Sea Monsters on Medieval and Renaissance Maps Chet Van Duzer Published by the British Library and Distributed by the University of Chicago Press

Total Page:16

File Type:pdf, Size:1020Kb

Sea Monsters on Medieval and Renaissance Maps Chet Van Duzer Published by the British Library and Distributed by the University of Chicago Press Sea Monsterson Medieval and Renaissance Maps Chet Van Duzer THE BRITISH LIBRARY First published 2013 by The British Library Acknowledgements 96 Euston Road London NW1 2DB ISBN 978 0 7123 5890 3 Text © 2013 Chet Van Duzer Exploring what we can learn from the sea monsters that decorate medieval and Renaissance maps Illustrations © 2013 The British Library Board and other named copyright holders has been a deeply rewarding experience; throughout the research and writing of this book I have felt lucky to be working on a subject so visually, emotionally, and intellectually engaging, and at the British Library Cataloguing in Publication Data same time so fruitful of insights into cartographers’ sources and techniques. A catalogue record for this book is available from The British Library It is a pleasure to thank here those who have helped bring this work to fruition. I am grateful to Catherine Delano-Smith for perceiving that my research would find its best expression as a book, Designed by Bobby Birchall, Bobby&Co. and to David Way, Publisher at the British Library, for his guidance and furtherance. My thanks go Printed in Hong Kong by to the staff of the Map Library at the British Library, particularly Peter Barber and Tom Harper; and Great Wall Printing Co Ltd to the staff of the Stanford University Libraries, particularly John Mustain. For their suggestions, corrections, and assistance I am indebted to Ilya Dines, John Friedman, Jacqueline Leclercq-Marx, Margriet Hoogvliet, Natalia Lozovsky, Kimberly Merritt, Rosemary Marcus, Klaus Barthelmess (†), Gregory McIntosh, and Hana Šedinová. And finally I would like to thank many other friends and colleagues and my family for their enthusiastic support for this project. Chet Van Duzer Los Altos Hills, California, 2013 Contents Acknowledgements 5 The Sea Monsters of the Earliest Surviving Terrestrial Globe 68 Introduction 8 The Sea Monsters of Waldseemüller’s Map of 1507 and Schöner’s Globe of 1515 71 Lighting a Fire on a Whale’s Back 76 Classical Antecedents 13 The Earliest Medieval Maps with Sea Monsters: BeatusMappaemundi 14 Pictorial Excursus: The Cartographic Career of the Walrus 78 “Let the Waters Bring Forth Abundantly”: Sea Monsters in the Creation 23 Sea Monsters in the Harbor of Brindisi 25 The Debut of the Sea Monsters of the Renaissance 80 An Imagined Mappamundi with Sea Monsters 26 Olaus Magnus and the Most Important Sea Monsters of the Sixteenth Century 81 Sea Monsters on the Ceiling 27 Mercator’s Globe of 1541: The Influence of Olaus Magnus 86 Giant Sea Monsters on Two Small Mappaemundi 28 The Ulpius Globe: Sea Monsters Before Their Time 88 “A Vast Sea Where There is Nothing But the Abode of Monsters” 31 The Monster that Stops Ships in Their Tracks 89 Two Monumental Mappaemundi with Few Sea Monsters 33 Three Sea Monsters Battling in the Atlantic 37 Pictorial Excursus: More Whimsical Sea Monsters 92 Pictorial Excursus: The Dangers of Sea Monsters 38 From Sea Dragons to a Sawfish: The Rylands Library Map of 1546 94 Evidence of a Sea Monster Specialist 97 Sea Monsters on Nautical Charts: Giant Octopuses, Sirens, Sharks 