Summer Biennial 2013
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Love & Wedding
651 LOVE & WEDDING THE O’NEILL PLANNING RODGERS BROTHERS – THE MUSIC & ROMANCE A DAY TO REMEMBER FOR YOUR WEDDING 35 songs, including: All at PIANO MUSIC FOR Book/CD Pack Once You Love Her • Do YOUR WEDDING DAY Cherry Lane Music I Love You Because You’re Book/CD Pack The difference between a Beautiful? • Hello, Young Minnesota brothers Tim & good wedding and a great Lovers • If I Loved You • Ryan O’Neill have made a wedding is the music. With Isn’t It Romantic? • My Funny name for themselves playing this informative book and Valentine • My Romance • together on two pianos. accompanying CD, you can People Will Say We’re in Love They’ve sold nearly a million copies of their 16 CDs, confidently select classical music for your wedding • We Kiss in a Shadow • With a Song in My Heart • performed for President Bush and provided music ceremony regardless of your musical background. Younger Than Springtime • and more. for the NBC, ESPN and HBO networks. This superb The book includes piano solo arrangements of each ______00313089 P/V/G...............................$16.99 songbook/CD pack features their original recordings piece, as well as great tips and tricks for planning the of 16 preludes, processionals, recessionals and music for your entire wedding day. The CD includes ROMANCE: ceremony and reception songs, plus intermediate to complete performances of each piece, so even if BOLEROS advanced piano solo arrangements for each. Includes: you’re not familiar with the titles, you can recognize FAVORITOS Air on the G String • Ave Maria • Canon in D • Jesu, your favorites with just one listen! The book is 48 songs in Spanish, Joy of Man’s Desiring • Ode to Joy • The Way You divided into selections for preludes, processionals, including: Adoro • Always Look Tonight • The Wedding Song • and more, with interludes, recessionals and postludes, and contains in My Heart • Bésame bios and photos of the O’Neill Brothers. -
African American Resource Guide
AFRICAN AMERICAN RESOURCE GUIDE Sources of Information Relating to African Americans in Austin and Travis County Austin History Center Austin Public Library Originally Archived by Karen Riles Austin History Center Neighborhood Liaison 2016-2018 Archived by: LaToya Devezin, C.A. African American Community Archivist 2018-2020 Archived by: kYmberly Keeton, M.L.S., C.A., 2018-2020 African American Community Archivist & Librarian Shukri Shukri Bana, Graduate Student Fellow Masters in Women and Gender Studies at UT Austin Ashley Charles, Undergraduate Student Fellow Black Studies Department, University of Texas at Austin The purpose of the Austin History Center is to provide customers with information about the history and current events of Austin and Travis County by collecting, organizing, and preserving research materials and assisting in their use. INTRODUCTION The collections of the Austin History Center contain valuable materials about Austin’s African American communities, although there is much that remains to be documented. The materials in this bibliography are arranged by collection unit of the Austin History Center. Within each collection unit, items are arranged in shelf-list order. This bibliography is one in a series of updates of the original 1979 bibliography. It reflects the addition of materials to the Austin History Center based on the recommendations and donations of many generous individuals and support groups. The Austin History Center card catalog supplements the online computer catalog by providing analytical entries to information in periodicals and other materials in addition to listing collection holdings by author, title, and subject. These entries, although indexing ended in the 1990s, lead to specific articles and other information in sources that would otherwise be time-consuming to find and could be easily overlooked. -
A Retired Muscoda Farmer Receives His Medal of Honor 40 Years Late
1 A Retired Muscoda Farmer C.S.S. Alabama, a commerce raider. The Rebel ship, under the command of receives his Medal of Honor 40 Captain Raphael Semmes, had had great years late success, sinking 65 union vessels (mostly merchant ships) since her commissioning on August 24, 1862. She had taken $6,000,000 in prizes (about $123,000,000 in today’s dollars). The ship now was badly in need of resupply and refitting. Crew of the Kearsarge shortly after the battle of Cherbourg In 1904 John Hayes was a 72 year old retired Navy sailor living on a pension, in Muscoda Wisconsin. It was a long A PAINTING OF THE C. S. S. ALABAMA way from Newfoundland where he was born. He had farmed from the late 1860’s For this purpose the Alabama put in to till his retirement in the Port Andrew the port of Cherbourg, France on June area, near the Wisconsin River. He had 14, 1864. This is where the Kearsarge, not always been a farmer though. In under the command of John A. Winslow his youth he had been a cooper. Tiring finally overtook her. of that trade he signed to go to sea on a British Merchant ship. In 1857, at the age of 24, he joined the U.S. Navy, and served on the Pacific Coast for two years. He then returned to the merchant service. When the Civil War began on 1861, John Hayes who loved his adopted country, determined to rejoin the U.S. Navy and serve in the way he knew best. -
