To Academy Oral Histories Edward Anhalt

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Index to Academy Oral Histories Edward Anhalt

Edward Anhalt (Screenwriter) Call number: OH157 A.B. Dick Company (office equipment), 28 Abbene, Bernard V., 797–799 Abbott, L. B., 674 ABRAHAM (television), 229 Abraham (Abram), 292, 439, 720 Abrahams, Mort, 575, 677 Academy Awards, 114, 184–185, 188, 192, 196, 224, 231, 270-272, 279, 405–406, 420, 435–436, 483, 529, 755 Academy Center for Motion Picture Study see Margaret Herrick Library Academy of Motion Picture Arts and Sciences, 75, 320, 327, 335, 341, 447, 457, 529, 799 Academy Samuel Goldwyn Theater see Samuel Goldwyn Theater accounting, 171, 175, 254, 278–280, 298–299, 341, 477, 492, 521, 597–598, 652, 659–660, 667–669, 679, 729, 748 acting, 26, 109, 168, 173-175, 185, 190, 216, 224–228, 243–244, 247–250, 255–256, 264–265, 271, 275– 280, 284, 297–298, 303, 307–309, 312–313, 316, 334–335, 342–345, 351–355, 359–360, 367–368, 372– 374, 380, 389, 392–397, 405, 422–426, 429, 434–436, 439–440, 457, 486, 494–502, 505, 513, 517, 526, 536–537, 545, 556, 559, 567, 570, 574-576, 592, 597–598, 610–611, 631-633, 641, 650, 655–657, 661– 665, 672, 677–678, 684–687, 699–700, 704–708, 721–722, 727-729, 737, 755, 768–769, 773, 776, 782, 792, 797, 809 acting coaches, 656 Actors Studio (Los Angeles), 656 “The Acts of the Apostles" (project), 293, 339, 432, 640, 730, 740, 808 Adams, John, 623 Adler, E. Maurice “Buddy”, 312–316 Adler, Jay, 209, 215 advertising, 38–41, 244, 266, 303, 379, 400, 573, 615, 639, 676, 724, 806 advertising films, 40–41 AEG Gesellschaft, 319 aerial cinematography, 42, 82, 84–85, 93–142, 171, 250, 291, 294, 328, 481–483, 491–494, 581–583, 690, 694–695 THE AFRICAN QUEEN, 302 African-Americans, depiction of, 224–227, 233–234, 258, 330, 367, 371-375, 394, 398, 470–472, 492– 493, 623, 802–803 African-Americans in the film industry, 224–227, 339–340, 367, 450–452, 470–472 ageism, 490, 748–749 agents, 174, 177, 185, 251, 315, 378–379, 386, 393, 448–449, 473, 489, 496, 627, 657–658, 671–672, 676, 692, 724, 754, 764 Ahmanson Theater (Los Angeles), 551 Air America (airline), 748 Air France (airline), 351 AIR POWER AND ARMIES, 99–100, 114–117, 121–122, 126-128, 140, 142, 331 airplanes in films, 42, 82, 84–85, 93–142, 171, 250, 291, 294, 328, 481–483, 491–494, 581–583, 690, 694– 695 Akeley cameras, 141–142 Albee, Josh, 631 Albert, Eddie, 167, 169 alcohol in films, 50, 67, 78, 84, 147, 204, 213, 262, 282, 285, 316–317, 369, 452, 456, 465, 592, 626–627, 765, 770, 774

ALEXANDER, 808 ALEXANDER NEVSKY, 144 “Alexander the Great" (project), 604–605, 713, 807–808 Alexis Petrovich (Russia), 772, 787–788 Aley, Albert, 447 ALL IN THE FAMILY (television), 416 ALL THE KING'S MEN, 204 Allen, Beth, 658 Allen, Irving, 168, 172, 653 Allen, Irwin, 168, 617–618 Allen, Jay Presson, 282, 416–417 Allen, Woody, 236 Alley, Norman, 30–32, 42 Allyson, June, 147 “The Almost People" (project), 605–609 Alpert, Hollis, 298 Ambassador Hotel (Los Angeles), 448 Andrews. Dana, 505 American Broadcasting Company (ABC), 690–691, 767–768 American Cinematographer (magazine), 26, 37, 42, 59, 66, 69, 71, 97 American Civil War, 220–221, 320 American Documentary Films Inc., 51–52 American Express, 564, 568 American Film Theatre, 155, 201, 557, 563–580, 601, 624–625, 677 American Indian Movement, 633–634 American Institute of Planners, 51 American Medical Association, 258 American Movie Classics (AMC), 650 American Red Cross, 66 American Society of Cinematographers (ASC), 26, 37, 42 American Telephone & Telegraph (AT&T), 26, 57 American Tragedy: The Uncensored Story of the Simpson Defense (book), 489, 777 American Zoetrope, 644 Ames, Aldrich, 132 Andersen's (restaurants), 102 Anderson, Courtney, 115–116 Andrews, Anthony, 679 Andrews, Edward, 396 Angorola, Richard, 633 _____, Addie (aunt), 18, 20 _____, Morris (uncle), 18, 20 Anhalt, _____ (father), 12–13, 703 Anhalt, _____ (grandmother), 319–320 Anhalt, _____ (great-grandfather), 320 Anhalt, Camilla Carr (wife), 365, 658, 660, 664, 676, 741 Anhalt, Edna (wife), 160-162, 165–168, 175-177, 196, 199, 202-204, 212-214, 220–221, 224, 230–231, 236, 239, 254, 300, 315, 378, 387, 800 Anhalt, Edward childhood, 11–22, 27 education, 11–13, 21–22 as documentary filmmaker, 26-27, 44-53 as newsreel cameraman, 31–32 as film editor, 29–31, 93–142, 163–164, 276, 358, 767–769 at Columbia Broadcasting System, 36–37, 57–60, 63–66, 69–70

in World War II, 22–25, 30–35, 38–39, 42–46, 55–57, 71–78, 81–86, 89–144, 148–151, 156–157, 162, 165, 191, 204–207 in United States Army, 71–74 in United States Army Air Corps, 71-127 and Office of Strategic Services, 127–160 as “Andrew Holt,” 89, 151–152, 166–174, 179–180 becomes screenwriter, 161–162 and Korean war, 197–198 as producer, 187, 199–215, 224, 254, 260–262, 298–300, 387, 706 as actor, 43, 300, 532, 706–707, 799–800 as test director, 349–351 as director, 269–271, 276, 401, 490–504, 590 as playwright, 622, 667–669 as educator, 797–799 and Sheaf Company, 614–615, 657–660 and American Film Theatre, 563–580, 601–603, 624–625 and Fleischer-Anhalt Art Gallery, 550–551 and Writers Guild of America, 316–318, 445–489 Anhalt, Huguette (wife), 12, 550 Anhalt, Jacqueline Richards (wife), 220, 503, 550–551, 681–683, 699, 703 animal actors, 167-169, 172, 242–243, 283, 347, 618–620 animal trainers, 310, 618–620 animation, 106-108, 116, 121 ANNE OF THE THOUSAND DAYS, 433 Anouilh, Jean, 421, 428, 437–440 Answer to History (book), 742 Antheil, George, 204, 236–237 anthology films, 503–504 Anti-Defamation League of the B’nai B’rith (ADL), 229, 717–719, 735-737, 801 anti-Semitism, 11, 28, 98, 123–124, 154–156, 186, 238, 245, 253-255, 258, 267–268, 291–292, 310, 319, 324, 327, 361–363, 373–376, 383–385, 425, 439, 470, 472–473, 533, 579, 583–584, 654, 671–672, 682-684, 687–689, 693–698, 702–706, 711, 714, 717–723, 728-730, 734–738, 741 Anzer, William, 90, 92 Applebaum, Irving, 170 Appleton, Louis, 166–167, 170 Appleton, Louis Jr., 174 Arafat, Yasser, 98, 291–292, 294–295, 328–329, 332, 536, 636, 639, 687, 713 “Arafat and Rabin" see "Two Hands That Shook the World" Arafat: In the Eyes of the Beholder (book), 639 Archer, Anne, 665 architecture, 12, 132 Argosy (magazine), 89 Arizona State University, 799 Armao, Robert, 742, 745–747 Armed Forces Radio Service, 139 Armstrong, Ray, 78 Armstrong, Robert, 180 THE ARMY-NAVY SCREEN MAGAZINE (film series), 117, 122–123 Arnold, Elliott, 456 Arnold, Henry H. “Hap”, 94, 96, 119–120, 134 Arroyo, Luis, 396–397 art direction, 170, 176, 189, 219, 238, 268, 278, 300, 310, 321–322, 325, 342, 356, 365–367, 421, 430–431, 490–494, 528, 589, 593–594, 599–600, 757, 778, 793 Artists Managers Guild, 448

Asner, Ed, 508 assistant directing, 168, 172-174, 178, 219, 226, 351, 560–561 Associated Film Distribution, 651 Association of Documentary Film Producers, 44–53 Association of Motion Picture and Television Producers see Association of Motion Picture Producers Association of Motion Picture Producers, 457–460, 474-476, 486 Astor, Burt, 560 Astoria studios (New York), 72, 116–117 atomic bomb (1945), 271, 493, 499 atomic testing, 125, 152 attorneys, 133, 200, 306–307, 391, 480, 487-489, 537–540, 546, 575, 674–675, 700–702, 750, 757–761 attorneys in motion pictures, 487-489, 546, 568, 637-639, 674–675, 684–685, 698–702, 709, 716–717, 723, 731, 750–751, 757–761 attorneys in motion pictures see also litigation Atwood, Angela, 451 Aubrey, James, 615, 653 Auster, Paul, 498 auteur theory, 462 Authors and Celebrities Forum, 801 automobile racing, 182, 228, 515-520 automobiles in films, 182, 228, 250–252, 325, 446, 453, 515–520, 626–627 AVALANCHE, 168, 172–175 Avery, Stephen Moorehouse, 84–85 AWAKE AND SING (play), 223–224 Axelrod, George, 677–678, 680 Aylmer, Felix, 429

Bacall, Lauren, 382–383 backlots, 176, 310–311, 321–322, 356, 367-369, 491, 599–600 Baer, Parley, 307, 310 Baerwald, Susan, 764, 776–777 Bailey, F. Lee, 537–540, 546 Bakaleinekoff, Mischa, 178 Baker, _____, 93 Baker, Fay, 181 Baker, Herbert, 452 Baldwin, Elias "Lucky," 532 Ballard, Lucien, 511–512 ballet in films see dance in film; choreography “Ballet Mechanique" (music), 236-238 Ballet Theater Group (dance), 70 Ballin, Albert, 319 Balsam, Martin, 482–483, 803 Balzer, George, 81–82, 85 Banco Ambrosiano (Italy), 747–748 Banco di Roma (Italy), 748 Banco di Santo Spirito (Vatican City), 747–748 Bancroft, George, 251 Bank of America, 78 Banner Productions, 519, 521 Barabbas, Jesus 726–727, 739–740 Bardot, Brigitte, 351 Bare, Richard, 86, 88 Bare Knuckles and Back Rooms (book), 666

Barlow, Roger, 44, 47 Barnes, Binnie, 795 Barrett, James Lee, 714 Bartell, Jack, 606 Bartlett, Sy, 558–559 Barwood Films, 337, 653 baseball, 19 Basehart, Richard, 505 BASIC INSTINCT, 265 Bass, Saul, 165, 303 Bassman, Don, 541 Bates, Bert, 516 “The Battle for the City" (project), 557–558, 712 BATTLE OF SAN PIETRO, 45–46, 110 BATTLESHIP POTEMKIN, 162–164, 358, 769 Baumes, Wilfred Lloyd, 682 Bavaria Film (distributor), 248 Baxter, Warner, 176, 180–181 BAYWATCH (television), 601 BE CAREFUL, 113 Beal, John, 97, 115, 209, 219 Beatty, Adelle, 382–383 Beatty, Warren, 611–612 BEAU GESTE, 155 Beauchamp, Clem, 212 Beck, Dave, 607 Beckerman, Sidney, 617 BECKET, 275–276, 321, 329–330, 351, 402, 421–441, 445, 449, 509, 577, 669, 677, 687, 772–773, 779– 780, 801 BECKET (play), 421–424, 435, 437, 667–668 Becket, Thomas, 329–330, 427, 438, 667 Beethoven, Ludwig van, 238 Bel Geddes, Barbara, 191, 278 Bel Geddes, Norman, 278 Bel-Air Hotel (Los Angeles), 213 Bell and Howell Company, 29 Belli, Melvin, 674–675 “The Belli Files" (project), 674–675 Ben-Ami, Jacob, 324 Benedict, Paul, 634 Ben-Gurion Airport (Tel Aviv), 746 Ben-Gurion, David, 384–385 Bening, Annette, 611 Benjamin, Ben, 449 Benson, Hugh, 802 Berger, Ralph, 170 Bergman, Ingmar, 462 Berle, Milton, 661 Berndt-Maurer Corporation, 28 Bernie, Ben, 75 Bernie, Jason, 75–76, 80–81, 627 Bernstein, Elmer, 401 Beverly Comstock Hotel (Los Angeles), 313 Beverly Hills Police Department, 475–476

Beverly Hills Waterworks Building see Margaret Herrick Library Beverly Hilton Hotel (Beverly Hills), 477 Beverly Wilshire Hotel (Beverly Hills), 475–476, 755 Bible (book), 721–722–736, 781-783, 794 Bickford, Charles, 236, 243, 249, 268, 273 THE BIG PARADE, 353 The Big War (book), 349 billing, 49, 91, 166, 172-174, 407–408, 504, 805 “Billy the Kid" (ballet), 70 Biltmore Hotel (Phoenix), 799 bin Laden, Osama, 782 Bioff, Willie, 338 biographical films, 357–358, 369, 376, 421–443, 530–537, 546–553, 574, 628–646, 728, 764–794 THE BIRDCAGE, 471, 660 Birnkrant, Arthur, 81 Bishop, Jim, 229, 714, 725, 741 BITTER RICE, 196 Black Mask (magazine), 89, 166 blacklisting, 43, 149, 167, 194, 200–201, 212-214, 383, 390–392, 477–478, 568, 758–760 Blackwell's Island (New York City), 211 Blakely, Colin, 729 Blanke, Henry, 321–322 Blankfort, Michael, 207, 452 Blaustein, Julian, 59, 62 Blezard, John, 778 block-booking, 195–196, 419 BLOODLINE, 248, 616-617 Bloodline (book), 248, 616–617 BLUE HAWAII, 407–408 Blueprint on Babylon (book), 629 Boardman, True, 456, 466 BOB HOPE PRESENTS THE CHRYSLER THEATER see CHRYSLER THEATER Boccardo, Delia, 741 Bochco, Steven, 454 BOEING BOEING, 275, 350, 401–402, 415, 510–515, 571 Bogart, Humphrey, 250–251, 285–286, 311, 382, 656, 708–709 Bolling Field (District of Columbia), 152–153 Bolton, Delle, 633–634 Bonaparte, Napoleon, 146 Bondarchuk, Sergei, 767 BONNIE AND CLYDE, 545 Bono, Sonny, 647 BOOMERANG, 191 Booth, John Wilkes, 437 Borg, Veda, 172 BORN YESTERDAY, 194 Boston Police Department (Massachusetts), 539–541, 546–553 THE BOSTON STRANGLER, 13, 198, 272, 326, 420, 525, 535–554, 558, 593–601, 643 Bottomly, John S., 537–541, 552–553, 600–601 The Box: An Oral History of Television (book), 93 boxing, 28, 532 Boyer, Charles, 527 “The Boys in the Mail Room" (project), 671–672 BRACKEN'S WORLD (television), 376–380, 418, 503, 681

