DOCSLIB.ORG

Jazz at Lincoln Center Orchestra with Wynton Marsalis and Special Guest Jon Batiste

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jazz at Lincoln Center Orchestra with Wynton Marsalis and Special Guest Jon Batiste Sunday, September 23, 2018, 5:30pm Hearst Greek Theatre Jazz at Lincoln Center Orchestra with Wynton Marsalis and special guest Jon Batiste Celebrating Duke Ellington Wynton Marsalis, music director, trumpet Ryan Kisor, trumpet Kenny Rampton, trumpet Marcus Printup, trumpet Vincent Gardner, trombone Chris Crenshaw, trombone Elliot Mason, trombone Sherman Irby, alto and soprano saxophones, flute, clarinet Ted Nash, alto and soprano saxophones, flute, clarinet Victor Goines, tenor and soprano saxophones, clarinet, bass clarinet Greg Tardy, tenor and soprano saxophones, clarinet Paul Nedzela, baritone and soprano saxophones, bass clarinet Dan Nimmer, piano Carlos Henriquez, bass Charles Goold drums is evening’s program will be announced from the stage. e performance will be performed without intermission and will last approximately 90 minutes. Brooks Brothers is the official clothier of the Jazz at Lincoln Center Orchestra with Wynton Marsalis. Jazz at Lincoln Center Visit us at jazz.org. Become our fan on Facebook: facebook.com/jazzatlincolncenter. Follow us on Twitter: twitter.com/jazzdotorg. Watch us on YouTube: youtube.com/jazzatlincolncenter . Residency and education activities generously underwritten by Maris & Ivan Meyerson. Cal Performances’ 2018 –19 season is sponsored by Wells Fargo. 15 ABOUT THE ARTISTS he Jazz at Lincoln Center Orchestra (1994); e Fire of the Fundamentals (1993); and with Wynton Marsalis (JLCO) com - Portraits by Ellington (1992). Visit jazz.org for Tprises 15 of the finest jazz soloists and more information. ensemble players today. Led by Wynton Mar - salis, Jazz at Lincoln Center’s managing and Jazz at Lincoln Center is dedicated to inspiring artistic director, this remarkably versatile or - and growing audiences for jazz. With the world- chestra performs a vast repertoire that ranges renowned Jazz at Lincoln Center Orchestra and from original compositions and Jazz at Lincoln a comprehensive array of guest artists, Jazz at Center-commissioned works to rare historic Lincoln Center advances a unique vision for the compositions and masterworks by Duke continued development of the art of jazz by pro - Elling ton, Count Basie, Fletcher Henderson, ducing a year-round schedule of performance, e lonious Monk, Mary Lou Williams, Dizzy education, and broadcast events for audiences Gilles pie, Benny Good man, Charles Mingus, of all ages. ese productions include concerts, and many others. e JLCO has been the Jazz national and international tours, residencies, at Lincoln Center resident orchestra since 1988, weekly national radio programs, television performing and leading educational events in broad casts, recordings, publications, an annual New York, across the United States, and around high school jazz band competition and festival, the globe. Alongside symphony orchestras, a band director academy, jazz appreciation cur - ballet troupes, local students, and an ever- ricula for students, music publishing, children’s expanding roster of guest artists, the JLCO has concerts and classes, lectures, adult education toured over 300 cities across six continents. courses, student and educator workshops, a Guest conductors have included Benny Carter, record label, and interactive websites. Under the John Lewis, Jimmy Heath, Chico O’Farrill, Ray leadership of managing and artistic director Santos, Paquito D’Rivera, Jon Faddis, Robert Wynton Marsalis, chairman Robert J. Appel, Sadin, David Berger, Gerald Wilson, and Loren and executive director Greg Scholl, Jazz at Lin - Schoenberg. e JLCO has been voted best big coln Center produces thousands of events each band in the annual Down Beat Readers’ Poll for season in its home in New York City, Frederick the past four years. P. Rose Hall, and around the world. For more In 2015 Jazz at Lincoln Center announced the information, visit jazz.org. launch of Blue Engine Records, a new platform to make its archive of recorded concerts avail - Wynton Marsalis is the