The Social and Cultural Changes That Affected the Music of Motown Records from 1959-1972
Columbus State University CSU ePress Theses and Dissertations Student Publications 2015 The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972 Lindsey Baker Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the Music Commons Recommended Citation Baker, Lindsey, "The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972" (2015). Theses and Dissertations. 195. https://csuepress.columbusstate.edu/theses_dissertations/195 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972 by Lindsey Baker A Thesis Submitted in Partial Fulfillment of Requirements of the CSU Honors Program for Honors in the degree of Bachelor of Music in Performance Schwob School of Music Columbus State University Thesis Advisor Date Dr. Kevin Whalen Honors Committee Member ^ VM-AQ^A-- l(?Yy\JcuLuJ< Date 2,jbl\5 —x'Dr. Susan Tomkiewicz Dean of the Honors College ((3?7?fy/L-Asy/C/7^ ' Date Dr. Cindy Ticknor Motown Records produced many of the greatest musicians from the 1960s and 1970s. During this time, songs like "Dancing in the Street" and "What's Going On?" targeted social issues in America and created a voice for African-American people through their messages. Events like the Mississippi Freedom Summer and Bloody Thursday inspired the artists at Motown to create these songs. Influenced by the cultural and social circumstances of the Civil Rights Movement, the musical output of Motown Records between 1959 and 1972 evolved from a sole focus on entertainment in popular culture to a focus on motivating social change through music. -
Recreating the Ensemble Dynamic of Motown's Funk Brothers
6 Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers Vincent Perry Introduction By the early 1960s, the genre known as soul had become the most commercially successful of all the crossover styles. Drawing on musical influences from the genres of gospel, jazz and blues, ‘soul’s success was as much due to a number of labels, so-called “house sounds”, and little- known bands, as it was to specific performers or songwriters’ (Borthwick and Moy, 2004, p. 5). Following on from the pioneer releases of Ray Charles and Sam Cooke, a Detroit-based independent label would soon become the ‘most successful and high profile of all the soul labels’ (Borthwick and Moy, 2004, p. 5). Throughout the early 1960s, Berry Gordy’s Tamla Motown dominated the domestic US pop and R&B charts with its assembly-line approach to music production (Moorefield, 2005, p. 21), which resulted in a distinctive sound that was shared by all the label’s artists. However, in 1963, the company ‘achieved its international breakthrough’ shortly after signing a landmark distribution deal with EMI in the UK (Borthwick and Moy, 2004, p. 5). Gordy’s headquarters—a seemingly humble, suburban 95 POPULAR MUSIC, STARS AND STARDOM residence—was ambitiously named Hitsville USA and, throughout the 1960s, it became a hub for pop record success. Emerson (2005, p. 194) acknowledged Motown’s industry presence when he noted: Motown was muscling in on the market for dance music. Streamlined, turbo-charged singles by the Marvelettes, Martha and the Vandellas, and the Supremes rolled off the Detroit assembly line … Berry Gordy’s ‘Sound of Young America’ challenged the Brill Building, 1650 Broadway, and 711 Fifth Avenue as severely as the British Invasion because it proved that black artists did not need white writers to reach a broad pop audience. -
Raising the Volume Episode VI A
EDUCATION WORKSHOP RAISING THE VOLUME Raising the with Marcus Amaker & Charlton Singleton Volume Episode VI A Conversation on The Charleston Jazz Initiative and the Jenkins Orphanage with Dr. Karen Chandler -- Sixth Grade and Up CORE SUBJECTS AND 21ST CENTURY THEMES Mastery of core subjects and 21st century themes is essential for all students in the 21st century. Core subjects include English, reading or language arts, world languages, arts, mathematics, economics, science, geography, history and government, and civics. In addition to these subjects, schools must move forward to include not only a focus on mastery of core subjects, but also an understanding of academic content at much higher levels by weaving 21st century interdisciplinary themes into core subjects. Global Awareness 1. Use 21st century skills to understand and address global issues. 