Bradbury, Ray, 456 Bradley, Omar, 272, 325–326 Bradnauer, Klaus-Maria, 556 Brand, Willen, 213–214 Brando, Marlon, 306–310, 313, 316, 321-323, 332–335, 340, 342, 367–368, 496, 586–589, 642 Brandt, Byron "Buzz," 690 THE BRASS BOTTLE, 560 Bravo (television), 601–602 Brecht, Bertolt, 565 Breen, Joseph, 198–199 Bretz, Rudy, 47, 59–60 Brewer, Colin, 665 THE BRIDE CAME C.O.D., 410 BRIDESHEAD REVISITED (television), 679 Bridgewater State Hospital (Massachusetts), 540 British Academy of Film and Television Arts (BAFTA), 433 British Broadcasting Corporation (BBC), 71 British Library of Scientific and Technical Information, 142 Britt, May, 309–310, 335 Broccoli, Albert "Cubby," 167–168, 172, 174 Bron, Eleanor, 741 Brook, Peter, 564 Brookdale Productions, 515 Brooks, James, 755 Brooks, Mel, 437 Brooks, Richard, 498 Brotman, Oscar A., 571 Brown, David, 187 Brown, Gail, 674 Brown, Harry, 204, 207, 261–262, 387, 389 Brown, Henry Collins, 143 Brown, Hiram, 92 Brown, James H., 681 Bryan, John, 238, 431 Bryan, Julian, 44, 53 Brynner, Yul, 277, 529, 709 Bucephalus (horse), 808 Buchanan, Patrick, 57 budgets, 49, 66, 112, 175–178, 189, 195–196, 208-210, 249, 278–279, 300, 303–304, 321–322, 325, 341, 372–373, 414, 419, 455, 478, 488–491, 510, 517, 532-534, 554–557, 564–568, 577, 591, 593–600, 603– 604, 610–612, 621, 652, 656, 663, 677-679, 719, 752, 762–767, 783–784, 793 BUGSY, 14, 611–612 BULLDOG DRUMMOND STRIKES BACK, 172-174, 177–178 Bullock, Sandra, 806 Bunker, Robert, 636 Bunuel, Luis, 400 Burlesque, 414-415 Burton, Richard, 423–426, 435–436, 440 Burton, Richard (explorer), 675 Burton, Robert, 396 Busey, Gary, 797 Bush, George H.W., 666 Butcher, Ted, 740 BUTLEY, 566

Buttons, Red, 405 BY LOVE POSSESSED, 400

Caan, James, 677–680 Cabot, Bruce, 168, 172–173 Caesar's Palace (Las Vegas), 19, 796 Cahn, Daniel, 79 Caiaphas, Joseph 728–739 Caine, Michael, 678, 680 Caine, Norman, 80 The Caine Mutiny (book), 244 California Highway Patrol, 251 California National Guard, 124 CALL OF THE WILD, 283–284 Callaghan, Duke, 636 Calvi, Roberto, 747 “The Cameraman's Part in Television Production" (article), 59 cameras, 18–21, 40–41, 47–48, 58–62, 67–71, 93, 131, 141–142, 164 Camoletti, Marc, 510–511 Cannes film festival (France), 371, 483 Canter, Sue, 456 Canterbury Cathedral (Great Britain), 430–431 Canter's (restaurant), 401 Canton, Mark, 692 capital punishment in films, 216 Capitalia (Italy), 748 Capitol Theater (New York City), 386 Capone, Al, 338 Capra, Frank, 89, 117–118 THE CAPTAIN FROM KOPENICK, 315, 360 “Caravans" (project), 614–615, 653 Cariou, Len, 709 Carliner, Mark, 706 Carlo, Jon, 396 Carlson, Evans Fordyce, 207 Carnegie Foundation, 21 Caron, Leslie, 684 Carpenter, John, 461 carpenters, 761 Carr, Arnie, 615 Carroll, Madeleine, 609 Carson, Robert, 22, 87, 91 Carter, _____, 615–616 Carter, Jimmy, 744 Carter, Maurice, 431 Carter/Carr (advertising), 615 Cartier-Bresson, Henri, 18, 26 Cary Grant Theater (Culver City), 607 CASABLANCA, 286 Casey, James, 219 CASINO, 265 Cassavetes, John, 707 casting, 185, 190, 194, 216, 227–228, 243–244, 250, 253–254, 260, 268, 277–279, 282, 286, 303–304, 307–313, 322, 345, 349–354, 359, 380, 387, 391, 396–397, 401, 405-407, 412, 416, 422–429, 511, 514,

524, 527–529, 536–537, 561, 593, 641, 647–650, 656, 661–665, 672, 678–679, 684, 692, 700, 704, 721, 763, 768, 778, 782, 796–797, 802 Castle, Mary, 389–390 Castle, William, 178 Catch-22 (book), 113 Cates, Gilbert, 580, 582 Catherine I (Russia), 774, 784, 787, 789 Catherine II (Russia), 774–775, 787 Catullus, Gaius, 640 Cavett, Frank, 196 CBS Films, 557 Cedars-Sinai Hospital (Beverly Hills), 311 censorship, 26, 32, 41–45, 106-108, 119, 125, 133–135, 139, 198–199, 204, 218, 255, 282–284, 324–325, 336–340, 358, 362–364, 371, 394–395, 427–428, 437, 456–457, 465–467, 475–476, 479–480, 502, 542, 553, 581, 600, 717–719, 779, 783 Century City (Los Angeles), 310 Century Plaza Hotel (Los Angeles), 458, 793–794 Chalif, Selmer L., 93 Chamberlain, Richard, 528, 537 Chambers, Jane, 658 Chandler, Dorothy, 551 Chandler, John Davis, 396 Chandler, Raymond, 166 Chaney, Lon Jr., 249–250 Chaplin, Charles, 28 Charles XII (Sweden), 772–773, 782, 788 Chateau Marmont (Los Angeles), 14, 311, 805–806 Chetwynd, Lionel, 748, 754 Chevalier, Maurice, 344–345 Chez Roland (Los Angeles), 14–15 child actors, 26, 225–228, 266, 279, 392–397, 411, 416, 631, 776 childbirth in films, 234 CHINA STRIKES BACK, 51 Chomsky, Marvin J., 489, 764, 777, 779 choreography, 70 Christian Coalition (organization), 730 Chrysler Building (New York City), 37, 65 CHRYSLER THEATER (television), 269–272, 490–504 Churchill, Robert, 53 cigarette smoking in films, 266 cinematography, 18-20, 30, 32–34, 38–42, 46–49, 59–62, 67–71, 74, 85, 88–92, 95–97, 102–103, 106, 111–112, 141–142, 147–148, 209–210, 219, 225, 236, 268–269, 303, 310–311, 321–322, 356, 390, 393, 401, 419, 431, 445, 462, 491–492, 495-497, 509–512, 519, 542–545, 575, 585, 636, 730, 778–779 Circle in the Square (New York City), 622 “Circus Project" (project), 618–620 circuses, 407, 414, 618–620 CITIZEN KANE, 331 THE CITY, 47–53, 394 Clanton, Ike, 531 Claridge's Hotel (London), 669 Clark, Jim, 516 Clark, Ralph O., 199 Clarke, Frank, 82 Clavell, James, 504

CLEOPATRA (1963), 314–315, 420 Clifford, Graeme, 680 Clift, Montgomery, 222, 267, 310, 332, 718 Cline, Wilfred, 90 Clinton, Bill, 739 CLOSE ENCOUNTERS OF THE THIRD KIND, 368 Clothier, William, 96, 102 Coates, Anne, 431 Cochran, Jacqueline, 119 Cody, Iron Eyes, 221 Cohen, Emanuel, 72 Cohn, Harry, 183–185, 392, 445-447, 779 Cohn, Roy, 448 Cold War, 25, 195, 526–528, 621, 781–782 Colleano, Bonar, 389 Collins, Richard, 306, 392, 491-493, 496–497 colorization, 39 Columbia Broadcasting System (CBS), 36–41, 57–71, 93, 158-160, 338, 480, 615, 675, 712-714, 794–795, 807 Columbia Pictures, 160, 174–179, 183–184, 188, 195, 198, 201, 220, 261, 280, 305, 394, 445–447, 564, 568–571, 581, 674, 794, 802, 807 Columbia University (New York), 11–12, 42 COLUMBIA WORKSHOP (radio), 161 Columbo, Harry, 443 Colvin, Jack, 634 COMBAT AMERICA, 113 “Combat Bulletins” (film series), 118 combat photography, 26, 30, 42–43, 45–46, 88, 93–95, 101, 103, 108–110, 118, 122, 125, 129 comedy films, 282–283, 333–334, 415–419, 479–483, 510–515, 592 Comer, Anjanette, 559 commercials see advertising Commonweal (magazine), 436 Communism, 27, 43–45, 49–55, 72–73, 81, 91, 138, 149, 162, 195, 200–201, 212-214, 305–307, 345, 354, 362, 383, 390–392, 444, 448, 456, 477–478, 483–484, 499–500, 764–765, 769–770, 773, 783–786 COMPULSION, 360, 659 computers in films, 108, 761 concentration camps (World War II), 132, 144, 154–157, 308, 583–586, 698, 706 Concorde (airplane), 678 Constantine, Michael, 561 Contaflex (camera), 21 CONTRACT ON CHERRY STREET (television), 219, 671, 801–804, 809 contracts, 176, 180–181, 188, 205, 214, 231, 278, 298–299, 338, 354, 367, 374, 378–380, 399, 411, 413, 420, 457–460, 463–464, 475–483, 486–489, 497, 504, 555, 593, 597–598, 607–608, 615, 624–625, 639, 655, 748–763, 773 CONVENTION CITY, 283–284 Converse, Frank, 535 Cooke, Malcolm, 575 Cooper, Bobby, 169 Cooper, Gary, 57, 83, 250–251, 645, 656 Copacabana (New York City), 311 Coppola, Francis Ford, 272, 280, 326 Corey, Jeff, 538 Corman, Cis, 327–328, 337, 421, 527, 595, 637–638, 653 Cornsweet, Harold, 477

Corwin, Norman, 161 Cosmatos, George, 647–649, 665 Costello, Frank, 15, 612–613, 796 Costner, Kevin, 600, 611 costume design, 29, 107, 356, 616, 779 costume design see also wardrobe THE COVERED WAGON, 534 Coward, Noel, 685 Cowboy Hall of Fame and Western Heritage Museum (Oklahoma City), 801 Cramer, Douglas, 671–672, 681–683, 691, 704 cranes and dollies, 59–60, 68, 74, 236, 269, 358, 491–492, 495 Crawford, Broderick, 243, 264, 800 Crawford, Oliver, 447, 459 credits, 159, 166, 172-174, 177, 182, 199–200, 220, 315, 345, 353, 360, 406–408, 412–413, 416, 460–463, 485–486, 556–560, 585, 591, 633, 637–638, 647, 657, 665, 669, 681, 707, 714, 741–743, 752, 773, 776– 777, 795 THE CRIME DOCTOR'S DIARY, 176, 178, 181 CRISIS, 46 Crosby, Bing, 574 Crosby, Floyd, 46 CROSSFIRE, 204 Crothers, Scatman, 367 Crow Killer: The Saga of Liver-Eating Johnson (book), 636 Crowther, Bosley, 433–434, 437 Cruickshank, Art, 674 Cruise, Tom, 597, 656 Crump, Owen, 17, 86, 88, 119 Cuban missile crisis (1962), 195 Cukor, George, 72 Culver City Police Department, 83 Curtis, Penny, 540 Curtis, Tony, 13, 233, 350, 511–514, 540-542, 611-613 Cushing, Richard Cardinal, 444 dailies, 227, 692, 778 Daily Worker (newspaper), 305 Dale, Charlie, 66 Dalton School (New York City), 16 dance, 70, 310, 588 Daniel Freeman Hospital (Los Angeles), 680 Danner, Blythe, 611 Darius I (Persia), 808 Darrin, Howard "Dutch," 85 Dauphin, Claude, 527 Davis, Bette, 121 Davis, George, 360 THE DAWN PATROL, 17 Day, Ernest, 665, 669 THE DAY CHRIST DIED (television), 229, 267, 332, 339, 381, 432, 654, 671, 711, 713–741, 780 The Day Christ Died (book), 229, 714, 741 The Day Lincoln Died (book), 725 “Day of the Champion" (project), 515–520 DAY OF THE JACKAL, 225 “The Day the World Ended" (project), 617

