Luke Jerram Full CV June 2020
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Understanding the Value of Arts & Culture | the AHRC Cultural Value
Understanding the value of arts & culture The AHRC Cultural Value Project Geoffrey Crossick & Patrycja Kaszynska 2 Understanding the value of arts & culture The AHRC Cultural Value Project Geoffrey Crossick & Patrycja Kaszynska THE AHRC CULTURAL VALUE PROJECT CONTENTS Foreword 3 4. The engaged citizen: civic agency 58 & civic engagement Executive summary 6 Preconditions for political engagement 59 Civic space and civic engagement: three case studies 61 Part 1 Introduction Creative challenge: cultural industries, digging 63 and climate change 1. Rethinking the terms of the cultural 12 Culture, conflict and post-conflict: 66 value debate a double-edged sword? The Cultural Value Project 12 Culture and art: a brief intellectual history 14 5. Communities, Regeneration and Space 71 Cultural policy and the many lives of cultural value 16 Place, identity and public art 71 Beyond dichotomies: the view from 19 Urban regeneration 74 Cultural Value Project awards Creative places, creative quarters 77 Prioritising experience and methodological diversity 21 Community arts 81 Coda: arts, culture and rural communities 83 2. Cross-cutting themes 25 Modes of cultural engagement 25 6. Economy: impact, innovation and ecology 86 Arts and culture in an unequal society 29 The economic benefits of what? 87 Digital transformations 34 Ways of counting 89 Wellbeing and capabilities 37 Agglomeration and attractiveness 91 The innovation economy 92 Part 2 Components of Cultural Value Ecologies of culture 95 3. The reflective individual 42 7. Health, ageing and wellbeing 100 Cultural engagement and the self 43 Therapeutic, clinical and environmental 101 Case study: arts, culture and the criminal 47 interventions justice system Community-based arts and health 104 Cultural engagement and the other 49 Longer-term health benefits and subjective 106 Case study: professional and informal carers 51 wellbeing Culture and international influence 54 Ageing and dementia 108 Two cultures? 110 8. -
Medieval Heritage and Pilgrimage Walks
Medieval Heritage and Pilgrimage Walks Cleveland Way Trail: walk the 3 miles from Rievaulx Abbey, Yorkshire to Helmsley Castle and tread in the footsteps of medieval Pilgrims along what’s now part of the Cleveland Way Trail. Camino de Santiago/Way of St James, Spain: along with trips to the Holy Land and Rome, this is the most famous medieval pilgrimage trail of all, and the most well-travelled in medieval times, at least until the advent of Black Death. Its destination point is the spot St James is said to have been buried, in the Cathedral of Santiago de Compostela. Today Santiago is one of UNESCO’s World Heritage sites. Read more . the Cathedral of Santiago de Compostela holds a Pilgrims’ Mass every day at noon. Walk as much or as little of it as you like. Follow the famous scallop shell symbols. A popular starting point, both today and in the Middle Ages, is either Le Puy in the Massif Central, France OR the famous medieval Abbey at Cluny, near Paris. The Spanish start is from the Pyrenees, on to Roncevalles or Jaca. These routes also take in the Via Regia and/or the Camino Frances. The Portuguese way is also popular: from the Cathedrals in either Lisbon or Porto and then crossing into Falicia/Valenca. At the end of the walk you receive a stamped certifi cate, the Compostela. To achieve this you must have walked at least 100km or cycled for 200. To walk the entire route may take months. Read more . The route has inspired many TV and fi lm productions, such as Simon Reeve’s BBC2 ‘Pilgrimage’ series (2013) and The Way (2010), written and directed by Emilio Estevez, about a father completing the pilgrimage in memory of his son who died along the Way of St James. -
Download Bristol Walking
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Victoria Street | Bristol | Bs1 6Hz One Prime Location Broadmead Cabot Circus
