded Pascoe-Watson Portland George Communications boss were leadershipcampaign Tory 2019 Hancock’s Matthealth managed UK secretary the plandemic.steeringCovidthe start of ministerial discussions from Generally short extracts from longer works - published in the midst of November 2020’s published - November 2020’s longer in the midst of extracts works Generally from short Pharma Banking, Bigchum lobbyists Arms, It becomes boguslight’. ‘lockdown clear UK r g 2 n d e d n © T G 2 0 2 1 £ 1 0 v i a 2 b i l All reserved rights d ISBN 0 9528070 8 4 e The SiegeThe Of Reader Heaven Copyright Tony Gosling 2021 Tony Copyright a magazine,a newspaper or broadcast r Printed and bound in the USA by lulu.com andPrinted the bound in USA b Address: 17-25, Jamaica Street, Bristol, BS2 8JP The moral rightsThe author of the been have asserted e post-medieval articles on occult political and spiritual power r First published in published BritainFirst Great in by Gosling publishing 2021 g A catalogue for this record book is available the Library from British A pleased make necessary to the arrangements at earliest the opportunity. -
Werner Herzog Interview with a Legend
July/August 2019 Werner Herzog Interview with a legend David Harewood | Alex Scott | The South Bank Show CREATE MAXIMUM IMPACT WITH MUSIC A collection of epic music composed, recorded and produced specifically for film trailers and broadcast programming, from stirring emotional drama to apocalyptic action. AVAILABLE FOR LICENCE AT AUDIONETWORK.COM/DISCOVER/MAXIMUMIMPACT FIND OUT MORE: Rebecca Hodges [email protected] (0)207 566 1441 1012-RTS ADVERTS-MAX_IMPACT-V2.indd 1 25/06/2019 09:31 Journal of The Royal Television Society July/August 2019 l Volume 56/7 From the CEO We have just enjoyed We had a full house as some of televi- creative icon, Werner Herzog. His new two outstanding sion’s most successful storytellers BBC Arena film, focusing on his rela- national RTS events, shared their approaches to their craft. tionship with Bruce Chatwin, is some- the RTS Student Tele- I am very grateful to the event’s joint thing to look forward to this autumn. vision Awards and a organisers, Directors Cut Productions, Don’t miss Simon Shaps’s incisive live South Bank Show Sky Arts and Premier. review of a new book that analyses the special devoted to the I am thrilled that Alex Scott found the recent battle to own Sky, and Stewart art of screenwriting. Many thanks to time to write this edition’s Our Friend Purvis’s account of how the politics of all of you who worked hard to make column. The Women’s World Cup Brexit are challenging news broadcast- these happen. Congratulations to all really did capture and hold the pub- ers and what impartiality means in a the nominees and winners of the lic’s imagination: England’s semi-final fragmenting political landscape.