Dayan, Moshe, 384, 646 Day-Lewis, Daniel, 693 de Beaumont, Robert, 422 de Beauvoir, Simone, 244 de Carlo, Yvonne, 386 de Havilland, Olivia, 213, 244, 255, 260, 285, 297, 522–523 De Laurentiis, Dino, 442–443 de Laurentiis, Robert, 665 De Marne, Denis, 773 De Mille, Cecil, 300, 381, 432, 497 De Mille, Richard D., 76 De Niro, Robert, 265, 514 DEAD MAN WALKING, 216 DEATH OF A SALESMAN, 208, 224 DEATHTRAP, 662 Debrie (cameras), 59, 164 Decision at Delphi (book), 555, 603 “Decision at Delphi" (project), 555, 603–605 Dee, Sandra, 360–361 THE DEER HUNTER, 374 THE DEFIANT ONES, 233 DeFreeze, Donald, 450–451 A DELICATE BALANCE, 566 Depinet, Ned, 42 DER BLAUE ENGEL, 608 DeSalvo, Albert, 537–538, 540–542, 544–545 Detective Tales (magazine), 89 Deutsche Bank, 319 Devers, Jacob L., 113 “The Devil's Advocate" (project), 519 Dewey, Thomas, 35 deWilde, Brandon, 225, 228 di Frasso, Carla, 613 DiCicco, Pat, 167–168, 172–175 Dick, Lee, 28–29 Dick, Sheldon, 28–29, 34, 44–45 Dickinson, Angie, 322, 367, 369, 372 Didion, Joan, 551 Diehl, Digby, 539–541, 546 Dietrich, Marlene, 608 digital video discs (DVD), 761 Diller, Barry, 682, 690–691, 767 Dillinger, Arthur H., 76 Dillman, Bradford, 345, 355, 360 directing, 34, 38, 41, 45–46, 53, 60–61, 67–72, 86, 88, 94–96, 103, 120–121, 168, 172, 175, 189, 203–207, 211, 225–227, 236, 239, 242, 257, 268, 270, 274-278, 304–309, 316, 324, 335-337, 341–342, 346–347, 351-353, 356–357, 360–363, 367, 380, 391–393, 397–400, 405, 412, 415, 421, 425, 441–443, 461–464, 468–470, 486, 489–504, 510–511, 522–524, 530, 543–544, 574, 576, 585, 588–595, 599–600, 616–617, 628–630, 645, 647, 649, 652-654, 665, 669, 676, 680, 685, 706–707, 710, 726, 730, 751–756, 763, 767– 768, 773, 776–779, 796-798 Directors Guild of America (DGA), 68, 446, 453–455, 460–461, 468, 503, 676, 751–753, 768, 779 disaster films, 617–618 distribution, 155, 195–196, 278, 304, 354, 371–372, 392, 419–420, 520–521, 542, 554, 566–572, 580, 603, 651

distribution, international, 64, 147 distribution of foreign films in the United States, 162-164, 291, 358, 769 Dmytryk, Edward, 200, 204-206, 306–307, 311, 316, 335, 342, 356, 390–393, 588, 642, 650, 799–801 DO NOT DISTURB, 512 Dockendorf, David, 541 docudrama, 329, 429, 442, 546–553 documentary film, 17–18, 21, 31–34, 38, 42–53, 62–63, 66–67, 93–144, 362, 379, 456–457, 498, 505, 571, 807 Dole, Robert, 57, 303, 333, 640 Dome Productions, 622 Domergue, Faith, 211 Dominick's (restaurant), 311–312 Donat, Robert, 609 Donohue, Troy, 372–373 Donovan, Frank, 41 Donovan, William, 35, 130, 133, 149, 743 Douglas, Gordon, 367 Douglas, Michael, 217 Douglas, Paul, 278 Douglas Aircraft Company, 95, 111 Dowling, Robert W., 622 DR. STRANGELOVE, OR: HOW I STOPPED WORRYING AND LEARNED TO LOVE THE BOMB, 427 DR. ZHIVAGO, 614 DRAGNET (television), 260, 387 Dreamworks LLC (production company), 346 Dressler, David, 180 drug abuse in films, 312–313, 317, 651, 678, 704 DU BARRY WAS A LADY, 190 Duffy, Clinton T., 209 Duggan, Pat, 395 DuMont, Allen, 65 DuMont Television Corporation, 65, 675 Dunne, Dominick, 551 Dunne, John Gregory, 551–552, 593, 596 Dunne, Philip, 145, 345–347, 353–356 Dunne, Stephen, 180 Dyer, Elmer G., 42, 85

Eady Plan, 679 Eaker, Ira C., 112–113, 137 Earp, Wyatt, 530–533, 535, 537 Eastman Kodak Company, 97 EASY RIDER, 264 Eban, Abba, 385 Eckert, John, 92 Edgar Allen Poe Awards, 801 editing, 29–30, 33–34, 46, 72–76, 79–81, 84–87, 97–100, 103, 109, 114, 116, 119–122, 140, 165, 170, 190, 212–213, 226, 236, 256–257, 263, 268–269, 272, 276, 283-285, 297, 310, 322–324, 331–332, 335, 343, 352, 357–358, 390, 393, 421, 431, 440–441, 462, 491, 494–495, 509, 532, 542–545, 602, 627, 644, 650, 666, 689–692, 696–697, 767–769, 784, 807 educational film, 21–22, 26-28, 46, 53, 66, 69–70, 122 Edwards, James, 225 Edwards Air Force Base (California), 672

Egan, Eddie, 802 Eichmann, Adolf, 155 Eiger (Switzerland), 517 EIGHT IRON MEN, 261–262, 366, 387–390, 508 Einstein, Albert, 11, 56 Eisenhower, Dwight, 154, 326–327, 512 Eisenstein, Sergei, 55, 144, 163–165, 257, 358 Electrical Research Products Inc. (ERPI), 26–28 Elijah (Elias), 733 Eliscu, William, 491, 742–745, 748 Elisofon, Eliot, 47 Elizabeth of Russia, 787 Ellis, Ray, 707 Ellison, Harlan, 753–754 Emmy Awards, 269, 295 Empire State Building (New York City), 37, 65 THE ENTERTAINER, 423 Entratter, Corinne, 550, 796 Entratter, Jack, 796 Epstein, Julius, 456 E.R. (television), 295 ESCAPE FROM FORT BRAVO, 399 ESCAPE TO ATHENA, 645–655, 667 Esposito, _____, 31 Eustis, Jack, 75 Evans, Mark, 740 Evans, Robert, 14 Evans, Vincent, 102–105, 112 THE EXECUTIONER'S SONG (television), 489, 765 executives, 61–62, 179–185, 313–316, 336–340, 372, 379–380, 389, 407–410, 413–414, 419–421, 461– 464, 487–488, 491–493, 543, 581, 599, 603, 610–611, 615, 627, 637, 645, 652, 655–656, 682, 691–692, 713, 753, 756–764, 767–770, 776–779, 794–796, 806, 809 exhibition, 28–29, 147, 155, 195–196, 273, 278, 291, 301, 304, 311, 331, 339–340, 372, 386, 392, 407, 419–420, 509, 529, 554, 566–572, 580, 643, 645, 783 EXODUS, 384 Expo 67 (Montreal), 543 extras, 190, 209, 300, 502, 686–687, 768 Eyanson, Arthur M., 76, 78 Eyemo cameras, 31–32, 48, 68, 119 Ezterhas, Joe, 641

Fair, Jody, 396 Fairbanks, Douglas, 28, 344 Fairbanks, Douglas Jr., 23 Fairbanks Center see Margaret Herrick Library Fairley, Gordon, 672 FALCON CREST (television), 799–800 Fallon, William J., 15 Famous Artists Agency, 449 FANNY AND ALEXANDER, 601–602 fantasy films, 628–629 Fantl, Richard, 178 Fascism, 145–157, 237–238, 305–310, 319, 331–336, 340, 361–363, 457, 472–473, 527, 583–588, 678– 679, 698, 702, 723, 747, 752

fatalities in film production, 303-305, 654 Fearing, Kenneth, 90 Federal Bureau of Investigation (FBI), 201, 214, 450, 478, 500 Feld, Irvin, 620 Feld, Israel, 620 Fellini, Federico, 462 Ferrari automobiles, 252, 518–519 Fier, Jack, 210 Fifth Avenue Old and New on its Hundredth Anniversary in 1924 (book), 140–141, 143 Figgis, Mike, 147 THE FIGHTING LADY, 110, 113 Fillmore, Clyde, 169 Film and Photo League, 17–18, 43–44 “Film Communiques" (newsreel), 118 film criticism, 49, 54, 114, 169–170, 173, 191–192, 228, 253, 270, 298, 320, 352, 355, 360, 364, 372, 398, 405, 420, 422, 433–435, 501, 526, 680, 710, 793–794 Film Dope (magazine), 502–503 film editing see editing film equipment sales, 31-32 Film Feedback (magazine), 576 The Film Form (book), 55 film laboratories, 20, 108, 164, 167 film libraries, 117, 133-134, 142-143, 152 film preservation see preservation, film film schools, 257, 357, 441, 449–450, 797–799 film stock, 20, 38–39, 93, 97, 103, 106, 119, 147–148, 162–167, 331, 419, 431, 497 filmstrips, 122 Finch, Peter, 322, 367–370 Finkel, Whitefield and Selik (attorneys), 757–758 Fiorentino, Linda, 797 fires, 34, 185-187 Fish, Albert, 203 Fisher, Donald Edward, 196–197 Fisher, Eugene J., 740 Fisher, Vardis, 636 Fitz, Denner, 626 Fitzsimmons, Bob, 532 FIVE EASY PIECES, 265 Flaherty, Robert, 28, 46 Flamingo Hotel (Las Vegas), 338, 611–613 Fleischer, Richard, 443, 543–544, 550–552, 593–596, 673, 681 Fleischer-Anhalt Art Gallery (Los Angeles), 550, 681 Fletcher, Eddie, 612–613 Flothow, Rudolph, 178–179, 182–184 FLOWER DRUM SONG, 401 Flynn, Errol, 303, 311 Fonda, Henry, 538, 542 FOR WHOM THE BELL TOLLS, 656 “For Whom the Bell Tolls" (television), 392 Forbes, Bryan, 276, 523–526 Ford, John, 358, 399, 497, 592, 629, 798 Ford Motor Company, 67 Foreman, Carl, 212–214, 478 Forester, Cecil Scott, 254, 298, 301

THE FORSYTE SAGA (television), 704–705 Forsyth, Edward J., 76 Fort Carson (Colorado), 581 Fort Hood (Texas), 696 Fountain Theater (Los Angeles), 658 Fouquet's (Paris), 382 Fournier, Rift, 454, 706 Fox Television, 675 Franciosa, Anthony, 354–355, 561 Francis, Cedric, 77 Frank, Frederick M., 196 Frank, Gerold, 540 Frankenheimer, John, 248, 392–397, 518, 565, 616–617, 676, 679–681 Franklin, Michael, 446, 448 Frankovich, Mike, 794–795 Frankovich, Peter, 794–795 Franz, Arthur, 205–206, 216, 225, 310, 435 Fraser, Antonia, 672 Fraser, Hugh, 672 Frazen, Stanley, 76–77 Freeman, Morgan, 470 Freeman, Y. Frank, 597 Fregonese, Hugo, 200, 211 THE FRENCH CONNECTION, 802 French film, 237, 269, 291, 462 Freulich, Henry, 178 FRIDERICUS, 362 Friedman, Joseph, 570 Friedman, Seymour, 178, 180 Fries, Charles, 794 FROM HERE TO ETERNITY, 313 THE FRONT PAGE, 31 Frontier Films, 44, 49–51, 162 Froschetti, Eddie, 612–613 Froug, William, 585, 605–606 Fryer, Robert, 551–552, 593, 596, 599–600 Fuchs, Daniel, 188 FUNNY GIRL, 453 Furse, Margaret, 432

“The G. I. Movie Weekly”, 117 Gable, Clark, 23, 31, 42, 88, 113, 250–251, 283, 505, 656 Gainsborough Films, 520 GALILEO, 565 Gambino, Carlo, 747 Gandhi, Mahatma, 253 gangster films, 14, 338, 611–612, 794–797, 809 Gannibal, Ibrahim, 766–767 Garbo, Greta, 805–806 Gardner, Arthur, 158 Gardner, Ava, 254, 260, 304, 492, 560, 653, 672–673 Gardner, Bea, 673 Garner, James, 533, 536 Garralaga, Martin, 169

Garrick, David, 30 Garrick, Friedrich, 30 Gates, Larry, 396 Gates, Nancy, 225 Gavin, John, 277, 524 Gay, John, 447 Gazzara, Ben, 282, 654 Gebel-Williams, Gunther, 618–619 Geer, Will, 631 Geffen, David, 346 GENERAL “HAP” ARNOLD FILM, 118 General Motors, 40 Genovese, Vito, 35–36 THE GENTLEMAN FROM NOWHERE, 176–181 GENTLEMEN'S AGREEMENT, 245, 473 George, George W., 220 The George (London), 700–701 George Washington High School (New York City), 11 Georges Cinq Hotel (Paris), 382, 609 Gerasimov Institute of Cinematography see VGIK Germonprez, Louis, 172 Gerstad, Harry, 212 GET SHORTY, 323 ghostwriting, 218, 638–639 Gielgud, John, 429 Gilbert, Edwin, 22, 87, 91 Gilbert, Leslie, 79 GILLIGAN'S ISLAND (television), 511 Gilmore, Gary, 489 Giovanni's (Rome), 521 Giplis, Jackson, 456 Girasch, Stefan, 632–633 A GIRL NAMED TAMIKO, 275, 349–350, 399–403, 405–407 A Girl Named Tamiko (book), 400 The Girl on the Via Flamina (book), 560 GIRLS! GIRLS! GIRLS! 408, 410–413, 418 Glenville, Peter, 275–276, 425, 436, 441 Glover, Julian, 685 Gluskin, Lud, 170 GO TELL THE SPARTANS, 525 Godard, Jean-Luc, 291, 462 THE GODFATHER, 34, 175, 280, 477, 561 THE GODFATHER PART II, 280 Goebbels, Josef, 361, 619 Golan, Menahem, 302, 673 Goldberg, Leonard, 682 Goldman, F. Lyle, 50 Goldmark, Peter C., 38–39, 58 Goldmark, Peter Jr., 39 Goldoni, Leila, 707 Goldsmith, Jerry, 508, 692 Goldstone, Richard, 93, 99, 114–116, 121, 140 GONE WITH THE WIND, 260, 386, 421, 492 THE GOOD SOLDIER SCHWEIK (play), 306

Goode, John, 172 Goodwin, Laurel, 411 Gordon, Patrick, 783, 792 Gorky Park (Moscow), 145, 775 GOTTI, 587 Gotti, John, 747 Gottschalk, Robert, 519 Gould, Elliott, 647 Gow, Gordon, 545 Grade, Lew, 647, 664, 669–670 Grady, William T., 75–76, 78 graft in the film industry, 82, 124–125, 175, 209–211, 218–219, 556–557, 564, 580, 597–599, 604, 627, 667–669, 742–744, 750, 760 Graham, Billy, 277, 524 Graham, William, 802 Grahame, Gloria, 242–243, 281, 284 Grand Central Palace (New York City), 40 Grand Central Station (New York City), 38-40, 65, 67 GRAND PRIX, 518, 544 Grant, Cary, 254–255, 299, 301, 312, 513, 558, 598, 663–664 Great Depression (1929-1941), 44-53 THE GREAT ESCAPE, 504, 648 THE GREATEST SHOW ON EARTH, 196, 618 THE GREATEST STORY EVER TOLD, 229, 722 Green, Frank S., 516 Green, Guy, 275, 574–575 THE GREEN BERETS, 458, 525 GREEN ICE, 646, 664–670 Greenbaum, Gus, 338, 795 Greenhalgh, Jack, 169, 172 Greenwood, Bruce, 279 Gregory, Don, 622 Grey, Virginia, 361 Griem, Helmut, 785 Gries, Tom, 654, 685, 690, 704 Griffith, D. W., 29 Griggs, Loyal, 412, 561 grips and electricians, 59–62, 767 Grossman, Sam, 667–669 Grosso, John Devaney, 802 Grosso, Sonny, 802 Group Theater (New York City), 656 Groves, George, 642 Grundig recording machines, 625 Guardino, Harry, 797, 804 Guber, Peter, 489 Guffey, Burnett, 204 Guggenheim, Charles, 456 “Gumbo Ya Ya" (project), 412 The Gun (book), 254, 298–299, 301 THE GUNFIGHT AT O.K. CORRAL, 399, 530 THE GUNFIGHTER, 196 THE GUNS OF NAVARONE, 648 GUNSMOKE (radio), 310

