MITCH EPSTEIN

EDUCATION The Cooper Union, NY, 1972-74 Rhode Island School of Design, RI, 1971-72 Union College, NY, 1970-71

SELECTED GRANTS/AWARDS Pollock-Krasner Foundation Grant, 2018 Winner, Prix Pictet Photography Prize: Growth, 2011 Gold Medal Deutscher Fotobuchpreis, American Power, 2009 Open Society Institute Documentary Photography Project Grant, 2009 The American Academy in Berlin: Berlin Prize in Arts and Letters, Guna S. Mundheim Fellow in the Visual Arts, spring 2008 Kraszna-Krausz Photography Book Award, Family Business 2004 John Simon Guggenheim Memorial Foundation Fellowship 2002-2003 Camera Works, Inc. Artist Grant 1996-97 American Institute of Graphic Artists, 50 Best Books of the Year 1997 Pinewood Foundation Artist Grant 1994 New York State Council for the Arts Artist Fellowship 1980 National Endowment for the Arts, Individual Artist Grant 1978

TEACHING School of Visual Arts, Graduate Photography Program, Visiting Lecturer 2004 Bard College, School of the Arts, Assoc. Professor of Photography 2001, 1999, 1997 School of Visual Arts, Graduate Student Advisor 1998, 2002 Lacoste School of the Arts, Professor of Photography 1999 Harvard University, Instructor of Photography 1977

SELECTED ONE PERSON EXHIBITIONS Multimedia Art Museum, Moscow, Fall 2020 Museum Helmond, Netherlands, Fall 2019 – spring 2020 Galerie Thomas Zander, Cologne, fall 2019 Sikkema Jenkins & Co., New York, fall 2019 Pinacoteca Nazionale, Bologna, Italy, fall 2017 Musée de la Photographie André Villers, Mougins, France, spring 2017 Andreas Murkudis, Berlin, spring 2017 Galerie Thomas Zander, Cologne, spring 2017 Galerie Les Filles du Calvaire, Paris, spring 2017 Yancey Richardson Gallery, fall 2016 The A Foundation, Brussels, spring 2013 Gallery Thomas Zander, Cologne, fall 2012 Sikkema Jenkins & Co., New York, spring 2012 Musée de l’Élysée, Lausanne, fall 2011 Open Eye Gallery, Liverpool, fall 2011 Fondation Henri Cartier Bresson, Paris, France, spring 2011

1 KunstMuseum, Bonn, Germany, fall 2010 Brancolini Grimaldi, Rome, Italy, spring 2008 FOAM – Fotografiemuseum, Amsterdam, summer 2007 Sikkema Jenkins & Co., New York, NY, spring 2007 Galerie Thomas Zander, Köln, Germany, spring 2007 Jackson Fine Art, Atlanta, GA, spring 2006 Sikkema Jenkins & Co., New York, NY, fall 2005 Yancey Richardson, New York, fall 2004 PhotoEspana, Madrid, Spain, spring 2004 BrancoliniGrimaldi, Florence, Italy, spring 2004 Jackson Fine Art, Atlanta, GA, winter 2004 Power House, Memphis, Tennessee, spring 2003 Onefront Gallery, New York, NY, winter 2002 Rose Gallery, Santa Monica, CA, fall 2001, fall 1996 Brent Sikkema, New York, NY, spring 2001 Center for Documentary Studies, Durham, NC, fall 1998 Springfield Museum of Fine Arts, MA, spring 1998 Wooster Gardens, New York, NY, fall 1996 Gallery of Contemporary Photography, LA, CA, fall 1996 Tenri Gallery, New York, NY, fall 1995, fall 1992 Julie Saul Gallery, New York, NY, spring 1994, winter 1987 Cleveland Museum of Art, OH, spring 1994 Fogg Art Museum, Cambridge, MA, spring 1991 Santa Barbara Museum of Art, CA, spring 1989 Aperture, Burden Gallery, New York, NY, winter 1988 H.F. Manes Gallery, New York, NY, fall 1984 Light Gallery, New York, NY 1982, 1981, 1979

SELECTED COLLECTIONS Metropolitan Museum of Art, New York, NY Museum of Modern Art, New York, NY Whitney Museum of American Art, New York, NY Tate Modern, London, UK National Gallery of Art, Washington, D.C. International Center of Photography, New York, NY J. Paul Getty Museum at the Getty Center, Los Angeles, CA Los Angeles County Museum of Art, Los Angeles, CA San Francisco Museum of Modern Art, CA The Victoria and Albert Museum, London, UK Fondation Henri Cartier-Bresson, Paris, France Art Institute of Chicago, IL Peabody Essex Museum, Salem, MA Museum of Contemporary Photography, Chicago, IL Bowdoin College Museum of Art, Brunswick, ME Philadelphia Museum of Art, PA Museum of Fine Arts, Houston, TX

