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Seattle Opera Announces 2021/22 Season— a Return to Live, In-Person Performances
FOR IMMEDIATE RELEASE: May 11, 2021 Contact: Gabrielle Gainor (206) 295-0998, [email protected] Press images: https://seattleopera.smugmug.com/2122 Password: “press” Seattle Opera announces 2021/22 season— a return to live, in-person performances La bohème Orpheus and Eurydice Blue The Marriage of Figaro Plus a special recital by Lawrence Brownlee McCaw Hall and The Opera Center Subscriptions begin at $240 (BRAVO! Club, senior, and student pricing is also available). Single tickets will go on sale closer to each production. seattleopera.org SEATTLE—After more than a year without live, in-person performances due to COVID-19, Seattle Opera will officially return to the theater this fall with its 2021/22 Season. Offerings include immortal favorites (La bohème, The Marriage of Figaro), historic works with a modern twist (Orpheus and Eurydice), plus an award-winning piece speaking to racial injustice in America (Blue). It will take years for Seattle Opera—and the arts sector as a whole—to recover from the pandemic’s economic impact. Feeling the presence and excitement of live performance again is one way that the healing can begin, said General Director Christina Scheppelmann. “The theater, where music, storytelling, lights, performers, and audiences meet, is a space of magic and impact,” Scheppelmann said. “This past year has been difficult and challenging on so many levels. As we process all that we’ve been through, we can come here to enjoy ourselves. We can rediscover the positive moment and outlook we are seeking. Through opera, we can reconnect with our deepest emotions and our shared humanity.” In addition to mainstage productions, the company will offer a special, one-night- only recital by tenor Lawrence Brownlee (April 29, 2022, at McCaw Hall) with pianist John Keene. -
Department of Conferences and Meetings Management
ORGANIZATION OF AMERICAN STATES Inter-American Council for Integral Development (CIDI) SECOND MEETING OF THE WORKING GROUPS OEA/Ser.L/XIX.VI.2 OF THE XVI INTER-AMERICAN CONFERENCE CIMT-16/GT1-GT2/doc.9/11 OF MINISTERS OF LABOR (IACML) 12 May 2011 May 17-19, 2011 Original: Spanish Washington, D.C. RESULTS WORKSHOP “DECENTRALIZED PUBLIC EMPLOYMENT SERVICES AND THEIR LINKAGE WITH THE BUSINESS WORLD". Americas – Europe Interregional Event • Mexico City, March 16 to 18, 2011 Results Workshop “Decentralized Public Employment Services and their Linkage with the Business World". Americas – Europe Interregional Event • Mexico City, March 16 to 18, 2011 Contents 1. Overview..……………………………………………………………… 2 2. Conclusions …………………………………………………………… 3 3. Ideas arising from the working groups……………................ 9 4. Results of the evaluations....................………………………….. 11 5. Final agenda ……………………………………………………………. 12 6. List of Participants..... ………………………………………………. 15 Results of the Workshop “Decentralised Public Employment Services and their Linkage with the Business World”, Mexico City, March 16 to 18, 2011. Workshop “Decentralised Public Employment Services and their Linkage with the Business World". Americas – Europe Interregional Event 1. Overview Date: March 16 to 18, 2011 Venue: Nuevo León I Room ‐ Fiesta Americana Reforma Hotel, Mexico City Address: Av. Paseo de la Reforma #80, piso 1, Col. Juárez, Del. Cuauhtémoc, C.P. 06600, México, D.F. This workshop was jointly organised by the World Association of Public Employment Services (WAPES), the Ministry of Labor and Social Welfare (STPS) of Mexico, the Ministry of Labor, Employment and Social Security of Argentina and the Organization of American States’ (OAS) Department of Social Development and Employment, which operates the Inter‐American Network for Labor Administration (RIAL). -
Death in Venice Book by Benjamin Britten Music by Benjamin Britten Lyrics by Myfanwy Piper Based on Novella by Thomas Mann