managing and artistic able to jazz audiences everywhere. e first director of Jazz at Lincoln Center and a world- release from Blue Engine Records, Live in Cuba, renowned trumpeter and composer. Born in was recorded on an historic 2010 trip to Havana New Orleans, Louisiana in 1961, Marsalis began by the JLCO and was released in October 2015. his classical training on trumpet at age 12, en - Big Band Holidays was released in December tered the Juilliard School at age 17, and then 2015, e Abyssinian Mass came out in March joined Art Blakey and the Jazz Messengers. He 2016, and e Music of John Lewis came out in made his recording debut as a leader in 1982, March 2017. Handful of Keys , featuring a group and has since recorded more than 60 jazz and of all-star guest pianists, arrived in September classical recordings, which have won him nine 2017. To date, 14 other recordings featuring the Grammy Awards. In 1983 he became the first JLCO have been released and distributed inter - and only artist to win both classical and jazz nationally: Vitoria Suite (2010); Portrait in Seven Grammys in the same year (he repeated this feat Shades (2010); Congo Square (2007); Don’t Be in 1984). Marsalis is also an internationally Afraid…e Music of Charles Mingus (2005); A respected teacher and spokesman for music ed - Love Supreme (2005); All Rise (2002); Big Train ucation, and has received honorary doctorates (1999); Sweet Release & Ghost Story (1999); Live from dozens of US universities and colleges. He in Swing City (1999); Jump Start and Jazz (1997); has written six books; his most recent are Blood on the Fields (1997); ey Came to Swing Squeak, Rumble, Whomp! Whomp! Whomp! , Opposite: Wynton Marsalis, photo by Joe Martinez. Jon Batiste, photo by Sasha Israel. 1 ABOUT THE ARTISTS illustrated by Paul Rogers and published by charts as the No. 1 jazz album in the world. Candlewick Press in 2012, and Moving to Higher Batiste is also a coveted brand ambassador fea - Ground: How Jazz Can Change Your Life with tured in campaigns for Chase, Apple, Lincoln Geoffrey C. Ward, published by Random House Motor Company, and numerous fashion brands, in 2008. In 1997 Marsalis became the first jazz including Bonobos, Ralph Lauren, Barney’s, and artist to be awarded the prestigious Pulitzer Nordstrom. He has worked with photographers Prize in music for his oratorio Blood on the including Annie Leibowitz, and his personal Fields, which was commissioned by Jazz at style has been profiled in various fashion publi - Lincoln Center. In 2001 he was appointed cations, including GQ , Vanity Fair , and Vogue . Messenger of Peace by Kofi Annan, Secretary- Batiste’s mission is to share his faith, hope, and General of the United Nations, and he has also love with the world around him. been designated cultural ambassador to the United States of America by the US State Chris Crenshaw (trombone ) was born in Department through its Culture Connect pro - omson, Georgia on December 20, 1982. Since gram. Marsalis was instrumental in the Higher birth, he has been driven by and surrounded Ground Hurricane Relief concert, produced by by music. When he started playing piano at age Jazz at Lincoln Center. e event raised more three, his teachers and fellow students noticed than $3 million for the Higher Ground Relief his aptitude for the instrument. is love for Fund to benefit the musicians, music industry- piano led to his first gig with Echoes of Joy, his related enterprises, and other individuals and father Casper’s gospel quartet group. Crenshaw entities from the areas in Greater New Orleans started playing the trombone at 11, receiving who were affected by Hurricane Katrina. Mar - honors and awards along the way; he graduated salis helped lead the effort to construct Jazz from omson High School in 2001 and re - at Lincoln Center’s home—Frederick P. Rose ceived his bachelor’s degree with honors in jazz Hall—the first education, performance, and performance from Valdosta State University in broadcast facility devoted to jazz, which opened 2005. Crenshaw was named Most Outstanding in October 2004. Student in the VSU music department and Col lege of Arts. In 2007 he received his master’s Jon Batiste (piano ) is