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Index

Abbott, Craig S., 58 , 6–14, 48–52; of 16th- and Agüera y Arcas, Blaise, 106 17th-century books, 15–28, 31–47; of Ames, Joseph, 8–9 18th-century books, 52–56, 79–80, 82–84; Amory, Hugh, 96 of 19th- and 20th-century books, 56–59, analytical . See bibliographical 84–85. See also design; compositor analysis study; presswork study Anisson, Jean, 69, 110 bibliographical description, 93, 104, 159; Apollinaire, Guillaume, 66 collation formula in, 14, 91; definition artifacts, 2, 7, 30, 89; visual attributes of, of, 3, 4, 19, 46, 56, 104; title-page 61–62, 63, 66–68 transcription in, 89, 91 attribution of authorship, 98, 158 Bibliographical Society [London], 5, 17, 18, Austen, Jane, 105 19, 20–21, 22, 76, 89, 91, 92, 108; founding of, 11–12 Babbage, Charles H., 110 Bibliographical Society of America, 80 Bain, D. C., 105 Bibliographical Society of the University of Bain, Peter, 113 Virginia, 93 Bald, R. C., 25–26, 95 Bill, Max, 113 Ball, Douglas, 112 bindings, 4; custom, 87, 101, 112, 157; Barker, Nicolas, 57, 78, 79–80, 81, publishers’, 57, 87, 107, 112, 157. See also 108, 111, 114 bookmaking Barthes, Roland, 74 Blades, William, 7, 9–10, 12, 13, 89, 90 Baskerville, John, 55 Bland, David, 112 Bayfield, M. A., 98 Blayney, Peter W. M., 29, 35–36, 41, 46, 100, bearer type, 105, 156 101, 103 Beaumont, Francis, 98, 102 blind impressions, 105, 156 Beinecke , 114 Bloch, Marc, 108 Belanger, Terry, 94 Bloomfield, Paul, 110 Bennet, Thomas, 8, 89 Bodley Head, 85 Benton, Megan L., 86 Bond, W. H., 37–38 beta-radiographs, 56, 106, 107 , 9, 90, 158 Bible, 42-line (Gutenberg), 49, 106 : aesthetic study of, 68, 81–87, bibliographical analysis: and science, 158; basic principles for study of, 29, 18–19, 20, 95; criticisms of, 25–29, 94–96; 61–69, 88; cultural study of, 68, 75–81, definition of, 1–2, 3–4, 60, 62–64, 88, 113, 114, 158; psychological study of, 68, 113; historical development of theoretical 69–75, 110–12, 157–58 basis for, 6–30, 151–52; inductive reasoning book history. See books in society in, 24, 25–26, 27, 32, 35, 52, 95; lives of bookmaking: historical studies of the those engaged in, 152; of 15th-century elements of, 68–69, 77, 109, 111, 113, 159–60

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bookplates, 19, 116 collation: of signatures, 91; of text, 103 books in society, 2, 21, 28, 29–30, 62, composing sticks, 27, 98, 154 108, 158–59 composition (): speed of, 102. , 158–59 See also compositor study Bornstein, George, 86 compositor study, 26, 31–42, 58, 101, 153–54; Bouma, Herman, 112 habits in justification, 34, 98, 154; habits Bowden, Ann, 105 in setting headings, 33, 34, 153; habits Bowers, Fredson, 4, 22, 25, 55, 91, 95; career, in spelling, 31–36, 62, 98, 99, 153; habits 93–94, 107; on bibliographical method, in type substitutions, 34, 154; habits 22–24; on McKenzie, 28; on 19th-century in use of composing-stick measures, compositors, 58; on proofreading, 45–46; 27, 98, 154; identification of shops on running-titles, 37, 43, 45, 48 through compositorial practice, 97, 