Death in Venice Book by Benjamin Britten Music by Benjamin Britten Lyrics by Myfanwy Piper Based on novella by Thomas Mann Production Information: Benjamin Britten’s Death in Venice opened at the Glimmerglass Festival in Cooperstown, NY on July 23, 2005. The production is a co-production between the Glimmerglass Festival and New York City Opera. Director: Tazewell Thompson (right of first refusal & royalty required) Conductor: Stewart Robertson Associate Director: N/A Set Designer: Donald Eastman (royalty required) Costume Designer: Carrie Robbins (royalty required) Lighting Designer: Robert Wierzel (right of first refusal & royalty required) Sound Designer: N/A Projections Designer: N/A Projected Titles Translation: Kelley Rourke (additional rental & royalty required) Hair & Makeup Designer: Elsen Associates, Inc. (wigs not owned by GGF) Stage Manager: Daniel Sokalski Cast Information: Principals: 3 Men’s Chorus: 13 Women’s Chorus: 12 Children’s Chorus: None Dancers: None Supers: 2 women, 8 children (2 girls, 6 boys) Animals: None Scenery Information: Built by: R.A. Reed Productions, Inc. (Portland, OR) Minimum Width: 60’0” Minimum Depth: 40’0” Line sets used for show scenery*: 5 Height of tallest hanger: 30’0” Width of widest hanger: 60’0” Stock items used: 8 Soft (Borders/2 BOC/RP)/10 Hard (Legs) Number of trailers needed: 2 Scenery Truck, 1 Prop/Costume Truck Prop Information: Built by: The Glimmerglass Festival Number of road boxes with sizes: Prop Box 1/2: 3’-0” x 6’-8” x 6’-9” ??? lbs. Prop Box 2/2: 3’-0” x 6’-8” x 6’-9” ??? lbs. Add’l items outside of road boxes: Trunk Costume Information: Built by: The Glimmerglass Festival Costume Shop Items not included with rental package: Shoes and undergarments Audio/Video/Special Effects Information: Reinforcement: None Recorded sound cues: None Disc available: N/A **Additional royalty required for use of sound effects. -
JUSTIN AUSTIN Bio Praised in Opera News As “A Gentle Actor and Elegant Musician”
JUSTIN AUSTIN Bio Praised in Opera News as “a gentle actor and elegant musician”, baritone Justin Austin has been performing professionally since age 4. Born in Stuttgart, Germany to professional opera singer parents, Austin began his singing career as a boy soprano performing at venues such as Teatro Real, Bregenzer Festspiele, Avery Fisher Hall (now David Geffen Hall ), and the John F. Kennedy Center for the Performing Arts . While working with directors such as Götz Friedrich and Tazewell Thompson, Justin was able to realize his love for music and performance early on. For the 2018/19 season Mr. Austin returns to New York Festival of Song and will make solo debuts with the St. Louis Symphony Orchestra, Copland House, Mise-En-Scène Studios, Bayerische Staatsoper, and the Munich Opera Festival. Mr. Austin spent Summer 2018 as a Solo Artist at the Opera Theatre of Saint Louis featured in concert, recital, and on the mainstage singing the role of Cal in Marc Blitzstein's "Regina" Directed by James Robinson and conducted by maestro Stephen Lord. For the 2017/18 season Austin was a Resident Artist at the Opera Theatre of St. Louis and made solo debuts with Carnegie Hall , Kampnagel, Master Voices, the Glimmerglass Festival, and the Larimer Chorale. Austin also made his return to New York Festival of Song, John F. Kennedy Center for the Performing Arts, and the Kaufman Music Center. For the 2016-17 season, Austin made debuts at the Caramoor Center for Music and the Arts as a "Schwab Vocal Rising Star", New York Festival Of Song in their "Emerging Artist Series", Opera Theatre of Saint Louis as a "Richard Gaddes Festival Artist", and Heidelberger Früling as a "Lied Scholar". -
Michelle Obama's Impact on African American Women and Girls
Michelle Obama’s Impact on African American Women and Girls “An engaging, multi-dimensional commentary on embracing power with poise and grace. Michelle Obama simply lives the American brand with a secure humil- ity that should be replicated in all of our leaders. This collection of essays serves as an Obama encore. I want more!” —Robert J. Benz, Co-Founder, Frederick Douglass Family Initiatives “A timely and insightful work, Michelle Obama’s Impact on African American Women and Girls is an impactful piece. It is one that should be read for ALL generations to come. Kudos to the authors who heeded the call and contributed to this thought-provoking book.” —Sharron Goodman-Hill, Instructor of Mass Communications, Rust College and Host, WURC’s Straight Talk Live “This timely collection reminds us all how the character of our national lead- ers profoundly shapes our everyday lives and aspirations. In engaging and heart- felt contributions, these authors show how Michelle Obama not only infuenced national