William Smith and the College of Philadelphia

Total Page:16

File Type:pdf, Size:1020Kb

William Smith and the College of Philadelphia 3 William Smith ".::. and the College of Philadelphia WUllam Smith (1727-1803) Among the men of the Scottish Enlightenment who left their mark on the by Benjamin West colonial College, none had a greater influence than its provost, William First provost (1755-1779) of the College of philadelphia. Born in Scotland, ed~­ Smith, whose tenure as the first academic executive lasted, with e"ted for the ministry at Ihe Unrverslly interruptions, for more than a quarter of a century. Smith had originally of Aberdeen, Smill, arrived in 1751 in come to the attention of Benjamin Franklin as a result of a utopian plan for NetD York, where he wrole A General Idea of the College of Mirania (1753), a college which he published in 1753. Ultimately, the differences in the .ending copies 10 Iwo trllstees of Ihe two men's views on education as well as their divergent political opinions Academy and Charitable SeI,ool of Phila­ contributed to Franklin's disaffection with the College in its later delphi", Benjamin Franklin and Richard Pelers. In 1779, Smilh mowd to Maryland developments. In 1754, however, after three years in the colonies as a where he founded Washington College. private tutor, William Smith was called to Philadelphia as a direct result of He served as provosl of the restored the efforts of Benjamin Franklin, to teach "Logick, Rhetoric, Ethics and College of Philadelphill until il became the University of Pe.msylvanill (1789­ Natural Philosophy." 1791). He received tl,. honorllry D.o. Born in Aberdeenshire in 1727, the year Franklin settled permanently from Aberdeen, Oxford, and Trinity in Philadelphia, Smith was the son of a landholder. He had been educated College, Dublin. at King's College, Aberdeen, and, after a year or two in London, had accompanied the family of Colonel Josiah Martin to New York. At that time there was a great deal of discussion on the subject of establishing a college in the province. Smith contributed to this debate with a pamphlet in which he stated that an institution of higher learning was needed and set forth his opinions as to how and where it should be founded, as well as describing methods for raising the necessary funds. With this tract, entitled Some Thoughts on Education, Smith entered the lists as an influential spokesman for educational change. In 1753, before returning to London for ordination to the Anglican priesthood, he composed A General Idea of the College of Mirania and saw fit to send a copy to Franklin in Philadelphia. Franklin replied, agreeing to forward his comments on the work "per next Post" and adding that he would be "extreamly glad to see and converse with you.... For an Acquaintance and Communication with Men of Learning, Virtue and Publick Spirit, is one of my greatest Enjoyments.'" In addition to his other writings, Smith also composed verses in the Augustan vein. A visit to the Academy, two months after Franklin's invitation, was the occasion for a poem dedicated to its trustees. In lofty 25 26 GLADLY LEARN AND GLADLY TEACH A metaphor, he exhorts those concerned with the college in New York to GENERAL IDEA emulate their "noble sister," Philadelphia: OFT H E Rise, nobly rise! Dispute the Prize with Those; COLLEGE As Athens, rivaling Lacedaemon rose! o F This nobler Strife, ye nobler Sisters feed MI RAN I A; Be yours the contest in each worthy Deed; WITH Hence with your Names shall Fame perfume A Sketch of the Method of teaching Scitnu and her Wing; RtJigiDn, in the feveral Clalfes: To her eternal Tromp your Glories sing. 2 AND Some Account or its Rife. Elhblilhmttlt :lud Buildingc. Franklin had the poem printed on his press and, from this time on, supported Smith's admission to the faculty of the Academy. Addrers'd more immediately to the Confidcration of [,he Truftees nominaU'd. by the LtgiOature, to In Mirania, Smith describes a province of the New World in the utopian r«ave Propofals, f!Jc. relating to the E1bblifhmmr of a COLLEGE in the Province: of NE w·ro RK. tradition of Plato and Sir Thomas More. It is inhabited by "a mighty and f10rishing [sic] people, in possession of an extensive country, capable of ~flrl U;IJ/rn, iI/min., 't'tJ1f<l' pn!tI"lf! , Hor. producing all the necessaries and many of the superfluities of life." Nulll/l1/ tflli",lI! m¢rtJiuf '.f! I lillI/lim //'IiI)"' "/,1t rr.l1,:"drun flIP'" J1lm~. N.lturafi'i'utllr ".,~J'IIJ 'UllIN JWIIIIT. Sencc:a. Reflecting on the importance of securing their present and future well­ being, the inhabitants decide to set about educating their youth in the NEW-YORK, distinction between the true and the false, "by directing their studies to Pril,/ttl .nd Sold '" J. PAU.U ,It,d W. WEYMAN, .1 rbe Nt!D Printint-Ojftu i" BC/IW1'·Strttl, 1753. such things as come more immediately home to