153; Bowyer, William, 27, 54, 56, 95 identification of shops through type and Bradley, Henry, 93 font analysis, 6–7, 8, 12, 14, 41–42, 49, 153; Bradshaw, Henry, 31, 49, 51, 89, 93; use of damaged types to determine order bibliographical method of, 6–7, 12, 13, of setting, 8, 14, 36–42, 47, 68, 100, 101, 14, 16, 93; descriptive formula of, 91; 154. See also ornaments influence of, 8, 9, 10–11, 12, 13, 18; letters computers, 4, 47, 105 of, 89, 90 concrete poetry, 67, 74, 85, 115–16 Briem, Gunnlaugur S. E., 75, 112 Congreve, William, 82–83, 84 British Association for the Advancement of Conley, Tom, 86 Science, 110 Constance Missal, 50, 106 British Library, 51, 105 Copinger, W. A., 11–12, 20 British Museum, 12–14, 51, 90 Crane, Ralph, 98 Bronson, Bertrand H., 79 Crutchley, Brooke, 115 Brown, Bob, 85 Cummings, E. E., 84 Bruccoli, Matthew J., 58, 108 cyclotrons, 56, 107 Bühler, Curt F., 23, 48, 49, 105 Burke, Christopher, 113 Darnton, Robert, 108 Burnhill, Peter, 111, 112 Davis, Herbert, 26, 95 Burt, Cyril, 69–71, 73, 74, 110 Davison, Peter, 95 Dawson, Giles E., 105 Cambridge: University, 5, 6, 91, 93; Dawson, Robert, 106 University Library, 90; University Press, de Machlinia, William, 48 8, 26, 27, 80, 97, 115 De Meyer, M. J., 6, 89 Campbell, M. F. A. G., 10–11, 90 deckle: defined, 47 cancels, 57, 58, 62, 104, 156; defined, 55 descriptive bibliography. See bibliographical Capell, Edward, 89 description Carroll, Lewis, 67, 86 Dibdin, Thomas Frognall, 9, 11 Carter, John, 56, 90, 107 Dickinson, Donald C., 107 casting off copy. See compositor study: use Didot type, 69, 110 of damaged types Doh, Herman, 98 Catholicon, 52, 106 Doran, Madeleine, 25, 95 Caxton, William, 10 Draudt, Manfred, 96 chainlines, 9, 38, 47, 55. See also Drucker, Johanna, 86, 114, 115 presswork study: analysis of paper and determination of imposition and format . See textual criticism Chapman, R. W., 55, 93 editions: identification of, 103; sizes of, Chicago, University of, 53 44–45. See also impressions Church, Margaret, 115 Edwards, A. W. F., 5 Clarke, Adam, 90 Eggert, Paul, 108 codicology. See manuscripts Eisenstein, Elizabeth, 108

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Elam, Kimberly, 86 Graphic Forms, 113 electronic databases, 47, 105 Gray, Nicolete, 114 electronic texts, 4 Greg, W. W., 5, 23, 24, 91, 92, 95, 99, 102; Eliot, T. S., 67, 77 on nature of bibliography, 18–22, 113; on Engelhard Lectures, 4 copy-text, 82, 84, 114; on description, 93; English Short-Title Catalogue, 105 on McKerrow, 92; on Pavier quartos, 16, enumerative bibliography, 20–21, 92 50; on printer’s copy, 97; on proofreading, Erdman, David V., 98 45; relation of to Pollard, 91; style of, 23 Esrock, Ellen J., 111 Grendler, Paul F., 113 Ezell, Margaret J. M., 86 Gutenberg, Johann, 106; 42-line Bible, 49, 106 facsimiles, 49, 80, 101, 107 Gutjahr, Paul C., 86 Farnham, Willard, 98 Farr, Cecilia K., 86 Haebler, Konrad, 12 Febvre, Lucien, 29, 108 Hailey, R. Carter, 56 film, 61 Hammond, Anthony, 98 fingerprinting (to identify editions), 103 Hanes Lectures, 108 first-forme impressions, 46, 47, 