2. Learn from and work collaboratively with individuals representing diverse cultures, religions, and lifestyles in a spirit of mutual respect and open dialogue in personal, work, and community contexts. Civic Literacy 1. Participate effectively in civic life through knowing how to stay informed and understanding governmental processes. 2. Exercise the rights and obligations of citizenship at local, state, national, and global levels. 3. Understand the local and global implications of civic decisions. Work Creatively with Others 1. Develop, implement, and communicate new ideas to others effectively. Raising the 2. Be open and responsive to new and diverse perspectives; incorporate group input and Volume feedback into the work. Episode VI: A 3. Demonstrate originality and inventiveness in work, and understand the real world limits to Conversation on adopting new ideas. 4. -
The Assassination of Dr. Martin Luther King Jr. and the Birth of Funk Culture
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2013 Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture Domenico Rocco Ferri Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the United States History Commons Recommended Citation Ferri, Domenico Rocco, "Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture" (2013). Dissertations. 664. https://ecommons.luc.edu/luc_diss/664 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Domenico Rocco Ferri LOYOLA UNIVERSITY CHICAGO FUNK MY SOUL: THE ASSASSINATION OF DR. MARTIN LUTHER KING JR. AND THE BIRTH OF FUNK CULTURE A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY DOMENICO R. FERRI CHICAGO, IL AUGUST 2013 Copyright by Domenico R. Ferri, 2013 All rights reserved. ACKNOWLEDGEMENTS Painstakingly created over the course of several difficult and extraordinarily hectic years, this dissertation is the result of a sustained commitment to better grasping the cultural impact of Dr. Martin Luther King Jr.’s life and death. That said, my ongoing appreciation for contemporary American music, film, and television served as an ideal starting point for evaluating Dr. -
James Jamerson 2000.Pdf
able to conjure up the one lick, fill or effect that perfected albums. Live at Fillmore West exhibits Curtis the bandleader the sound. Some of his best work is found on those records. at his absolute best on a night when his extraordinary players There’s little else to say about Hal Blaine that the music included Bernard Purdie, Jerry Jemmott and Cornell Dupree. itself doesn’t communicate. But I’ll tell you one experience I His 1962 “Soul Twist” single MfclNumber One on the R&B had that showed me just how widespread his influence has charts and the Top Twenty on the pop charts, and made such been. Hal was famous for rubber-stamping his name upon an impression on Sam Cooke that he referred to it in “Having all the charts to which he contributed. In 1981, after one of a Party:” But nothing King Curtis did on his own ever scaled our concerts at Wembley Arena, Bruce asked me into his the Promethean heights of his sax work as a sideman, where dressing room. He pointed to the wall and said, “Look at he mastered the ability to be an individual within a group, that.” I looked at the wall but didn’t see anything except peel standing out but never overshadowing the artists he was sup ing wallpaper. “Look closer,” he said. Finally, I kneeled down porting and mastering the little nuances that made winners to the spot he was pointing to, and - to my great surprise - of the records on which he played. His was a rare voice j a rare in a crack in the paper, rubber-stamped on the w a ll, there it sensibility, a rare soul; and that sound - whether it be caress was: HAL BLAINE STRIKES AGAIN. -
The Career of Henry Watkins Allen
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1940 The aC reer of Henry Watkins Allen. Luther Edward Chandler Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Part of the History Commons Recommended Citation Chandler, Luther Edward, "The aC reer of Henry Watkins Allen." (1940). LSU Historical Dissertations and Theses. 7825. https://digitalcommons.lsu.edu/gradschool_disstheses/7825 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. MANUSCRIPT THESES Unpublished theses submitted for the master*s and doctorfs degrees and deposited in the Louisiana State University Library are available for inspection. Use of any thesis is limited by the rights of the author. Bibliographical references may be noted, but passages may not be copied unless the author has given permission# Credit must be given in subsequent written or published work. A library which borrows this thesis for use by its clientele is expected to make sure that the borrower is aware of the above restrictions. LOUISIANA STATE UNIVERSITY LIBRARY 1 1 9 - a THE CAREER OF HENRY WATKINS ALLEN A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History By Luther Edward chandler B* A. -