their business and [Pri<:e One Shilling anJ Six Pence.] bosoms." He then sets forth a specific program of study in an institution erected for the purpose. At first, all students are to receive identical A General Idea of the College of Mirania instruction in a "common school." After two or three years, the curriculum by William Smith diverges: those bound for the learned professions receive five years of New York, 17S3, title page William Smith's book A General Idea of education at a Latin school, followed by a further four years of under­ the College of Mirania altracted tI,e graduate study, while those who are to follow a trade spend six years at a attention of Franklin, who brought Ilim mechanic's school. This provision for formal technical education was to PI,i/adelphia. The work describes an idealized institution with emphasis on unusual for the time. As Smith informs the reader: "Public seminaries are training for citizenship and for the almost universally calculated for the first class; while a collegiate class for "mechanic professions." Tt wns included the instruction of the latter is rarely to be met with. This class of people, in Smit','s Discourses on Public Occa­ sions in America, a collection of Smith's by far the most numerous, ... are overlooked."3 Aspects of his scheme writings published for a wider audience echo Franklin's practical proposals for an "English School" to which Smith in Great Britain. does not fail to allude. He also draws upon his own college experiences in Aberdeen and his familiarity with recent educational reforms in Scotland. In essence, however, Mirania is based on an informed appraisal of the needs of the colonies. Although the title suggests a utopian plan, Smith translated some of his suggestions into actual practice, and certain of his arguments also foreshadow ideas on educational diversity of much later date. It was at the Academy, soon to be the College of Philadelphia, and not in New York, that Smith's "general ideas" were put into effect. In an edition of his Discourses in 1762, he notes that his proposals are "a pretty exact reproduction of what the author is now endeavoring to realize in the seminary over which he has the honor to preside in another city." An THE COLONIAL COLLEGE t!df/7?~ impression of the curriculum at the College of Philadelphia may be 4'->n -;t{'f- """_ obtained from the schema which Smith published in the Pennsylvania a?e/ dA/ -Y-r//~<:- Gazette in 1756:' In keeping with the reforms of Scottish realism, the students are seen to progress in the course of their undergraduate program ~ from a study of the concrete and the particular to more abstract areas of .YJd'P.! .....I"'t?72 t .>?! consideration. In the first year, the student proceeds from Latin and English exercises and arithmetic to logic, Euclidian geometry, and k.:r/0ad';­ logarithms. There are also extensive readings from prescribed classical authors. In what constituted a new departure in the education of the time, a $_wJFf''''~'~ list of modern writers, including Isaac Watts, John Locke, and the authors '/4?n~d oof"'~ of contemporary treatises on mathematics, as well as a perusal of the Spectator, is recommended for the occupation of "Private Hours." ~//J7??~ In addition to continued readings with emphasis on the theory of ~J~~ poetry and rhetoric in writings ancient and modern, second-year students /Od:-....,,~_ begin moral philosophy and pursue their studies of logic and geometry, 7/ together with navigation, trigonometry, and "natural philosophy" (physics), "conic sections" (analytical geometry), and "fluxions" (differential calculus). During both years, a place is reserved for the oral ~diaW9!'?CM~ Z~ arts of "declamation" and "disputation." In their final year at the College, I~ c/h<~~~) students apply themselves to moral philosophy, natural law, and aspects / of government and commerce which bear a relation to the modern disciplines of political science and economics. Scientific studies are The Class of 1757 continued in the third year with courses in physics and astronomy as well From the copy of the Discourses which as in "natural history of animals" (biology), "natural history of vegetables" William Smith gave to John Morgan (botany), and chemistry. The third-year readings, prescribed as well as Hand-written list of the first graduates private, continue to reflect the subjects designated for study in the principal of the College of Philadelphia who re­ ceived the "batchelor of arts" degree in courses. During the entire period, the French language is offered as an 1757. Four of them, including 70hn optional extra, and the daily reading of the Holy Bible is compulsory. Morgan, founder of the school of medi­ The College's three-year curriculum was widely imitated by other cine, became members of the faculty; Francis Hopkinson, signer of the colleges during the half century which followed.