49, 56, Hansard, T. C., 110 104, 156 Harris, Neil, 97, 103, 105 Fisher, Dennis F., 112 Hartley, James, 111, 112 Fleeman, J. D., 54–55, 105 Harvard University, 113 Fleming, Patricia Lockhart, 105 Hawthorne, Nathaniel, 58 Fletcher, John, 98, 102 Hazen, Allen, 55 Flores, R. M., 98 headings, 33, 34, 153 Fogel, Ephim G., 98 headlines: defined, 43. See also presswork folio: defined, 38 study: analysis of running-titles Foot, Mirjam, 112 Heller, Scott, 61 forensics, 5, 159 Hellinga, Lotte, 48, 49, 51, 90 Forman, Harry Buxton, 57 Hellinga, Wytze, 90 format: defined, 38–39. See also forme; Heninger, S. K., 115 presswork study: determination of Herbert, George, 66, 86, 116 imposition and format Herbert, William, 9 forme: defined, 16, 38, 44; inner, 38. Higgins, Dick, 115 See also format Hill, T. H. See Howard-Hill, T. H. Foster, Stephen C., 112 Hill, W. Speed, 96 Fox, Peter, 5 Hinman, Charlton, 22, 25, 36, 41, 60, 93, Foxon, David F., 55, 56, 83–84, 89 103; collating machine, 103; facsimile of Francis, F. C., 91 First Folio, 49, 101; major book, 24–25; on furniture, 58, 157; defined, 102 box rules, 102; on identification of type- cases, 37, 42; on setting by formes, 39–40, Gants, David L., 105 101; on running-titles, 43, 44–45, 48; on Garamond type, 69, 110 spelling, 32, 33, 34, 35 Gascoigne, Bamber, 99 histoire du livre. See books in society Gaskell, Philip, 4, 28, 53, 55, 93, 100, 102, 109 history of bookmaking and its elements. Gaskell, Roger, 99 See bookmaking gathering, 17, 62, 97; defined, 38, 100. Hobson, Anthony, 112 See also quire Hodnett, Edward, 112 Gerard, David, 108 Holinshed, Raphael, 102 Gibson, Strickland, 89 Höltgen, Karl Josef, 86 Gilson, David, 105 Holtrop, J. W., 10, 90 Glaister, Geoffrey, 109 Honigmann, E. A. J., 26, 98, 99 Grant, John Cameron, 110 Horne, Thomas Hartwell,9

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Housman, A. E., 95 Lee, Marshall, 111 Howard-Hill, T. H., 35, 98, 99 Lee, Sidney, 15 Howe, Susan, 85 legibility, 68, 69–75, 110–12, 157–58 Hoy, Cyrus, 98 Legros, Alphonse, 110 Huey, E. B., 110 letterforms. See type designs: typography lettering: public, 77–79, 85–86, 114 illustrations: 4, 62, 65, 83, 87, 99–100, 112, Levenston, Edward A., 86 157; engravings, 99–100; woodcuts, 14, Levin, Edward S., 112 37, 99, 100. See also bookmaking Lewis, Wyndham, 73 imposition: defined, 43, 100. See also librarianship, 158–59 presswork study: determination of line length and spacing. See typography imposition and format Lister, William, 72 impressions: defined, 53; identification of, Littau, Karin, 86 57, 58. See also editions Love, Harold, 98, 115 . See incunabula Luborsky, Ruth Samson, 115 incunabula: defined, 8. See also , 23, 83, 84 bibliographical analysis: of 15th-century books Machiels, J., 90 intention: of authors, 28, 62, 65–68, 81–87, Maguire, Laurie E., 96, 99 115; of designers and publishers, 65, Mallarmé, Stéphane, 66 70, 81 manuscripts, 4, 114, 159 Manutius, Aldus, 106 Jackson, MacD. P., 96 maps, 4, 99 Jackson, W. A., 105 marginalia, 87, 114 Jaggard, William, 16, 91 margins. See typography Janssen, Frans