2 Museum of Fine Arts, Boston, MA Amon Carter Museum, Fort Worth, TX Smithsonian Museum, Washington, D.C. Corcoran Gallery of Art, Washington, D.C. Baltimore Museum of Art, Baltimore, MD New Orleans Museum of Art, LA Bibliotheque Nationale, Paris, France Tokyo Metropolitan Museum of Photography, Japan Museum of Contemporary Art, Mexico City, Mexico Australian National Gallery, Canberra, Australia Brooklyn Museum of Art, Brooklyn, NY Nevada Museum of Art, Reno, NV Santa Barbara Museum of Art, Santa Barbara, CA Colby College Museum of Art, Waterville, ME St. Louis Museum of Art, St Louis, MO The Walther Collection, Ulm, Germany Deutsche Börse Group, Frankfurt, Germany Vassar College Art Museum, Poughkeepsie, NY Gilman Paper Collection, New York, NY LaSalle Bank Photography Collection, Chicago, IL Museum of Contemporary Photography, Chicago, IL Nelson Atkins Museum of Art, Kansas City, MO Equitable Life Assurance Society, NY Henry Art Gallery, University of Washington, Seattle, WA Chase Manhattan Art Program, New York, NY Citibank, New York, NY Morgan Guaranty, New York, NY Goldman Sachs, New York, NY

SELECTED GROUP EXHIBITIONS Victoria and Albert Museum Photography Centre, “Cars: Accelerating the Modern World,” Fall 2019 – Spring 2020 Musée d'Art Moderne de Paris, “Acquisitions du Comité Photo,” Fall 2019 Museum of Fine Arts, Boston, “Ansel Adams in Our Time,” Spring 2019 National Museum of Modern and Contemporary Art, Seoul, South Korea, “Civilization: The Way We Live Now,” Fall 2018 The Museum of Fine Arts, Houston, “A History of Photography: Selections from the Museum’s Collection, Fall 2018 Halsey Institute of Contemporary Art, “Southbound: Photographs of and about the New South,” Fall 2018 McEvoy Foundation for the Arts, “No Time,” Fall 2018 Galerie Thomas Zander, “STREETWISE,” Fall 2018 Colby Museum of Art, “City of Ambition: Photography from the Collection,” Spring 2018 Mead Art Museum, “House: Selections from the Collection of John and Sue Wieland,” Spring 2018

3 Sikkema Jenkins & Co., “The Onrush of Scenery”, Spring 2018 Science Museum, London, “Iluminating India: Photography 1857-2017,” Fall 2017 Yancey Richardson Gallery, New York, “Notions of Home,” summer 2017 McNay Art Museum, San Antonio, Texas, “Telling Tales: Contemporary Narrative Photography,” fall 2016 Royal Academy of Arts, London, “Summer Exhibition 2016,” summer 2016 Yancey Richardson Gallery, New York, “LUX: The Radiant Sea,” summer 2016 The National Gallery of Art, Washington D.C., “Celebrating Photography at the National Gallery of Art: Recent Gifts,” fall 2015 – spring 2016 The Noguchi Museum, Queens, NY, “Museum of Stones,” fall 2015 – winter 2016 Maison Particulière Art Center, Brussels, “Pair(s),” Fall 2015 Brigham Young Museum of Art, Provo, Utah, “No Place Like Home,” fall 2015 Musée Nicéphore Niepce, Chalon sur Saône , “Une photographie sous tension, La collection de Florence et Damien Bachelot” – spring 2014 Eyes Wide Open! 100 Years of Leica Photography, House of Photography, Deichtorhallen Hamburg, Germany Fall 2014 – winter 2015 Prix Pictet: A Retrospective at Les Rencontres d'Arles , France, Summer 2014 Amon Carter Museum of American Art, “Color! American Photography Transformed,” Spring 2014 Il Filatoio di Caraglio “Le radici dello sguardo,” fall 2013 Smithsonian American Art Museum, “A Democracy of Images: Photographs from the Smithsonian American Art Museum,” summer 2013 – winter 2014 FLAG Art Foundation, New York, “Something About A Tree,” summer 2013 Museum of Modern Art/PS1 Queens, “EXPO 1: New York,” summer 2013 Somerset House, “Landmark: The Fields of Photography,” spring 2013 Amon Carter Museum of American Art, “Big Pictures,” spring 2013 Musée de la Photographie à Charleroi, Belgium, “Une affaire de famille,” spring 2013 Saatchi Gallery, “Out of Focus: Photography at Saatchi Gallery,” spring 2012 George Eastman House, “The Unseen Eye: Photographs from the W.M. Hunt Collection,” fall 2011 Nevada Museum of Art, “The Altered Landscape: Photographs of a Changing Environment,” fall 2011 Museum of Photographic Arts, San Diego, "Infinite Balance: Artists and the Environment," fall 2011 Ludwig Forum, Achen, “Hyper Real: Art and America Around 1970,” spring 2011 Tate Modern, London, “New Documentary Forms,” spring 2011 The Walther Collection, Ulm, Germany, “Appropriated Landscapes,” spring 2011 The Morgan Library and Museum, New York “Mannerism and Modernism: The Kasper Collection of Drawings and Photographs,” spring 2011 San Francisco Museum of Modern Art, “How Wine Became Modern: Design + Wine 1976 to Now,” fall 2010 Exit Art, New York, “ECOAESTHETIC: The Tragedy of Beauty,” summer 2010 Yancey Richardson Gallery, New York, “Incognito: the Hidden Self-Portrait,” summer 2010 Princeton University Art Museum, “Exposed: Voyeurism, Surveillance and the Camera,” summer 2010 (traveling exhibition)