BARRY HARRIS NEA Jazz Master (1989)
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BARRY HARRIS NEA Jazz Master (1989) Interviewee: Barry Harris (December 19, 1929 - ) Interviewer: Aaron Graves with recording engineer Ken Kimery Date: August 20th, 2010 Repository: Archives Center, National Museum of American History Description: Transcript, 36 pp. Graves: My name is Aaron Graves, today is August the 20th 2010. We’re here at the University of the Streets with Master Barry Harris. And we’re going to ask Mr. Harris, if you would to give us – state your name for us. Harris: Okay. Barry D. Harris. The “D” stands for Doyle. Barry Doyle Harris. Graves: Barry Doyle Harris. Harris: That’s right. Graves: That’s new to the world? Harris: All Irish all the way. Graves: Irish? Harris: Irish and English and Scottish. And born – when – December 15th, 1929. Graves: Mm-hm. Harris: In a little cabin. [laughs] Graves: When – where were you born? Harris: Where was I born? For additional information contact the Archives Center at 202.633.3270 or [email protected] Graves: Where were you born? Harris: I was born in Herman Kiefer Hospital in Detroit. You know, so Detroit was really my home, you know for quite a few years. Graves: So, mother and father. What’s your mother and father’s names? Harris: Mother’s named Bessie, father’s named Melvin. Graves: Melvin. Harris: That’s right, as you know. Graves: Alright. So who named you? Do you know who named you – your name is Barry Doyle… Harris: Don’t ask me. -
History of the New Hampshire Federal Courts
HISTORY OF THE NEW HAMPSHIRE FEDERAL COURTS Prepared by the Clerk’s Office of the United States District Court for the District of New Hampshire - 1991 1 HISTORY OF THE NEW HAMPSHIRE FEDERAL COURTS TABLE OF CONTENTS PREFACE & ACKNOWLEDGMENT .......................................................................................... 5 INTRODUCTION .......................................................................................................................... 7 THE UNITED STATES CIRCUIT COURT ................................................................................ 11 Time Line for the Circuit Court and Related Courts ................................................................ 19 JUDGES OF THE CIRCUIT COURT ......................................................................................... 20 John Lowell ............................................................................................................................... 20 Benjamin Bourne ...................................................................................................................... 21 Jeremiah Smith.......................................................................................................................... 21 George Foster Shepley .............................................................................................................. 22 John Lowell ............................................................................................................................... 23 Francis Cabot Lowell ............................................................................................................... -
Combat Search and Rescue in Desert Storm / Darrel D. Whitcomb
Combat Search and Rescue in Desert Storm DARREL D. WHITCOMB Colonel, USAFR, Retired Air University Press Maxwell Air Force Base, Alabama September 2006 front.indd 1 11/6/06 3:37:09 PM Air University Library Cataloging Data Whitcomb, Darrel D., 1947- Combat search and rescue in Desert Storm / Darrel D. Whitcomb. p. ; cm. Includes bibliographical references. A rich heritage: the saga of Bengal 505 Alpha—The interim years—Desert Shield— Desert Storm week one—Desert Storm weeks two/three/four—Desert Storm week five—Desert Sabre week six. ISBN 1-58566-153-8 1. Persian Gulf War, 1991—Search and rescue operations. 2. Search and rescue operations—United States—History. 3. United States—Armed Forces—Search and rescue operations. I. Title. 956.704424 –– dc22 Disclaimer Opinions, conclusions, and recommendations expressed or implied within are solely those of the author and do not necessarily represent the views of Air University, the United States Air Force, the Department of Defense, or any other US government agency. Cleared for public release: distribution unlimited. © Copyright 2006 by Darrel D. Whitcomb ([email protected]). Air University Press 131 West Shumacher Avenue Maxwell AFB AL 36112-6615 http://aupress.maxwell.af.mil ii front.indd 2 11/6/06 3:37:10 PM This work is dedicated to the memory of the brave crew of Bengal 15. Without question, without hesitation, eight soldiers went forth to rescue a downed countryman— only three returned. God bless those lost, as they rest in their eternal peace. front.indd 3 11/6/06 3:37:10 PM THIS PAGE INTENTIONALLY LEFT BLANK Contents Chapter Page DISCLAIMER .