A., 97 Martin, Henri-Jean, 29, 108 Javal, Émile, 110 Maslen, Keith, 95, 104 Jenkinson, Francis, 11, 89, 90 Massinger, Philip, 33 Johnson, A. F., 111 Masters, Richard, 108 Johnson, Barry, 91 material culture. See artifacts Johnson, Edward, 102 Mattaire, Michael, 9 Johnson, Francis R., 43 McGann, Jerome J., 62, 67, 84–85, 109 Johnson, Samuel, 105 McIlwraith, A. K., 33 Jones, J. Winter, 10, 90 McKenzie, D. F., 45, 91, 95, 98, 108; on justification, 98, 154; defined, 34 authorial use of typography, 82–83; on bibliographical method, 25, 26–29, 35, Kaufmann, Michael, 86 40, 102; on Cambridge University Press, Kelmscott Press, 85 96–97; on cultural clues, 75–76; on press King, Edmund M. B., 112 figures, 55; on textual criticism, 84, 114–15 Kinross, Robin, 113 McKerrow, Ronald B., 92, 93, 97, 99; Kirschbaum, Leo, 26, 95 Introduction to Bibliography, 4, 17–18, Knotts, Walter E., 53 92; on ornaments, 37, 102; on seriatim Kolers, Paul A., 112 setting, 100; on spelling, 33; on tests for Krupp, Andrea, 108 editions, 103 Kyles, Gillian G. M., 58 McKitterick, David, 5, 90, 91, 92, 93, 111, 113; on relation of books and manuscripts, Lancaster, John, 95 114; on responses to typography, 80–81 language, 7 McLaverty, James, 83 Lappin, Linda, 114 McLeod, Randall, 100, 102, 105, 116 Latimer, Ronald Lane, 109 McManaway, James G., 48 Lawley, S. W., 90 McMullin, B. J., 54, 55, 57, 58, 106 leading, 58, 157 Melville, Herman, 59

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Middleton, Thomas,40 , 101 Pickwoad, Nicholas, 101 Missale speciale, 50, 106 plates, 52, 57, 58, 108, 157 Mitchell, C. J., 97 point-holes, 46, 47, 56, 62, 104, 155; defined, Moore, J. K., 103 13, 46 Morison, Stanley, 7, 69, 74, 90, 111; on Pollard, A. W., 18, 21, 29, 90, 91, 92, 93, 95, concept of bibliography, 113; on cultural 96, 97, 99; British Museum catalogue, associations of letterforms and book 12, 13–14, 51; on Greg, 91; on of design, 73, 77–79, 80, 81; on history of Shakespeare, 15–17, 43; on spelling, 59, 99; type designs, 111, 113; on legibility of type, Short-Title Catalogue, 92 71–72, 110; on Reed, 89 Pollard, Graham, 56 Morris, Ellen K., 112 Poole, William Frederick, 102 Morris, William, 85 Pope, Alexander, 55, 56, 83–84, 107 Moxon, Joseph, 98 Pound, Ezra, 67–68, 85 Mumby, F. A., 108 Povey, Kenneth, 54, 103–04 Munby, A. N. L., 93 press figures, 27, 52–55, 62, 106, 156 music, 4, 99, 100 pressmen: speed of work, 102. See also Myers, Robin, 90 presswork study presswork study, 43–47, 49, 51–52, 154–57; Needham, Paul, 5, 49, 89, 106, 112; on analysis of bearer-type impressions, 105, bibliographical method, 11, 51–52, 59, 91; 156; analysis of cancels, 55, 57, 58, 62, on Catholicon, 52, 106; on German and 156; analysis of furniture width, 58, 157; Dutch bibliographers, 90, 91, 105; on analysis of leading, 58, 157; analysis of Gutenberg’s type, 106; on paper analysis, offset slur, 58, 157; analysis of paper, 9, 51–52, 55, 104, 105, 106 14, 16, 38–39, 47, 50–51, 55–56, 58, 105, New Bibliography. See bibliographical 154–55; analysis of plate damage, 57, 58, analysis: definition