4 Tate Modern, London, “Exposed: Voyeurism, Surveillance and the Camera,” spring 2010 (traveling exhibition) FotoMuseum, Antwerp, “American Documents,” summer 2010 Cincinnati Art Museum, “Starburst: Color Photography in America, 1970-1980,” s pring 2010 (traveling exhibition) Brooklyn Museum, New York, “Extended Family: Contemporary Connections,” 2009 – 2010 Yancey Richardson Gallery, New York, “Glitz & Grime: Photographs of Times Square,” summer 2009 Tuscon Museum of Art, “Trouble in Paradise: Examining Discord between Nature and Society,” spring 2009 Galeria Fortes Vilaça, São Paulo, “Nudes,” spring 2009 Museum of Modern Art/PS1 Queens, “That Was Then…This Is Now,” summer 2008 Julie Saul Gallery, New York, “When Color Was New,” summer 2008 Yancey Richardson Gallery, New York, “The Good Life,” summer 2008 Yancey Richardson Gallery, New York, “Easy Rider,” summer 2007 Galerie Rodolph Janssen, Brussels, “Phillip-Lorca DiCorcia, Mitch Epstein, Stephen Shore,” 2007 J. Paul Getty Museum, Los Angeles, “Where We Live: Photographs of America from the Berman Collection,” fall 2006 - spring 2007 International Center of Photography “Ecotopia: The Second ICP Triennial of Photography and Video,” fall 2006 United Technologies Corporation commission, “Cities In Transition,” Boston, MA, Hartford, CT, New York, NY, fall 2006 ICI Travelling Exhibition “Shoot the Family,” spring 2006 - spring 2008 Fotografie Museum Amsterdam, "Garry Winogrand and the American Street Photographers," spring 2005. Hasselblad Center, Goteborg, Sweden, “The Open Book,” fall 2004 Kennedy Boesky Photographs, NYC, “’70s Color Photography,” winter 2004 Musee de L’Elysee, Lausanne, Switzerland, “NY after NY,” summer 2002 The Whitney Museum of American Art, New York, NY “Visions from America,” 2002 Noorderlicht, Groningen, The Netherlands, “Sense of Space,” fall 2001 303 Gallery, “Overnight to Many Cities,” spring 2001 New York Historical Society, “Walkabout,” spring 2001 Museum of the City of New York, “New York Now,” spring 2000 Mass College of Art, “Blind Spot #17,” spring 2001 J. Paul Getty Museum, CA, “Eggleston and the Color Tradition,” fall 1999 Brent Sikkema, February 1999 San Francisco Museum of Modern Art, CA, "Photography after Modernism: Extensions into Contemporary Art," spring 1998 Apex Art C.P., NYC, "The Sound of One Hand," spring 1998 Laurence Miller Gallery, NYC, "In Country: Vietnam Revisited," spring 1998 Philadelphia Museum of Art, PA, "India: A Celebration of Independence," 1997 White Columns, NYC, "Blind Spot: Coming of Age," May 1997 Howard Greenberg Gallery, NYC "Animal Attractions," 1995 Grand Central Station, NYC, "The Magic of Play," 1995

5 High Museum of Art, Atlanta, GA, "This Sporting Life" (traveling exhibition) 1992-93 International Center of Photography, "The Indomitable Spirit" New York, NY 1990 Los Angeles County Museum of Art, "Romance of the Taj Mahal"(traveling exhibition) 1989 Cultural Palace, Canton, China, "Contemporary American Photography," summer 1988 Museum of Modern Art, NYC, "Color Photographs: Recent Acquisitions," 1987 International Center of Photography, New York, NY "High Light: The Mountain in Photography from 1840 to the Present," winter 1983 International Museum of Photography at George Eastman House, Rochester, NY, "Color as Form/History of Color Photography," (traveling exhibition) 1982 International Center of Photography, New York, NY, "The New Color," 1981 Institute of Contemporary Art, London, UK, "New American Colour Photography," 1981 Castelli Graphics, New York, NY "Love is Blind," 1981 C.A.P.S. Photography 1980, New York (Nikon House traveling exhibition) 1980 Corcoran Gallery of Art, Washington DC, "Recent Acquisitions Exhibition," spring 1980 Museum of Fine Arts, Boston, MA, "Recent Acquisitions Exhibition," spring 1980 Addison Gallery of American Art, Phillips Academy, Andover, MA, “Contemporary Urban Color,1980 Arles Photography Seminar, Arles, France, "Contemporary Frontiers in Color," 1979 Santa Barbara Museum of Art, CA, "Attitudes; Photography in the 1970s," 1979 Light Gallery, New York, NY, "Summer Show," 1978 Creative Photography Gallery, M.I.T., Cambridge, MA, "Color Photography," summer 1977 Light Gallery, New York, NY, "New Artists," summer 1979 Castelli Graphics, New York, NY, "Some Color Photographs," summer 1977 Harvard University, Cambridge, MA, "After the Fact," spring 1977