policy initiatives, but how her character sets a legacy of integrity, energy and intelligence that continues to inspire and guide millions of Americans.” —Marilyn Krogh, Associate Professor of Sociology, Loyola University Chicago “This lively, personal, and insightful anthology makes abundantly clear the far-reaching and multi-faceted impact of Michelle Obama. In the work of these authors, the First Lady’s legacy will nourish and challenge future generations of Americans to come. I welcome and celebrate this book!” —Patricia A. Schechter, Professor of History, Portland State University “It is necessary and inspiring to read these insightful and powerful refections on the legacy of Michelle Obama. -
Connection/Separation
Friday, February 12, 2021 | 4 PM MANHATTAN SCHOOL OF MUSIC OPERA THEATRE Tazewell Thompson, Director of Opera Studies presents Connection/Separation Featuring arias and scenes from Carmen, Così fan tutte, Die Zauberflöte, La clemenza di Tito, L’elisir d’amore, Le nozze di Figaro, Les pêcheurs de perles, and Lucio Silla A. Scott Parry, Director MSM Opera Theatre productions are made possible by the Fan Fox and Leslie R. Samuels Foundation and the Joseph F. McCrindle Endowment for Opera Productions at Manhattan School of Music. Friday, February 12, 2021 | 4 PM MANHATTAN SCHOOL OF MUSIC OPERA THEATRE Tazewell Thompson, Director of Opera Studies presents Connection/Separation Featuring arias and scenes from Carmen, Così fan tutte, Die Zauberflöte, La clemenza di Tito, L’elisir d’amore, Le nozze di Figaro, Les pêcheurs de perles, and Lucio Silla A. Scott Parry, Director Myra Huang, Vocal Coach & Pianist Kristen Kemp, Vocal Coach & Pianist Megan P. G. Kolpin, Props Coordinator DIRECTOR’S NOTE In each of our lives—during this last year especially—we may have discovered ourselves in moments of wanting, even needing some sort of human connection, but instead finding separation by any number of barriers. In the arias and scenes that follow, we witness characters in just this kind of moment; searching for meaningful contact yet being somehow barred from achieving it. Through circumstance, distance, convention, misunderstanding, pride, fear, ego, or what have you, we may find ourselves in situations similar to the characters in this program, while looking forward to the days when connection can be more easily achieved and separation the exception to the rule. -
American Spiritual Program Fall 2009
Saturday, September 26, 2009 • 7:30 p.m. Asbury United Methodist Church • 1401 Camden Avenue, Salisbury Comprised of some of the finest voices in the world, the internationally acclaimed ensemble offers stirring renditions of Negro spirituals, Broadway songs and other music influenced by the spiritual. This concert is sponsored by The Peter and Judy Jackson Music Performance Fund;SU President Janet Dudley-Eshbach; Provost and Senior Vice President of Academic Affairs Diane Allen; Dean Maarten Pereboom, Charles R. and Martha N. Fulton School of Liberal Arts; Dean Dennis Pataniczek, Samuel W. and Marilyn C. Seidel School of Education and Professional Studies; the SU Foundation, Inc.; and the Salisbury Wicomico Arts Council. THE AMERICAN SPIRITUAL ENSEMBLE EVERETT MCCORVEY , F OUNDER AND MUSIC DIRECTOR www.americanspiritualensemble.com PROGRAM THE SPIRITUAL Walk Together, Children ..........................................................................................arr. William Henry Smith Jacob’s Ladder ..........................................................................................................arr. Harry Robert Wilson Angelique Clay, Soprano Soloist Plenty Good Room ..................................................................................................arr. William Henry Smith Go Down, Moses ............................................................................................................arr. Harry T. Burleigh Frederick Jackson, Bass-Baritone Is There Anybody Here? ....................................................................................................arr. -
148 LATIN AMERICAN THEATRE REVIEW Egon Wolff in US