an internationally ac - degree in jazz studies from the Juilliard School, claimed musician, bandleader, and composer. where his teachers included Dr. Douglas Farwell As an educator and television personality, he and Wycliffe Gordon. Crenshaw has appeared spreads his unbridled optimism coupled with a as a sideman on fellow JLCO trumpeter Marcus profound understanding of the arts. Born into a Printup’s Ballads All Night and on Wynton Mar - long lineage of New Orleans musicians, Batiste salis and Eric Clapton Play the Blues . He joined earned his master’s degree at the Juilliard School. the Jazz at Lincoln Center Orchestra in 2006, Aer graduating, he toured globally with his and in 2012 composed God’s Trom bones , a spir - band Stay Human and he currently appears itually-focused work that was premiered by the nightly on national television as the bandleader orchestra at Jazz at Lincoln Center. and musical director for e Late Show with Stephen Colbert . Batiste is a Forbes “30 under 30” Vincent Gardner (trombone ) was born in Chi - honoree, musical director for e Atlantic , and cago in 1972 and was raised in Hampton, creative director of the National Jazz Museum Virginia. Aer singing, playing piano, violin, in Harlem. He balances a demanding perform - saxophone, and French horn at an early age, ance schedule with speaking engagements, he decided, at age 12, to focus on the trombone. curating events, and occasional acting and pro - Gardner attended Florida A&M University and ducing opportunities, all while relentlessly com - the University of North Florida. He soon caught posing new music. His album Social Music spent the ear of Mercer Ellington, who hired Gardner over a month atop the Billboard and iTunes jazz for his first professional job. He moved to 1 PLAYBILL ABOUT THE ARTISTS n o s u g r e F r e p i P Jazz at Lincoln Center Orchestra Brook lyn, New York, aer graduating from col - Victor Goines (tenor and soprano saxophones, lege, completed a world tour with Lauryn Hill clarinet, bass clarinet ) is a native of New Orleans, in 2000, and then joined the JLCO.
Load more

Recommended publications
  • Jazz at Lincoln Center Orchestra with Wynton Marsalis
    Thursday, September 29, 2016, 8pm Paramount Theatre, Oakland Jazz at Lincoln Center Orchestra with Wynton Marsalis Wynton Marsalis, music director, trumpet Ryan Kisor, trumpet Kenny Rampton, trumpet Marcus Printup, trumpet Vincent Gardner, trombone Chris Crenshaw, trombone Elliot Mason, trombone Sherman Irby, alto and soprano saxophones, flute, clarinet Ted Nash, alto and soprano saxophones, flute, clarinet Victor Goines, tenor and soprano saxophones, clarinet, bass clarinet Walter Blanding, tenor and soprano saxophones, clarinet Paul Nedzela, baritone and soprano saxophones, bass clarinet Dan Nimmer, piano Carlos Henriquez, bass Ali Jackson, drums Tonight’s program will be announced from the stage and performed without an intermission. Brooks Brothers is the official clothier of the Jazz at Lincoln Center Orchestra with Wynton Marsalis. For more information, please visit jazz.org. Facebook: facebook.com/jazzatlincolncenter Twitter: twitter.com/jazzdotorg YouTube: youtube.com/jazzatlincolncenter Cal Performances' presentations in Oakland are generously underwritten by Signature Development Group. Jazz residency and education activities are generously underwritten by the Thatcher Meyerson Family. ABOUT THE ARTISTS he mission of Jazz at Lincoln Center is country, woven with the colorful stories of the to entertain, enrich, and expand a global artists behind them. Jazz Night in America and Tcommunity for jazz through perform- Jazz at Lincoln Center’s radio archive can be ance, education, and advocacy. With the found at jazz.org/radio. world-renowned Jazz at Lincoln Center Orch - Under music director Wynton Marsalis, the estra and guest artists spanning genres and JLCO spends over a third of the year on tour. generations, Jazz at Lincoln Center produces The big band performs a vast repertoire, from thousands of performance, education, and rare historic compositions to Jazz at Lincoln broadcast events each season in its home in Center-commissioned works, including com- New York City (Frederick P.
