Thomas Hardy Conference & Festival
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Visitor's Guide
Visitor’s Guide Award-Winning Glamping in a Stunning Location! ! 1! Contents ! Welcome 3 Location Map & Directions 4 Check in and Departures 5 Green Glamping 6 Staying here under canvas or tin 9 Enjoying your Hot Tub 14 BBQ Hut 15 Fire Safety 16 Hampers and Farm Produce 17 Recipe 18 Exploring the Area 20 Local Shopping 22 Places to Eat 23 Walking 25 Dark Skies 28 ! 2! ! 3! Thank you for choosing to stay at ! Dorset Forest Garden! Dorset Forest Garden Shepherd’s Huts are set in one of those rare locations of the UK where little of the 20th Century is visible despite its far-reaching views. This means super dark skies, an ideal spot for stargazing. Each hut has its own unique style furnished with an eclectic mix of vintage furnishings to give a relaxed rustic country feel unique to each space. We take the same care in our hampers. Whether homemade produce or from the best of local suppliers our aim is to do the leg work to give you the opportunity to sample from some of the best local artisan producers. We feel a good holiday does not need to be at the expense of the environment. With all our electricity from renewable sources we are keen to give you a comfortable relaxed break without costing the planet. The wider area has a lot to offer – West Dorset is a wonderful, unspoilt part of the country. There is so much here for foodies, art lovers, or anyone wanting to connect with nature. We are just a few miles from the Jurassic coast, if you wish to spend your days exploring the region then you’ll find loads to do, however it is worth making time to cook over an open fire, and just chill out off-grid in the forest garden! Tracy and James ! 3! ! Finding us… If you search Google Maps for Dorset Forest Garden Glamping the pin will show you our exact location. -
A Fond Farewell to a Fantastic Bunch!
A World of challenge, inspiration and achievement. A Fond Farewell to a Fantastic Bunch! With the passing on of yet an- -the Gifted and Talented Acad- students in finding the best path other Year 13 cohort it is always emy, sporting bursaries and for them and equipping them time to take stock and review other forms of support for stu- with the skills to seize the op- the achievements and the dents aiming to achieve both portunities that their hard work growth of the Sixth Form here within and outside the school. brings them. at Highcliffe over recent years. There can be no doubt that this Academically results continue to On the careers side just in the has been the most successful 12 improve year on year both in last 12 months there have been months for 16+ provision at the average points per student and careers mornings, future path- school: per examination. This year in ways days, visits to Higher Edu- -the improvement in academic the January round of examina- cation conferences, targeted performance and range of sub- tions over 60 students were work experience (both in the UK ject choice offered, awarded special certificates for and abroad), the Connexions – the continuing growth in the achieving marks of over 90% in interviews programme and size of the student body with its their AS/A2 examination papers. mock interviews. ever widening appeal to en- trants new to the school at Key This feeds Stage 5, through to -the continuing development of greater op- university and careers support portunities -the ballooning of the social and for the stu- enrichment programmes, dents when -the involvement of the Sixth they move Form students supporting oth- on and the ers throughout and beyond the school makes school sure that all -a more confident student necessary voice helping to set the direc- support is in tion for Highcliffe, place to aid “I believe in using what you have, instead of mourning for that which you do not. -
A Little Town with a Big Story
Dorchester A little town with a big story orc l D he a s tu t r e i r Look for the button V Virtual Dorchester F i n n o d ti map loca Click to find the map location Find out The Dorchester Henge more... Visit the henge circle marked out on the car park floor here, and see hen Waitrose supermarket was built here in 1984, Drawing to show how the henge was built in Neolithic times (about 5,000 years ago). Wooden posts were tipped into pits, the Dorset County Museum archaeologists found signs of huge wooden posts and a which were then back-filled to hold the posts up. Read Discover Dorset: The Prehistoric curving ditch. W Age by Bill Putnam. Each post was about a metre across and had been cut from a mature Discover more on Wessex oak tree. They were regularly spaced about a metre apart. Twenty one Archaeology’s website. post holes were found in an arc shape and some had also been found earlier in Church Street. Archaeologists worked out that the posts and the ditch must have been part of a huge circular monument - about 380 metres across. It is one of the largest Neolithic monuments in Britain. Large circular monuments like this are known as henges, named after Stonehenge. The Dorchester henge was about three times the size of Stonehenge, although it was never a stone structure. It wasn’t the only one in the neighbourhood; there were also henges at Maumbury Rings and Mount Pleasant, just outside Dorchester. -