40 The Curious Career of the Flying Turtle 98 How to Buy a Sea Monster 48 The Eclecticism of Giacomo Gastaldi 100 Whaling Between Myth and Reality 50 The Sea Monsters of Gerard Mercator’s Great Map of 1569 103 A Nest of Sea Monsters at the Bottom of the World 52 Sea Monsters Cavorting Among the Mediterranean Isles 105 Whales as Big as Mountains 54 The Sea Monsters Surrounding Iceland in the First Atlas 108 Terrifying Monsters in the Indian Ocean 55 A Haunting Sea Monster Reappears 112 A Skeptic about Sea Monsters: Fra Mauro 56 Whales Fantastic and Realistic at the End of the Sixteenth Century 112 Two New World Sea Monsters 114 Pictorial Excursus: Whimsical Sea Monsters 58 Conclusion 116 Invented Sea Monsters in the Circumfluent Ocean 60 Endnotes 120 The Manuscript with the Most Sea Monsters 61 Index 142 Sea Monsters in Printed Editions of Ptolemy 66 36 37 Fig. 22 A swordfish, whale, and perhaps a killer whale on the Gough Map of Britain Fig. 21 A swordfish, Scylla, and Charybdis in the Mediterranean on the Hereford of c.1400 (Oxford, Bodleian Library, MS Gough Gen. Top. 16). mappamundi of c. 1290-1310 (Hereford Cathedral). shark (fig. 22).92 The whale and swordfish are both lifelike, particularly the swordfish—much more so than that on the Hereford mappamundi discussed above (fig. 21); in fact it is the earliest lifelike depiction of a swordfish in any Western source that I know. I would dispute the identification of the third creature as a thresher shark, as it lacks the very long upper tail fin which is the most distinctive feature of threshers, and generally looks un-sharklike: a killer whale seems like a much more plausible identification. It has been Three Sea Monsters Battling persuasively suggested in the Atlantic that the fight of the whale against the two smaller sea creatures may represent The Gough Map of Britain, like the Hereford and Ebstorf England’s struggle against Wales and Scotland.93 If maps, is a separate production, and we know little about this interpretation is correct, the sea monsters on the the circumstances of its creation. The map measures 56 × Gough Map play a unique role among sea monsters 115 cm (22 × 45 inches) and was traditionally dated to c. on maps, representing almost heraldically the political 1360, but recently has been ascribed a date of c. 1400.91 It relationships of the countries mapped nearby. The image is the earliest surviving map to depict the road network of the swordfish also stands out for its lifelikeness, and of Britain, and also the first to give an accurate rendering it seems probable that the cartographer painted the fish of the British coastline. In the ocean to the east there are after having seen one firsthand, rather than relying on an three large sea creatures that seem to be fighting; they illustrated book on natural history. have been identified as a whale, swordfish, and thresher SEA MONSTERS ON MEDIEVAL AND RENAISSANCE MAPS SEA MONSTERS ON MEDIEVAL AND RENAISSANCE MAPS The38 Dangers of Sea Monsters 39 1 A sea monster known as a physetera or spouter, a type of whale, 2 A whale eating a ship off the coast of Norway, on Olaus Magnus’s 5 Two sirens, both of whom hold mirrors and comb their hair to 6 Sea monsters attacking a ship off the coast of India, from Abraham attacking a ship by vomiting water on it, from a map in the 1538 Carta marina of 1539; compare figs. 67 and 71 from the same map indicate their vanity (compare fig. 84), practise