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A Supplemental Material References
A Supplemental Material HotpotQA FEVER size of word vectors: dw 400 435 A.1 Details of the Implementation width of RNN: dc 150 150 dropout keep ratio 0.8 0.8 We implemented our model in PyTorch and batch size 72 96 trained it on four Nvidia Tesla P100 GPUs. The learning rate 0.001 0.001 RNN was a gated recurrent unit (GRU) (Cho et al., beam size 5 5 2014). The optimizer was Adam (Kingma and Table 1: Hyper Parameters. Ba, 2014). The word-based word embeddings were fixed GloVe 300-dimensional vectors (Pen- nington et al., 2014). The character-based word References embeddings were obtained using trainable eight- dimensional character embeddings and a 100- Kyunghyun Cho, Bart Merrienboer, Caglar Gulcehre, Fethi Bougares, Holger Schwenk, and Yoshua Ben- dimensional CNN and max pooling. Table 1 gio. 2014. Learning phrase representations using shows other hyper parameters. rnn encoder-decoder for statistical machine transla- tion. In EMNLP, pages 1724–1734. In FEVER, if the model predicts AT as ‘Sup- ports’ or ‘Refutes’, the model extracts at least one Diederik P. Kingma and Jimmy Ba. 2014. Adam: A sentence by removing the EOE sentence from the method for stochastic optimization. arXiv preprint candidates to be extracted at t = 1. arXiv:1412.6980. Jeffrey Pennington, Richard Socher, and Christo- A.2 Samples of QFE Outputs pher D. Manning. 2014. GloVe: Global vectors for word representation. In EMNLP, pages 1532–1543. The section describes some examples of QFE out- puts. Table 2 shows examples on HotpotQA, and Table 3 shows examples on FEVER. -
The Motivational Mind of Magneto: Towards Jungian Discourse Analysis
Page 1 of 30 The motivational mind of Magneto: towards Jungian discourse analysis Jacquelyn Seerattan-Waldrom Supervised by: Dr Geoff Bunn April 2016 Page 2 of 30 The motivational mind of Magneto: towards Jungian discourse analysis ABSTRACT Discourse analysis has been a prominent area of psychology for 25 years. It traditionally focuses on society’s influence on the world through the rhetoric (implicit persuasion) and symbolism, dealing with important psychological areas such as ‘identity’ and many social justice issues. Graphic novel analyses is also increasingly more common. Social justice issues are especially prominent in analysis: particularly in X- Men, through metaphors of ‘oppression’, ‘sexuality and identity’ (Zullo, 2015). Psycho-discursive analysis focuses on the 'subject' neglected in traditional discourse analysis, which has been provided recent attention. A Freudian and Jungian psycho-discursive analysis of DC comic character, 'Batman' has been studied regarding motivation and psyche (Langley, 2012). However, ‘reflexivity’ in Freudian psycho-discursive analysis is a known problem that previous psycho-discursive analyses have been unable to tackle effectively. Therefore, this study proposed a step towards Jungian psycho-discursive analysis adapted from personality and motivation theory, ‘Psychological Types’ (1971) and theoretical expansions by Myers and Myers (1995). It was applied to fictional representations of psyche within the X-Men comic character, ‘Magneto’, due to fictional inspirations which commonly form Jungian theory. Magneto was interpreted as the type, ‘INTJ’, and future implications of further applications to psyche are discussed. KEY PSYCHO- JUNGIAN PERSONALITY X-MEN GRAPHIC DISCURSIVE PSYCHOLOGY NOVEL WORDS: ANALYSIS ANALYSIS Page 3 of 30 Background Discourse analysis For 25 years discourse analysis has been a prominent area of psychology (Stokoe, Hepburn & Antaki, 2012). -
Outlaw: Wilderness and Exile in Old and Middle
THE ‘BESTLI’ OUTLAW: WILDERNESS AND EXILE IN OLD AND MIDDLE ENGLISH LITERATURE A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Sarah Michelle Haughey August 2011 © 2011 Sarah Michelle Haughey THE ‘BESTLI’ OUTLAW: WILDERNESS AND EXILE IN OLD AND MIDDLE ENGLISH LITERATURE Sarah Michelle Haughey, Ph. D. Cornell University 2011 This dissertation, The ‘Bestli’ Outlaw: Wilderness and Exile in Old and Middle English Literature explores the reasons for the survival of the beast-like outlaw, a transgressive figure who highlights tensions in normative definitions of human and natural, which came to represent both the fears and the desires of a people in a state of constant negotiation with the land they inhabited. Although the outlaw’s shelter in the wilderness changed dramatically from the dense and menacing forests of Anglo-Saxon England to the bright, known, and mapped greenwood of the late outlaw romances and ballads, the outlaw remained strongly animalistic, other, and liminal, in strong contrast to premodern notions of what it meant to be human and civilized. I argue that outlaw narratives become particularly popular and poignant at moments of national political and ecological crisis—as they did during the Viking attacks of the Anglo-Saxon period, the epoch of intense natural change following the Norman Conquest, and the beginning of the market revolution at the end of the Middle Ages. Figures like the Anglo-Saxon resistance fighter Hereward, the exiled Marcher lord Fulk Fitz Waryn, and the brutal yet courtly Gamelyn and Robin Hood, represent a lost England imagined as pristine and forested. -