    [Show full text]
  • RUFUS REID Several Times in Europe; in 2009, Mcferrin Invited Him the American Jazz Language in Europe
    ARTIST FEATURE Recommended Listening: • Andreas Schaerer & Bänz Oester— S D R Schibboleth (Unit, 2008) O C • Hildegard Lernt Fliegen— E R Cinéma Hildegard (Unit, 2010) T K • Peter Rom, Andreas Schaerer, Martin Eberle— A T At The Age Of Six I Wanted To Be A Cook N I F ANDREAS (Unit/Jazzwerkstatt Wien, 2013) O Y • Andreas Schaerer & Lucas Niggli— S E T Arcanum (Intakt, 2013) R U • Hildegard Lernt Fliegen—The Fundamental Rhythm O C Of Unpolished Brains (Enja/Yellowbird, 2014) / I • Andreas Schaerer meets ARTE Quartett & Wolfgang L O Zwiauer—Perpetual Delirium (BMC Records, 2014) E R D SCHAERER N A O T E R by alex henderson From musicians to record companies to clubs and Hildegard Lernt Fliegen—which means “Hildegard festivals, Europe has been an important contributor to Learns to Fly” in German and features trombone/tuba; avant garde jazz. Instrumentalists continue to dominate baritone and alto saxophone and bass clarinet; alto and yet Europe has its risk-taking avant garde vocalists as soprano saxophone; upright bass; drums, percussion well. One of them is 38-year-old Andreas Schaerer, and marimba alongside Schaerer’s vocals—including a who has been attracting attention with both his lyrics self-titled album in 2007, Vom Fernen Kern der Sache in and his wordless scat-singing. The Swiss improviser 2009 and Cinéma Hildegard in 2010, as well as 2008’s has favored an inside/outside approach, incorporating Schibboleth with bassist Bänz Oester. Schaerer has also influences ranging from Bobby McFerrin and Frank co-led the trio Rom/Schaerer/Eberle with guitarist Zappa to experimental classical music.
    [Show full text]
  • Fact Sheet 2009
    Wynton Marsalis FACT SHEET 2009 Wynton Marsalis, is the Artistic Director of Jazz at Lincoln Center since its inception in 1987, in addition to performing as Music Director of the Jazz at Lincoln Center Orchestra since it began in 1988, has: Early Life . Born on October 18, 1961, in New Orleans, Louisiana, the second of six sons to Ellis and Dolores Marsalis . At age 8, performed traditional New Orleans music in the Fairview Baptist Church band led by legendary banjoist Danny Barker . At age 12, began studying the trumpet seriously and gained experience as a young musician in local marching, jazz and funk bands and classical youth orchestras . At age 14, was invited to perform the Haydn Trumpet Concerto with the New Orleans Philharmonic . At age 17 became the youngest musician ever to be admitted to Tanglewood’s Berkshire Music Center and was awarded the school’s prestigious Harvey Shapiro Award for outstanding brass student . 1979 Entered The Juilliard School in New York City to study classical trumpet . 1979 Sat in with Art Blakey and the Jazz Messengers to pursue his true love, jazz music. 1980 Joined the band led by acclaimed master drummer Art Blakey . In the years to follow, performed with Sarah Vaughan, Dizzy Gillespie, Gerry Mulligan, John Lewis, Sweets Edison, Clark Terry, Sonny Rollins and countless other jazz legends Acclaimed Musician, Composer, Bandleader . 1982 Recording debut as a leader . 1983 Became the first and only artist to win both classical and jazz GRAMMY® Awards in one year . 1984 Won classical and jazz GRAMMY® Awards for a second year .