SELECTED PUBLICATIONS Authored Books: SUNSHINE HOTEL, Steidl//PPP Editions, fall 2019 ROCKS AND CLOUDS, Steidl, spring 2018 NEW YORK ARBOR, Steidl, spring 2013 BERLIN, Mitch Epstein, Steidl & The American Academy in Berlin, spring 2011 MITCH EPSTEIN: STATE OF THE UNION, Hatje Cantz , fall 2010 AMERICAN POWER, Mitch Epstein, Steidl, Germany, fall 2009 MITCH EPSTEIN: WORK, Mitch Epstein, Steidl, Germany, spring 2007 FRATERNITY, Text by Siddhartha Deb inspired by photographs by Mitch Epstein designed by Pierre Charpin & Olivier Andreotti, Toluca Editions, fall 2006 RECREATION: AMERICAN PHOTOGRAPHS 1973-1988, Mitch Epstein, Steidl, Germany, spring 2005 FAMILY BUSINESS, Mitch Epstein, Steidl, Germany, fall 2003 THE CITY, Mitch Epstein, powerHouse, NY, spring 2001 VIETNAM: A BOOK OF CHANGES, Mitch Epstein, W.W. Norton/DoubleTake, NY, fall 1996

6 FIRE WATER WIND: PHOTOGRAPHS FROM TENRI, Mitch Epstein, Doyusha,Tenri, Japan 1995 IN PURSUIT OF INDIA, Mitch Epstein, Aperture, NY 1987

Anthologies: AUTOFOCUS: THE CAR IN PHOTOGRAPHY, Edited by Marta Rachel Weiss, published by Thames & Hudson 2019 PHOTOGRAPHY IN INDIA: A VISUAL HISTORY FROM THE 1850’s TO THE PRESENT, Edited by Nathaniel Gaskell and Diva Gujral, Published by Prestel 2019 THE PHOTOGRAPHER IN THE GARDEN, Edited by Sarah McNear, published by The George Eastman Museum / Aperture 2018 SOUTHBOUND: PHOTOGRAPHS OF AND ABOUT THE NEW SOUTH, Edited by Mark Sloan and Mark Long, Published by the Halsey Institute of Contemporary Art 2018 BROOKLYN PHOTOGRAPHS NOW, Edited by Marla Hamburg Kennedy, Published by Rizzoli 2018 ART CAN HELP, by Robert Adams, published by Yale University Art Gallery 2017 READ THIS IF YOU WANT TO TAKE GREAT PICTURES OF PLACES, Edited by Henry Carroll, Published by Laurence King Publishing 2017 PICTURING AMERICA’S NATIONAL PARKS, Edited by Jamie M. Allen, published by The George Eastman Museum / Aperture 2016 BOTH SIDES OF THE SUNSET: PHOTOGRAPHING LOS ANGELES, Edited by Jane Brown & Marla Hamburg Kennedy, Published by Metropolis Books CAMERA ATOMICA, Edited by John O’Brian, Published by Black Dog Publishing, 2015 PERSPECTIVES ON PLACE: THEORY AND PRACTICE IN LANDSCAPE PHOTOGRAPHY, Edited by J.A.P. Alexander, Published by Fairchild Books 2015 EYES WIDE OPEN! 100 YEARS OF LEICA, Published by Kehrer Verlag, 2015 THE PHOTOGRAPHY BOOK: 2ND EDITION, Edited by Ian Jeffrey, Published by Phaidon Press 2014 COLOR: AMERICAN PHOTOGRAPHY TRANSFORMED, Published by University of Texas Press, 2013 AWAKENING: AICHI TRIENNALE 2013, Published by Aichi Triennale Organizing Committee, 2013 CLOSER THAN FICTION: AMERICAN VISUAL WORLDS AROUND 1970, Published by Walther Koenig, Cologne 2012 OUT OF FOCUS: PHOTOGRAPHY/SAATCHI GALLERY, Essays and text by William Ewing, Booth Clibborn Edition, 2012 ALTERED LANDSCAPE: PHOTOGRAPHS OF A CHANGING ENVIRONMENT, Edited by Ann M. Wolfe. Published by Skira Rizzoli 2011 NEW YORK IN COLOR, Edited by Bob Shamis. Published by Harry N. Abrams, 2011 FILM: TACITA DEAN, Edited by Tacita Dean. Tate Publishing, 2011 THE NEW YORK TIMES MAGAZINE PHOTOGRAPHS, Edited by Kathleen Ryan. Aperture, 2011