A Ambientação De Personagens Negros Na Marvel Comics: Periferia, Vilania E Relações Inter-Raciais
A AMBIENTAÇÃO DE PERSONAGENS NEGROS NA MARVEL COMICS: PERIFERIA, VILANIA E RELAÇÕES INTER-RACIAIS Amaro Xavier Braga Junior1 RESUMO: O trabalho faz um levantamento, com base em uma análise de conteúdo, dos personagens negros nos quadrinhos de super-heróis da editora Marvel Comics. Analisa sua inserção nos ambientes socialmente descritos e identifica, através de padrões quali-quantitativos, a situações de ambientação periférica destes personagens, heroicos e coadjuvantes. Questiona, através das publicações entre as décadas, a relação entre super-heróis e vilões negros; conclui fazendo uma varredura sobre as relações inter-raciais sexuais e afetivas surgidas neste campo dos quadrinhos. Palavras-chave: Discriminação Racial. Estereótipos. Quadrinhos. ABSTRACT: The study is a survey based on a content analysis of the black characters in comics superhero of Marvel Comics. Analyzes its insertion in the environments described socially and identifies, through qualitative and quantitative standards, the ambiance peripheral situations these characters, heroic and adjuncts. Questions, through publications between the decades, the relationship between superheroes and villains blacks; concludes doing a scan on interracial sexual and affective relations encountered in this field of comics. Keywords: Racial Discrimination. stereotypes. Comics. INTRODUÇÃO Para compreendermos o papel da identidade negra nos quadrinhos, além de analisar nossas próprias representações históricas, quase que obrigatoriamente, precisamos seguir pela história da Editora Marvel. Esta necessidade advém do grande impacto que os materiais desta editora tiveram (e ainda têm) sobre o mercado de quadrinhos no Brasil e a mentalidade dos quadrinhistas e quadrinhófilos brasileiros. Seus personagens e revistas são muito mais facilmente reconhecidos no imaginário popular do nosso país que as investidas de outras editoras e as publicações de outros países. -
The Avengers (Action) (2012)
1 The Avengers (Action) (2012) Major Characters Captain America/Steve Rogers...............................................................................................Chris Evans Steve Rogers, a shield-wielding soldier from World War II who gained his powers from a military experiment. He has been frozen in Arctic ice since the 1940s, after he stopped a Nazi off-shoot organization named HYDRA from destroying the Allies with a mystical artifact called the Cosmic Cube. Iron Man/Tony Stark.....................................................................................................Robert Downey Jr. Tony Stark, an extravagant billionaire genius who now uses his arms dealing for justice. He created a techno suit while kidnapped by terrorist, which he has further developed and evolved. Thor....................................................................................................................................Chris Hemsworth He is the Nordic god of thunder. His home, Asgard, is found in a parallel universe where only those deemed worthy may pass. He uses his magical hammer, Mjolnir, as his main weapon. The Hulk/Dr. Bruce Banner..................................................................................................Mark Ruffalo A renowned scientist, Dr. Banner became The Hulk when he became exposed to gamma radiation. This causes him to turn into an emerald strongman when he loses his temper. Hawkeye/Clint Barton.........................................................................................................Jeremy -
Dick Tracy.” MAX ALLAN COLLINS —Scoop the DICK COMPLETE DICK ® TRACY TRACY