VICTORIA STREET | BRISTOL | BS1 6HZ ONE PRIME LOCATION BROADMEAD CABOT CIRCUS ONE HUNDRED VICTORIA STREET CASTLE PARK is located in an enviable location at the junction of Victoria Street and Temple Way, VICTORIA STREET | BRISTOL | BS1 6HZ just a short walk from Temple Meads railway station and a wide range of amenities. Cafes, bars and restaurants are all readily accessible, as are car parks and hotels. VICTORIA ST 5 MINUTES WALK FROM BRISTOL TEMPLE WAY TEMPLE MEADS RAILWAY STATION ADJACENT TO THE BRISTOL NOVOTEL VICTORIA STREET GLASS WHARF TEMPLE QUAY TEMPLE MEADS STATION TEMPLE WAY TEMPLE MEADS GLASS WHARF ONE HIGH PROFILE OFFICE BUILDING ONE HUNDRED VICTORIA STREET comprises a high specification office building over ground and five upper floors, together with secure basement parking. ACCOMMODATION LOBBY The accommodation benefits from a total of 9 car parking spaces LIFT 1 LIFT 2 THE FOURTH FLOOR PROVIDES situated within the basement together with cycle storage and FEMALE WC THE FOLLOWING SPECIFICATION: provides the following approximate net internal floor areas: MALE WC AREA SQ FT SQ M • FOUR PIPE FAN COIL AIR CONDITIONING Ground floor 4,481 416.3 V I C T O R I A S T R E E T FOURTH FLOOR • NEWLY CARPETED RAISED FLOORS Fourth floor 5,950 552.8 T E M P L E W A Y TOTAL 10,431 969.1 • SUSPENDED CEILINGS WITH LED LIGHTING • DOUBLE GLAZED WINDOWS • MANNED RECEPTION • TWO PASSENGER LIFTS • SECURE BASEMENT CAR PARKING AT 1:1,190 SQ FT • EPC RATING OF D (80) THE GROUND FLOOR IS TO BE REFURBISHED, SPECIFICATION TO BE CONFIRMED. -
An Enlightened Future for Bristol Zoo Gardens
OURWORLD BRISTOL An Enlightened Future for Bristol Zoo Gardens An Enlightened Future for CHAPTERBristol EADING / SECTIONZoo Gardens OUR WORLD BRISTOL A magical garden of wonders - an oasis of learning, of global significance and international reach forged from Bristol’s long established place in the world as the ‘Hollywood’ of natural history film-making. Making the most of the city’s buoyant capacity for innovation in digital technology, its restless appetite for radical social change and its celebrated international leadership in creativity and story-telling. Regenerating the site of the first provincial zoological garden in the World, following the 185 year old Zoo’s closure, you can travel in time and space to interact in undreamt of ways with the wildest and most secret aspects of the animal kingdom and understand for the first time where humankind really sits within the complex web of Life on Earth. b c OURWORLD BRISTOL We are pleased to present this preliminary prospectus of an alternative future for Bristol's historic Zoo Gardens. We do so in the confidence that we can work with the Zoo, the City of Bristol and the wider community to ensure that the OurWorld project is genuinely inclusive and reflects Bristol’s diverse population and vitality. CONTENTS Foreword 2 A Site Transformed 23 A Transformational Future for the Our Challenge 4 Zoo Gardens 24 Evolution of the Site Through Time 26 Site Today 27 Our Vision 5 Reimagining the Site 32 A Zoo Like No Other 6 Key Design Moves 34 Humanimal 7 Anatomy 38 Time Bridge 10 Alfred the Gorilla Lives Again 12 Supporters And Networks 45 Supporters 46 Networks 56 Advisors and Contact 59 Printed in Bristol by Hobs on FSC paper 1 FOREWORD OURWORLD BRISTOL FOREWORD Photo: © Dave Stevens Our demand for resources has Bristol Zoo will hold fond This century we are already pushed many other memories for so many. -
Public Engagement
07 Public Engagement Engaging wider society is The highly successful Inside Trinity documentary series trended encapsulated in Trinity’s mission on Twitter each night it aired on RTÉ in September and October 2016. Filmed throughout the 2015/16 academic year, the series and Strategic Plan, and happens offered a fascinating glimpse of a great Irish institution at work. on a number of different levels The cameras captured the whole gamut of life: study, teaching including organising public and learning, research, sports and much more. lectures and events, making On-going annual synergies with national events include Trinity welcoming the public on campus for Culture research available online, media Night, Open House Dublin, and Front façade lighting up green coverage, social