their wiles on a ship Ortelius’s Theatrum orbis terrarum; the image derives from Olaus edition of Solinus, who describes just this type of attack by sea (from the copy of 1572, Stockholm, Sveriges nationalbibliotek, which is west of the Strait of Magellan on Diego Gutierrez’s 1562 map Magnus’s reproduced on the opposite page, perhaps by way of the monsters (52.42). From C. Julii Solini Polyhistor ... Huic Pomponii Melæ shelfmark KoB 1 ab). of the Americas (Library of Congress). similar scene in Diego Gutierrez’s 1562 map of the Americas. (British de situ orbis libros ... adiunximus (Basel, 1538), between pp. 150 and Library, Maps 9.Tab.9, map 94). 151 (British Library, 216.b.1). 3 Whales attacking a ship, on Olaus Magnus’s Carta marina; the sailors 4 A sea monster eating an unfortunate sailor—perhaps Jonah—in the 7 Jonah being cast overboard to the sea monster, from Ortelius’s map 8 A huge sea monster attacks a galley in the Aegean, while the jettison barrels and a man on the ship plays a trumpet in order to scare Mediterranean off the northern coast of Africa in Sebastian Münster’s of the Holy Land in his Theatrum orbis terrarum. There is a similar image seamen try to fend it off with spears, on Nikolaos Sophianos’s Totius the monsters away (Stockholm, Sveriges nationalbibliotek, shelfmark Cosmographia of 1540 (British Library, Maps.C.1.c.2., No.15). on John Speed’s Canaan, As it was Possessed Both in Abraham and Israel’s Graeciae Descriptio of 1545 (Basel, Öffentliche Universität Bibliothek, KoB 1 ab). Days (London, 1595). (British Library, Maps 9.Tab.9., map 97). AA 89). SEA MONSTERS ON MEDIEVAL AND RENAISSANCE MAPS SEA MONSTERS ON MEDIEVAL AND RENAISSANCE MAPS 92 93 Fig. 80 An anonymous manuscript world map by a member of the Dieppe School, made in 1546 (Manchester, John Rylands Library, French MS 1*). From Sea Dragons to a Sawfish: realistic than those on Olaus Magnus’s Carta marina (see mammals: a map in Guillaume Le Testu’s manuscript On the 1546 map there are some sea monsters west The Rylands Library Map of 1546 fig. 67).237 Incidentally another map by a cartographer of Cosmographie universelle of 1555 has a scene of a ship of the large hypothetical “Java le Grand” continent in the Dieppe School has a depiction of a hunt for aquatic hunting dolphins, one of which has a harpoon in its side.238 southern Asia. West of Java Minor there is a beautiful A large manuscript world map (126 × 256 cm, or 49.6 × 100.8 inches) dated 1546 and preserved in the John Rylands Library in Manchester (fig. 80) was in the past attributed to Pierre Desceliers (c.1500 - c.1558), but serious doubts have been raised about that attribution.233 These doubts are confirmed by the differences between the sea monsters on the 1546 map and those on Desceliers’s two signed maps, those of 1550 and 1553: those on the 1546 map are more varied and their depictions more detailed.234 The most famous sea monster on the map is the whale in the Atlantic between northern Newfoundland and southern Labrador, which is shown being harpooned by five men in a small boat; we are no doubt to understand that the men came from the sailing ship just to the north (fig.
Recommended publications
  • Download O11 Redux.Pdf