7 THE UNSEEN EYE: PHOTOGRAPHS FROM THE UNCONSCIOUS, Edited by W.M. Hunt. Aperture, 2011 EXPOSED: VOYEURISM, SURVIELLANCE AND THE CAMERA, Edited by Sandra S. Phillips. Tate Publishing, 2010 SCHMALTZ! LUNCHES AT STEIDL, edited by Other Rudiger Schellong, published by Steidl Verlag 2010 STARBURST: COLOR PHOTOGRAPHY IN AMERICA 1970-1980, Edited by Kevin Moore. Hatje Cantz, 2010 ARBEIT AM BILD: EIN ALBUM FUR MICHAEL DIERS, Edited by Steffen Haug Hans Georg Hiller von Gaertringen, Caroline Philipp, Sonja M. Schultz, Merle Ziegler & Tina Zürn. Verlag der Buchhandlung Walther König, 2010 PHOTO-WISDOM: MASTER PHOTOGRAPHER ON THEIR ART, Edited by Lewis Blackwell, Published by PQ Blackwell / Chronicle Books, 2009 THE PRESENT: AN INFINITE DIMENSION, BANCO ESPIRITO SANTO COLLECTION, Fundação de Arte Moderna e Contemporânea. Colecção Berardo, 2008 TROUBLE IN PARADISE: EXAMINING DISCORD BETWEEN NATURE AND SOCIETY, curated and organized by Julie Sasse, Tucson Museum of Art, 2009 SHOOT THE FAMILY, Edited by Ralph Rugoff. Independent Curators International, New York, 2006 WHERE WE LIVE: PHOTOGRAPHS OF AMERICA FROM THE BERMAN COLLECTION, Judith Keller and Anne Lacoste. The J. Paul Getty Museum, Los Angeles, 2006 ECOTOPIA: THE SECOND TRIENNIAL OF PHOTOGRAPHY AND VIDEO, Brian Wallis, Edward Earle, Christopher Phillips and Carol Squiers. Edited by Joanna Lehan. International Center of Photography and Steidl, 2006 NO. 1: FIRST WORKS BY 362 ARTISTS, edited by Francesca Richer and Matthew Rosenzweig. Distributed Art Publishers, Inc., 2005 THE PHOTOGRAPH AS CONTEMPRARY ART, Charlotte Cotton, Thames&Hudson, London 2004 THE OPEN BOOK, A HISTORY OF THE PHOTOGRAPHIC BOOK FROM 1878 TO THE PRESENT edited by Andrew Roth, Hasselblad Center, 2004 VISIONS FROM AMERICA, PHOTOGRAPHS FROM THE WHITNEY MUSEUM OF AMERICAN ART 1940-2001, edited by Sylvia Wolf, Prestel 2002 TO SEDUCE, edited by Gregory Leroy, Coromandel Press, Paris 2002 INDIA: A CELEBRATION OF INDEPENDENCE, edited by Michael Hoffman and Anne D'Harnoncourt, Aperture, New York 1997 A NEW LIFE: STORIES AND PHOTOGRAPHS FROM THE SUBURBAN SOUTH, ed. by Alex Harris and Alice George, W.W. Norton/DoubleTake, NY, fall 1996 ITALY OBSERVED, ed. by Luigi Ballerini & Charles Traub, Rizzoli, NYC 1988 WANDERLUST: EIGHT CONTEMPORARY PHOTOGRAPHERS FROM THE HALLMARK COLLECTION, ed. by Keith Davis, U. of New Mexico Press, Albuquerque 1987 AMERICAN INDEPENDENTS, Sally Eauclaire, Abbeville Press, New York, NY 1984

8 NEW COLOR/NEW WORK, Sally Eauclaire, Abbeville Press, New York, NY 1984 LA PHOTOGRAPHIE CREATIVE, edited by Jean-Claude Lemagny, Bibliotheque nationale, Paris, France 1984 24-HOURS IN THE LIFE OF LOS ANGELES, edited by Klaus Fabricius & Red Saunders, Alfred Van Der Marck Editions, New York, NY 1984 A WORLD HISTORY OF PHOTOGRAPHY, Naomi Rosenblum, Abbeville, NYC 1984 ANNIE ON CAMERA, edited by Ann Hoy, Abbeville, New York, NY 1982 THE NEW COLOR, Sally Eauclaire, Abbeville, New York, NY 1981