media activity, and to celebrate St Patrick’s Day, and red to welcome in the Chinese welcoming the public on campus. New Year in February. ‘PROBE: Research Uncovered’, a pop-up festival returned in September with a packed programme of talks, experiments, and interactive workshops showcasing the best of Irish research. In Front Square, over 3,000 visitors contributed to live research experiments and joined workshops dealing with a range of topics, from perception and intimacy to food security and global migration. PROBE, a collaboration between Trinity and Science Gallery Dublin, was part of European Researchers’ Night, taking place in cities across the continent. RIGHT – The Volunteers by Joe Caslin commissioned as part of the Trinity Creative Challenge Trinity College Dublin – The University of Dublin ≥ Sponsored by the Provost and unveiled in May 2015, the Trinity Creative Challenge award was established to catalyse the creative and cultural arts in Dublin city and to support the development of the creative and cultural industries. -
Issue 18 • Spring 2014 Patron: the Duchess of Kent Singing Out!
NEWS FROM THE CHOIR SCHOOLS’ ASSOCIATION The benefits of a Choir School education ISSUE 18 • SPRING 2014 PATRON: THE DUCHESS OF KENT SINGING OUT! l Canterbury Cathedral Girls’ Choir sang their first Evensong on Saturday 25 January which included music by Vaughan Williams, Dyson and SS Wesley. As the girls processed out from the Quire stalls they received a standing ovation. Under the baton of Assistant Organist, David COnHAIRMAN 22 November moreR thanOGER 100,000O youngVEREND people worldwide, WRITES including… Newsholme, the girls will initially sing at many of our choristers, sang the music of Benjamin Britten. They were services when the boy choristers are on celebrating the centenary of the birth of one of the greatest composers of their twice-termly breaks. Their next the 20th century. Evensong is on Saturday 29 March, followed by the Diocesan Service Our cathedrals and college chapels taken for granted and that they are fully celebrating the 20th anniversary of continued to ring with the sound of supported, musically, socially and Women’s Ministry on Saturday 10 May. glorious music sung by our choristers financially. Music of a high quality often The sixteen girls are aged 12-16 and attend through Christmas, with much of it brought comes at a price, but I believe that any eight different schools in the area. to the fore through radio and television. money spent on cathedral music pays for This term we are working towards Easter itself many times over. It gives pleasure to permeates each day and where what they and I asked Christopher Walji, Head the listener, engaging many entering our do is highly-respected by fellow non- Chorister of Rochester Cathedral, to reflect cathedrals and college chapels for the first chorister pupils. -
Southampton UK City of Culture Bid Joint Committee 10 February
Item 12 Report to the Partnership for South Hampshire Joint Committee Date: 10 February 2020 Report of: Sandy Hopkins, Chief Executive - Southampton City Council Carolyn Abel, Head of Culture - Southampton City Council Subject: SOUTHAMPTON BID FOR UK CITY OF CULTURE DESIGNATION 2025 SUMMARY Joint Committee will receive a verbal presentation outlining work around UK City of Culture 2025. Established in 2013, UK City of Culture is a national designation awarded every four years to a city for one year. Administered by the Department for Digital, Culture, Media and Sport, it builds on the success of Liverpool as European City of Culture in 2008 which brought significant economic and social benefits to the area. The aim of the initiative is to deliver a step change and transformation in the winning city’s strategic ambitions through multi-stakeholder collaboration. At Southampton City Council’s Annual General Meeting on 15 May 2019, a joint motion pledged to work together with stakeholders to bid for UK City of Culture in 2025 on behalf of our all communities to realise the economic and social potential of our places, and to encourage their involvement in shaping our villages, towns, cities