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The Films of John Korty, Feb 24—26
MEDIA ALERT BAMcinématek presents Fog City Maverick: The Films of John Korty, Feb 24—26 Korty in person! Co-presented by Cinema Conservancy “A man of taste, intelligence, and high aspirations who refuses to make conventional films.”—The New York Times The Wall Street Journal is the title sponsor for BAM Rose Cinemas and BAMcinématek. Brooklyn, NY/Jan 21, 2015—From Tuesday, February 24 through Thursday, February 26, BAMcinématek presents Fog City Maverick: The Films of John Korty, a three-day tribute to one of American independent cinema’s most distinctive, unsung voices. The Oscar- and Emmy-winning San Francisco director/animator has quietly carved out a one-of-a-kind career over the past five decades. Praised by Pauline Kael as one of the most “gifted, intelligent men outside the industry… attempting to make inexpensive feature-films as honestly and independently as they can,” Korty has forgone mainstream Hollywood ambitions despite his early Bay Area associations with George Lucas and Francis Ford Coppola. Instead he chose to pursue uncompromisingly original, refreshingly offbeat indie projects across narrative, documentary, animation, and television that reflect his boundless visual imagination and humanistic outlook. Opening the series on Tuesday, February 24 is an exceedingly rare 35mm screening of the eye- popping cult animation masterpiece Twice Upon A Time (1983), barely seen on the big screen in New York since its tragically limited original release. Other highlights include Funnyman (1967— Feb 25), a stop-motion animation/live-action hybrid featuring legendary San Francisco comedy troupe the Committee; Korty’s feature debut The Crazy-Quilt (1966—Feb 25), part of the 1979 New York Film Festival’s seminal American Independents survey alongside classics The Cool World, Badlands, Sweet Sweetback’s Badasssss Song, and Northern Lights; and Korty’s Academy Award-winning documentary, Who Are the DeBolts? And Where Did They Get Nineteen Kids? (1977—Feb 26). -
The Daily Egyptian, September 13, 1985
Southern Illinois University Carbondale OpenSIUC September 1985 Daily Egyptian 1985 9-13-1985 The aiD ly Egyptian, September 13, 1985 Daily Egyptian Staff Follow this and additional works at: https://opensiuc.lib.siu.edu/de_September1985 Volume 71, Issue 20 Recommended Citation , . "The aiD ly Egyptian, September 13, 1985." (Sep 1985). This Article is brought to you for free and open access by the Daily Egyptian 1985 at OpenSIUC. It has been accepted for inclusion in September 1985 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. KGB defector reveals spy network Gus Bode LONDON CUPI ) - The chief diplomats, officials and Danish intelligence. dievski's defection, Haosp.n of the Soviet KGB spy journalists, who were given " I would say that he has said. " It has been very im operation in London has three weeks to leave the been the West's most im- portant for our common defected to the West , un country. 0rtant source of in security to have this in masking at least 25 Soviet f,ormation," Hansen said in a formation." he said. ffQ agents, the government an· WITHIN HOURS of the television Interview. •'There nounced Thursday. Denmark announcement, Danish Justice has been a close connection said the defector was a long Minister Erik Nigg Hansen hetween Gordievski and the Gordievski served in various time Western double agent. said in Copenhagen tha t Danish intelligence 'for a long diplomat.ic posts in The defection of Oleg Gor Gordievski. who served 10 time. He has given us a wealth Copenhagen from 1966 to 1970, ~ 46, dievski, and the exposure of years as a Soviet diploma t in of information." and again from 1972 to 1978, Qu. -
Literariness.Org-Mareike-Jenner-Auth
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more pop- ular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Clare Clarke LATE VICTORIAN CRIME FICTION IN THE SHADOWS OF SHERLOCK Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting -
Mbmbam 391: Jeff Wolfworthy Published on January 29, 2018 Listen Here on Themcelroy.Family