SELECTED ARTICLES Document Journal, October 2019, "Borderlands: Mitch Epstein's portfolio of America's changing physical and social landscape," by Drew Sawyer NRC Netherlands, October 2019 "Mijn foto’s ontleen ik aan de echte wereld, maar documentair zijn ze niet," by Tracey Metz Aperture, September 2019, "How To Map a Territory that You Don't Own," interview with Rebecca Bengal Document Journal, May 2019 "Garry Winogrand's Illusive Color Photography Receives Its Due," at The Brooklyn Museum, introduction by Mitch Epstein Süddeutsche Zeitung, March 2019, "Der Chronist," by Catrin Lorch British Journal of Photography, June 5, 2018, "Mitch Epstein's Rocks & Clouds," by Marigold Warner VOGUE, April 2018 "Return to Standing Rock," by Rebecca Bengal, photographs by Mitch Epstein HOTSHOE Magazine, March 2018 "Rocks & Clouds," Photographs by Mitch Epstein, text by Mitch Epstein & Susan Bell New York Times, November 2017 "Lessons in Stillness from One of the Quitest Places on Earth," by Meghan O'Rourke, photographs by Mitch Epstein New York Times, May 2017 "A Veritable No Man's Land Off the Coast of Scotland," by Neel Mukherjee, photographs by Mitch Epstein The Halftone, April 25, 2017. “Interview with Mitch Epstein,” by Eric Marth Aperture Magazine, October 11, 2016. “A Portrait of New York in Rocks and Clouds,” by Joanna Lehan The New Yorker, August 21, 2016. "New York City, in Between Rocks and Clouds," by Max Campbell The Lantern, February 25, 2016. “Photographer and cellist explore aesthetic of industry within nature,” by Denise Blough Süddeutsche Zeitung GmbH, München, December 7, 2014. “Wie sieht das Klima aus?” by Catrin Lorche Fraction Magazine Japan, September, 2013. “Interview with Mitch Epstein.” by Miwa Susuda. Agenda Magazine, April 13, 2013. Mitch Epstein: Big Apple trees. Interview with Heleen Rodiers The New York Times Blog, February 11, 2012, Mitch Epstein, Tree Stalker, Kathy Ryan The New York Times Magazine, February 12, 2012, How To See A Tree, Michael Kimmelman

9 The Guardian, November 6, 2011. My Best Shot. Interview with Sarah Phillips. Réponses Photo, Issue no 12, Summer 2011, USA: la quête de l'énergie, Marilia Destot Connaissance des Arts, June-September 2011, Mitch Epstein, Enregister Les Faits, Damien Sausset The Independent on Sunday, March 27, 2011, Power Corrupts the Heartland, Mike Higgins BBC World Service, March 21st, 2011. The Strand . Mitch Epstein talks about Prix Pictet Award winning work, American Power. British Journal of Photography, April 2010, Political Landscapes, Diane Smyth Süddeutsche Zeitung, December 3, 2009, Die Gier nach Energie: Mitch Epstein “Power- Fotos,” Petra Steinber Financial Times, November 13/14 2010, Mitch Epstein, Francis Hodgson Kölner Stadt-Anzeiger, November 11, 2010, Im Schatten des Kraftwerks, Katja Behrens ARTFORUM, January, 2010, Living in America, Michael Fried Newsweek Japan, December 2, 2009, Picture Power, Mirai Sugata BOMB Magazine Web Exclusive, October 21, 2009, Richard B. Woodward The New York Times, October 9, 2009, Capturing a Nation's Thirst for Energy, Randy Kennedy Frankfurter Allgemeine Zeitung, October 14, 2009, Das Unbehagen in der Natur, Julia Voss Granta, Issue 107, July 2009, American Power by Mitch Epstein Frankfurter Allgemeine Sonntagszeitung, July 27, 2008 Strom der Verfallszeit, Niklas Maak Monopol, November, 2008, In der Steppe Berlins, Ulf Erdmann Ziegler Der Tagesspiegel, May 4, 2008, Epstein's Berlin, Susanne Kippenberger Numero, Issue 76, September 2006 Outside, It’s America, Jonatahan Wingfield Draft, spring 2005, Red States, Blue States The Guardian, March 2005, Recreation:American Photographs 1973-1988, Caroline Roux Contemporary, Special Issue on Photography, Clare Grafik, Issue 67, November 2004 The New York Times Arts and Leisure, Family Business: A Town, a Father and a Fire, Mia Fineman, November 2003 The New York Times Magazine, Closeout, June 2003 Issue, #6, fall 2001 Photographic District News, Mitch Epstein: The Art of Surveillance, Edgar Allen Beem, fall 2001 Bomb, Editor’s Choice: Mitch Epstein’s The City, Marvin Heiferman, fall 2001 Blind Spot, issue #17, spring 2001, #9: Coming of Age, May 1997 Nest, Through a Glass Darkly, spring 1999 The New York Times Magazine, Special Photography Issue: Times Square, May 1997 DoubleTake, In Vietnam and Versailles, fall 1995 Aperture #105: India, The Ritual and the River 1987 The New York Times Magazine, Art and the life of India, John Russell, May 1985 George, Stills in Saigon, Jim Lewis, October 1996 Modern Photography, Color Now, Andy Grundberg, July 1981