Recommended publications
  • Signers of the United States Declaration of Independence Table of Contents
    SIGNERS OF THE UNITED STATES DECLARATION OF INDEPENDENCE 56 Men Who Risked It All Life, Family, Fortune, Health, Future Compiled by Bob Hampton First Edition - 2014 1 SIGNERS OF THE UNITED STATES DECLARATION OF INDEPENDENCE TABLE OF CONTENTS INTRODUCTON Page Table of Contents………………………………………………………………...………………2 Overview………………………………………………………………………………...………..5 Painting by John Trumbull……………………………………………………………………...7 Summary of Aftermath……………………………………………….………………...……….8 Independence Day Quiz…………………………………………………….……...………...…11 NEW HAMPSHIRE Josiah Bartlett………………………………………………………………………………..…12 William Whipple..........................................................................................................................15 Matthew Thornton……………………………………………………………………...…........18 MASSACHUSETTS Samuel Adams………………………………………………………………………………..…21 John Adams………………………………………………………………………………..……25 John Hancock………………………………………………………………………………..….29 Robert Treat Paine………………………………………………………………………….….32 Elbridge Gerry……………………………………………………………………....…….……35 RHODE ISLAND Stephen Hopkins………………………………………………………………………….…….38 William Ellery……………………………………………………………………………….….41 CONNECTICUT Roger Sherman…………………………………………………………………………..……...45 Samuel Huntington…………………………………………………………………….……….48 William Williams……………………………………………………………………………….51 Oliver Wolcott…………………………………………………………………………….…….54 NEW YORK William Floyd………………………………………………………………………….………..57 Philip Livingston…………………………………………………………………………….….60 Francis Lewis…………………………………………………………………………....…..…..64 Lewis Morris………………………………………………………………………………….…67
    [Show full text]
  • Charles Coleman Sellers Collection Circa 1940-1978 Mss.Ms.Coll.3
    Charles Coleman Sellers Collection Circa 1940-1978 Mss.Ms.Coll.3 American Philosophical Society 3/2002 105 South Fifth Street Philadelphia, PA, 19106 215-440-3400 [email protected] Charles Coleman Sellers Collection ca.1940-1978 Mss.Ms.Coll.3 Table of Contents Summary Information ................................................................................................................................. 3 Background note ......................................................................................................................................... 5 Scope & content ..........................................................................................................................................6 Administrative Information .........................................................................................................................7 Related Materials ........................................................................................................................................ 7 Indexing Terms ........................................................................................................................................... 7 Bibliography ................................................................................................................................................9 Collection Inventory ..................................................................................................................................10 Series I. Charles Willson Peale Portraits & Miniatures........................................................................10
    [Show full text]
  • National Historical Park Pennsylvania
    INDEPENDENCE National Historical Park Pennsylvania Hall was begun in the spring of 1732, when from this third casting is the one you see In May 1775, the Second Continental Con­ The Constitutional Convention, 1787 where Federal Hall National Memorial now ground was broken. today.) gress met in the Pennsylvania State House stands. Then, in 1790, it came to Philadel­ Edmund Woolley, master carpenter, and As the official bell of the Pennsylvania (Independence Hall) and decided to move The Articles of Confederation and Perpet­ phia for 10 years. Congress sat in the new INDEPENDENCE ual Union were drafted while the war was in Andrew Hamilton, lawyer, planned the State House, the Liberty Bell was intended to from protest to resistance. Warfare between County Court House (now known as Con­ building and supervised its construction. It be rung on public occasions. During the the colonists and British troops already had progress. They were agreed to by the last of gress Hall) and the United States Supreme NATIONAL HISTORICAL PARK was designed in the dignity of the Georgian Revolution, when the British Army occupied begun in Massachusetts. In June the Con­ the Thirteen States and went into effect in Court in the new City Hall. In Congress period. Independence Hall, with its wings, Philadelphia in 1777, the bell was removed gress chose George Washington to be Gen­ the final year of the war. Under the Arti­ Hall, George Washington was inaugurated has long been considered one of the most to Allentown, where it was hidden for almost eral and Commander in Chief of the Army, cles, the Congress met in various towns, only for his second term as President.