Gutlohn, Blanche, 30

Hackenschmied, Alexander, 46 Haglund, Oren, 82, 85 hairstyling, 285–286, 529, 708–709, 767 Hal Roach studios (Fort Roach), 89, 118 Hall, Camilla, 451 Hallin, Ronny, 658 Halsey, William F., 591, 752, 763 Hamas (organization), 500, 713 HAMMERSMITH IS OUT, 485 Hammerstein, Oscar II, 213 Hammett, Dashiell, 166 Hammill, Pete, 795–796 Hanfstangl, Putzi, 472–473 Hansell, Haywood, 112 Hansen, Harold, 75 Hansen, William, 225 Hanson, Robert J., 104 THE HAPPY TIME, 208 Harbert, Jim, 668 Hardy, William, 490 Harmon, David, 456 Harmon, Lawrence, 92 Harper's Bazaar (magazine), 609 Harris, Julie, 224, 227 Harris, Martin, 166 Harrison, Eric, 78-80, 97 Hart, Dolores, 350 Harvard University (Massachusetts), 443 Harvey, Laurence, 402, 405–406 Hassett, Ray, 665 Hatfield, Hurd, 542 Hathaway, Henry, 490 Havana Club (Moscow), 769–770 Havlick, Gene, 213 Hawken rifles, 630–631 Hawkins, Jack, 684–685, 692, 700 Hayden, Sterling, 149–150 Hayes, Alfred, 559–560 Haynes, Roberta, 214, 713, 718 Hays, Will, 198, 283 Hayworth, Rita, 389 Hearst, Patty, 450 Hearst, William Randolph, 16 THE HEART IS A LONELY HUNTER, 710 HEART OF SPAIN, 50 Heath, William C., 77, 79 Hecht, Harold, 89, 160, 177, 393–395 Heflin, Van, 418 HELL'S ANGELS, 85 Hemingway, Ernest, 50–51 Hemming, Sally, 623 Henreid, Paul, 526

Henry, Buck, 320, 324, 341 Henry II (England), 423–424, 434, 438 Henry VII (England), 438 Hepburn, Audrey, 372 Hepburn, Katharine, 277, 523, 528, 567, 650, 663 Hephaestion (Macedonia), 808 Her Majesty's Theatre (London), 667 Herod, Antipas, 727, 731 Herzen, A. I., 787 Hessian Hill School (New York), 28 Heston, Charlton, 253, 432, 497 Hezbollah (organization), 744 Hickey, William, 548 HIGH NOON, 212, 222 Hilary, Jennifer, 426 Hill, Lucienne, 431 Hill, Virginia, 14, 612–613 Hiller, Arthur, 585–586, 591, 799 Hilton Hotel (Rome), 53–54 “His Eye is on the Sparrow" (song), 226 Histoire de la Conquete de l'Angleterre par les Normands (book), 428 historical films, 326–329, 348–349, 357–358, 369, 421–443, 530–537, 574–577, 628–646, 713–727, 764– 794, 807 Hitchcock, Alfred, 125, 348, 358 Hitler, Adolf, 146, 307–308, 369, 472–473, 588 Hoagland, Ellsworth, 303 Hobson, Laura, 57 Hoffman, Dustin, 506 Hoffman, Joseph, 456 THE HOLCROFT COVENANT, 555, 670, 676–681, 809 The Holcroft Covenant (book), 676–677 Holden, William, 647–648 Holliday, John Henry “Doc”, 530–535 Hollingsworth, Lita, 21 Holloway, Jean, 707 Hollywood in films Hollywood Reporter (trade publication), 312, 627, 749 The Hollywood Ten, 391 Holocaust History Museum (Jerusalem), 704 Home Box Office (HBO), 253, 295, 664 HOME OF THE BRAVE, 225 THE HOMECOMING, 564–566 homosexuality in films, 234, 289, 329, 345, 428, 434–438, 471, 539–542, 604, 657–664, 713, 808 Hope, Bob, 269–270, 490–491, 493, 500–501 Hopkins, Anthony, 654, 684, 692, 699 Hopkins, Harry, 129 Hopkins, John, 677 Hopkins, Louise Macy, 129 HORATIO HORNBLOWER, 302 Hough, Stanley, 189, 596–597 Houghton, Barrie, 720, 741 HOUR OF THE GUN, 433, 530–537, 553, 586 House Committee on Un-American Activities (HUAC), 200–201, 306–307, 390–392, 444, 477, 483–484, 788

Howard, Cy, 284 Howard, Leslie, 253 Howard, Trevor, 778 Hubschmidt, Paul, 561 Hudson, Rock, 312 Hughes, Howard, 85, 126, 202, 230, 311, 346 Hull, Patricia Jean, 203 Hunt, Martita, 429, 521 Hunt, Roy, 390 Hunter, Evan, 394, 398 Hunter, Jeffrey, 345, 355, 360 Hunter, Ross, 182, 360, 365–366, 377, 572, 595, 710 Hurkos, Peter, 547–548 Hurley, _____, 12, 321, 345, 549, 797 Hurwitz, Leo, 46, 51–52 Hussein, Saddam, 329 Huston, Cece, 664 Huston, Danny, 523 Huston, John, 45, 276–277, 449, 498, 521–523, 563, 578, 701 Hutchinson, Cliff, 75 Huxley, Aldous, 673 Hyer, Martha, 350, 406, 417

I BANCHIERI DI DIO--IL CASO CALVI, 748 I Want To Tell You (book), 777 I WAS A MALE WAR BRIDE, 663–664 THE ICEMAN COMETH, 564–565, 677 Ilou, Edward, 219 Imperial Productions, 172–173 IMPERIAL VALLEY, 50 IN CELEBRATION, 566 IN COLD BLOOD, 545, 553 IN ENEMY COUNTRY, 366, 556–563 IN LOVE AND WAR, 314–315, 320-322, 325, 345–356, 359–360, 374 INDEPENDENCE DAY, 467, 577, 588, 651 industrial films see advertising films THE INFORMER, 592 Inns of Court (London), 700–701 insert recording see sound re-recording insert shots, 163–164, 358–359 INSIGHT (television), 15 insurance, 45, 131–132, 171, 258, 303, 446–447, 454–455, 487, 600, 749, 760–761 International Alliance of Theatrical Stage Employees (IATSE), 338, 691 International Brotherhood of Electrical Workers (IBEW), 61 International Business Machines (IBM), 622–624 International Creative Management (ICM), 449 International Photographer (magazine), 74 International Union of Mine, Mill and Smelter Workers, 50 INTOLERANCE, 29 Ireland, John, 221 Irish Republican Army (IRA), 713 Irwin, Robert, 203 Istituto per le Opere di Religione (Vatican City), 747–748 IT HAPPENED ONE NIGHT, 410

ITC Entertainment (International Television Company), 647, 664 Ivens, Joris, 44, 47, 50–51

JACQUES BREL IS ALIVE AND WELL AND LIVING IN PARIS, 566 Jaffe, Sam, 386 Jaguar automobiles, 250–251 Jam Handy Picture Service Inc., 40 Janning, Emil, 608 JAWS, 194 Jazbo Productions, 337 Jeffers, John Robinson, 347 Jefferson, Thomas, 622–624 JEFFERSON IN PARIS, 328, 623 “Jefferson Project" (project), 622–624 JEREMIAH JOHNSON, 280, 406, 564, 586, 598, 628–646, 654, 667, 801 Jessel, George, 185, 377–378 Jesus of Nazareth, 293, 320–321, 376, 380–381, 432, 584–586, 705, 712–734, 738–741 Jewison, Norman, 525 Joe the Raven (animal actor), 172 John, Errol, 367 John the Evangelist, 293–294, 508, 715, 722–723, 729, 736 John Frankenheimer: A Conversation (book), 676, 681 John Paul I, Pope (Albino Luciani), 747 John the Baptist, 727 Johnson, Jeremiah, 628–629, 632–633 Johnson, Julian, 187 Johnson, Lyndon, 689 Johnson, Nunnally, 592 Johnson, Rafer, 367 Johnson, Richard, 668 Johnson, Stanley, 412 Johnson, Van, 283, 416-418 Jones, Harmon, 190 Jones, James, 714 Jones, James Cellan, 721, 726 Jones, Jennifer, 380–383, 386 Jones, Jim, 756 Jones, John Paul, 623 Jones, Roy, 84, 126 Joseph, Bob, 448 Joseph, Robert L., 670 Joudry, Patricia, 360 journalism, 12, 15–17, 31, 33, 35–38, 41–42, 51, 63, 66–67, 123–124, 133-135, 312, 374–376, 422, 541, 546, 551, 573, 576, 620, 680, 749, 793–794, 800 JOURNEY'S END, 508 Joyce, Bernadette, 710 Judas the Apostle, 720–721, 732, 735–736 Judd, Ashley, 359 Judge (magazine), 49 Jurgens, Adele, 180 Jutland, battle of (World War I), 382–383

KGB (USSR), 769–770 KAMERADSCHAFT, 361

Kane, Joel, 447, 459 Kanin, Fay, 447, 452–453, 459 Kanter, Hal, 407, 459 Kardashian, Robert, 777 Karmen, Roman, 144 Karns, Roscoe, 172 KATE'S PLACE (television), 672–673 Katz, Arthur Joel, 779 Katzenberg, Jeffrey, 346 Kaufman, Sidney, 46 Kautner, Helmut, 315, 360–363 Kaye, Danny, 525–526 Kazan, Elia, 189, 191, 194, 206–207, 306, 392 Keach, Stacy, 574-576 Keaton, Diane, 28 Keller, Harry, 366, 558-560, 563 Kellogg, Ray, 673 Kemplen, Ralph, 648 Kennedy, Arthur, 90, 221 Kennedy, Caroline, 672–673 Kennedy, Gerald, 525 Kennedy, John F., 195, 330, 456, 623 Kennedy, Joseph, 137 Kerkorian, Kirk, 615 Kern, Eugene, 97, 109 Kerry, Daniel, 169 Kerry, Norman, 804 Kesten, Paul, 57 Kieser, Ellwood, 14–15 The Killing Zone (book), 580–583, 712 “The Killing Zone" (project), 580-583, 712 kinescopes, 40 King, Henry, 490 King David Hotel (Jerusalem), 385 KING OF COMEDY, 514 KING OF KINGS, 360 Kingsley, Ben, 253, 332 Kino: A History of Russian and Soviet Film (book), 55 Kirek, Milos, 700 Kirkbride, Ronald de Levington, 402, 407 Kisseloff, Jeff, 93 Kissinger, Henry, 117, 744 Kjellin, Alf, 215–216 Klatzkin, Leon, 79 Kline, Herbert, 46, 50 Kluge, John, 675 Knight, Arthur, 372 Knight, Shirley, 677 Knopf, Christopher, 447, 459 Knox, David, 80 Knox, Harold, 169 Knudtson, Frederic, 80, 285, 303 Koch, Howard W., 13–14, 198, 452, 457, 611 Koenig, Laird, 248

Koenig, Lester, 97, 101 Kohner, Paul, 449, 627 Komarevtsev, N., 144 Koppelman, Howard, 79 Korean war (1950-1953), 197–198, 392 Kraike, Michael, 205 Kramer, Burton, 77 Kramer, Stanley, 187–188, 198–199, 202–204, 211–212, 220-222, 225, 229-233, 236, 242–247, 254-256, 260–261, 268–269, 278–282, 298–300, 303-305, 337, 368, 387, 392, 420, 524–525, 553–554, 655 Krasna, Norman, 92 Kremlin (Moscow), 145–146 Kristien, Stanley, 396 Krueger, Carl, 505 Kubik, Felix, 75 Kubik, Gail, 91 Kuter, Leo, 367

LA CAGE AUX FOLLES, 660 La Coupole (Paris), 523 LA SPADA E LA CROCE, 385–386 LA STRADA, 423 labor unions, 32, 48–49, 61–62, 194, 352, 424, 431, 445–489, 503, 523, 598, 607, 637, 652, 691, 743, 748– 763, 768 Lacy, Madison, 92 Ladd, Alan, 221 Laemmle Theater (Santa Monica), 329 Lafayette Escadrille, 85 Lafferty, Peter, 764, 777 L'ALOUETTE (play), 428 Lancaster, Burt, 387, 393, 395, 449, 525 Lancia automobiles, 519 Landau, Edie, 568, 575, 677, 680 Landau, Ely, 276–277, 522, 528–529, 540, 563, 565–568, 575–578, 677, 680 Landau, Martin, 797 Landon, Joseph, 447 Lang, Charles Jr., 401 Lang, Jennings, 315 Langdon, "Pinky," 187–188 Lange, Hope, 267, 310, 360, 718, 739 Langley Porter Psychiatric Hospital (San Francisco), 206 Lansky, Meyer, 612–613 Lardner, Ring Jr., 307 LAST SUMMER AT BLUEFISH COVE (play), 657–658 “Last Summer at Bluefish Cove" (project), 657–658 THE LAST TEN DAYS, 369 LAST YEAR AT MARIENBAD, 400, 402 latinos in motion pictures, 392–396 Lavin, Arnold, 158 THE LAW AND JAKE WADE, 399 Lawrence, Anthony, 407–415 Lawrence, Gertrude, 685 LAWRENCE OF ARABIA, 427 Lazarsfeld, Paul F., 11, 16–17, 55–57, 800 Lazarus of Bethany, 725, 729–730