148 LATIN AMERICAN THEATRE REVIEW Egon Wolff in U.S. At the MLA convention in San Francisco in December, 1987, Egon Wolff will participate in a special seminar on his theatre within the context of the Chilean theatre of his generation. In addition, Mr. Wolff may be available to visit colleges and universities in the United States early in 1988. If you are interested in inviting him to your campus, please contact Prof. Leon F. Lyday, Department of Spanish, Italian and Portuguese, The Pennsylvania State University, University Park, PA 16802. Triana and Gámbaro in U.S. Dartmouth College will host a two-day symposium on the theatre of José Triana and Griselda Gámbaro on October 7-8, 1987. Both playwrights are expected to be in attendance for the occasion to interact with participants who will give presentations on their theatre. For further information, please contact Prof. Diana Taylor, Department of Spanish and Portuguese, Dartmouth College, Hanover, NH 03755. Primer Encuentro Internacional de Teatro Antropológico Coordinado por el Maestro Eugenio Barba, director del Nordisk Tea- terlaboratorium Project y de la ISTA (International School of Theatre Anthropology), este encuentro se celebró en Bahía Blanca, Argentina, entre el 6 y 12 de abril de 1987. Participaron los grupos Odin Teatret de Dinamarca, Tadcabile di Bergamo, Potlach de Fara Sabina (Italia) y grupos lati noamericanos de Chile, México, Cuba, Brasil y Uruguay. Con el objetivo del encuentro de evitar "la maratón del festival,'' se puso el acento en el encuentro del trabajo y no en la presentación de espectáculos. Por la mañana, había reuniones de reflexión y discusión de todos los participantes. -
Download Program
THE FLEA THEATER NIEGEL SMITH, ARTISTIC DIRECTOR CAROL OSTROW, PRODUCING DIRECTOR PRESENTS Southern Promises BY THOMAS BRADSHAW DIRECTED BY NIEGEL SMITH FEATURING THE BATS ADAM COY, DARBY DAVIS, MARCUS JONES, TIMOTHY PARK, YVONNE JESSICA PRUITT, JAHSIAH RIVERA, ANA SEMEDO, LAMBERT TAMIN, SHAKUR TOLLIVER, ADRAIN WASHINGTON, SELAMAWIT WORKU, BRITTANY ZAKEN JASON SHERWOOD SCENIC DESIGNER CLAUDIA BROWN COSTUME DESIGNER JORGE ARROYO LIGHTING DESIGNER FABIAN OBISPO SOUND DESIGNER NIKIYA MATHIS HAIR/MAKEUP DESIGNER ROCIO MENDEZ VIOLENCE/INTIMACY CHOREOGRAPHER ANNA KOVACS STAGE MANAGER TYLER THOMAS AssISTANT DIRECTOR CAST (In Order of Apperance) Isaiah..............................................................................Darby Davis Elizabeth.....................................................................Brittany Zaken Benjamin.....................................................................Shakur Tolliver Charlotte............................................................Yvonne Jessica Pruitt David...........................................................................Jahsiah Rivera John...............................................................................Marcus Jones Doctor.............................................................................Timothy Park Imaginary Slave / Emmanuel / David (U/S)/Benjamin (U/S)......Adrain Washington Sarah/Charlotte(U/S)...............................................Selamawit Worku Atticus................................................................................Adam -
Free Forum Explores the Intersection of Race and Opera
FOR IMMEDIATE RELEASE: June 12, 2018 Contact: Gabrielle Kazuko Nomura Gainor, 206.676.5559, [email protected] Free forum explores the intersection of race and opera National arts leaders of color lead the discussion at ‘Breaking Glass’ 10:30 a.m., Saturday, July 28 Nesholm Lecture Hall | McCaw Hall SEATTLE—Everyone is welcome to join the conversation at Breaking Glass: Hyperlinking Opera & Issues. This free public forum opens a door to frank discussion about race and diversity in opera. Topics will include how art is produced in an increasingly diversified America, and who has the right to tell whose story; the role of art in stimulating public discussion about racism and discrimination; and what roles social justice plays within the artistic mission of an opera company. All are welcome; and People of Color are encouraged to attend. “At Seattle Opera, we have spent a lot of time thinking about who we want to be as a company,” said Barbara Lynne Jamison Director of Programs and Partnerships. “We love this art form; it can be powerful, transcendent, and life-affirming. As a historically White organization, Seattle Opera is committed to taking ownership of opera’s Eurocentric, and at times, racist past. We will continue to learn from marginalized voices and bring them into the center of discussions in order to build a more equitable future.” A collaboration between Seattle Opera and the Glimmerglass Festival (a nonprofit opera festival based in Cooperstown, New York), this forum happens at a time when Seattle Opera has been highly visible for its work to increase equity, which has included nuanced, and at times, charged conversations with communities of color who have helped to hold the company accountable. -