    [Show full text]
  • Bobby Hutcherson, Vibraphonist with Coloristic Range of Sound, Dies at 75
    Bobby Hutcherson, Vibraphonist With Coloristic Range of Soun... http://www.nytimes.com/2016/08/17/arts/music/bobby-hutchers... http://nyti.ms/2bdO8F9 MUSIC Bobby Hutcherson, Vibraphonist With Coloristic Range of Sound, Dies at 75 By NATE CHINEN AUG. 16, 2016 Bobby Hutcherson, one of the most admired and accomplished vibraphonists in jazz, died on Monday at his home in Montara, Calif. He was 75. Marshall Lamm, a spokesman for Mr. Hutcherson’s family, confirmed the death, saying Mr. Hutcherson had long been treated for emphysema. Mr. Hutcherson’s career took flight in the early 1960s, as jazz was slipping free of the complex harmonic and rhythmic designs of bebop. He was fluent in that language, but he was also one of the first to adapt his instrument to a freer postbop language, often playing chords with a pair of mallets in each hand. He released more than 40 albums and appeared on many more, including some regarded as classics, like “Out to Lunch,” by the alto saxophonist, flutist and bass clarinetist Eric Dolphy, and “Mode for Joe,” by the tenor saxophonist Joe Henderson. Both of those albums were a byproduct of Mr. Hutcherson’s close affiliation with Blue Note Records, from 1963 to 1977. He was part of a wave of young artists who defined the label’s forays into experimentalism, including the pianist Andrew Hill and the alto saxophonist Jackie McLean. But he also worked with hard-bop stalwarts like the tenor saxophonist Dexter Gordon, and he later delved into jazz-funk and Afro-Latin grooves. Mr. Hutcherson had a clear, ringing sound, but his style was luminescent and 1 of 4 8/17/16, 2:43 PM Bobby Hutcherson, Vibraphonist With Coloristic Range of Soun..
    [Show full text]
  • Seconded By~+--~· \ Gq '
    PUBUC WORKS &GANG REDUCTiO. -. MOTION Gerald Wilson played for more than 75 years, a musician who delighted millions, all over the world, with his music. Wilson later served in the US Navy and while there he played with musicians like Clark Terry, Willie Smith and Jimmy Nottingham which would later be reunited as "The Great Lakes Experience Big Band." In the 1940s, Gerald made his way out to Los Angeles and began working the club circuit along the famous South Central Avenue corridor, including famous musical venues like and the Dunbar Hotel. It was along Central that Gerald solidified his musical career, providing guidance and assistance to a number of up and coming jazz musicians like Bobby Bryant, Harold Land Jr., Jack Wilkins and many others and helping to make Los Angeles the epicenter of Jazz on the west coast. Over more than seven decades, Gerald played and arranged for a tremendous number of jazz legends including Duke Ellington, Dizzy Gillespie, Nancy Wilson, Sarah Vaughan, Ray Charles, Julie London, Ella Fitzgerald and Dinah Washington, among many others. But Gerald was driven to do more for his community. So he spent several years as a professor at California State University Los Angeles, California State University Northridge, Cal Arts and the University of California at Los Angeles, helping to train a new generation of jazz aficionados and musicians and where he was recognized several times by students and faculty as "teacher ofthe year." I THEREFORE MOVE that the intersection of 42nd Place and S. Central Avenue be named as "Gerald Wilson Square" and that the Department of Transportation be directed to fabricate and install permanent ceremonial signs to this effect at this location, in consultation with Council District 9, in recognition of Gerald Wilson dedication to bringing music education to the Greater Los Angeles Community.