MBMBaM 391: Jeff Wolfworthy Published on January 29, 2018 Listen here on TheMcElroy.family Intro (Bob Ball): The McElroy brothers are not experts, and their advice should never be followed. Travis insists he’s a sexpert, but if there’s a degree on his wall, I haven’t seen it. Also, this show isn’t for kids, which I mention only so the babies out there will know how cool they are for listening. What’s up, you cool baby? [theme music, “(It’s a) Departure” by The Long Winters, plays] Justin: Hello, everybody, and welcome to My Brother, My Brother and Me, an advice show for the modern era. I’m your oldest brother, Justin McElroy! Travis: I’m your middlest brother, Travis McElroy! Griffin: I’m your sweet baby brother and 30 Under 30 media luminary, Griffin McElroy. Justin: Are you ready for more footballll? Griffin: I’m ready for twice the amount of football I currently consume, which would still... Justin: An undetermined night of the week party! Griffin: Whew! [sing-song] It’s all night, and the balls are hot; don’t touch the balls, ‘cause you’ll burn your hands! Justin: [sing-song] We have a bunch—some announcers to be determined that are gonna get it kickstarted. Travis: [sing-song] Or maybe, like, hand-off start it. We don’t know, we haven’t finished out the rules yet. Griffin: [sing-song] There may not even be a ball this time. It’s football of the mind, XFL. Justin: You’ve probably guessed we’re.. -
Local Television Shows
1Cinthia Moore [email protected] Local ESTEE LAUDER Color Specialist – 1 year PAGE PARKES MODELING AGENCY Instructor– 5 Years Fashion and Makeup Classes Local Television KHOU CHANNEL 11 Key in house makeup artist – 12 Years Over saw all on air talent, promotions, and commercials. FOX KRIV 26 Key in house makeup artist and wardrobe – 12 Years. Cinthia Moore Inc. over saw all on air talent, promotions, and commercials. Local Television Shows KHOU CHANNEL 11 Great Day Houston with Host Debrah Duncan Make up – 1 Year Responsible for Host Debrah Duncan and guests. Quarter Back Corner with Warren Moon Key Makeup and Hair. Jack Parde Show Key Makeup and Hair. Buddy Ryan Show Key Makeup and Hair. Jeff Fisher Show Key Makeup and Hair. 2Cinthia Moore [email protected] National Commercials WAL-MART Key Makeup and Hair. SOUTHWEST AIRLINES Key Makeup and Hair. THE MEN’S WEARHOUSE Key Makeup and Hair to George Zimmer and actors. LIPTON TEA Key Makeup and Hair. National Specials CBS Republican Convention of 1992 with host Harry Smith Key Makeup and Hair to Harry Smith and guests. Best Damn Sports Show Super Bowl 38 (Houston) Key Makeup and Hair for host Chris Rose and Tom Arnold. Houston Astros World Series Key Makeup and Hair for host Chris Rose and Tom Arnold. CNN Return to Space with John Glenn Key Makeup and Hair ANIMAL PLANET Dog Show (Houston) – 4 Consecutive Years Makeup 3Cinthia Moore [email protected] National Sports TALENT Adrian Peterson Roger Clemens Yao Ming Akeem Olajuwon Kenny Smith O.J. Simpson Warren Moon Gifford Nielson -
500 Miles + 100 Years = Many Race Memories Bobby Unser • Janet Guthrie • Donald Davidson • Bob Jenkins and More!
BOOMER Indy For the best years of your life NEW! BOOMER+ Section Pull-Out for Boomers their helping parents 500 Miles + 100 Years = Many Race Memories Bobby Unser • Janet Guthrie • Donald Davidson • Bob Jenkins and More! Women of the 500 Helping Hands of Freedom Free Summer Concerts MAY / JUNE 2016 IndyBoomer.com There’s more to Unique Home Solutions than just Windows and Doors! Watch for Unique Home Safety on Boomer TV Sundays at 10:30am WISH-TV Ch. 8 • 50% of ALL accidents happen in the home • $40,000+ is average cost of Assisted Living • 1 in every 3 seniors fall each year HANDYMAN TEAM: For all of those little odd jobs on your “Honey Do” list such as installation of pull down staircases, repair screens, clean decks, hang mirrors and pictures, etc. HOME SAFETY DIVISION: Certified Aging in Place Specialists (CAPS) and employee install crews offer quality products and 30+ years of A+ rated customer service. A variety of safe and decorative options are available to help prevent falls and help you stay in your home longer! Local Office Walk-in tubs and tub-to-shower conversions Slip resistant flooring Multi-functional accessory grab bars Higher-rise toilets Ramps/railings Lever faucets/lever door handles A free visit will help you discover fall-hazards and learn about safety options to maintain your independence. Whether you need a picture hung or a total bathroom remodel, Call today for a FREE assessment! Monthy specials 317-216-0932 | geico.com/indianapolis for 55+ and Penny Stamps, CNA Veterans Home Safety Division Coordinator & Certified Aging in Place Specialist C: 317-800-4689 • P: 317.337.9334 • [email protected] 3837 N. -