10 Modern Photography, Current American Photography Today, Andy Grundberg and Julia Scully, June 1980

SELECTED REVIEWS De Groene Amsterdammer, Novemeber 13, 2019, “De ondergang van een klein rijk,” by Jan Postma Document Journal, November 12, 2019, "Mitch Epstein Confronts America's Psychological Darkness in "Sunshine Hotel," interview with Rachel Cheung Art in America, October 28, 2019 "Photographer Mitch Epstein Foregrounds the Tension between Sublime American Landscapes and Corporate Agendas," by Eric Sutphin The Art Newspaper, September 25 2019, "New York gallery season kicks off with rights, wrongs and rising above the 'other'," by Ann Binlot The New Yorker, September 9, 2019, "Mitch Epstein at Sikkema Jenkins & Co." by Andrea K. Scott Document Journal, September 6, 2019, "Land, dignity, and ethics: Mitch Epstein photographs the remnants of our Anerican Dream," by Clara Malley L'Oeil de la Photographie, April 4, 2017. "Mitch Epstein: New York Trees, Rocks & Clouds," by Sébastien Borderie Financial Times, March 2017. "Snapshot: New York City Trees, Rocks & Clouds," by Alice Franklin The New Yorker, September, 2016. Mitch Epstein at Yancey Richardson by Vince Aletti Conscientious Photo Blog, August 22, 2013, New York Arbor by Mitch Epstein by Jörg M. Colberg. Le Monde, June 13, 2013. Parmi les branches de la Grosse Pomme by Claire Guillot. Le Monde, May 10, 2013. Une grosse pomme et des arbres by Claire Guillot. American Photo, May 7, 2013. A Fresh Look At...Trees? by John Mahoney The Guardian Observer, April 27, 2013. Sean O'Hagan review of New York Arbor book. Frankfurter Allgemeine Zeitung, December 27, 2012. Laublos in New York at Galerie Thomas Zander, Cologne by Freddy Langer. Jeu De Paume, May 3, 2012. Here Is the World: The New (Old) Art Photography by Shelley Rice and Rob Slifkin. The New Yorker, April 14, 2012, Mitch Epstein at Sikkema Jenkins & Co., New York by Vince Aletti. New York Magazine, April 2, 2013. Mitch Epstein at Sikkema Jenkins & Co., New York by Jerry Saltz. The Guardian Observer, November 5, 2011, Mitch Epstein: American Power at Open Eye, Liverpool Le Monde, May 7, 2011, Mitch Epstein au coeur de la puissance américaine. Review of American Power at Fondation Henri-Cartier-Bresson. Bookforum, December 12, 2009, American Power by Mitch Epstein, Brian Sholis Monopol, November 2009, Mit voller Macht in die Katastrohe: Mitch Epstein “American Power,” Sebastain Frenzel Photo District News, October 2009, Power Struggle, Conor Risch The Guardian, October 3, 2009, The Power of Nightmares, John Vidal Modern Painters, September, 2009, American Power: Mitch Epstein, Valerie Gladstone On Earth Magazine, Fall, 2009, Spotlight: American Power

11 Aperture, Issue 192, Fall 2008, Mitch Epstein: American Work Aaron Schuman Art in America, June/July 2007, Mitch Epstein at Sikkema Jenkins, David Coggins The New Yorker, April 9, 2007 Goings On About Town: Sikkema Jenkins & Co., Vince Aletti The New York Times, March 30, 2007, Mitch Epstein: American Power, Martha Schwendener The New York Sun, March 15, 2007, Of Industry and Eden, Sikkema Jenkins & Co.. Deborah Garwood American Photo, December 2006, A Labor of Life: Mitch Epstein’s WORK by Miki Johnson The Telegraph, London, November 18, 2006, American Beauty: Mitch Epstein’s WORK by Drusilla Beyfus Aperture, Issue 184, Fall 2006, Ecotopia: The Second ICP Triennial Exhibition of Photography and Video by Brian Wallis,Edward Earle, Christopher Phillips, Carol Squires and Joanna Lehan USA Today, Public Art Project Documents Urban Change by Charisse Jones, September 2006 The New York Times, The Natural World, in Peril and in Its Full Glory by Roberta Smith, September 2006 New York Magazine, Earth in the Balance by Mark Stevens, October 2006 Photo District News, Recreation: American Photographs 1973-1988, Joanna Lehan, September 2005 Photograph, Recreation: American Photographs 1973-1988, Vince Aletti, July/August 2005 The Guardian, Recreation: American Photographs 1973-1988, Caroline Roux, March 2005 Art News, Mitch Epstein at Yancey Richardson, Barbara Pollack, January 2005 Art in America, Going Home Again, Nancy Princenthal, November 2004 Art & Auction, Family Business, Jean Dykstra, January 2004 Village Voice, Best Photo Books of 2003, Vince Aletti, January 2004 New York Times Book Review, Family Business, Andy Grundberg, December 2003 The Village Voice, Eyes Wide Open: The Best Photography Books of 2001, Vince Aletti, January 22, 2002 The New Yorker, Mitch Epstein, April 19, 2001 The Village Voice, Voice Choices, Mitch Epstein at Brent Sikkema: Recreation, Vince Aletti, May 1, 2001 The New York Times, Photography Review, Vicki Goldberg, August 25, 2000 Art in America, Mitch Epstein at Brent Sikkema, Calvin Reid, February 2000 Art on Paper, Mitch Epstein at Brent Sikkema, Jean Dykstra, January 2000 The New Yorker, Mitch Epstein, October 11, 1999 The Village Voice, Best of NYC: Photo, Vince Aletti, October 5, 1999 The New York Times, Mitch Epstein at Brent Sikkema, Ken Johnson, September 24, 1999 Hungry Mind Review, The Infinite Present, Robert Warde, spring 1997 The New York Times Book Review, Best Photography Books of 1996, Andy Grundberg, December 1996 The Village Voice, Ten best books of the year, Vince Aletti, December 1996 Art in America, Mitch Epstein at Julie Saul, Peter Von Ziegesar, July 1994 The New York Times, Art in Review: Mitch Epstein, Julie Saul Gallery, Charles Hagen,