of and of 16th- and 157; analysis of point-hole positions, 13, 17th-century books 46, 47, 56, 62, 104, 155; analysis of press Newell, Kenneth, 115 figures, 27, 52–55, 62, 106, 156; analysis of Nodier, Charles, 67 proofreading, 45–46, 49, 103, 156; analysis of running-titles and skeleton-formes, octavo: defined, 38 16, 22, 25, 27, 37, 43–46, 47, 48, 56, 62, offset, 57, 58 102, 105, 107, 155; analysis of signatures, O’Keeffe, Katherine O’Brien, 86 13, 17, 59, 91, 155; analysis of stop-press ornaments, 37, 100, 102 alterations, 8, 14, 46, 62, 103, 108, 156; Ovink, G. W., 110 determination of first-forme impressions, 46, 47, 49, 56, 104, 156; determination of Paisey, David, 105 imposition and format, 9, 38–39, 43, 47, palaeography. See manuscripts 53, 57–58, 62, 68, 100–1, 155 , 35 Price, H. T., 94–95 Pantzer, Katharine F., 92 primary records, 27–28, 95 Panzer, G. W. F., 9, 13 printer’s copy, 13, 97–98 paper: quality marks, 106; relation to printing history, 109. See also legibility, 110; sizes, 100. See also bookmaking bookmaking; presswork study: analysis . See impressions of paper and determination of imposition Proctor, Robert, 12, 13, 91 and format Prokosch, Frederick, 57 Parkes, M. B., 109 proofreading, 45–46, 49, 103, 156 Paterson, Donald G., 110 Prothero, G. W., 10, 90 Pavier, Thomas, 16, 50 provenance, 116, 158 Pearson, David, 116 Prown, Jules David, 89 perfecting: defined, 45 history, 57, 108. See also Petrucci, Armando, 114 bookmaking; books in society

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punctuation: history of, 109 Simon, Oliver, 72 Pyke, R. L., 110, 111 Simpson, Percy, 103 skeleton-formes: defined, 44. quarto: defined, 38 See also presswork study: analysis quire, 25, 39; defined, 100. See also gathering of running-titles Smith, Michael S., 105 and readers’ responses, 2, 7, 61–62, Smith, Steven Escar, 103 63–64, 65, 66, 80, 109, 111, 114, 158–59. See Snyder, Henry L., 105 also book design: psychological study of Sobry, Jean François, 110 Reed, Talbot Baines, 89, 90 Somervile, William, 54 Renaissance drama. See bibliographical sort, 49; defined, 42 analysis: of 16th- and 17th-century books Sparrow, John, 85–86, 115 reproductions, 99 speech prefixes, 33, 34, 153 Roberts, Julian, 91 spelling: compositors’ habits of, 31–36, 62, Rodriguez, Catherine, 58 98, 99, 153; history of, 99, 109 Roethlein, Barbara E., 110 Spenser, Edmund, 115 Rogers, Shef, 67–68 stage directions, 33, 34, 153 Rookledge, Gordon, 111 Steele, Oliver, 57 Rosenbach Lectures, 23, 94 Steinberg, S. H., 109 Rosenthal, Bernard M., 114 Stevens, Wallace, 109 Roxburghe, Duke of, 9 Stevenson, Allan H., 52, 94, 105, 106; on running-titles. See presswork study: analysis paper analysis, 50–51, 53, 55, 107 of running-titles Stoddard, Roger E., 109 Stokes, Roy, 89 Sadleir, Michael, 104, 107 stop-press alterations, 8, 14, 46, 62, 103, Saenger, Paul, 114 108, 156 Sandars, Samuel, 91 Studies in Bibliography, 22–23, 25, 26, 48, Sandars Lectures, 1, 5, 12, 23, 84, 86, 90, 94 53, 55, 94 Sandfords, E. C., 110 Suarez, Michael F., 108 Satchell, Thomas, 31–32, 33, 98 