The PTI Schools Programme and Schools Leadership Programme : Member Schools
The PTI Schools Programme and Schools Leadership Programme : Member Schools (excluding Greater London) Member schools in Greater London East Midlands Subjects in the Schools Member of the Schools School Programme Leadership Programme Ashfield School Modern Foreign Languages Brooke Weston Academy Modern Foreign Languages Brookvale High School Music Caistor Yarborough Academy Maths Yes Carre's Grammar School History Yes Manor High School MFL and Science Yes Monks' Dyke Tennyson College Yes Northampton School for Boys Geography and MFL Sir Robert Pattinson Academy Yes Spalding Grammar School Latin Yes University Academy Holbeach Geography Weavers Academy MFL Art, English, Geography, History, William Farr CE School Yes Maths, MFL, Music and Science Eastern England Subjects in the Schools Member of the Schools School Programme Leadership Programme City of Norwich School History Mathematics and Modern Foreign Coleridge Community College Languages English, History, Art, Music, Davenant Foundation School Science and Modern Foreign Yes Languages Downham Market Academy Yes Harlington Upper School History Hedingham School and Sixth Geography Form Luton Sixth Form College Latin Geography, History, Maths, Monk's Walk School Music, Science and Art Nene Park Academy English Mathematics and Modern Foreign Notre Dame High School Languages Ormiston Sudbury Academy Geography, History and Science Palmer's College English and Science Latin, Science, Mathematics and Parkside Community College Yes Modern Foreign Languages Passmores Academy MFL and Music Saffron -
Thomas Hardy and His Funerals
THE EUROPEAN JOURNAL OF LIFE WRITING VOLUME IX (2020) LW&D132–LW&D150 Till Death Did Him Part: Thomas Hardy and His Funerals Charles Lock University of Copenhagen [J.M. Barrie] was especially tickled by Hardy’s preoccupation with plans for his own burial—plans, continuously changed. ‘One day Hardy took me . to see the place where he’s to be buried, and the next day he took me to see the place where he would like next best to be buried. Usually he says he is to be buried between his wives; but sometimes, so many inches nearer the first; sometimes, so many inches nearer to the second.’ Cynthia Asquith, Portrait of Barrie (London: James Barrie, 1954), p. 107 The wrongness of two funerals and the wretchedness of Florence’s later years bring a sombre end to any account of Hardy. Claire Tomalin, Thomas Hardy: The Time-Torn Man (London: Penguin, 2006), p. 377 ABSTRACT This essay considers Hardy’s two funerals—for his ashes at Poets’ Corner, for his heart at Stinsford—in the light of their consequences for life-writing: the absence of a single resting-place, and the narrative demands of synchronicity in telling of two funerals. This division of the body was the consequence of an extraordinary lack of precision in Hardy’s own will, the composition, wording and interpretation of which are examined here in some detail. Attention is also paid to the single grave at Stinsford that holds the remains of Hardy and both his wives in diverse modalities of the invisible. Keywords: Thomas Hardy, wills and testaments, ashes, funerals, heart-burials European Journal of Life Writing, Vol IX, 132–150 2020. -
Fate and Nature and the Creation of Tragic Sense in Some of Hardy's
ADAB AL-RAFIDAYN vol. (46) 1428 / 2007 Fate and Nature and the Creation of Tragic Sense in Some of Hardy’s Novels Ra’ad Ahmed Saleh(*) & Huda M. Saleh The indifference and hostility of Fate and Nature are the characterstic common in Hardy’s novels; inevitable suffering overwhelms the life of the character in Hardy’s novels. In his novels Fate and Nature rule the world of his novels. The hero’s desire for happiness collapses into terrible misery. Such an atmosphere makes Hardy’s novels of close relation to tragedies in the Greek sense. This means that Hardy’s novels can be considered the successors to the tragedies of the Greek, of Shakespeare and Marlowe before him. There are indications in the novels themselves that Hardy was attemping, in novel form, to present tragedies in the old model of Greek drama(1). (*)Assist. Professor Dept of English-College of Arts / University of Mosul. 37 Fate and Nature and the Creation of Tragic...... Ra’ad Ahmed Saleh & Huda M. Saleh It can be said of The Return of the Native, Tess of the D’Urbervills and The Mayor of Casterbridge that they conform to Aristotles’s definition of tragedies which is found in chapter six of his Poetics. He difined tragedy as: The imitation of an action that is serious, has magnitude, and is complete in itself in laguage with pleasurable accessories, each kind brought in separately in the various of the work; in a dramatic not in narrative form; with incidents arousing our pity and fear(2) Some people might feel discomfort to find novels compared to tragic play because they are written in narrative form. -
Music Inspired by the Works of Thomas Hardy