    [Show full text]
  • Jazzletter P-Q Ocrober 1986 P 5Jno;..1O
    Jazzletter P-Q ocrober 1986 P 5jNo;..1o . u-1'!-an J.R. Davis,.Bill Davis, Rusty Dedrick, Buddy DeFranco, Blair The Readers . Deiermann, Rene de Knight,‘ Ron Della Chiesa (WGBH), As of August 25, I986, the JazzIetrer’s readers were: Louise Dennys, Joe Derise, Vince Dellosa, Roger DeShon, Michael Abene, John Abbott, Mariano F. Accardi, Harlan John Dever, Harvey Diamond, Samuel H. Dibert’, Richard Adamcik, Keith Albano, Howard Alden, Eleanore Aldrich, DiCarlo, Gene DiNovi, Victor DiNovi, Chuck Domanico, Jeff Alexander, Steve Allen, Vernon Alley, Alternate and Arthur Domaschenz, Mr. and Mrs. Steve Donahue, William E. Independent Study Program, Bill Angel, Alfred Appel J r, Ted Donoghue, Bob Dorough, Ed Dougherty, Hermie Dressel, Len Arenson, Bruce R. Armstrong, Jim Armstrong, Tex Arnold, Dresslar, Kenny Drew, Ray Drummond, R.H. Duffield, Lloyd Kenny Ascher, George Avakian, Heman B. Averill, L. Dulbecco, Larry Dunlap, Marilyn Dunlap, Brian Duran, Jean Bach, Bob Bain, Charles Baker (Kent State University Eddie Duran, Mike Dutton (KCBX), ' School of Music), Bill Ballentine, Whitney Balliett, Julius Wendell Echols, Harry (Sweets) Edison,Jim_Eigo, Rachel Banas, Jim Barker, Robert H. Barnes, Charlie Barnet, Shira Elkind-Tourre, Jack Elliott, Herb Ellis, Jim Ellison, Jack r Barnett, Jeff Barr, E.M. Barto Jr, Randolph Bean, Jack Ellsworth (WLIM), Matt Elmore (KCBX FM), Gene Elzy Beckerman, Bruce B. Bee, Lori Bell, Malcolm Bell Jr, Carroll J . (WJR), Ralph Enriquez, Dewey Emey, Ricardo Estaban, Ray Bellis MD, Mr and Mrs Mike Benedict, Myron Bennett, Dick Eubanks (Capital University Conservatory of Music), Gil Bentley, Stephen C. Berens MD, Alan Bergman, James L. Evans, Prof Tom Everett (Harvard University), Berkowitz, Sheldon L.
    [Show full text]
  • The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
    4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18
    [Show full text]
  • 2009 Tour Dates
    Randy Brecker 2009 Tour Dates Website: http://www.randybrecker.com/ Email: [email protected] January 20 Special Guest with Saleno Jazz Orchestra Salerno, Italy January 28-31 w/Marc Copland, Dave Liebman and others Birdland, NYC February 3 Manhattan School of Music Interactive Clinic to be broadcast live to Toronto Schools February 4 Piano Jazz w/Marian McPartland taping February 6 Randy Brecker Quintet 11 AM - 12 NOON - Children's Concert Tribute to Miles Kimmel Center for the Perfoming Arts 260 S. Broad St. Philadelphia, PA February 7 Randy Brecker Quintet 7:30 PM - Randy Brecker Quintet Kimmel Center for the Perfoming Arts 260 S. Broad St. Philadelphia, PA February 8 West Chester State Trumpet Festival w/ Bobby Shew,Chase Sanborn, Criterions Jazz Ensemble and others February 13 Featured guest with Richard Sussman Trio Riverspace Jazz Cafe, Nyack NY February 15 Special guest w/Dave Liebman Group Baltimore, Maryland February 20 - 21 Special guest w/James Moody Quartet Burmuda Jazz Festival March 1-2 Northeastern State Universitry Concert/Clinic Tahlequah, Oklahoma March 6-7 Concert/Clinic for Frank Foster and Break the Glass Foundation Sandler Perf. Arts Center Virginia Beach, VA March 17-25 Dates TBA European Tour w/Lynne Arriale quartet feat: Randy Brecker, Geo. Mraz A. Pinciotti March 27-28 Temple University Concert/Clinic Temple,Texas March 30 Scholarship Concert with James Moody BB King's NYC, NY April 1-2 SUNY Purchase Concert/Clinic with Jazz Ensemble directed by Todd Coolman April 4 Berks Jazz Festival w/Metro Special Edition: Chuck Loeb, Dave Weckl, Mitch Forman and others April 11 w/ Lynne Arriale Jazz Quartet Ft.