Le Dome (restaurant), 449 Le Temps (newspaper), 528 Leahy, William D., 127–128, 591 Lean, David, 238, 429, 552 Lear, Norman, 416 Leary, Timothy, 349 LEAVING LAS VEGAS, 147–148 Lefko, Morris E., 569 Legion of Decency, 427–428, 437 Lehman, Ernest, 447, 452–454, 459, 755 Lehman, Herbert, 43 Leica cameras, 18, 20–21 Leigh, Janet, 282, 416–418 Leighton, Chuck, 104 Leighton, Margaret, 527–528 L'Elephant (Paris), 244 LeMay, Curtis, 558 Lemming, Clarence W., 89 Lemmon, Jack, 473–474 Lenard, Mark, 704 LENINGRAD V BORBE see THE SIEGE OF LENINGRAD Lennert, Isobel, 452–454, 459 lenses, 41, 67–71, 131, 141–142, 164–165, 209, 356 Leonard, Benny, 28 Leopold, Nathan, 537 Lepore, Frank, 47, 65 Lessons with Eisenstein (book), 55 LET THERE BE LIGHT, 45–46 THE LETTER, 121 Levenback, Paula, 710 Levinson, Robert, 79 Lewis, E. Henry, 89, 160, 177, 185, 378, 448 Lewis, Edward, 518, 569 Lewis, Jerry, 311, 350, 511, 514 Leyda, Jay, 53–55 Libin, Paul, 622 licensing see rights and clearances Lichtman, Al, 305, 313, 589 Life (magazine), 42, 47, 517 lighting, film, 60–62, 67–68, 97, 108, 209, 219, 356, 491, 708 Lincoln, Abraham, 437 Lincoln Continental automobiles, 182 Lindon, Lionel, 395 litigation, 175, 280, 357–358, 380, 414–415, 442–443, 485–487, 541, 546, 568, 614–615, 637–639, 653, 702, 742–751, 754, 757-761, 779 litigation see also attorneys in motion pictures LITTLE BIG MAN, 631 “Little Egypt" (entertainer), 414–415 “Little Egypt" (song), 414–415 Lloyd-Jones, Esther, 21–22, 26 location scouting, 414, 430, 556–557, 603–604, 686–687, 765 location shooting, 28, 95, 171, 189, 198, 201, 206-208, 222, 238, 300–301, 304, 310–311, 325, 361, 377, 394–395, 407, 511, 599–601, 636, 648, 665-667, 673, 681–682, 726, 731, 765–771, 777–778, 792–793 Loch, Harold, 104

Lochte, Richard S., 647 Lod Airport see Ben Gurion Airport Loeb, Richard, 537 Loew, Arthur, 304, 392 Logo (television), 664 Lombard, Carole, 250 LONESOME DOVE (television), 534 Long, Huey, 800 LONG DAY'S JOURNEY INTO NIGHT, 650–651 looping see sound re-recording Loren, Sophia, 254–255, 303 Lorentz, Pare, 47–49 Loring, Eugene, 70 Lorre, Peter, 198, 286 Los Angeles County Music Center, 551 Los Angeles County Sheriff's Department, 318 Los Angeles International Airport, 195 Los Angeles Police Department, 251, 450–452, 471, 627 Los Angeles Times (newspaper), 369, 546, 551, 627, 680 Los Angeles Veterans Cemetery, 629 Losey, Joseph, 53–54 Losey, Mary, 53 LOST HORIZON (1973), 572 “Lost in Space" (project), 202–203, 230 LOST IN SPACE (television), 202–203 LOST IN THE STARS (play), 565 Lotitto, Louis A., 622 LOVE IN THE AFTERNOON, 656 LOVE STORY, 585 THE LOVED ONE, 559 Low, Warren, 74–79, 86–87, 93, 98, 120–121, 153, 404, 511 Lowe, Mundel, 627 Loyola Marymount University (Los Angeles), 11, 346, 797 Lucas, Meredith, 220 Lucchese, Gary, 279 Luciano, Charles "Lucky," 13-15, 35–36, 612–613, 796, 803–804 Ludlum, Robert, 555, 616–617, 676–677, 679 Luke the Evangelist, 698, 722, 736 Lumet, Sidney, 366, 650 Lundquist, Kenneth, 79 LUTHER, 275, 363, 528, 556, 565, 568–570, 574–580, 583 Luther, Martin, 422, 569, 574–579 Lynch, Jack, 701

M (1931), 198–199, 252, 277–278 M (1951), 199 MG automobiles, 251 Mabusi (Italy), 747 Macy's (department store), 48 MADAME X (television), 674, 681, 707, 711 Maddow, Ben, 91 Madison Square Garden (New York City), 141–142 Madonna (Ciccone), 279 THE MADWOMAN OF CHAILLOT, 276–277, 521–522, 525, 527–530, 556, 563, 567, 577

THE MADWOMAN OF CHAILLOT (play), 521–524, 528 magazines see journalism Magdalene, Elizabeth, 380–381 Magdalene, Mary, 380–381, 725–726, 740 Maharis, George, 505 Mahin, John Lee, 317, 445–446, 452, 459, 465, 592, 627, 751 Mahin, Norman, 669 THE MAIDS, 566 Mailer, Norman, 489, 765 makeup, 356–359, 529 MAKING LOVE, 662 Maklakova, Ella, 779 A MAN FOR ALL SEASONS, 432–433, 435 THE MAN IN THE GLASS BOOTH, 155–156, 236, 320–321, 331, 529, 557, 565, 569, 577–579, 583– 588, 601–602, 734–735 THE MAN IN THE GLASS BOOTH (play), 156, 583–584 THE MAN WITH THE GOLDEN ARM, 264 managers see agents THE MANCHURIAN CANDIDATE, 680 Mann, Abby, 447 Mann, Theodore, 622 “Man's Fate" (project), 615 Mantz, Paul, 82–84, 123–126 Manulis, Martin, 726 Marcus, Josephine Sarah, 532–533 Margolis, Ben, 306–307 Margulies, Marvin, 76, 78 Mark the Evangelist, 579, 722, 736 Markes, Lawrence, 452 marketing, 38–40, 244, 303, 400, 570, 615, 724, 806 Marks, Owen, 367 Marley, John, 561 Marley, Peverell, 367 Marquette, Jacques R., 707 MARRIED 2 MALCOLM, 726 Marseilles Hotel (New York City), 20 Marshall, _____, 658 Marshall, Garry, 658 Marshall, George C. (general), 752 Marshall, Herbert, 389–390 Marshall, Penny, 658 Marshek, Archie, 511 Martha of Bethany, 725–726 Marti, Jill, 327–328, 337, 421, 527, 595, 637–638, 653 Martin, Dean, 310–312, 600, 642 Martin, Douglas D., 530 Marvin, Lee, 243–244, 249, 260–261, 387 Marx, Harpo, 545 Mary (mother of Jesus), 715–716, 722, 740 Massie, Robert K., 639, 765, 771 Massina, Giulietta, 527 Masteroff, Joe, 622 Matthau, Walter, 473–474 Matthew the Apostle, 722, 736

Maxwell, Lois, 180 Mayberry, John R. "Dick," 88 “Mayer and Thalberg: The Make-Believe Saints" (project), 671 Mayflower Hotel (Washington D.C.), 127 Maynard, Richard, 794 Mazzie, Dominick, 311–312 MacArthur, Douglas, 207, 763 McCarten, John, 298 McCarthy, Frank, 272 McCarthy, Joseph, 43, 200, 391, 444, 448 McCord, Thamer, 92 McCormick, Myron, 248–249, 287 McCrea, Jody, 361 McCullers, Carson, 223–224 McDermott, Dylan, 797 McDonald, Frank, 177 MacDonald, Joseph, 310 McDonald's (restaurants), 607 MacDougall, Ranald, 484, 486 McDuffie, Jasper K, 126 Macgonigle, Robert, 92 McGrath, Graham, 776 McGuire, Leonard, 737 MacInnes, Helen, 554-556, 603, 616–617 McKee, Allen, 572 MacLaine, Shirley, 416 MacLean, Alistair, 504 MacLerie, Allyn, 631 McManus, George, 19 McQueen, Steve, 426, 515–518, 543, 618 McSweeney, Jack, 78 McWhorter, Richard, 431 Medford, Harold, 447, 452 Mein Kampf (book), 232 Meir, Golda, 646 Meisner, Sanford, 656 THE MEMBER OF THE WEDDING, 187, 202, 205, 208, 221–230, 301, 421, 615, 768 THE MEMBER OF THE WEDDING (play), 223 Memoirs of the war in Spain, from 1808 to 1814 (book), 305 MEMPHIS BELLE (1990), 94, 107 THE MEMPHIS BELLE: THE STORY OF A FLYING FORTRESS, 74, 85–87, 91-95, 109, 120, 134– 137, 147, 159, 362 The Memphis Belle (airplane), 103–104, 111 THE MEN, 222 MEN AND DUST, 45 “Men on a Nylon String" (project), 517 Menjou, Adolphe, 200, 354 Menshikov, Aleksandr, 775, 785–787, 792 mental illness in films, 13, 21, 26, 28-29, 41, 187, 196–204, 206–208, 213, 216, 218, 221, 262, 272, 277, 280, 284, 303, 326, 354, 390–391, 420, 433–434, 525, 535-554, 558, 593-601, 643, 719 Menzies, William Cameron, 238–239 Mercedes-Benz automobiles, 446 Mercer, Charles, 373 Merman, L. B. “Doc”, 596, 599

Merrick, David, 436 Merrick, Mike, 622 Merrill, Dina, 396 THE MERRY WIVES OF WINDSOR (play), 577 Merton, Robert K., 55 Metro-Goldwyn-Mayer (MGM), 31, 88, 94, 121, 171, 607, 614–615, 637–638, 653 Metromedia Inc., 675 Meyer, Johannes, 362 Michell, Keith, 718 Michelson, Albert Abraham, 56 microphones, 46 “A Midsummer Night's Dream" (project), 564 Milius, John, 628–633, 636, 643–644 Milken, Michael, 537, 607 Millard, Oscar, 556 Mille Miglia (automobile race), 519–520 Miller, J. P., 393–394 Miller, Robert Ellis, 707, 710 Miner, Worthington, 34-38, 58–61, 64, 67–69 miniatures, 74, 108, 673 Mirisch, Harold, 444–445, 504 Mirisch, Marvin, 444–445, 504 Mirisch, Walter, 444–445, 504, 621 missiles, 99, 105, 114, 161, 526 Mitchell Camera Corporation, 519 Mitchell, Millard, 215 Mitchell Field (Wisconsin), 129 Mitchum, Robert, 235, 243, 247–250, 255, 260, 264, 273, 281, 284, 297 Mix, Tom, 28 Mohammed, 376, 705, 712, 724 Mohr, Hal, 225 Moll Flanders (book), 468, 471 MOLL FLANDERS (1996), 468–471 Monaster, Nate, 459 Monogram Pictures, 160, 166, 399 Monroe, Marilyn, 389 Montaldo, Giuliani, 366, 443 Montevecchi, Liliane, 310, 588 Moore, Demi, 806 Moore, Orin H., 116 Moore, Roger, 322, 367, 370, 647–649 Moore, Sidney, 170 Moraweek, Lucien, 170 More, Thomas, 435 Morgan, Harry, 368 Morgan, Henry, 250 Morgan, Robert, 94–96, 102, 111–112, 215 Morgan, Robert K., 104 Morley, Edward Williams, 56 Morris, Edmund, 485 MOSES (television), 253, 332 Mosley, Walter, 166 Moss, Stirling, 515, 518 Mostel, Zero, 190, 278, 566, 574

Motion Picture Producers and Distributors of America (MPPDA), 198–199, 452–453, 542, 553, 600, 719, 762–763 Delphi (Greece), 604 Mountain Man (book), 636 Moviola Inc., 494 Mowrey, Helen, 172 MRS. DOUBTFIRE, 661–662 Murder at the Harlem Mosque (book), 802 Murder in the Cathedral (play), 424 Murder on the Orient Express (book), 173 Murdoch, Rupert, 713 Murphy, Audie, 57 Murphy, Mary, 229 Murphy, Richard, 188, 445–446, 459 Murray, Don, 354 Musante, Tony, 707 Museum of Modern Art (New York City), 44 Museum of Natural History (New York City), 12 music, film, 41, 79, 91, 112, 170, 190, 219–220, 236-238, 390, 401, 409–415, 508–509, 540–541, 692, 779 Music Fair Incorporated, 622 Music Television (MTV), 664 musicals, 407–415, 434, 577, 588, 622, 667 Musso & Frank's (restaurant), 182 MY SIX CONVICTS, 187, 200–202, 207–221, 229, 234, 250, 280 My Six Convicts (book), 208, 217–218 Myrer, Anton, 349, 354 MYSTERY STREET, 196 Mystery Writers of America, 801

NBC Productions, 764, 776 NF Geria III-Produktion Munchen (production company), 248 Nadel, Arthur, 79 The Name Above the Title (book), 118 NANOOK OF THE NORTH, 28 Napoleonic Wars (1803-1815), 298–305 Nastal, Casimir A. "Tony," 105 Nate 'n Al's (restaurant), 371, 446, 477 Nathan, Paul, 510, 603 Nathan, Vivian, 396 National Association for the Advancement of Colored People (NAACP), 470 National Broadcasting Company (NBC), 38, 47, 63, 65–66, 502, 524–525, 706, 764–765, 776, 793, 802 National Catholic Office for Motion Pictures, 553 National Council of Bishops, 740 National Council of Churches, 576 National Labor Relations Board (NLRB), 454, 751, 754–761 Native Americans in films, 633–634 NATIVE LAND, 46, 51 Nebuchadnezzar II (Babylon), 782–783 THE NEON EMPIRE (television), 338, 794–797, 809 Nephew, Neal, 396 nepotism in the film industry, 29, 496, 509–510, 611 NEVER SO FEW, 400 The New Masses (magazine), 51 New York City Police Department, 219, 394–395, 482, 802

New York Daily News (newspaper), 33, 374 New York Film and Photo League, 17–18, 43–44 New York Journal-American (newspaper), 16 New York Sun (newspaper), 84 New York Times (newspaper), 16–17, 26, 203, 253, 374, 573, 680 New York World's Fair (1939), 67 Newhart, Bob, 606 Newman, Alfred, 190 Newman, Barry, 556 Newman, Lionel, 360 Newman, Paul, 426 News Corporation, 675 newspapers see journalism newsreels, 17, 20, 25–26, 29–36, 41–43, 63, 67–68, 71–72, 117–118, 122–123, 141–143, 163–164, 167, 445, 807 Newton, Isaac, 778–779 Nicholas and Alexandra (book), 771 Nichols, Dudley, 592 Nicholson, Jack, 28, 264–265, 279 Nicholson, Jim, 178 Nielsen ratings, 467–468 THE NIGHT OF THE DRAGON, 456 “Nightmare at Noon" (story), 180 “Nijinsky" (project), 444–445 Nijinsky, Vaslav, 444 Nijinsky, Romola, 444 Niklas, Jan, 776 1941, 96 “1984: The Third World War" (project), 47, 620–622, 670 Niven, David Jr., 647–648, 665 Nixon, Richard, 481, 689 Nolta, F. H. "Speed," 85 Noriega, Manuel, 744 NORMA JEAN & MARILYN (television), 359 Normandie (ship), 32, 63 North, Edmund, 272, 447, 456 North, Sheree, 349, 360 North from Rome (book), 603 Norton, Edward, 279 NOT AS A STRANGER, 231–298 Not as a Stranger (book), 231–232, 234, 245, 247, 249, 263, 266 Novak, Kim, 668 NOWHERE TO HIDE (television), 674, 681, 706–707, 714 “Number Eight Wall Street" (project), 217, 230, 232–233 A NUN'S STORY, 321–322, 367, 372–373 Nurburgring (automobile track), 518 Nuyen, France, 349–350, 401, 405 Nykino, 43