This article was first published in The Hardy Review , Volume XVI-i, Spring 2014, pp. 29-45, and is reproduced by kind permission of The Thomas Hardy Association, editor Rosemarie Morgan. Should you wish to purchase a copy of the paper please go to: http://www.ingentaconnect.com/content/ttha/thr/2014/00000016/0 0000001/art00004 LITERATURE INTO MUSIC: MUSIC INSPIRED BY THE WORKS OF THOMAS HARDY Part Two: Music composed after Hardy’s lifetime CHARLES P. C. PETTIT Part One of this article was published in the Autumn 2013 issue. It covered music composed during Hardy’s lifetime. This second article covers music composed since Hardy’s death, coming right up to the present day. The focus is again on music by those composers who wrote operatic and orchestral works, and only mentions song settings of poems, and music in dramatisations for radio and other media, when they were written by featured composers. Hardy’s work is seen to have inspired a wide variety of music, from full-length operas and musicals, via short pieces featuring particular fictional episodes, to ballet music and purely orchestral responses. Hardy-inspired compositions show no sign of reducing in number over the decades. However despite the quantity of music produced and the quality of much of it, there is not the sense in this period that Hardy maintained the kind of universal appeal for composers that was evident during the last two decades of his life. Keywords : Thomas Hardy, Music, Opera, Far from the Madding Crowd , Tess of the d’Urbervilles , Alun Hoddinott, Benjamin Britten, Elizabeth Maconchy In my earlier article, published in the Autumn 2013 issue of the Hardy Review , I covered Hardy-inspired music composed during Hardy’s lifetime. -
Progress and Impact Report 2020
The Alcohol Education Trust Progress on Strategic Goals and Impact Report 2020 Alcohol Education Trust Progress on strategic goals and impact report 2020 - page 1 Alcohol Education Trust Progress on strategic goals and impact report 2020 - page 2 Introduction from Vicky McDonaugh, Chair of Trustees We are looking forward to 2021 for two good reasons. The first being the completion of our office and cafe in Dorchester to be known as PIPS. The second, the expansion of our work to include 18-25 year olds. Reading this report, I am struck by just how much our staff have managed to achieve. I want to take this opportunity to thank them and our CEO, for their tireless efforts in difficult circumstances. Successive lockdowns have made the work of the AET even more important this year as evidence emerges showing increased consumption of alcohol by some at home plus the perils of excess parental drinking for children. The statistics showing an increase in domestic abuse during lockdown are deeply worrying, a significant proportion will have been fuelled by alcohol. This year has tested the resilience and adaptability of organisations across the world. The AET is no exception and we have continued to support schools and settings that remained open looking after the children of key workers and the most vulnerable throughout successive lockdown. As a result, we have increased the number of vulnerable young people we have helped to make wise life choices this year, in more settings than ever. We have also, of course, all increased our digital and on line presenting and training skills – which puts us in good stead moving forward, but we cannot wait to return to face to face work with professionals and young people alike, empowering and inspiring people through interaction and developing life skills across England and Scotland. -
Manuscrits Littéraires Français Du Xxè Siècle
Ecole Nationale Superieure des Sciences de 1'information et des bibliotheques Diplome de conservateur de bibliotheque MEMOIRE D'ETUDE LES MAM S( RII S I.ITTKRAIRF.S FRANO AIS DV \\c SIFCl.F : C ONTF\TF F! MfSF E\ PLACF DTN RFPFRTOIRF DF LOCALISA 1ION Catherine ELOI Sous la direction de Madame Dominique BOUGE-GRANDON ENSSIB 1995 Ecole Nationale Superieure des Sciences de 1'information et des bibliotheques Diplome de conservateur de bibliotheque MEMOiRE D'ETUDE LF.S MAM S( RITS I.ITTKRAIRKS FRANC AIS 1)1 XXe SIF.C IT : C ()NTEX I F. I I MISF I N PI.AC F DTN RFPFRIOIRF, DF l.CX ALISATION Catherine ELOI Stage effectue au Departement des Manuscrits de ia Bibliotheque nationale de France sous la responsabilite de Madame Annie Angremy 995 J)d£> REMERCIEMENTS Je tiens a remercier tout le personnel du Departement des Manuscrits pour sa gentillesse et sa disponiblite et tout particulierement Gilles Cugnon, Christelle Bourguignat et William Marx qui m'ont fourni la documentation et les renseignements necessaires a Felaboration de mon memoire. Je tiens egalement a remercier les conservateurs du Departement qui ont tous bien voulu m'accorder regulierement un peu de leur temps et particulierement Florence Callu et Annie Angremy qui dirigea mon stage. RESUME L'interet grandissant des scientifiques ainsi que d'un plus large public pour les manuscrits iitteraires entraine un developpement des recherches a ce sujet, Le manuscrit litteraire moderne privilegie plusieurs approches : la conservation, la recherche litteraire, la mise en valeur tant sur le plan de 1'edxtion que sur celui des expositions. -