    [Show full text]
  • Roger Davidson Tierney Sutton Regina Carter Junior Mance
    168556_HH_April_REV_0 3/24/16 2:02 PM Page 1 The only jazz magazine in NY in print, online and on apps! April 2016 www.hothousejazz.com Saint Peter's Church Page 10 Brooklyn Center Page 17 Junior Mance Regina Carter Tierney Sutton Roger Davidson Dizzy's Club Coca-Cola Page 21 Caffé Vivaldi Page 10 Where To Go & Who To See Since 1982 168556_HH_April_REV_0 3/24/16 2:03 PM Page 2 2 168556_HH_April_REV_0 3/24/16 2:03 PM Page 3 3 168556_HH_April_REV_0 3/24/16 2:03 PM Page 4 4 168556_HH_April_REV_0 3/24/16 2:03 PM Page 5 5 168556_HH_April_REV_0 3/24/16 2:03 PM Page 6 6 168556_HH_April_REV_0 3/24/16 2:03 PM Page 7 7 168556_HH_April_REV_0 3/24/16 2:03 PM Page 8 8 168556_HH_April_REV_0 3/24/16 2:03 PM Page 9 9 168556_HH_April_REV_0 3/24/16 2:03 PM Page 10 WINNING SPINS By George Kanzler WO PIANISTS WHO HAVE PLIED Crusaders hit "Hard Times" with a deep Ttheir trade in the Big Apple for many blues feel, including locked hand triplets years, Junior Mance and Roger Davidson, and soul jazz backing to Fuji's persuasive are the principals of the albums compris- solo. The violinist carries the swing of ing this Winning Spins. Mance is a long- "9:20 Special," with Mance joining in at the time veteran of the jazz scene, and one of climax for scintillating four-bar exchanges the few musicians still with us who per- to take it out. formed with Charlie Parker. Davidson is Live at Caffé Vivaldi, Volume 3, Roger an eclectic player with roots in classical Davidson (Soundbrush), is a collection of and Brazilian music as well as jazz.
    [Show full text]
  • NYC Student Discounts
    NYC Student Discounts The Chamber Music Society of Lincoln Center Alice Tully Hall (Broadway at 65th Street)/ Daniel and Joanna S. Rose Studio (165 West 65th Street between Broadway and Amsterdam) The Chamber Music Society of Lincoln Center (CMS) presents an annual series of concerts. Students may purchase tickets at a 50% discount in advance at the Alice Tully Hall box Office, pending availability. Student rush tickets are $10 on the day of the performance, pending availability. Present a valid student ID beginning one hour prior to curtain for two $10 tickets. https://www.chambermusicsociety.org/nyc/ticketing-information/student-tickets/ Jazz at Lincoln Center Rose Theater, The Allen Room, Dizzy’s Club Coca-Cola at Frederick P. Rose Hall, Home of Jazz at Lincoln Center (Broadway at 60th Street) Jazz at Lincoln Center is dedicated to inspiring and growing audiences for jazz. Fill out the online registration form and submit a copy of your student ID to [email protected]. Be sure to include your expected month and year of graduation in the email. Please note that for Dizzy's Club Coca-Cola reservations, you will need to create a new account separate from your student account when making your reservation. The student rate varies by performance and will be listed on the specific event page. Once your reservation is made, a student ID is required to be shown upon arrival at the res- ervation desk. http://www.jazz.org/students/ New York City Ballet David H. Koch Theater (Columbus Avenue at 63rd Street) New York City Ballet is one of the foremost dance companies in the world, with a roster of nearly 100 spectacular dancers, a 62-piece orchestra, and a repertory of modern masterpieces.
    [Show full text]
  • Reggie Workman Working Man
    APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne
    [Show full text]
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]