Oblath's (restaurant), 408, 446, 626 O'Brien, Liam, 459 O'Brien, Pat, 215 occult in films, 547–550, 603–604 occupational safety and health, 516

O'Connor, Charles, 66 O'Dell, Eve, 218 Odets, Clifford, 224, 424 Odlum, Floyd, 119 O'Herlihy, Dan, 685 O'Kelly, Betty, 522 Oliver, Dave, 42 Oliver, Edith, 398 Olivier, Laurence, 422–423, 778, 792 ON GOLDEN POND, 628 ON THE ROCKS (play), 741 O'Neal, Ryan, 665 O'Neill, Eugene, 28, 651 OPERATION PETTICOAT, 513 operetta in films, 411 opticals see visual effects Organization of Petroleum Exporting Countries (OPEC), 160 organized crime in the motion picture industry, 13–14, 34–36, 167–170, 174–175, 219, 338, 399, 480–481, 516, 521, 611–614, 794–796, 801–804 Orloff, Arthur, 91 Ornitz, Arthur, 46 Orosco, Henry, 169 Orr, William, 89–90 Ortega y Gasset, Jose, 579 Ortiz, Raymond, 394 Osborne, John, 568–569, 575–576, 578 Osservatore Romano (newspaper), 422 O'Toole, Peter, 423–426, 434-436, 439–440, 511 OUTBREAK, 506–507

Pabst, Georg Wilhelm, 361–362, 369 Pacino, Al, 34 Pahlavi, Ashrev, 743–745 Pahlavi, Mohammad, 742–744 painters, 550–551 Palace Hotel (San Francisco), 210 Palance, Jack, 190, 194, 278 THE PALESTINIAN, 457 Paley, William, 38, 57–58, 66 Pallette, Eugene, 409–410 Palmer, Lilli, 679, 792 The Palms (restaurants), 33 Paltrow, Gwyneth, 611 Panavision cameras, 519 Pangborn, Franklin, 659 PANIC IN NEEDLE PARK, 710 PANIC IN THE STREETS, 181, 184–196, 202, 206–207, 277–279, 378, 469–470, 507 Pantages Theater (Los Angeles), 196 Papi, Giorgio, 443 PARADISE, HAWAIIAN STYLE, 408–410 Paramount Pictures, 13–14, 42, 65, 72, 116, 248, 257, 330, 350–351, 408, 446, 534, 597, 616–617, 626, 691 PARAMOUR (play), 622 Paris, Jerry, 258 Park Central Hotel (New York City), 19

Parker, Eleanor, 709 Parker, Suzy, 354 Parker, Tom, 413 Parks, Eddie, 172 Parks, Michael, 271, 496–497, 499 PARRISH, 372 PARTNERS, 662 Partos, Frank, 213–214 Pathe News (newsreel), 17, 25–33, 36, 41–42, 63, 68, 162–164 Patten, Luana, 361, 365 Patterson, Medill, 33 PATTON, 271–272, 325–327, 420 Patton, George, 154, 326–327, 686 Paul I (Russia), 787–788 Paul VI, Pope (Giovanni Montini), 747 Paulist Productions, 15 Pearl, Howard, 247 Peck, Gregory, 245 Peerce, Larry, 796 Penn, Arthur, 631 Penrose, _____, 251 Pentagon (Washington D. C.), 135–137, 142, 152–153 People (magazine), 806 PEOPLE OF THE CUMBERLAND, 51 Perez, Jose, 396 “The Perils of Pauline” (serial) 28 Perleman, Moishe, 384–385 Perry, Nancy Ling, 451 Pershing, John, 512 Persian Gulf war (1991), 329 PERSONAL BEST, 662 Peter, Simon, 721, 729, 736, 774 Peter I (Russia), 764–795 Peter III (Russia), 787 Peter the Great (book), 639, 765, 771 PETER THE GREAT (television), 145, 457, 489, 596, 639–640, 670, 679, 764–796, 801, 807–809 Peters, Barry, 740 Peters, Jon, 489 Petitot, Georges, 528 PEYTON PLACE, 278, 364 Phelps, Stuart, 73–74, 77–80 PHILADELPHIA, HERE I COME, 566 Phillips, Sian, 426 photography see still photography; cinematography Pickfair (Beverly Hills), 344–345 Pickford, Mary, 274, 344–345, 804 Piggott-Smith, Tim, 741 Pilate, Pontius, 499, 714–718, 727, 730–732, 735, 739 Pinewood studios (England), 692 Pitt, William, 42 A PLACE IN THE SUN, 204 Planer, Franz, 236, 303 plastic surgery see cosmetic surgery PLATOON, 353

The Players (restaurant), 311 PLAYHOUSE 90 (television), 393 Pleasance, Donald, 529, 584 Podesta, Rosanna, 385–386 Poe, James, 452–453, 458, 525 Poitier, Sidney, 233 Polaire, Hal, 560 Pollack, Sydney, 628–635 Polonsky, Abraham, 149, 207 Popov, Aleksandr, 778 Potemkin, Grigory, 775, 787 Powell, Colin, 47, 227, 621, 670 Powell, Richard, 448, 452, 459, 484 THE POWER AND THE LAND, 49 Powers, Stefanie, 647 “Powr" (Variety reviewer), 364 premieres, 645 Preminger, Ingo, 555 President of the United States see United States, President of the Presley. Elvis, 407–415, 421, 627 previews, 239, 645 Previn, Andre, 627 Previn, Betty, 627 THE PRIDE AND THE PASSION, 236, 254–255, 298–299, 301, 304 PRIMAL FEAR, 279 Princeton University (New Jersey), 11–12, 55–56 PRISCILLA, QUEEN OF THE DESERT, 661 prison films, 207–211, 217–219, 234 Prison World (trade journal), 218 PRIVATE LIVES, 685 PROBLEM CHILD, 21, 26-29 Producers Guild of America, 464–465, 474-476 Producers Releasing Corporation, 172 The Producers' Theatre (New York City), 622 producing, 41, 44, 69, 91–92, 98, 147, 166, 172–175, 177, 182–185, 189, 195–207, 212, 224, 232–233, 236, 244, 276–278, 298–299, 302–305, 312–316, 321–322, 336–340, 347, 357, 365–366, 377–380, 383, 392, 399–400, 406–410, 413–414, 419–421, 426, 431, 443, 449, 457, 461–464, 472–474, 486–488, 491– 493, 496–498, 510, 522–523, 527–530, 533, 540, 551–555, 558, 563–566, 575–578, 589–600, 603, 610, 617–618, 627–628, 641, 648, 652, 656, 658–659, 665–669, 677, 680–683, 690–692, 706, 713–714, 718, 748–752, 756–764, 768, 773, 776–779, 782, 802, 809 Production Code Administration, 198–199, 255, 282–284, 338, 340, 347, 363–364, 534, 553, 719 production management, 115, 169, 210-212, 269, 304, 331, 341, 377, 415, 419, 491, 510–511, 555–557, 560, 590, 594–600, 677, 681 Prohibition, 18–19, 317 projectors, 29 propaganda, 11, 16–17, 23-25, 44–45, 48–51, 55–57, 74, 93–142, 168, 456–457, 478, 499–500, 544-546, 696, 766 Propaganda Due (organization), 747 propaganda film, 26, 44–45, 48–51, 74, 93–142, 145–146, 443, 456–457, 478, 499–500, 696, 766 props, 300, 325, 342, 589 protests against motion pictures, 229, 717-719. 735-737, 801 Pryce, Jonathan, 727 psychiatry in films, 216, 397–398, 537–549, 586 “Psychological Analysis of Propaganda" (paper), 55–57

PTG Productions (television), 764, 779 THE PUBLIC ENEMY, 346 publicity, 23–24, 27–28, 133, 177, 238, 244–245, 270, 275, 291, 303, 359, 400, 454, 570, 615, 629, 633– 634, 640–641, 655, 724, 793–794, 804-806 publishing, 244 Puglia, Frank, 411 Pulitzer Prizes (Columbia University), 771 PULP FICTION, 291, 323, 330–331, 341, 588 pulp magazines, 89, 151–152, 160, 166, 179–180 Pushkin, Aleksandr, 766

QB VII (book), 699 QB VII (television), 117, 282, 503, 557, 564, 646, 654, 676, 681–706, 711, 715, 718, 723, 742, 801, 808 Quadaffy, Muammar, 624 Quantico Marine Base (Virginia), 354 Quantrill, William, 221 Quaranta, Gianni, 740 Quayle, Anthony, 685, 701 Quayle, James "Dan," 666 Quinlan, George, 75 Quinlan, John, 104 Quinn, Anthony, 422–423

Rabin, Yitzhak, 98, 329, 636, 689, 712–713 racism, 339–340, 371, 375, 393–395, 398–399, 470–472, 492–493, 531, 766–767, 778 racism in the motion-picture industry, 32–33, 224–226, 233–234, 659 radio, 11, 37, 63–64, 81, 139, 145, 160–161, 170, 675 Radio Shack (electronics), 749 Radio-Keith-Orpheum (RKO), 202–203, 377 Radiotelevisione Italiana (television), 366 Ragen, James M., 36 railroads in films, 534 Rains, Claude, 286, 367 RAMBO: FIRST BLOOD PART II, 647 Ramsey, H. Clark, 90 Randell, Ron, 177 Randolph Field (Texas), 119 Ransford, Maurice, 189 Rathenau, Emil, 319 Rathenau, Walter, 319 ratings, 427–428, 466–468, 534, 542, 553, 769, 794 Rattigan, Terrence, 540, 643 Rawley, Peter, 676 Ray, Benjamin, 79 Ray, Stanley, 101 Raymond, Bradley, 757–758 Reagan, Ronald, 17, 85, 124, 800 real-estate development (Los Angeles) REAR GUNNER, 43 REBEL WITHOUT A CAUSE, 363–364 “The Red Lily" (project), 380–386 RED MOUNTAIN, 185-187, 220–221, 377 Redford, Robert, 280, 598, 629, 632, 636 Redgrave, Vanessa, 457, 775, 791–792

REDS, 28 Reichert, Ernest, 79 Reis, Irving, 46, 161–162 religion in films, 21, 28–29, 50, 229, 291–295, 298, 301, 320–321, 329–330, 339, 348–350, 363, 368–373, 421–441, 444, 509, 520, 524, 542, 574–579, 586, 634–635, 649–650, 654, 658–663, 681–706, 713–741, 747–748, 770–771, 779–781, 785–787, 791, 797–799, 802, 807–808 remakes, 302-303 Remick, Lee, 654 RESISTING ENEMY INTERROGATION, 113–114 THE RESTLESS YEARS, 315, 360–364, 375–376 retakes, 97, 276, 358–359, 767–769 RHAPSODY IN STEEL, 50 RHINOCEROS, 565, 574 Rich, John, 275, 415–416, 421, 510 Richard, Robert, 78 Richardson, Ralph, 650 Riche, Wendy, 710 Richmond, Howard, 238 Rickles, Don, 474 Riefenstahl, Leni, 361, 457 THE RIGHT STUFF, 672 rights and clearances, 254, 298–299, 357–358, 394, 420, 442–444, 448, 458–459, 463, 479–480, 519–521, 528, 565–566, 569–570, 577, 603, 607, 616–617, 639, 658, 730 Ringling Brothers and Barnum & Bailey Circus, 618–620 Ritchie, Guy, 279 Ritt, Martin, 248, 616 Ritter, Thelma, 512 “Riverworld" (project), 675 Rivken, Allen, 447 road shows see distribution “Roan Stallion" (poem), 347 Roarke, Hayden, 361 Robards, Jason, 533, 650 Roberts, Julia, 610, 806 Roberts, William, 447 Robertson, Pat, 439, 730 Robinson, Casey, 316, 592 Robinson, Charles Knox, 706 Robinson, Chris, 396 Robinson, Edward G., 230, 232 Rockefeller, Nelson, 443 Rockefeller Felllowships, 11, 21, 55 Roe, Guy, 209, 219 Roffman, Julian, 46 Rogers, Charles "Buddy," 344 ROGUES GALLERY (television), 728 Roland, Gilbert, 215–216 Rolleicord cameras, 21 Rolleiflex cameras, 21 Rollins, Ed Jr., 666 Rolls-Royce automobiles, 251, 551 Rommel, Erwin, 116 ROOM AT THE TOP, 406 Roosevelt, Eleanor, 94, 96

Roosevelt, Franklin D., 49, 78, 119, 130–131, 149–150, 154, 210, 623 Root, Wells, 92, 456 Rose, Billy, 445 Rose, Jack, 755 Rose, Norman, 769 Rose, Reginald, 366 Rosenblum, Irving C., 690 Rosenthal, Laurence, 431, 509, 779 Ross, Herbert, 614–615 Rosser, Joseph, 85 Rothman, Harvey, 796 Rothstein, Arnold, 13, 19 Rousseau, Jean-Jacques, 537 ROUSTABOUT, 407–408, 413–415 Royal Air Force (United Kingdom), 378, 690 Royal Navy (Britain), 262 Rubin, Stanley, 91, 182, 377 Rubinstein, Helena, 743 Ruggiero, Gene, 76, 80 Rush, Barbara, 310 rushes see dailies Ryan, Robert, 531 Rydell, Mark, 628

