Utilising Sporting Autobiographies for Feminist Research
Utilising Sporting Autobiographies for Feminist Research: The Case of Cyclist Nicole Cooke Carly Stewart Sparkes and Stewart (2015:2) note the ‘enthusiasm that has greeted the study of autobiographies’ in a variety of disciplines (e.g. literary theory, history, anthropology, sociology) and cross-disciplinary fields (e.g. cultural studies, women’s’ studies). Not so in sport. On the contrary, scholars have signalled their relative neglect despite potential to offer a rich source of data (Stewart, Sparkes & Smith 2011; Thing & Ronglan 2015). Offering an explanation for this current state of affairs, Sparkes and Stewart (2015) draw attention to negative views and misplaced assumptions that convey surmountable problems for the acceptance of sporting autobiographies as a serious resource for researchers in sport. For example, often lumped together under the heading of ‘celebrity autobiographies’, sports autobiographies are charged with being commercially driven for profit, formulaic or predictable in nature (often ‘ghost-written’), uninteresting and limited in expressive form, superficial in content, banal and cliché ridden. This said, concerning their use for research purposes there is a cultural suspicion around their ‘unmediated authenticity’ (Smith & Watson 2010) or truth which may position them as rather dubious source material (Taylor 2008). However, presenting a more positive view, autobiographies of athletes could be viewed, and are widely consumed as, a cultural phenomenon in their own right (Sparkes and Stewart 2015; Young 2001). Sparkes and Stewart (2015:7) propose that many are ‘well- written, include complex plotlines, and provide illuminating insights into the lives of athletes’ over time with the more memorable ones perhaps drawing our attention to the experiences of those which intervene in wider contemporary discussions.
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