$39.99 “The period covered in this volume is arguably one of the strongest in the Gould/Tracy canon, (Different in Canada) and undeniably the cartoonist’s best work since 1952's Crewy Lou continuity. “One of the best things to happen to the Brutality by both the good and bad guys is as strong and disturbing as ever…” comic market in the last few years was IDW’s decision to publish The Complete from the Introduction by Chester Gould’s Dick Tracy.” MAX ALLAN COLLINS —Scoop THE DICK COMPLETE DICK ® TRACY TRACY NEARLY 550 SEQUENTIAL COMICS OCTOBER 1954 In Volume Sixteen—reprinting strips from October 25, 1954 THROUGH through May 13, 1956—Chester Gould presents an amazing MAY 1956 Chester Gould (1900–1985) was born in Pawnee, Oklahoma. number of memorable characters: grotesques such as the He attended Oklahoma A&M (now Oklahoma State murderous Rughead and a 467-lb. killer named Oodles, University) before transferring to Northwestern University in health faddist George Ozone and his wild boys named Neki Chicago, from which he was graduated in 1923. He produced and Hokey, the despicable "Nothing" Yonson, and the amoral the minor comic strips Fillum Fables and The Radio Catts teenager Joe Period. He then introduces nightclub photog- before striking it big with Dick Tracy in 1931. Originally titled Plainclothes Tracy, the rechristened strip became one of turned policewoman Lizz, at a time when women on the the most successful and lauded comic strips of all time, as well force were still a rarity. Plus for the first time Gould brings as a media and merchandising sensation. -
BREAKING Newsrockville, MD August 19, 2019
MEDIA KIT BREAKING NEWS Rockville, MD August 19, 2019 THE BOYS by Garth Ennis and Darick Robertson Coming to GraphicAudio® A Movie in Your Mind® in Early 2020 GraphicAudio® is thrilled to announce a just inked deal with DYNAMITE COMICS to produce and publish all 6 Omnibus Volumes of THE BOYS directly from the comics and scripted and produced in their unique audio entertainment format. The creative team at GraphicAudio® plans to make the adaptations as faithful as possible to the Graphic Novel series. The series is set between 2006–2008 in a world where superheroes exist. However, most of the su- perheroes in the series' universe are corrupted by their celebrity status and often engage in reckless behavior, compromising the safety of the world. The story follows a small clandestine CIA squad, informally known as "The Boys", led by Butcher and also consisting of Mother's Milk, the French- man, the Female, and new addition "Wee" Hughie Campbell, who are charged with monitoring the superhero community, often leading to gruesome confrontations and dreadful results; in parallel, a key subplot follows Annie "Starlight" January, a young and naive superhero who joins the Seven, the most prestigious– and corrupted – superhero group in the world and The Boys' most powerful enemies. Amazon Prime released THE BOYS Season 1 last month. Joseph Rybandt, Executive Editor of Dynamite and Editor of The Boys says, “While I did not grow up anywhere near the Golden Age of Radio, I have loved the medium of radio and audio dramas almost my entire life. Podcasts make my commute bearable to this day. -
DIRECTOR's REPORT September 20, 2018 FIGHTING COMMUNITY
DIRECTOR’S REPORT September 20, 2018 FIGHTING COMMUNITY DEFICITS On July 10th, OLBPD hosted its annual Family Fun and Learning Day in Cleveland at the Lake Shore Facility. OLBPD hosted 85 registered patrons who enjoyed tours of the Sensory Garden and OLBPD, as well as guest speakers Tracy Grimm from the SLO Talking Book Program, and Beverly Cain, State Librarian of Ohio. OLBPD patrons also enjoyed listening to keynote speaker Romona Robinson, WOIO-TV evening news anchor and author of “A Dirt Road to Somewhere,” and Pam Davenport, Network Consultant from the National Library Service. Exhibitors were also on hand from the Cleveland Sight Center, Guiding Eyes for the Blind, Magnifiers and More, and others offering products and services of interest to our patrons. FORMING COMMUNITIES OF LEARNING Summer Reading Club The 2018 Summer Lit League (SLL), formerly known as Summer Reading Club provided reading and engagement activities that were thematically aligned with Yinka Shonibare’s art installation The American Library. The exhibit in Brett Hall was a part of FRONT International: Cleveland Triennial for Contemporary Art, a regional art show held in Cleveland, Oberlin and Akron. Key aspects of the collaborative exhibition include international cultural diversity, immigration and the ever- changing political climate of an American City. As it relates to summer programming, the key aspects FRONT built the programmatic foundation of the SLL programmatic experience. Programming content focused on world art and culture activities. Throughout the summer program, participants participated in a variety of enrichment activities that promoted the arts, inclusion, community building, reading, writing and other forms of creative expression. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