Sabatini, Rafael, 302–303 Sacco, Nicola, 443–444 Sacco, Rosina, 442–443 SACCO & VANZETTI (1971), 366, 433, 442–443 SACCO E VANZETTI (1977), 366 “The Sacco-Vanzetti Story" (television), 366 Sackin, Louis, 172 Sadat, Anwar, 646 Sahl, Mort, 325, 352 salaries, 31, 50, 160, 167–168, 176, 179, 188, 202-204, 230–231, 254, 270, 279–280, 297–299, 302–303, 312, 338, 361–362, 378–380, 392, 414, 419–420, 446–447, 458–463, 475–481, 486–489, 497, 503, 532, 541, 554–557, 564, 567, 580, 591, 598, 610–611, 615, 624–625, 637–639, 643, 647, 652, 660, 663, 681, 730, 742–743, 748–763, 807 Sallis, Zoe, 522–523 Salmi, Albert, 535 Salt, Gary, 627 Saltykov, Sergius, 788 Saltzman, Harry, 168 THE SALZBURG CONNECTION, 554-558, 603 San Francisco Police Department, 218–219 San Quentin State Prison (California), 207–211, 217, 219 THE SAND PEBBLES, 516, 518 Sanders, Jay O., 741 Sandford, Schuyler, 92 Sarandon, Chris, 722 Sarandon, Susan, 216 Sargent, William, 396 Sarnoff, David, 65 Sartre, Jean-Paul, 244 THE SATAN BUG, 433, 445, 504–509

Saturday Review of Literature (magazine), 372 Savalas, Telly, 396, 648–649, 709 Savoy Hotel (London), 669–670 Saxon, John, 361 SAYONARA, 405 Scanlon, James, 89, 97 THE SCARLET EMPRESS, 776 Scarpitta, Guy, 76 Schaffner, Franklin, 68 Schare, Joseph, 80 Schatzberg, Jerry, 710 scheduling see production management Schell, Maximilian, 155, 306-308, 323, 334–335, 529, 584, 588, 734, 773, 782 Schenck, Joseph, 313 Scheuer, Philip, 369, 371 Schifrin, Lalo, 648 Schiller, Lawrence, 489, 765, 776–779 SCHINDLER'S LIST, 706 Schine, David, 448 Schine, J. Meyer, 448 Schlein, Jay, 75, 80 Schlesinger, John, 44 Schlossberg, Richard T., 118 Schoenberg, Arnold, 238 SCHOOL, 28, 41 Schwab's Drugstore (Los Angeles), 656, 805–806 Schwartz, Mickey, 77 Schwartz, Sherwood, 511 Schwarzenegger. Arnold, 417, 573–574, 597–598 Schweitzer, Albert, 686 Schygulla, Hanna, 774, 784 science-fiction films, 202 Scott, Cecil, 104 Scott, George C., 229, 269, 271, 492–495, 499–500 Scott, Lizabeth, 221 Screen Actors Guild (SAG), 352, 479–480, 598 screen credits see credits Screen Gems, 681, 704 Screen Writers Guild see Writers Guild of America The Screenwriter Looks at the Screenwriter (book), 585 screenwriting, 13, 22, 32–34, 45, 48, 81, 91, 101–111, 115, 120, 129, 155–156, 163, 165, 168–169, 172– 175, 178–181, 184–196, 201–207, 210, 216–217, 220–221, 223–224, 230–236, 239–242, 245–267, 270– 301, 304–317, 320–353, 356–373, 376–388, 395–402, 405–453, 460–474, 478–494, 497–498, 505–526, 530–542, 546–548, 551–554, 558–569, 572–575, 578, 583–625, 628–655, 657–662, 665–666, 669–671, 675–745, 749–796, 801, 806–809 THE SEA HAWK (1924), 302-303 THE SEA HAWK (1940), 303 “The Sea Hawk" (project), 302-303, 671, 673 THE SEARCH, 222 Seawright, Roy, 158 second units, 517–518, 593 Secretariat for Catholic-Jewish Relations, 740 Seldes, Gilbert, 37, 59, 64 Seldes, Marian, 37

Self, William, 379 Selicyk, Mizmoon, 451 Seltzer, Milton, 396 Selznick, David O., 238, 337–338, 380–386, 421, 461–464, 597 sequels, 530–537 serials, 27, 689-691, 764 Serling, Rod, 456 Serpe, Ralph, 443 set decorating, 342 Seurat, Pilar, 396 711 OCEAN DRIVE, 191 “747" (project), 481–483 sex education films, 90–91, 114 sexism in the motion-picture industry, 279, 554, 709, 718 sexuality in films, 41, 90–91, 114, 118, 198–199, 203–207, 216, 242–243, 255–256, 271, 281–285, 288– 289, 296, 317, 329, 351, 354, 369–370, 380–386, 392, 417, 427, 434–437, 468, 480–483, 512–513, 531, 537–540, 553, 591, 606–607, 623, 657–664, 679, 693–695, 719, 776–779, 784–787, 808 SHADOWS, 707 Shagan, Steve, 279, 316, 488, 587 Shakespeare, William, 291, 440 Shapiro, Stanley, 447 Sharif, Omar, 665 Sharkey, Tom, 532 Sharkey, Ray, 796–797 Shavelson, Melville, 452, 459, 475, 755 Shaw, George Bernard, 592, 741 Shaw, Irwin, 231, 236, 306, 335 Shaw, Joseph T., 166 Shaw, Robert, 155–156, 236, 331, 569, 578, 584–585 The Sheaf Company (production company), 614–615, 659–660 Sheldon, Sidney, 247–248, 603, 616–617, 638, 655, 703, 724 Shepperton studios (United Kingdom), 431 Sherman Theaters, 571 Sheydal, Vladek, 685 SHIP OF FOOLS, 368 Shoah (organization), 291, 373 SHOGUN (television), 504 Shore, Roberta, 396 short films, 21, 26-29, 41 Shourds, Sherry, 88 Showtime Networks (television), 337, 636–638, 675, 713, 794 Shuler, Robert, 75 THE SIEGE OF LENINGRAD, 144 Siegel, Benjamin "Bugsy," 13–15, 338, 611–614, 728, 795–796 Siegel, Sol, 189 SIERRA, 205 Signal Pictures Inc., 166–167 silent film production, 26–28, 39, 141–142 silent films, 274, 344, 686–687, 804 Silliphant, Sterling, 456, 638 Sills, Milton, 303 Silver, Joseph, 740 Silverheels, Jay, 221 Silverman, Stanley, 452

Simm, Ray, 528 Simmons, Anthony, 665, 669 Simon, Neil, 592 Simon the Zealot, 716 Simpson, O. J., 339–340, 443, 701, 777 Sinatra, Frank, 219, 234–235, 243–246, 254–255, 264–265, 285, 289, 298, 301-303, 311, 453, 708, 801– 805 Sinclair, Robert, 88 SINFUL DAVEY, 522 THE SINS OF RACHEL CADE, 315, 321–322, 366–367, 369–373, 377, 401, 645 Six-Day War (1967), 646, 688–690 Skolsky, Sidney, 805 Slate, Jeremy, 410–411 Slavin, George F., 220 Sleeper, Marvin, 16 Sloane, James L., 92 Small, Bernard "Buddy," 496 Small, Edward, 496 Smiley, Allen, 613 Smiley, James, 669 Smith, Joe, 66 Smith, Kent, 115 Smith, Pete, 33 Smith, Wayne, 79 SMOKE, 498 THE SNAKE PIT, 213–214 THE SNIPER, 187, 196–208, 213, 216, 218, 221, 262, 277, 280, 284, 303, 354, 390–391, 433–434, 719 SO THIS IS NEW YORK, 368 sociology, 11, 16-17, 55-57, 800 Solotsov, Valeri, 144 Solt, Andrew, 728 THE SONG OF BERNADETTE, 380 Sony Pictures, 279 Sorvino, Mira, 359 sound, transition to, 351 sound editing, 32–34, 79, 103 A SOUND OF HUNTING (play), 366, 387 sound recording, 26-28, 40, 103, 161, 183, 220, 274, 309–310, 330, 344, 501, 509, 538-541, 625–626, 641 sound re-recording, 48, 103, 163, 220, 309–310, 337, 462, 501, 509, 541, 684–685, 692, 700, 768–769, 773 Southern California Motion Picture Council, 436 Sovfilm, 162 Spanish Civil War (1936-1939), 50, 304–305 SPANISH EARTH, 50–51 special effects, 74, 239, 300, 330, 341, 573–574, 600, 610–611, 621, 673–674, 690 special effects see also visual effects “Special Film Projects" (U.S. Army Air Corps), 99–100, 114–118, 121–122, 126-128, 140, 142, 331 Speight, Johnny, 416 Spelling, Aaron, 671–672 Spencer, Dorothy, 310 Sperling, Milton, 353 Spielberg, Steven, 96, 346 Spigelgass, Leonard, 123, 196, 214, 452, 459, 484, 663 Spinetti, Victor, 350 Spinoza, Baruch, 737–738

Splendora (book), 658–663 “Splendora" (project), 658–664, 748 St. John, Theodore, 196 St. John's Health Center (Santa Monica), 255 STAGE DOOR (play), 34, 38-40, 67 STAGE DOOR (television), 61 STAGECOACH, 358, 798 stages, 39–40, 60–61 STALAG 17, 647–648 Stalin, Josef, 145, 333, 785–786 Stamper, Samuel, 79 Stanislavsky, Constantin, 497 Stanley, Kim, 672 Stanley Kramer Corporation see Stanley Kramer Stanton, Frank, 57 Stanwyck, Barbara, 411–415 A STAR IS BORN, 22, 669 star system, 177, 263–265, 277–278, 286, 303, 307–308, 354–355, 372–380, 389, 393, 406–410, 413, 426, 573–574, 584, 597, 610–611, 627, 633, 652, 655–656, 677–679, 806 Starrett, Jack, 706 Steichen, Edward, 798 Steiger, Rod, 664, 679 Steiner, Ralph, 18, 46, 51–52, 164 Steinert, Alexander, 91 Stell, Aaron, 213, 390 Stephens, Robert, 685, 702 Stern, Seymour, 50 Sternad, Rudolph, 212, 238 Stevens, Leith, 390 Stevens, Roger L., 622 Stevens, Stella, 411–412 THE STEWARDESSES, 483 Stewart, David, 396, 551 Stewart, Jackie, 516 still photography, 18–22, 26–27, 42–44, 47, 62, 69, 92, 117, 131, 164–165, 402, 406, 534, 696–697, 777 Stiller, Jerry, 709 Stine, Clifford, 92 stock film, 116–117, 122, 126, 142–143, 321–322, 331, 367, 372–373, 491–492 stock see film stock; stock film Stockwell, Dean, 650 Stockwell, Guy, 561 Stone, Oliver, 346 Stone, Sharon, 265, 278, 610 Storaro, Vittorio, 778–779 THE STORY OF LOUIS PASTEUR, 252 Strand, Paul, 44, 51–52, 67 STRANGE VOYAGE, 165–175 Streisand, Barbra, 337, 487, 653, 760 Strode, Woody, 367 student films, 28, 41 The Studio (book), 551–552, 593–594, 596, 598–600 Studio 54 (New York City), 393 studio executives see executives STUDIO ONE IN HOLLYWOOD (television), 393

studio schools, 656 studio system, 13–14, 38–39, 58, 65, 86, 178–180, 183–189, 226, 232, 257, 278, 312-314, 321–322, 326, 336–342, 351–355, 367, 372–379, 389, 399–400, 408–410, 419–420, 449, 461–464, 581, 593–600, 603, 610–611, 615, 618, 627, 652, 655–656, 690–692, 749–753, 756–763, 779 studio teachers, 352 studios, 39–40, 60–61, 652 stunt persons, 124, 199, 300, 426, 649–650 Sturges, John, 88, 113, 250, 399–400, 405, 433, 445, 504–507, 515, 519–520, 530-532, 553–554 Sturges, Preston, 311 Suchet, Louis-Gabriel, 305 Sullavan, Margaret, 24, 185 Sullivan, Neil, 42 Sullivan, Patrick J., 740 Summa Corporation, 346 A SUMMER PLACE, 372 SUNDAY SHOWCASE (television), 366 Surtees, Bruce, 509–510 Surtees, John, 516 Surtees, Robert, 509 SURVEY (television), 524–525 SURVIVING PICASSO, 699 Swanson, Robert, 78 Sweeney, Terrence A., 719, 740, 797 Swenson, Carol, 625–626 Swenson, Karl, 535 SWEPT AWAY, 279 SWEPT AWAY (2002), 279 Swift, Edward, 658 Swope, Herbert Bayard, 57 Symbionese Liberation Army, 450–451

Taft-Hartley Act, 751 Tail o’the Cock (restaurants), 606 TAIL-GUNNER JOE (television), 43 Taliban (organization), 782 Tammany Hall (New York City), 16–17 Tannenbaum, Harold, 97 Taradash, Daniel, 456, 753–754 Targa Florio (automobile race), 515–516 TARGET UNKNOWN, 114 Taurog, Norman, 412 Taylor, Dick, 75 Taylor, Elizabeth, 426–427 Taylor, Forrest, 169 Taylor, Gil, 648 Teach Me How to Cry (play), 360 Teachers College (New York), 21, 26 Teal, Ray, 169 Teamsters Union, 607 technical advisors, 94, 116, 122, 239–242, 247, 259, 262, 325–326, 515–516, 538, 547–548, 552, 560, 600– 601, 699, 740, 796 Technicolor Inc., 93, 101, 431 television, 25–26, 34–41, 57–71, 86, 93, 147, 158–161, 176, 191, 203, 252–253, 269–272, 295–296, 337– 340, 376–380, 387, 392–393, 401, 407–408, 416, 419, 425, 432, 441–442, 447–448, 452, 458–459, 463–

468, 475, 479–480, 489–504, 520–521, 524–525, 557, 570, 587, 595–596, 601, 604, 615, 622, 636–638, 646, 654, 664, 670–676, 681–719, 742, 749–750, 753, 755, 764–794, 797–801, 807–809 THE TEN COMMANDMENTS (1956), 432, 436 TEN THOUSAND AIRPLANES A MONTH (television), 379 Tennant, Victoria, 679 Tennessee Valley Authority (TVA), 49 TERMS OF ENDEARMENT, 265 Terranova, Archie, 167, 170 tests, 349–351, 401–402 Tetzlaff, Ted, 92 TEXAS ACROSS THE RIVER, 560 “That's Murder, Brother" (story), 180 theater, 34, 67, 84–85, 156, 190, 194, 222–230, 261, 275–278, 302, 329–330, 364–365, 387, 421–425, 428, 439, 477, 510, 521, 529, 544, 551, 565–578, 583, 589–592, 601–602, 622–624, 657–658, 667–669, 768 THEN CAME BRONSON (television), 271 Thierry, Augustin, 428 THINGS TO COME, 238–239 “The Third City" (project), 557, 580, 606–611, 653, 700 The Third World War: August 1985 (book), 670 THE THIRTY-NINE STEPS, 609 Thomas, Danny, 627 Thomas the Apostle 720–721, 741 THE THOMAS CROWN AFFAIR, 543 Thompson, J. R., 629 Thompson, Marshall, 215 Thompson, Morton, 235–236 Thompson, Tommy, 170 Thompson, Verita Bouvaire, 285 Thorn EMI, 679 Thorp, Raymond W., 636 THREE CADETS, 90–91, 114 THREE LIVES, 799–801 THREEPENNY OPERA (play), 229 Thrivers, Barry, 459 THUNDER OF THE SEA, 21, 28–29, 50, 578 Thunderbird Club (Phoenix), 695–696 THUNDERBOLT, 250, 505 Tierney, Gene, 185–186, 378 TILL DEATH DO US PART (television), 416 Time (magazine), 27, 114, 360, 374, 519, 641, 743-745 A Time for Killing (book), 490 “A Time for Killing" (television), 269–272, 441–442, 490, 507, 590, 600, 681 A TIME TO KILL, 590 Time Warner Inc., 244 Time-Life Building (New York City), 746 Times (London newspaper), 667 Tiomkin, Dimitri, 212, 219 Titanic (ship), 637 titles, 164, 191, 303, 361, 368, 585, 601–602, 692–693, 726, 769 Tiu, Elizabeth, 411 Tiu, Ginny, 411 TO WOO FONG, THANKS FOR EVERYTHING, JULIE NEWMAR, 661 Todd, Thelma, 15, 728 Tolan, Michael, 535