and the region as a whole. The national evidence shows that when Culture in its broadest sense is truly part of the mix it contributes to delivering sustainable economic, social, health and wellbeing outcomes. These include: boosting civic pride, identity and community cohesion; supporting social, health and wellbeing benefits; attracting significant inward investment; creating new jobs, skills and learning opportunities; boosting the visitor and wider economy; developing the creative industries and artistic talent; and in the long term, better alignment of resources and partnership working to benefit residents, visitors and businesses. -
Bristol Visual Arts Review
Bristol Visual Arts Review Arts Council England 27 March 2018 BRISTOL VISUAL ARTS REVIEW • 27 March 2018 2 Contents Introduction 3 The Bristol Visual Arts Review Brief 4–5 Bristol Visual Arts Review Report & Recommendations 6-12 Arts Council England’s Response to Report & Recommendations 13-15 Appendices 16 BRISTOL VISUAL ARTS REVIEW • 27 March 2018 3 Introduction Bristol is home to a vibrant visual arts sector, on the City Campus, including a shared delivering cultural experiences that bring commitment to developing Bristol’s creative substantial audiences to the South West and economy, supporting the arts and creative achieve national and international acclaim. industries, championing talent development, and working together to establish Bristol as The city is known for high profile artists – a national centre for Arts Technology. Richard Long, Daphne Wright and Martin Parr; sector leadership in creative media – However, despite recent positive Aardman Animations and Watershed; and developments there are concerns that excellence in live art – In Between Time Bristol’s visual arts sector is not as strong in Bristol International Festival. There are year some quarters as it should be. round programmes of high quality gallery- based exhibitions and events at Spike Island, In the 2018-22 National Portfolio investment Arnolfini, Royal West of England Academy round relatively few applications supporting and Bristol Museums, and a rich ecology of the visual arts in Bristol were successful, projects from smaller organisations focusing and Arts Council England has a clear on artist-led activity, that include BEEF, understanding of the strategic need to Champ, and East Bristol Contemporary, and achieve a sustainable, long-term step community engagement, notably Knowle change in the visual arts in the city. -
Constellations Creative Arts Practice at Trinity College Dublin
CONSTELLATIONS CREATIVE ARTS PRACTICE AT TRINITY COLLEGE DUBLIN EDITED BY NICHOLAS JOHNSON & PHILIP COLEMAN 1 CONTENTS The Pregnant Box 9 The Lir 6-7 Raising the Curtain on Performance Pedagogy 10 Trinity Journal of Literary Translation 8 The Stoic Man 12 COPD Behavioural Change, Self- Management, and Peer Perspectives 13 Postcards from the Near Future 11 A rainbow in the palm of my hand 20 Samuel Beckett Laboratory 16-17 Time Present and Time Past 18 Trinity Long Room Hub 14-15 Tall Ships: Obedienta Civium Urbis Felicitas 21 Synaptic Serenades 19 Produced by the Creative Arts Practice Research Theme Steering Committee Funded by the Trinity Long Room Hub Arts and Humanities Research Institute Design and Production by Vermillion © 2015 Mapping the Former Soviet Union 25 Samuel Beckett Theatre 22-23 A PhotoVoice Project 28-29 Dynamo Island: The History and Geography of a Utopia 24 Engineering Fictions 27 Nyet! Nyet! Soviet 26 Viking Ghost Hunt / The Stoic Man 12 Haunted Planet 33 BLAST at 100 32 Border Play: TARDIGRADE 34-35 Science Gallery 30-31 Green-graphs The Long Goodbye 36 and IRIS 37 Pen & Palette 40-41 Douglas Hyde Gallery 38-39 AntiMidas, or Book of Kells Bankers in Hades 43 for iPad 42 How Do Artists Learn? 45 Centre for Literary Index of Projects by Title / Translation 44 Researchers 48 Synaptic Serenades 19 Index of Organisations / Collaborators 49 - 52 Acknowledgments 54 Courses in Creative Arts Practice Fields at TCD 53 Oscar Wilde Centre 46-47 About the Research Theme CREATIVE ARTS PRACTICE Creative Arts Practices are integrated into a range of their practices are analysed as social processes in the research activities and themes across all disciplines social sciences; they might be purveyed as content in Trinity: Humanities, Engineering, Science, and for creative technologies, as economic markers for Medicine. -