12 April 1, 1994 The Village Voice, Photo: Mitch Epstein, Vince Aletti, April 12, 1994 The New York Times, Mitch Epstein, Tenri Cultural Institute, Charles Hagen, November 6, 1992 The New York Times, Critic's Choices: Photography, Andy Grundberg, November 29, 1987 American Photographer, In Pursuit of India by Mitch Epstein, Schonauer, July 1988 The Village Voice, Mitch Epstein: In Pursuit of India, Vince Aletti, December 29, 1987 The Village Voice, Photo Choices: Mitch Epstein, Vince Aletti, December 1987 USA Today, Glimpses into India's Heart, Geoffrey C. Ward, December 4, 1987 Art in America, Photography Raising a Hue: The New Color, Pepe Karmel, January 1982 Art in America, Mitch Epstein at Light, Sally Eauclaire, October 1981 Afterimage, Trips of the Shutter, Sally Eauclaire, summer 1979 The Village Voice, Americans Abroad, Ben Lifson, April 23, 1978 The Village Voice, Dark Days at Summer Light, Ben Lifson, August 1, 1977

SELECTED PUBLIC LECTURES/PERFORMANCES Yale University, Graduate Photo Program, New Haven, CT, spring 2004, fall 2001, fall 2012, fall 2018 National Gallery of Art, Washington D.C., spring 2017 Concordia University, Montreal, winter 2017 The Courtland Institute of Art, Somerset House, London, spring 2015 Victoria and Albert Museum, London, spring 2015 Wexner Center for the Arts, Columbus Ohio, winter 2015 Walker Art Center, Minneapolis, Minnesota, Fall 2013 Aichi Triennial, Nagoya, Japan, fall 2013 The Cooper Union, New York, spring 2013 Colby College, Maine winter 2012 Aperture Foundation, New York winter 2012 Bard College, New York, winter 2012 Whitechapel Gallery, London, spring 2012 Saatchi Gallery, London, spring 2012 Les Rencontres d’Arles, summer 2011 Davidson College, North Carolina spring 2011 Fotomuseum, Antwerp, spring 2010 The Jewish Community Center, New York, spring 2010 Cincinnati Art Museum, spring 2010 C.V. Starr Center at Washington College, Chestertown, spring 2010 California College of the Arts, Oakland, spring 2010 Wexner Center for the Arts, Columbus, spring 2010 LACMA, Los Angeles, fall 2009 Art Center College of Design, Pasadena, fall 2009 Photo Alliance at the San Francisco Art Institute, fall 2009 New York Studio School, fall 2009

13 Philadelphia Photo Arts Center, fall 2009 The Photographer's Gallery, London, fall 2009 Philadelphia Photo Arts Center, fall 2009 Photo Alliance, San Francisco, fall 2009 Massachusetts College of Art and Design, Boston, spring 2009 The American Academy in Berlin, Spring 2008 Humboldt-Universität zu Berlin, Spring 2008 The Architectural League of New York at The Donnell Auditorium, New York, 2007 Baltimore Museum of Art, Maryland, Spring 2007 International Center of Photography, New York, NY, fall 2005 The Photographer’s Gallery, London, spring 2005 University of Texas, Austin, Graduate Art Program, Austin, TX, fall 2004 Rencontres de la Photographie, Arles, France, summer 2004 The New School, New York, NY, fall 2003 Bard College, Annandale-on-Hudson, NY, fall 2002, spring 1998 Syracuse University, Syracuse, NY, spring 2000 Lacoste School of the Arts, Lacoste, France, summer 1999 Center for Documentary Studies, Duke University, fall 1998 International Center of Photography, New York, NY, spring 1997, spring 1994, winter 1985, fall 1979 Columbia College, Chicago, winter 1996 Gallery of Contemporary Photography, Santa Monica, CA, winter 1996 Union College, Schenectady, NY, winter 1995 Washington Center for Photography, spring 1993 Kansas City Institute of the Arts, MO, winter 1988 Metropolitan Museum of Art, New York, NY, fall 1985 Smithsonian Institute, Washington D.C., fall 1985 Hampshire College, Amherst, MA, winter 1983 SUNY at Albany, NY, spring 1981 Columbia University, New York, NY, winter 1981 Massachusetts College of Art, Boston, MA, fall 1981 School of Visual Arts, New York, NY, spring 1979

FILMOGRAPHY Dad, Producer and Director, Short 2003 Mississippi Masala, Production Designer and Cinematographer. Feature 1992 Salaam Bombay!, Production Designer and Cinematographer. Feature 1988 India Cabaret, Director of Photography. Documentary 1985 So Far From India, Director of Photography. Documentary 1982

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