Feb 18 Customer Order Form
#365 | FEB19 PREVIEWS world.com Name: ORDERS DUE FEB 18 THE COMIC SHOP’S CATALOG PREVIEWSPREVIEWS CUSTOMER ORDER FORM CUSTOMER 601 7 Feb19 Cover ROF and COF.indd 1 1/10/2019 11:11:39 AM SAVE THE DATE! FREE COMICS FOR EVERYONE! Details @ www.freecomicbookday.com /freecomicbook @freecomicbook @freecomicbookday FCBD19_STD_comic size.indd 1 12/6/2018 12:40:26 PM ASCENDER #1 IMAGE COMICS LITTLE GIRLS OGN TP IMAGE COMICS AMERICAN GODS: THE MOMENT OF THE STORM #1 DARK HORSE COMICS SHE COULD FLY: THE LOST PILOT #1 DARK HORSE COMICS SIX DAYS HC DC COMICS/VERTIGO TEEN TITANS: RAVEN TP DC COMICS/DC INK TEENAGE MUTANT NINJA ASCENDER #1 TURTLES #93 STAR TREK: YEAR FIVE #1 IMAGE COMICS IDW PUBLISHING IDW PUBLISHING TEENAGE MUTANT NINJA TURTLES #93 IDW PUBLISHING THE WAR OF THE REALMS: JOURNEY INTO MYSTERY #1 MARVEL COMICS XENA: WARRIOR PRINCESS #1 DYNAMITE ENTERTAINMENT FAITHLESS #1 BOOM! STUDIOS SIX DAYS HC DC COMICS/VERTIGO THE WAR OF LITTLE GIRLS THE REALMS: OGN TP JOURNEY INTO IMAGE COMICS MYSTERY #1 MARVEL COMICS TEEN TITANS: RAVEN TP DC COMICS/DC INK AMERICAN GODS: THE MOMENT OF XENA: THE STORM #1 WARRIOR DARK HORSE COMICS PRINCESS #1 DYNAMITE ENTERTAINMENT STAR TREK: YEAR FIVE #1 IDW PUBLISHING SHE COULD FLY: FAITHLESS #1 THE LOST PILOT #1 BOOM! STUDIOS DARK HORSE COMICS Feb19 Gem Page ROF COF.indd 1 1/10/2019 3:02:07 PM FEATURED ITEMS COMIC BOOKS & GRAPHIC NOVELS Strangers In Paradise XXV Omnibus SC/HC l ABSTRACT STUDIOS The Replacer GN l AFTERSHOCK COMICS Mary Shelley: Monster Hunter #1 l AFTERSHOCK COMICS Bronze Age Boogie #1 l AHOY COMICS Laurel & Hardy #1 l AMERICAN MYTHOLOGY PRODUCTIONS Jughead the Hunger vs. -
ASM 129 Investment Memo V4
The Amazing Spider-Man #129 “I saw a fly crawling on the wall, and I said, ‘Wow, suppose a person has the power to stick to a wall like an insect. What do I call him? I tried Mosquito Man, but that didn’t have any glamor. Insect Man, that was even worse. I went down the line and I got to Spider-Man. It sounded mysterious and dramatic, and lo a legend was born.” Stan Lee, Interview with Larry King (2000) Background Otis recently acquired a 9.8 CGC Grade “Amazing Spider-Man #129” comic book. This document aims to share the story of this asset. Table Of Contents OTIS OVERVIEW 4 HIGHLIGHTS 5 THE COMIC BOOK INDUSTRY 7 COMIC BOOK AGES 11 THE AMAZING SPIDER-MAN #129 14 GRADE & CONDITION 17 SUMMARY OF HISTORICAL SALES 18 INVESTMENT RISKS 22 2 What Is Otis Everyone has their thing. Maybe yours is sneakers, or maybe it's contemporary art. Whatever it is, you get it — the value assigned to a certain item, its cultural significance, why it matters. But more often than not, ownership of grails is out of the picture, whether because fewer than 100 were made, or because that six-figure price tag just doesn't work with your budget. At Otis, we turn aficionados into shareholders. We believe in transparency, liquidity, and trusting your own gut. We're democratizing an otherwise closed market and making these alternative assets accessible. Own shares in the things that you value, and whose value you understand and build a portfolio better suited to a museum than a stock ticker. -
Crossed: Volume 17 Free
FREE CROSSED: VOLUME 17 PDF Emiliano Urdinola,Christos Gage | 208 pages | 29 Nov 2016 | Avatar Press | 9781592912834 | English | United States Re:Zero x Konosuba Crossover | Re:Zero Wiki | Fandom Uh-oh, it looks like your Internet Crossed: Volume 17 is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. Enabling JavaScript in your browser will allow you to experience all the features of our site. Learn how to enable JavaScript on your browser. Home 1 Books 2. Add to Wishlist. Sign in Crossed: Volume 17 Purchase Instantly. Members save with free shipping everyday! See details. There is no equal to the terror and depravity within the pages of Crossed. It is simply the most terrifying uncensored horror comic book being published. This volume collects issues 93 — of the ongoing Crossed: Badlands series. Product Details About the Author. About the Author In the words of Christos Gage Started reading at age 3, discovered Crossed: Volume 17 soon after. First comic collected and saved: Marvel's Godzilla. Never quit comics for girls the way some flip-floppers do, though I did keep it in the closet at times, for which I Crossed: Volume 17 deeply ashamed. Related Searches. Absolution, Volume 1. You've seen Christos Gage's work for Marvel, WildStorm, IDW and others, but you've never seen his imagination unleashed with absolutely no restrictions Absolution introduces John Dusk, a superhero in a world where they're a sanctioned arm of law enforcement. View Product. Alan Moore's Writing for Comics, Volume 1.