Tolins, Natalie, 625–628 Tolstoy, Nikolai, 771 Tolstoy, Leo, 771 Toluca Productions Inc., 742 TOM JONES, 429 Tombstone's Epitaph (book), 530 Tony Awards see Antoinette Perry Awards TOO HOT TO HANDLE, 31, 42 TORA! TORA! TORA! 673–674 Tover, Leo, 356 THE TOWERING INFERNO, 426 Townsend, Percy, 170 Tracy, Spencer, 277 training films, 59, 62, 69, 72–79, 84–90, 122, 129–130 Trans-World Airlines (TWA), 135 Trout, Robert, 37 Truffaut, Francois, 368, 462 Trumbo, Dalton, 50, 306, 478 Turgenev, Ivan, 786 Turner, Ted, 604, 713, 807 Turner Broadcasting, 253, 604, 645 Tusher, Will, 524 TV Guide (magazine), 741 Twentieth Century-Fox, 184–189, 202–203, 239, 272, 305, 310–316, 325–326, 346, 351–352, 355, 376– 380, 420, 434, 445–446, 541, 546, 551–552, 579, 593–600, 618, 673, 682, 713–714 TWISTER, 330 TWO DOWN AND ONE TO GO! 142 TWO FOR THE ROAD, 600 “Two Hands That Shook the World" (project), 98, 129, 207, 252–253, 291, 294–295, 322, 327–329, 358, 363, 373–374, 421, 425, 442, 487–488, 500, 527, 531, 536, 554, 595–596, 614, 636–639, 653, 689, 712– 713, 760, 762

Uchitel, Y., 144 Ulsamer, Sybelle, 779 Umeki, Myoshi, 405 THE UNBEARABLE LIGHTNESS OF BEING, 693 Union of Soviet Socialist Republics (USSR), 50–52, 138–162, 200, 333, 354, 403, 477, 608–609, 621, 764–794 United Airlines, 42, 409 United Artists, 244, 280, 509 United Jewish Appeal, 801 United Nations (New York City), 536 United News (newsreel), 43 United States Air Force, 105, 558 United States Air Force see also United States Army Air Corps United States Air Force Strategic Air Command, 99 United States Army, 23, 42–47, 63, 72–74, 81, 87–88, 116-118, 123, 127, 135–138, 142, 150, 161, 197, 218, 225, 262, 285, 304, 325-327, 338, 387, 389, 580–583, 606, 616, 634–635, 694–696 United States Army Air Force, 17, 22–25, 43, 49, 59, 71–100, 103-105, 110, 119–122, 130–131, 134–135, 138–139, 143–144, 148, 151–154, 171–174, 219, 250, 285, 331, 362–363, 403–404, 505, 642, 790–791 United States Army Air Force, First Motion Picture Unit (FMPU), 17, 42-43, 71-130, 151, 157–158, 171, 250, 331, 378, 389, 404, 505, 642, 790–791 United States Army Criminal Investigation Division (CID), 138 United States Army Pictorial Service, 133–134

United States Army Signal Corps, 38, 42, 62, 69–72, 116-118, 142, 161, 167–168, 305 United States Bureau of Mines, 41 United States Catholic Conference, 740 United States Central Intelligence Agency (CIA), 130, 132, 149, 158–160, 198, 500, 743–748 United States Coast Guard, 19 United States Congress, 45, 119, 391, 624 United States Department of Defense, 325–326, 336, 340, 621, 719 United States Department of Health, Education and Welfare, 193 United States Department of Labor, 485 United States Department of Treasury, 217 United States Department of the Treasury, 232 United States Department of War, 107, 218 United States Federal Bureau of Investigation (FBI), 30, 50, 307 United States Federal Communications Commission, 39, 41, 58 United States Internal Revenue Service, 175, 298, 597 United States Library of Congress, 117 United States Marine Corps, 36–37, 79, 207, 353–354 United States Motion Picture Review Board, 43 United States National Archives, 117, 142–143, 152 United States National Guard, 159 United States Naval Photographic Science Laboratory (Anacostia), 117, 131 United States Navy, 22, 32, 43, 87, 110, 117, 123–128, 131, 141, 167, 193, 262, 492–493, 499–500, 623– 624, 798 United States Office of Naval Intelligence (ONI), 35, 131 United States Office of Strategic Services (OSS), 30, 35, 119, 126–134, 138, 145–158, 197, 354, 403–404, 443, 491, 642, 743 United States Office of War Information (OWI), 43–46, 118, 145 United States, President of the, 49, 78, 119, 130–131, 149–150, 154, 210, 623, 739 United States Public Health Service, 193 United States Supreme Court, 391, 442 United States Veteran's Adminstration, 235, 239, 296 Universal Pictures, 42, 181–184, 201, 205, 211, 341, 346, 360–361, 364, 448, 451, 491, 558–560, 597, 621, 670, 710, 752 University of California, Los Angeles, 263, 633, 728, 736, 797–799 University of Jerusalem (Israel), 384 University of Southern California, 243, 373, 797–799 Unsworth, Geoffrey, 431 Unted States Federal Communications Commission, 38 Uris, Leon, 695, 702

VGIK (Moscow), 55 Valente, Renee, 802 Valenti, Jack, 411 Valentino, Rudolph, 686–687 Valenty, Lily, 411 VALLEY OF THE DOLLS, 600, 655 Valley of the Dolls (book), 655 Van Cleef, Lee, 310, 674, 706 van Dusen, Granville, 709 Van Dyke, Willard, 18, 44, 47, 51–53 van Keuren, Sidney, 89 van Rijn, Rembrandt, 744 Van Rooten, Luis, 181 Van Zandt, Phil, 172

Vanderbilt, Gloria, 174 Vanzetti, Bartolomeo, 443–444 Variety (trade publication), 114, 680, 749 Vatican Library (Vatican City), 442–443 vaudeville, 66 Velez, Richard, 396 Vendel, Veronique, 351 Verdugo, Elena, 167 Verinis, Jim, 104 Verita's La Cantina (restaurant), 285 Viacom Inc., 675, 706 Victoria I (Britain), 521 video-assisted filmmaking, 494 videocassettes, 479–480 Vidor, Charles, 444 Vidor, Doris Warner, 444–445 Vienna State Opera (Austria), 132 Vietnam war (1964-1975), 262, 272, 335, 374, 456–458, 478, 500, 525, 580, 630 Ville de Paris (department store), 532 violence in films, 196–199, 203–207, 226, 236, 284, 318, 329, 335, 354, 465–468, 470, 535–553, 573–574, 635–636, 647–650, 665, 740 VistaVision (widescreen system), 300 visual effects, 61, 69, 95-97, 101, 106, 112, 269, 310–311, 323, 330–331, 542–545, 610–611, 621, 644, 673–674 visual effects see also special effects Vnukova Airport (Moscow), 139–140 Vogue (magazine), 609 Voight, Jon, 535 von Stauffenberg, Claus Schenk, 308 Von Sternberg, Josef, 776 Vorhaus, Bernard, 90–91 Vorkapich, Slavko, 165 VOYNA I MIR see WAR AND PEACE

Wagner, Richard, 238 Wagner, Robert, 345, 360 WAITING FOR LEFTY, 424 Wald, Jerry, 345, 347, 359 Waldorf Astoria Hotel (New York City), 482 A Walk in the Sun (book), 262, 387 WALL STREET, 217 Wallace, Jean, 211 Wallace, Regina, 172 Wallach, Janet, 639 Wallach, John, 639 Wallis, Hal, 195, 220–221, 330, 337, 340–341, 350, 380, 399–400, 406–409, 413–427, 431-433, 436, 441, 461–462, 490, 510–511, 514, 555, 597, 603–604, 626–627, 655, 807 Walston, Ray, 282, 418 Walton, Brian, 753–754, 756, 758–759 “Waltz Into Darkness" (project), 185–187 WALTZ OF THE TOREADORS (play), 622, 669 “Waltz of the Toreadors" (project), 622 Wanamaker, _____, 152 Wang, Wayne, 498

Wanger, Walter, 314–315 WAR AND PEACE (1966), 303, 767–769 War and Peace (book), 786 war films, 205, 261, 298–310, 322–327, 331–334, 341–343, 352–354, 374, 387–392, 490–504, 557–563, 580–581, 620–622, 641–642, 646–655, 681–706, 764–794 wardrobe, 29, 616 wardrobe see also costume design Warner, Jack, 84, 223, 336–338, 346, 408, 645, 657, 691–692, 806 Warner Bros., 84, 88, 167, 204–205, 252, 315, 321–322, 336, 338, 346, 367, 372, 515, 618, 628, 692, 808 Washington Post (newspaper), 620 Waters, Ethel, 214, 221, 224, 226–227 WATERWORLD, 303–304, 341, 600 Wayne, John, 169, 495, 525 Wayne County Medical Society (Michigan), 247 We Only Kill Each Other (book), 611–614 “We Only Kill Each Other" (project), 611 Webb, Jack, 260, 387 Webster, Ferris, 509, 532 Weinstein, Henry, 276, 522, 564–570, 575, 578 Weintraub, Sy, 519–521 Weiss, Adrian, 78 Weiss, Allan, 406–408, 412–415 Weld, Tuesday, 708, 711 Welles, Orson, 331 Wellman, William, 283 Wertmuller, Lina, 279 West, Morris, 519 WEST SIDE STORY, 398 westerns, 28, 530–537, 628–646, 801 Westheimer, Joseph, 158 Westinghouse, 675 Weston, Edward, 18 Wexler, Sy, 46 WGA Awards, 212–214, 221, 473–474, 478 WGA News (magazine), 752 Wheeler, Lyle, 189, 360 WHEN WILLIE COMES MARCHING HOME, 196 White, Frank, 57 White, Jesse, 249, 289–290 White, Margaret Bourke, 165 White, Pearl, 27–28 White, Robert, 466 White, Stanford, 12, 141 The White Elephant (London), 668 Whitehead, Robert, 622 Whitmore, James, 361 Whitmore, John, 516 Whitmore, Stanford, 485 “Who Murdered the Vets (A First-Hand Report on the Florida Hurricane)” (article), 51 Wickes, Mary, 367 widescreen systems, 298–299 Widmark, Richard, 190–191, 278 Wiener, Jack, 647–648, 665 Wilcox, Claire, 416

Wilcox, John, 516 Wilde, Cornel, 211 “Will There Be Cameraman-Directors in Television Production?" (article), 71 William Morris Agency, 89, 671, 724, 754 Williams, Emelyn, 545 Williams, John, 667–668 Williams, Robin, 662 Willis, Bruce, 574 Willis, Matt, 169 Willis, Max, 169 Willwerth, James, 777 Wilson, Donald Powell, 208 Wilson, Edith Bolling, 20 Wilson, Pierre, 76, 78 Wilson, Richard, 127 Winchell, Clarence E. "Bill," 105 Winchell, Walter, 15, 123–124 Winters, Ralph, 77 Winters, Shelley, 282–283, 395, 418 Wiseman, Joseph, 703 WIVES AND LOVERS, 275, 282–283, 416–419, 421 Wizan, Joe, 628 Wolfe, William, 451 THE WOMEN, 655 Women Airforce Service Pilots (WASP), 119 Wood, Charles Ingram, 699–702 Woods, William Crawford, 580 Woolrich, Cornell, 185 Works Progress Administration (WPA), 394 World Lutheran Congress, 21, 28 World War I, 57, 62, 84, 107, 111, 117, 133, 141, 319, 782 World War II, 22–25, 30–35, 38–39, 42–46, 55–57, 72–78, 81–86, 89–144, 148–151, 156–157, 162, 165, 191, 204–207, 250, 262, 306–310, 325–327, 331–332, 335–336, 344, 349, 354, 361, 374, 379, 384, 387– 389, 392, 403–404, 428, 443, 478, 492–493, 498–501, 505, 558–562, 583–586, 623, 627, 641–643, 678– 679, 681–706, 743, 785, 807 WORLD WAR III (television), 670 Wright, Frank Lloyd, 799 Wright, Teresa, 361, 364 Writers Congress, 55–56 Writers Guild of America (WGA), 212–214, 221, 316–318, 366, 445–489, 598, 637–638, 645, 652–653, 743, 748–763, 801 Wyler, William, 23–24, 85, 88, 93–97, 103, 113, 119–121, 134–137, 419, 505 Wyman, Jane, 17, 799–800 Wynter, Dana, 352, 360

Xerox Corporation, 28

Yad Vashem (Jerusalem), 704 Yates, _____, 81–84, 123, 790–791 YEARS OF LIGHTNING, 456 THE YELLOW MOUNTAIN, 182, 377 Yom Kippur War (1973), 646–647, 688–689 York, Alvin, 57 York, Stanley, 78

YOU ARE THERE (radio), 675 Young, Freddie, 575 Young, Loretta, 283 THE YOUNG LIONS, 205, 218, 230, 236, 267–268, 305–316, 320-327, 330–336, 340–344, 352, 356, 367–368, 393, 420, 529, 587–589, 599, 621, 642–643, 652, 694, 707, 718–719, 809 The Young Lions (book), 230–231, 332, 335–336 THE YOUNG SAVAGES, 366, 376, 392–398 Youngstein, Max, 254

Zanuck, Darryl, 184–185, 189–190, 230-232, 245, 305, 316, 336, 340–342, 346–347, 376–377, 446, 506, 552, 652, 691–692, 714, 806 Zanuck, Richard, 594 Z Channel (television), 755 Zeidman, Bennie, 183–184 Zeiss cameras, 21 Zinnemann, Fred, 222–227, 321, 615, 768 Zunser, Jesse, 355 Zworykin, Vladimir, 58