    IP* t:44; 4 g r ORHONLU (CENGIZ). iskan tesebbiisii, 1691-1696. --- Osmanli imparatorlugunda asiretleri No. [Istanbul, Univ. Edebiyat Fak. Yayinlari, 998.] Orh. Istanbul, 1963. .9(4.961) Islamic Lib. - -- Another copy. teskilátti. [Istanbul Univ. Edeb. --- Osmanli imparatorlugunda derbend No. 1209.] Fak. Yayinlari, Orh. Istanbul, 1967. .9(4961) ADDITIONS ORHAN (S.T.C.). --- ed. CENTO symposium on the mining & benefaction of fertilizer minerals held in Istanbul ... 1973. See CENTRAL TREATY ORGANIZATION. ORHANG (TORLEIV). - -- See NYBERG (SVEN), O. (T.) and SVENSSON (H.) ORHAN VELI. --- Bütun giileri. Derleyen A. Bezirci. Onaltinci basim. [Turk Yazarlari Dizisi.] Istanbul, 1982. .894351 Orh. ORI, Rabbi. See URI, ben Simeon. ORIA, St. See AURIA,St. ORIANI (ALFREDO). Omnia, a di G. Papini. 2a ed. [Opera - -- La bicicletta. Prefazione cura di Benito Mussolini, 20.] .85391 Ori. Bologna, 1931. [Opere, 1.] - -- La disfatta; romanzo. .85391 Ori. Bari, 1921. [Bibl. Moderna Mondadori, 358 -59.] - -- La disfatta. Ed. integrale. .85391 Ori. [ Milan] 1953. - -- Fino a Dogali. [Opere, 10.] .85391 Ori. Bari, 1918. Omnia, di L. Federzoni. 3a ed. [Opere - -- Fino a dogali. Prefazione a cura di B. Mussolini, 7.] Ori. Bologna, pr. 1935. .85391 -1887. origini della lotta attuale, 476 - -- La lotta politica in Italia; Malavasi e G. Fumagalli. 3 vols. 5a ed. Curata e riveduta ... da A. .3232(45)09 Ori. Firenze, 1921. di Salvatore di Giacomo. [Opera - -- Olocausto; romanzo. Prefazione 22.] Omnia, a cura di Benito Mussolini, .85391 Ori. Bologna, 1925. 3.104. 0r; ideale. - -- La rivolta .301 Bologna, 1912. L. di Benito Mussolini. 3a ed. [010,2.r - -- La rivolta ideale. Prefazione 13.] Omnia, a cura di Benito Mussolini, Ori.
    [Show full text]
  • The History of Cartography, Volume 3
    THE HISTORY OF CARTOGRAPHY VOLUME THREE Volume Three Editorial Advisors Denis E. Cosgrove Richard Helgerson Catherine Delano-Smith Christian Jacob Felipe Fernández-Armesto Richard L. Kagan Paula Findlen Martin Kemp Patrick Gautier Dalché Chandra Mukerji Anthony Grafton Günter Schilder Stephen Greenblatt Sarah Tyacke Glyndwr Williams The History of Cartography J. B. Harley and David Woodward, Founding Editors 1 Cartography in Prehistoric, Ancient, and Medieval Europe and the Mediterranean 2.1 Cartography in the Traditional Islamic and South Asian Societies 2.2 Cartography in the Traditional East and Southeast Asian Societies 2.3 Cartography in the Traditional African, American, Arctic, Australian, and Pacific Societies 3 Cartography in the European Renaissance 4 Cartography in the European Enlightenment 5 Cartography in the Nineteenth Century 6 Cartography in the Twentieth Century THE HISTORY OF CARTOGRAPHY VOLUME THREE Cartography in the European Renaissance PART 1 Edited by DAVID WOODWARD THE UNIVERSITY OF CHICAGO PRESS • CHICAGO & LONDON David Woodward was the Arthur H. Robinson Professor Emeritus of Geography at the University of Wisconsin–Madison. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2007 by the University of Chicago All rights reserved. Published 2007 Printed in the United States of America 1615141312111009080712345 Set ISBN-10: 0-226-90732-5 (cloth) ISBN-13: 978-0-226-90732-1 (cloth) Part 1 ISBN-10: 0-226-90733-3 (cloth) ISBN-13: 978-0-226-90733-8 (cloth) Part 2 ISBN-10: 0-226-90734-1 (cloth) ISBN-13: 978-0-226-90734-5 (cloth) Editorial work on The History of Cartography is supported in part by grants from the Division of Preservation and Access of the National Endowment for the Humanities and the Geography and Regional Science Program and Science and Society Program of the National Science Foundation, independent federal agencies.