Swann, Cal, 86 Sayce, R. A., 97 Schmidgall, Gary, 108 Tannenbaum, Samuel A., 95 scholarly editing. See textual criticism Tanselle, G. Thomas: on bibliographical Schoonover, David, 107 description, 4, 91, 104, 111; on textual Schwab, Richard N., 107 criticism, 89, 96, 108, 109, 114; writings Schwenke, Paul, 12, 49, 51, 91, 105 on other topics, 58, 89, 91, 92, 93, 95, 99, Scott, Walter, 105 100, 101, 104, 106, 108, 114; Introduction Scragg, D. G., 109 to Bibliography cited, 3, 98, 108, 109, 111, setting by formes. See compositor study: use 113, 114, 116 of damaged types Teague, Walter Dorwin, 113 Shakespeare, William, 14; Folio, 16, textual collation, 103 24–25, 31–32, 33–34, 37, 39, 42, 49, textual criticism, 15, 17, 19, 21, 23, 26, 28–29, 97, 99, 101; 2 Henry IV, 98; King Lear, 35, 39, 58, 62, 66, 82–83, 84, 93, 96, 97, 108, 45, 99; Macbeth, 31–32, 34; Pavier quartos, 160. See also intention 16, 50; Richard II, 33 Thackeray, William M., 67 Shaw, David, 95 Thomson, Ellen Mazur,113 Shaw, Paul, 113 Tinker, Miles A., 110 sheet-numbers, 105, 106 Todd, William B., 52–54, 56, 105, 107 Shillingsburg, Peter L., 58 Tomlinson, William, 108 signatures: analysis of, 59, 91, 97, 103, 155; Tonson, Jacob, 82 defined, 13, 17 Traherne, Thomas, 66 Simmons, J. S. G., 107 Tribble, Evelyn B., 86

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Trinity College, Cambridge, 91 Walker, Alice, 33, 34, 35, 95, 99 Trollope, Anthony, 104 Wallau, Heinrich, 49 Tschichold, Jan, 113 Waller, Robert H. W., 115 Turner, Robert K., Jr., 101 Warde, Beatrice, 72, 110 Twain, Mark, 67 watermarks, 38–39, 47, 58, 105. See also Twyman, Michael, 75, 99, 109, 114 presswork study: analysis of paper and type-cases. See compositor study: determination of imposition and format identification of shops through type and Webster, John, 98 font analysis Weiss, Adrian, 95, 102, 103; on fill-in jobs, type damage. See compositor study: use of 41, 101; on identifying type-cases, 42, damaged types 49; on use of originals, 99; on setting by type designs: history of, 111, 113. See also formes, 40–41 bookmaking; typography Wells, Stanley, 101 typesetting: speed of, 102. See also Werstine, Paul, 96, 98 compositor study Whitman, Walt, 87 typography: historical associations of, 73, Wiggins, Richard H., 74 75–81; stylistic details of, 68, 69–70, 71, Williams, George Walton, 101 72, 74, 76, 79, 82, 83, 84–85, 87 Williams, Philip, 99 Williams, William Carlos, 84 Updike, D. B., 110 Williamson, Hugh, 72 Williamson, William L., 89, 102 van Thienen, Gerard,90 Willoughby, E. E., 33–34, 37, 43 Vander Haeghen, Ferdinand, 90 Wilson, F. P., 15–16, 22, 91, 92 Vander Meulen, David L., 4, 5, 93, 106, Wilson, John Dover, 92, 93, 94–95 108; on analysis of Dunciad, 55–56, Winship, Michael, 58 107; on bibliographical analysis in Wise, Thomas J.,57 general, 97; on paper analysis, 55–56, 104 Wrolstad, Merald E., 73–75, 111–12 video, 61 Wyllie, John Cook, 57 Virginia, University of, 22, 23, 93–94 Visible Language, 73–74, 111 x-height: defined, 71. See also typography

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