{PDF EPUB} Garfield Presents...Babes & Bullets by Jim Davis
Read Ebook {PDF EPUB} Garfield Presents...Babes & Bullets by Jim Davis "Babes and Bullets" begins with a full-color segment of Garfield following some mysterious saxophone music to a closet, where he finds a trench coat and hat. Putting these on, he takes on the persona of Sam Spayed, Private Eye, and the story shifts from comic-strip …Reviews: 4Format: PaperbackAuthor: Jim DavisGarfield presents babes and bullets : Davis, Jim, 1945 ...https://archive.org/details/garfieldpresents00daviJul 19, 2010 · Garfield presents babes and bullets Item Preview remove-circle ... Garfield presents babes and bullets by Davis, Jim, 1945 July 28- Publication date 1990 Topics Strip cartoons, United States Publisher London : Ravette Collection inlibrary; printdisabled; internetarchivebooks; chinaPages: 70Babes & Bullets by Jim Davishttps://www.goodreads.com/book/show/2776094James Robert "Jim" Davis is an American cartoonist who created the popular comic strip Garfield.Other comics that he has worked on are Tumbleweeds, Gnorm Gnat, Slapstick, and a strip about Mr. Potato Head. Jim Davis was born in Fairmount, Indiana, near Marion, where he grew up on a small farm with his father James William Davis, mother Anna Catherine (Carter) Davis, brother Dave, and 25 cats.3.8/5Ratings: 27Reviews: 3People also askHow old is Jim Davis from Garfield in disguise?How old is Jim Davis from Garfield in disguise?Jim Davis was born on July 28, 1945 in Marion, Indiana, USA as James Robert Davis. He is a writer and producer, known for Garfield's Babes and Bullets (1989), Garfield in Disguise (1985) and Garfield: A Tail of Two Kitties (2006).Jim Davis - IMDb Buy a cheap copy of Garfield Presents Babes & Bullets book by Jim Davis. -
UNIVERSITY of Southern CALIFORNIA 11 Jan
UNIVERSAL CITY STUDIOS. INC. AN MCA INC. COMPANY r November 15, 1971 Dr. Bernard _R. Kantor, Chairman Division of Cinema University <;:>f S.outhern California University Park Los Angeles, Calif. 90007 Dear Dr. Kantor: Forgive my delay in answering your nice letter and I want to assure you I am very thrilled about being so honored by the Delta Kappa Al ha, and I most certainly will be present at the . anquet on February 6th. Cordia ~ l I ' Edi ~'h EH:mp 100 UNIVERSAL CITY PLAZA • UNIVERSAL CITY, CALIFORNIA 91608 • 985-4321 CONSOLIDATED FILM I DU TRIES 959 North Seward Street • Hollywood, California 90038 I (213) 462 3161 telu 06 74257 1 ubte eddr n CONSOLFILM SIDNEY P SOLOW February 15, 1972 President 1r. David Fertik President, DKA Uni ersity of Southern California Cinema Department Los Angels, California 90007 Dear Dave: This is to let you know how grateful I am to K for electing me to honorary membership. This is an honor, I must confess, that I ha e for many years dar d to hope that I would someday receive. So ;ou have made a dre m c me true. 'I he award and he widespread publici : th· t it achieved brought me many letters and phone calls of congra ulations . I have enjoyel teaching thee last twent, -four years in the Cinema Department. It is a boost to one's self-rep ct to be accepted b: youn , intelligent people --e peciall, those who are intere.ted in film-m·king . Please e t nJ my thanks to all t e ho ~ere responsible for selec ing me for honor ry~ m er_hip. -
The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968. -
Ilanrlfratrr of Puritan Fashions Corp
i^-.“ «T:3^*r.Tflv, ir.jri^-fflr>t ‘ < - 24 - MANCHESTER HERALD. Tues!, April 13, 1982 Find fitness increases productivity Restaurateurs Survivor recalls O'Neill victor a oppose fees Titanic disaster in Forand vote Firms push exercise programs page 3 . page 5 ... page 8 workins , By Gay Pauley ’They were Puritan, Forbes, Inc., UPl Senior Editor into other enterprises, and Pepsico, the soft drink, food and transportation conglomerate. Anyone who markets jeans modeled by Brooke Shields Fitness director Colacino of Pepsico attendM also had better project the image of fitness. Washington State University on a basketball Carl Rosen, 63,, boss of the company that manufac