    [Show full text]
  • Barry Lawrence Ruderman Antique Maps Inc
    Barry Lawrence Ruderman Antique Maps Inc. 7407 La Jolla Boulevard www.raremaps.com (858) 551-8500 La Jolla, CA 92037 [email protected] Africae ut terra mariq[ue], lustrata est, propiissima ac vere genuina descriptio, observatis ad unguem gradibus longitudinis et latitudinis. Autore M. Iacobo Castaldo Stock#: 37039aj Map Maker: de Jode Date: 1578 Place: Antwerp Color: Hand Colored Condition: VG Size: 20.5 x 16.5 inches Price: SOLD Description: Rare old color example of the first state of De Jode's first map of Africa, from the 1578 edition of his Speculum Orbis Terrarum. The map is divided into two sections and includes an elephant, lions, battle scene, sailing ships and palm trees. First state with Latin text on verso but without the addition of "Cum privilegio" in the title cartouche. The map is based on the famous eight sheet Giacomo Gastaldi wall map of Africa of 1564. Within the title, De Jode recognizes Gastaldi as the author of this work ("Autore M. Iacobo Castoldo"). As De Jode was represented at the important Frankfurt Book Fair where he bought and sold maps, he possibly obtained a copy of the Gastaldi wall map of Africa during one of these fairs. Other than reducing Gastaldi's heavily detailed, eight-sheet map to one folio-sized map, the basic outline for Africa and its hydrographical and topographic features are the same. Koeman (1967-71) theorizes that De Jode may have been inspired to issue his own atlas, based on the immediate success of Abraham Ortelius' Theatrum Orbis Terrarum. It is therefore likely that this map of Africa may have been prepared sometime after 1570, but before 1578, with the intention that it would eventually be included in De Jode's atlas, pending receipt of a publisher's privilege intended to prevent unauthorized copying of his maps.
    [Show full text]
  • Venetian Cartography and the Globes of the Tommaso Rangone Monument in San Giuliano, Venice
    Stephen F. Austin State University SFA ScholarWorks Faculty Publications School of Art Spring 3-2016 Venetian Cartography and the Globes of the Tommaso Rangone Monument in San Giuliano, Venice Jill E. Carrington School of Art, [email protected] Follow this and additional works at: https://scholarworks.sfasu.edu/art Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Tell us how this article helped you. Repository Citation Carrington, Jill E., "Venetian Cartography and the Globes of the Tommaso Rangone Monument in San Giuliano, Venice" (2016). Faculty Publications. 3. https://scholarworks.sfasu.edu/art/3 This Article is brought to you for free and open access by the School of Art at SFA ScholarWorks. It has been accepted for inclusion in Faculty Publications by an authorized administrator of SFA ScholarWorks. For more information, please contact [email protected]. Venetian Cartography and the Globes of the Tommaso Rangone Monument in S. Giuliano, Venice* Jill Carrington Highly specific stone reliefs of a terrestrial and a celestial globe flank the bronze statue of physician and university professor Tommaso Rangone (1493-1577) in his funerary monument on the façade of S. Giuliano in Venice (1554-1557; installed c. 1558) (Fig. 1).1 The present essay is the first to examine the strikingly specific imagery of these globes; it compares them to actual maps and globes, argues that the features of the globes were inspired by contemporary world maps likely owned by Rangone himself, relates the globes to the emergence of globe pairs at the time and situates them within the thriving production of maps, atlases, and treatises in mid-sixteenth century Venice and in the very neighborhood where these cartographic works were produced and sold.
    [Show full text]
  • Ortelius's Typus Orbis Terrarum (1570)
    Ortelius’s Typus Orbis Terrarum (1570) by Giorgio Mangani (Ancona, Italy) Paper presented at the 18th International Conference for the History of Cartography (Athens, 11-16th July 1999), in the "Theory Session", with Lucia Nuti (University of Pisa), Peter van der Krogt (University of Uthercht), Kess Zandvliet (Rijksmuseum, Amsterdam), presided by Dennis Reinhartz (University of Texas at Arlington). I tried to examine this map according to my recent studies dedicated to Abraham Ortelius,1 trying to verify the deep meaning that it could have in his work of geographer and intellectual, committed in a rather wide religious and political programme. Ortelius was considered, in the scientific and intellectual background of the XVIth century Low Countries, as a model of great morals in fact, he was one of the most famous personalities of Northern Europe; he was a scholar, a collector, a mystic, a publisher, a maps and books dealer and he was endowed with a particular charisma, which seems to have influenced the work of one of the best artist of the time, Pieter Bruegel the Elder. Dealing with the deep meaning of Ortelius’ atlas, I tried some other time to prove that the Theatrum, beyond its function of geographical documentation and succesfull publishing product, aimed at a political and theological project which Ortelius shared with the background of the Familist clandestine sect of Antwerp (the Family of Love). In short, the fundamentals of the familist thought focused on three main points: a) an accentuated sensibility towards a mysticism close to the so called devotio moderna, that is to say an inner spirituality searching for a direct relation with God.