Trinity College Dublin Reports To: Prof Wolfgang Schmitt Appointment Will Be Made on the Appropriate Point of the IUA Salary: Research Assistant Scale
N.B. PLEASE DO NOT ADJUST THE TEMPLATE OR FONT Post Specification Post Title: Postdoctoral Researchers Post Status: 1 year contract – Full Time Research AMBER/CRANN/School of Chemistry Group/Department/School: Location: Main Campus, Trinity College Dublin Reports to: Prof Wolfgang Schmitt Appointment will be made on the appropriate point of the IUA Salary: Research Assistant scale. €33,975 - €42,394 gross per annum Closing Date and Time: 12 Noon on XXXXX Post Summary Two postdoctoral researchers are required for an industry driven project exploring the reversible capture and release of carbon dioxide using new supramolecular coordination complexes and metal-organic frameworks (MOFs). The project investigates the synthesis, the structural and physicochemical characterization of compounds that regenerate during the release process to provide a ‘green’ and cost-effective carbon capture technology. The research activities aim to assess the techno-economic feasibility of reversible chemical/physical adsorption and desorption of CO2 using these new materials. The positions are supervised by Professor Wolfgang Schmitt (School of Chemistry) within the Advanced Materials and BioEngineering Research (AMBER) Centre and is closely associated with a recently established Trinity College Campus company. Vacancies arise for highly motivated researchers with strong experience in Physical and/or Inorganic Chemistry or Materials Science. Standard duties and Responsibilities of the Post The successful candidate will be required to perform industry-driven research on developing novel CO2 adsorption/release materials (chemisorption and physi-sorption). The candidate will be required develop instrumental approaches that effectively characterise the CO2 adsorption & release performances. The research activities will involve the evaluation and improvement of the kinetic and thermodynamic parameters that characterise the CO2 adsorption and release processes of coordination compounds and related supramolecular systems. -
Derry/Londonderry City of Culture 2013 – Support from Belfast City for the Derry City Council Bid
Belfast City Council Report to: Strategic Policy and Resources Committee Subject: Derry/Londonderry City of Culture 2013 – Support from Belfast City for the Derry City Council Bid Date: 23 April 2010 Reporting Officer: John McGrillen, Director of Development ext. 3470 Contact Officer: John McGrillen, Director of Development ext. 3470 Relevant Background Information In July 2009, the Department for Culture, Media and Sport launched a national competition to find the UK’s first City of Culture. The winning city will become the focus for national attention in 2013 and could become the focus of high profile media events, such as the Turner prize, Sports Personality of the Year and the RIBA Stirling Prize, as part of their year in the spotlight. The successful host city will be provided with the title of UK City of Culture for 2013, with scope to tailor the UK City of Culture brand to meet the needs of that city. On 24th February, 2010 the Culture Minister, Margaret Hodge, announced that 4 cities had been short-listed from the 14 bidders; they are Birmingham, Derry/Londonderry, Norwich and Sheffield. The deadline for full and final bid documentation from the short-listed cities is the end of May. During the summer, the advisory panel tasked with selecting the winning bid will receive presentations from the short-listed cities and will make their final recommendation to the Secretary of State by the end of the summer. In order to maximise the potential of producing a winning bid Derry City Council is seeking the support of the 25 other local authorities in Northern Ireland.