scholarship, studying architectural engineering. He has tures jeans advertised everywhere by the teen-age sex a degree in physical education from the ^hool of Sunny, mild Manchester, Conn. kitten, projects that image dnd also assures that his top medicine and architecture at the University of Wiscon- executives practice what he preaches about America’s on Thursday Wednesday, April 14, 1982 shaping up, Pepslco’s program at its spacious hMdquarters in — See page 2 'T d rather have us corporately fit than corpulently Purchase, N.Y., about 30 miles north of New York City, Single copy 25«i: fat,” said Rosen, president and chief executive officer he says, is one of the most complete exercise and ilanrlfratrr of Puritan Fashions Corp. which makes the designer recreational programs in big business,. Calvin Klein jeans and other apparel. “ We look on the three mile run as the alternative to Each weekday morning at 7, Rosen and his immediate the three martini lunch,” said Colacino. -
Speed Kills / Hannibal Production in Association with Saban Films, the Pimienta Film Company and Blue Rider Pictures
HANNIBAL CLASSICS PRESENTS A SPEED KILLS / HANNIBAL PRODUCTION IN ASSOCIATION WITH SABAN FILMS, THE PIMIENTA FILM COMPANY AND BLUE RIDER PICTURES JOHN TRAVOLTA SPEED KILLS KATHERYN WINNICK JENNIFER ESPOSITO MICHAEL WESTON JORDI MOLLA AMAURY NOLASCO MATTHEW MODINE With James Remar And Kellan Lutz Directed by Jodi Scurfield Story by Paul Castro and David Aaron Cohen & John Luessenhop Screenplay by David Aaron Cohen & John Luessenhop Based upon the book “Speed Kills” by Arthur J. Harris Produced by RICHARD RIONDA DEL CASTRO, pga LUILLO RUIZ OSCAR GENERALE Executive Producers PATRICIA EBERLE RENE BESSON CAM CANNON MOSHE DIAMANT LUIS A. REIFKOHL WALTER JOSTEN ALASTAIR BURLINGHAM CHARLIE DOMBECK WAYNE MARC GODFREY ROBERT JONES ANSON DOWNES LINDA FAVILA LINDSEY ROTH FAROUK HADEF JOE LEMMON MARTIN J. BARAB WILLIAM V. BROMILEY JR NESS SABAN SHANAN BECKER JAMAL SANNAN VLADIMIRE FERNANDES CLAITON FERNANDES EUZEBIO MUNHOZ JR. BALAN MELARKODE RANDALL EMMETT GEORGE FURLA GRACE COLLINS GUY GRIFFITHE ROBERT A. FERRETTI SILVIO SARDI “SPEED KILLS” SYNOPSIS When he is forced to suddenly retire from the construction business in the early 1960s, Ben Aronoff immediately leaves the harsh winters of New Jersey behind and settles his family in sunny Miami Beach, Florida. Once there, he falls in love with the intense sport of off-shore powerboat racing. He not only races boats and wins multiple championship, he builds the boats and sells them to high-powered clientele. But his long-established mob ties catch up with him when Meyer Lansky forces him to build boats for his drug-running operations. Ben lives a double life, rubbing shoulders with kings and politicians while at the same time laundering money for the mob through his legitimate business. -
HP0227 Yvonne Littlewood
Yvonne Littlewood DRAFT. Tape 1 Side A This recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). (2015). BECTU History Project Interview no: 227 Interviewee: Yvonne Littlewood Interviewer: Norman Swallow No of tapes : 4 Duration: 04:45:31 NB: The time codes given here are estimates based on readings from the original cassette recording. Tape 1 Side 1 The copyright of this recording is vested in the BECTU History Project. Yvonne Littlewood, television producer. Interviewer, Norman Swallow. Recorded on the 21st of November 1991. Side One. Can, can we ask, first of all when and where you were born? I was born in Maidstone, Kent, in 1927. And, but from Kent I moved over for a short to King’s Lynn in Norfolk because my father was in banking, and then eventually I went to the West Country, to Ross-on-Wye, when I was about six I suppose, I think, or there around. And so I spent all my schooling in Ross, and that was, of course, then sort of late ‘30s and into the War. So, the early part of the War anyway, I, I was in Ross, I was in school there. Convents, schooling, I can't claim any academic qualifications, but I did specialise in school quite a bit in music, and my mother seemed to think that I had some, I mean, and my mother was one of those people who I think thought I should have to do everything, you know, one of those, a bit of this, a bit of that, and whether you did any of it really well, but it, we had to have a go at it all.