    [Show full text]
  • Recent Publications 1984 — 2017 Issues 1 — 100
    RECENT PUBLICATIONS 1984 — 2017 ISSUES 1 — 100 Recent Publications is a compendium of books and articles on cartography and cartographic subjects that is included in almost every issue of The Portolan. It was compiled by the dedi- cated work of Eric Wolf from 1984-2007 and Joel Kovarsky from 2007-2017. The worldwide cartographic community thanks them greatly. Recent Publications is a resource for anyone interested in the subject matter. Given the dates of original publication, some of the materi- als cited may or may not be currently available. The information provided in this document starts with Portolan issue number 100 and pro- gresses to issue number 1 (in backwards order of publication, i.e. most recent first). To search for a name or a topic or a specific issue, type Ctrl-F for a Windows based device (Command-F for an Apple based device) which will open a small window. Then type in your search query. For a specific issue, type in the symbol # before the number, and for issues 1— 9, insert a zero before the digit. For a specific year, instead of typing in that year, type in a Portolan issue in that year (a more efficient approach). The next page provides a listing of the Portolan issues and their dates of publication. PORTOLAN ISSUE NUMBERS AND PUBLICATIONS DATES Issue # Publication Date Issue # Publication Date 100 Winter 2017 050 Spring 2001 099 Fall 2017 049 Winter 2000-2001 098 Spring 2017 048 Fall 2000 097 Winter 2016 047 Srping 2000 096 Fall 2016 046 Winter 1999-2000 095 Spring 2016 045 Fall 1999 094 Winter 2015 044 Spring
    [Show full text]
  • WILLIAM R. TALBOT FINE ART, ANTIQUE MAPS & PRINTS 505-982-1559 • [email protected] • for Purchases, Please Call Or Email
    ILLIAM R TALT FIE ART, ATIE MAPS PRITS 129 West San Francisco Street • P. O. Box 2757, Santa Fe, New Mexico 87504 505-982-1559 • [email protected] • www.williamtalbot.com FALL 2019 Abraham Ortelius’s FIRST EDITION WORLD MAP The present map is a depiction of the world from the Age of Discovery and the earliest edition of Abraham Ortelius’s famous world map rendered in magnificent color. Ortelius was a great compiler of newly discovered geographical facts and information. His New World mapping is also a study in early conjecture, including a generous northwest passage below the Terra Septentrionalis Incognita, and a projection of the St. Lawrence reaching to the middle of the continent. Ortelius’s map includes Terra Australis Nondum Cognita, reflecting the misconception held at the time of a massive southern continent, that incorporates Tierra del Fuego in this southern polar region rather than in South America. The relatively unknown regions across Northeast Asia distort the outline of Japan considerably. In the North Atlantic, the outline of Scandinavia is skewed, and Greenland appears very close to Abraham Ortelius (1528–1598). “Typus Orbis Terrarum,” (Antwerp: 1570). First Edition. Published in the Latin editions of Theatrum Orbis Terrarum. Double- North America. Ortelius published his world maps page copperplate engraving with full hand color and some original color. Signed by in his Theatrum Orbis Terrarum, considered to be engraver l.r. “Franciscus (Frans) Hogenberg”. Latin text, verso: “Orbis Terrarum.” the first modern atlas, with 70 copper engravings and “I”. 13 3/32 x 19 7/16” to neatline. Sheet: 15 9/16 x 20 3/4”.