Pessimism in Thomas Hardy's Novels
© 2019 JETIR May 2019, Volume 6, Issue 5 www.jetir.org (ISSN-2349-5162) PESSIMISM IN THOMAS HARDY'S NOVELS Shakeel Ahmad Bhat1, Dr. Dinesh Kumar Sharma2 1M.Phil Research Scholar, Dept. of English, SBBS University (Jalandhar), Punjab 2Assistant Professor, Dept. of English, SBBS University (Jalandhar), Pumjab. ABSTRACT In the mid 1860s, after the appearance Darwin's origin of Species (1859), Thomas Hardy courageously tested huge numbers of the sexual and religious shows of the Victorian age; however he before long embraced the mechanical-determinist perspective on universe's mercilessness, reflected in the definitely grievous and pointless destinies of his characters. In his Poems Hardy delineated provincial existence without wistfulness? His state of mind was frequently unemotionally sad. Destiny assumes a noteworthy job in a considerable lot of Hardy's works; both Tess of the D'Urbervilles and the Mayor of Casterbridge contain different occasions where its belongings are promptly obvious. Additionally, Hardy's works mirror a skeptical view where destiny, or chance, is in charge of a character's ruin. The focal point of his works was the fairly forsaken and history-freighted wide open around Dorchester. Hardy's composition of books of "Wessex," the authentic, Somewhat Anglo-Saxon name he gave in fiction to his local Dorset, from this time until 1895. Tess of the D'Urbervilles, distributed in 1891, was right away well known with the perusing open. Be that as it may, it additionally caused discussion: Victorian moralists and ministers were scandalized by the creator's dispute that his courageous woman was, in the expressions of the novel's sub-title, an ethically unadulterated lady. -
Thomas Hardy
Published on Great Writers Inspire (http://writersinspire.org) Home > Thomas Hardy Thomas Hardy Thomas Hardy (1840-1928), novelist and poet, was born on 2 June 1840, in Higher Bockhampton, Dorset. The eldest child of Thomas Hardy and Jemima Hand, Hardy had three younger siblings: Mary, Henry, and Katharine. Hardy learned to read at a very young age, and developed a fascination with the services he regular attended at Stinsford church. He also grew to love the music that accompanied church ritual. His father had once been a member of the Stinsford church musicians - the group Hardy later memorialised in Under the Greenwood Tree - and taught him to play the violin, with the pair occasionally performing together at local dance parties. Whilst attending the church services, Hardy developed a fascination for a skull which formed part of the Grey family monument. He memorised the accompanying inscription (containing the name 'Angel', which he would later use in his novel Tess of the d'Urbervilles [1]) so intently that he was still able to recite it well into old age. [2] Thomas Hardy By Bain News Service [Public domain], via Wikimedia Commons Adulthood Between the years of 1856-1862, Hardy worked as a trainee architect. He formed an important friendship with Horace Moule. Moule - eight years Hardy's senior and a Cambridge graduate - became Hardy's intellectual mentor. Horace Moule appears to have suffered from depression, and he committed suicide in 1873. Several of Hardy's poems are dedicated to him, and it is thought some of the characters in Hardy's fiction were likely to have been modeled on Moule. -
16 May 2019. Dorchester Civic Society
16 May 2019. Dorchester Civic Society Dorchester and the boundary of the proposed Dorset and East Devon National Park: why Dorchester and its landscape setting should be included within the proposed National Park. 1. Introduction. 1.1. ‘’Dorchester Civic Society exists to stimulate people’s interest in the town and its setting; promote high standards of architecture, urban design and planning; safeguard buildings and areas of historic interest; and promote civic pride.’’ The Society, therefore, has a considerable interest in safeguarding the town and its landscape setting both now and for future generations. 1.2. The Dorset and Devon National Park Team submitted its bid to the Glover Review of Designated Landscapes in December 2018. The Team has presented a good in-principle case for designation without, at this stage, specifying a boundary [other than showing the original 1945 proposal comprising the current AONB and the area termed ‘Egdon Heath’ – which was not included in the designated AONB]. Dorchester is not within the present AONB boundary [although part of Poundbury is included]. The Society would argue that National Park boundaries should be drawn wider than AONBs as their purposes are different – National Parks are larger areas suited to tourism and public recreation, whereas AONBs are designated more specifically to protect their natural beauty. 1.3. Should the principle of designation be accepted, the Dorchester Civic Society would wish to see Dorchester and its surrounding landscape setting included within the proposed area. This note sets out the way in which Dorchester lies – historically, culturally and geographically – at the heart of the proposed National Park.