David Dichiera
DAVID DICHIERA 2013 Kresge Eminent Artist THE KRESGE EMINENT ARTIST AWARD HONORS AN EXCEPTIONAL ARTIST IN THE VISUAL, PEFORMING OR LITERARY ARTS FOR LIFELONG PROFESSIONAL ACHIEVEMENTS AND CONTRIBUTIONS TO METROPOLITAN DETROIT’S CULTURAL COMMUNITY. DAVID DICHIERA IS THE 2013 KRESGE EMINENT ARTIST. THIS MONOGRAPH COMMEMORATES HIS LIFE AND WORK. CONTENTS 3 Foreword 59 The Creation of “Margaret Garner” By Rip Rapson By Sue Levytsky President and CEO The Kresge Foundation 63 Other Voices: Tributes and Reflections 4 Artist’s Statement Betty Brooks Joanne Danto Heidi Ewing The Impresario Herman Frankel Denyce Graves 8 The Grand Vision of Bill Harris David DiChiera Kenny Leon By Sue Levytsky Naomi Long Madgett Nora Moroun 16 Timeline of a Lifetime Vivian R. Pickard Marc Scorca 18 History of Michigan Opera Theatre Bernard Uzan James G. Vella Overture to Opera Years: 1961-1971 Music Hall Years: 1972-1983 R. Jamison Williams, Jr. Fisher/Masonic Years: 1985-1995 Mayor Dave Bing Establishing a New Home: 1990-1995 Governor Rick Snyder The Detroit Opera House:1996 Senator Debbie Stabenow “Cyrano”: 2007 Senator Carol Levin Securing the Future By Timothy Paul Lentz, Ph.D. 75 Biography 24 Setting stories to song in MOTown 80 Musical Works 29 Michigan Opera Theatre Premieres Kresge Arts in Detroit 81 Our Congratulations 37 from Michelle Perron A Constellation of Stars Director, Kresge Arts in Detroit 38 The House Comes to Life: 82 A Note from Richard L. Rogers Facts and Figures President, College for Creative Studies 82 Kresge Arts in Detroit Advisory Council The Composer 41 On “Four Sonnets” 83 About the Award 47 Finding My Timing… 83 Past Eminent Artist Award Winners Opera is an extension of something that By David DiChiera is everywhere in the world – that is, 84 About The Kresge Foundation 51 Philadelphia’s “Cyranoˮ: A Review 84 The Kresge Foundation Board the combination of music and story. -
Sobre Análisis De La Dramaturgia Costarricense Actual (2018), Bajo La Dirección De José Luis García Barrientos
Sobre Análisis de la dramaturgia costarricense actual (2018), bajo la dirección de José Luis García Barrientos About Análisis de la dramaturgia costarricense actual (2018), under the Direction of José Luis García Barrientos ELAINE M. MILLER Christopher Newport University, EE.UU. [email protected] Resumen: En este texto la autora reseña el libro Análisis de la dramaturgia costarricense actual (Madrid: Ediciones Antígona, 2018), dirigido por José Luis García-Barrientos. Palabras clave: dramaturgia, teatro, obra dramática, Costa Rica Abstract: In this text the author reviews the book Análisis de la dramaturgia costarricense actual (Madrid: Ediciones Antígona, 2018), directed by José Luis García Barrientos. Keywords: Dramaturgy, Theater, Play, Costa Rica Istmo. Revista virtual de estudios literarios y culturales centroamericanos 39 (2019): 105-111. Recibido: junio de 2019; aceptado: julio de 2020. Cómo citar: Miller, Elaine. “Sobre Análisis de la dramaturgia costarricense actual (2018), bajo la dirección de José Luis García Barrientos”. Istmo. Revista virtual de estudios literarios y culturales centroamericanos 39 (2019): 105-111. Web. 106 Elaine M. Miller Sobre Análisis de la dramaturgia costarricense actual (2018) En 2018, Ediciones Antígona publicó en España Análisis de la dramaturgia costarricense actual, un libro dirigido por José Luis García Barrientos, profesor de investigación del Consejo Superior de Investigaciones Científicas (CSCIC) de España, que cuenta con ensayos analíticos sobre el trabajo de los siguientes dramaturgos costarricenses: Miguel Rojas, Melvin Méndez, Jorge Arroyo, Ana Istarú, Guillermo Arriaga y Ailyn Morera. Este libro pertenece a la serie de diez volúmenes que componen el proyecto “Análisis de la dramaturgia actual en español”, que forma parte del Plan Nacional de Investigación y Desarrollo del Gobierno de España.