    [Show full text]
  • The European Towns in Braun & Hogenberg's Town Atlas, 1572-1617
    Belgeo Revue belge de géographie 3-4 | 2008 Formatting Europe – Mapping a Continent Mapping the towns of Europe: The European towns in Braun & Hogenberg’s Town Atlas, 1572-1617 Cartographie des villes d’Europe: Les villes européennes dans l’Atlas des Villes de Braun et Hogenberg, 1572-1617 Peter van der Krogt Electronic version URL: http://journals.openedition.org/belgeo/11877 DOI: 10.4000/belgeo.11877 ISSN: 2294-9135 Publisher: National Committee of Geography of Belgium, Société Royale Belge de Géographie Printed version Date of publication: 31 December 2008 Number of pages: 371-398 ISSN: 1377-2368 Electronic reference Peter van der Krogt, “Mapping the towns of Europe: The European towns in Braun & Hogenberg’s Town Atlas, 1572-1617”, Belgeo [Online], 3-4 | 2008, Online since 22 May 2013, connection on 05 February 2021. URL: http://journals.openedition.org/belgeo/11877 ; DOI: https://doi.org/10.4000/ belgeo.11877 This text was automatically generated on 5 February 2021. Belgeo est mis à disposition selon les termes de la licence Creative Commons Attribution 4.0 International. Mapping the towns of Europe: The European towns in Braun & Hogenberg’s Town A... 1 Mapping the towns of Europe: The European towns in Braun & Hogenberg’s Town Atlas, 1572-1617 Cartographie des villes d’Europe: Les villes européennes dans l’Atlas des Villes de Braun et Hogenberg, 1572-1617 Peter van der Krogt This article is based upon the research for Koeman’s Atlantes Neerlandici, vol. IV: The Town Atlases, in preparation, scheduled for publication late 2009. Introduction “The Civitates is one of the great books of the World, (...) a wonderful compendium of knowledge of life in Europe in the sixteenth century, (...) it gives a visual printed record of mediaeval Europe, and is one of the most valuable sources remaining to the student and historian of these periods” (R.V.Tooley)1.
    [Show full text]
  • Mapping and Voyages
    Comp. by: KNarayanan Stage: Proof Chapter No.: 3 Title Name: WYATT Date:31/1/14 Time:20:47:51 Page Number: 57 Francesca Fiorani 3 Mapping and voyages Fundamentally human is the need to know the places that we inhabit and to dominate them through mapping. In the process of mastering the geography of our world, we define our place within it and our relations to others. If the need to represent the surrounding space is universal, how to map it, what to include and what to omit, is always a selective cultural process that involves choices, reductions, and distortions. Renaissance mapping is traditionally associated with the beginning of modern cartography, and its history has often been reduced to documenting the gradual conquest of mathematical accuracy in the representation of a world of expanding borders. Early European voyages beyond the Columns of Hercules (at Gibraltanuptiisr) and the rediscovery of Ptolemy’s Geographia [Geography], the foundational text for locating places precisely on a cartographic grid, date from the late fourteenth century. But Ptolemy’s mathematical geography, which has become the dominating concern of modern cartography, coexisted in the Renaissance with the verbose descriptions of places that other ancient authors had presented in their geographical texts and which have disappeared from modern maps. As cultural artifacts, maps participated in major cultural trends of the period, from human- ism to the exploration of trading routes and the emergence of the printing press as well as in the planning of religious expeditions and the formation of overseas dominions. Their techniques and conventions of representation emerged in relation to the intentions of their makers and the expectations of their patrons and users.
    [Show full text]
  • Maps in Renaissance Libraries and Collections George Tolias
    25 • Maps in Renaissance Libraries and Collections George Tolias The aim of this chapter is to highlight some apparently “he compiles it [the description] into a well-ordered and peripheral yet widespread scholarly uses of maps during proportionally measured map lest it be lost.” 2 the Renaissance—uses associated with map collecting, The allegory broadly agrees with Strabo’s view of display, and study. The chapter examines the role of maps mapmaking as a process of mnemonic reconstruction.3 as visual memory aids in the light of the available evi- However, the fact that Cusanus used the map as a metaphor dence; it then traces the presence and arrangement of to help his readers understand both the process of recon- maps in Renaissance libraries and collections; and finally, it examines the symbolic functions and learned uses of maps within early modern humanistic culture. The research for this chapter was made possible by the Arthur and Janet Holzheimer Fellowship, 2001–2, awarded by the Institute for Re- search in the Humanities of the University of Wisconsin, Madison, and Maps as Memory Aids thanks are due to the fellows of the institute for their helpful comments in the early stages of the work. I was particularly fortunate in being able Although the Renaissance has been described as “the age to use the resources of the History of Cartography Project, and warm of manuals,” a period “inexhaustible in its search for nor- thanks are due to the members of the Project for their constant and valu- able assistance. Naturally, my warmest thanks of all would have gone mative principles of general and perennial value, which to David Woodward for his encouragement and generous advice.
    [Show full text]
  • Voyages Towards Utopia: Mapping Utopian Spaces in Early-Modern French Prose
    Voyages Towards Utopia: Mapping Utopian Spaces in Early-Modern French Prose By Bonnie Griffin Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in French Literature March 31st, 2020 Nashville, TN Approved: Holly Tucker, PhD Lynn Ramey, PhD Paul Miller, PhD Katherine Crawford, PhD DEDICATIONS To my incredibly loving and patient wife, my supportive family, encouraging adviser, and dear friends: thank you for everything—from entertaining my excited ramblings about French utopia, looking at strange engravings of monsters on maps with me, and believing in my project. You encouraged me to keep working and watched me create my life’s most significant work yet. ii ACKNOWLEDGEMENTS I would like to thank my adviser and mentor Holly Tucker, who provided me with the encouragement, helpful feedback, expert time-management advice, and support I needed to get to this point. I am also tremendously grateful to my committee members Lynn Ramey, Paul Miller, and Katie Crawford. I am indebted to the Robert Penn Warren Center for the Humanities, for granting me the necessary space, time, and resources to prioritize my dissertation. I wish to thank the Department of French and Italian, for taking a chance on a young undergrad. I also wish to acknowledge the Vanderbilt University Special Collections team of archivists and librarians, for facilitating my access to the texts that would substantially inform and inspire my studies, as well as the Beinecke Rare Book and Manuscript Library. I also wish to thank Laura Dossett and Nathalie Debrauwere-Miller for helping me through the necessary processes involved in preparing for my defense.
    [Show full text]
  • Die Nüw Welt #381
    Die Nüw Welt #381 Title: Die Nüw Welt [The New Islands]/ Nova Insulae, XVII Nova Tabula Date: 1546 Author: Sebastian Münster Description: Sebastian Münster was a 16th century professor of Hebrew at the University of Basel and a prominent German mathematician, cartographer, and cosmographer. Among his publications was an edition of Ptolemy’s Geography in 1540, followed in 1544 by his Cosmography, the influential first German description of the world. Both works were illustrated by a series of woodcut maps that included this delineation. It was the first printed map devoted to the Western Hemisphere. Its innovative continuous coastline through North, Central and South America emphasized a definite separation of the New World from Asia. The publications were so popular that together they appeared in forty editions, making them best sellers of the 16th century. As a result, this woodcut of America was more widely circulated than any map of the New World at that time. As Surekha Davies summarizes it, prior to the geographical discoveries of the late 15th century, there were several theoretical models for the parts of the globe that had not yet been traversed. One suggested that Africa, Asia and Europe (the region the ancient Greeks called the oikoumene) comprised the three parts of the only major landmass of the world, and were surrounded by water. This model achieved a cartographic form at the end of the twelfth century in the mappamundi or T-O map tradition (see monograph #205). Despite originating in the classical tradition, mappaemundi portrayed human (particularly bi blical) history and Christian theology within a geographical framework.
    [Show full text]