    [Show full text]
  • Portraits in the Life of Oliver Wolcott^Jn
    'Memorials of great & good men who were my friends'': Portraits in the Life of Oliver Wolcott^Jn ELLEN G. MILES LIVER woLCOTT, JR. (1760-1833), like many of his contemporaries, used portraits as familial icons, as ges- Otures in political alliances, and as public tributes and memorials. Wolcott and his father Oliver Wolcott, Sr. (i 726-97), were prominent in Connecticut politics during the last quarter of the eighteenth century and the first quarter of the nineteenth. Both men served as governors of the state. Wolcott, Jr., also served in the federal administrations of George Washington and John Adams. Withdrawing from national politics in 1800, he moved to New York City and was a successful merchant and banker until 1815. He spent the last twelve years of his public life in Con- I am grateful for a grant from the Smithsonian Institution's Research Opportunities Fund, which made it possible to consult manuscripts and see portraits in collecdüns in New York, Philadelphia, Boston, New Haven, î lartford. and Litchfield (Connecticut). Far assistance on these trips I would like to thank Robin Frank of the Yale Universit)' Art Gallery, .'\nne K. Bentley of the Massachusetts Historical Society, and Judith Ellen Johnson and Richard Malley of the Connecticut Historical Society, as well as the society's fonner curator Elizabeth Fox, and Elizabeth M. Komhauscr, chief curator at the Wadsworth Athenaeum, Hartford. David Spencer, a former Smithsonian Institution Libraries staff member, gen- erously assisted me with the VVolcott-Cibbs Family Papers in the Special Collectiims of the University of Oregon Library, Eugene; and tht staffs of the Catalog of American Portraits, National Portrait Ciallery, and the Inventory of American Painting.
    [Show full text]
  • LEQ: from Whom Did We Want to Be Independent, and on What Date Did We Declare Our Independence?
    LEQ: From whom did we want to be independent, and on what date did we declare our independence? This reproduction of the Declaration of Independence was created by William Stone in 1823. This image is courtesy of archive.gov. LEQ: From whom did we want to be independent, and on what date did we declare our independence? Great Britain, July 4, 1776 This reproduction of the Declaration of Independence was created by William Stone in 1823. This image is courtesy of archive.gov. Declaring Independence The Declaration of Independence was signed by the Second Continental Congress on August 2, 1776. It had been approved on July 4, 1776. The signing took place in the Pennsylvania State House, in Philadelphia, a building which is now known as Independence Hall. This image is courtesy of the Architect of the Capitol. LEQ: From whom did we want to be independent, and on what date did we declare our independence? This reproduction of the Declaration of Independence was created by William Stone in 1823. This image is courtesy of archive.gov. LEQ: From whom did we want to be independent, and on what date did we declare our independence? Great Britain, July 4, 1776 This reproduction of the Declaration of Independence was created by William Stone in 1823. This image is courtesy of archive.gov. The First Continental Congress met in 1774 to protest the Intolerable Acts and other British policies that the colonists disliked. The First Continental Congress met in Carpenters’ Hall in Philadelphia, Pennsylvania from September 5-October 26, 1774. This painting was created by Allyn Cox circa 1973-1974.
    [Show full text]
  • Image Credits
    MAKING THE REVOLUTION: AMERICA, 1763-1791 PRIMARY SOURCE COLLECTION Making the Revolution: America, 1763-1791 Image Credits Items listed in chronological order within each source. AMERICAN ANTIQUARIAN SOCIETY. Worcester, Massachusetts. WEBSITE Permission pending. Address of the Philadelphia Society for Promoting Agriculture, 1785, title page illustration. William Dunlap, frontispiece engraving for The Contrast, by Royall Tyler, 1787, 1790 ed. AMERICAN ANTIQUARIAN SOCIETY. Worcester, Massachusetts. WEBSITE Digital collection: America’s Historical Newspapers, in collaboration with Readex, a division of NewsBank. Reproduced by permission. Items in chronological order. NEWS/OPINION: “Quebeck reduced,” The New Hampshire Gazette, Portsmouth, 19 October 1759 (full article). PHRASE: “our charter right to govern and tax ourselves,” in “Boston, May 28,” The Boston News- Letter and New-England Chronicle, 31 May 1764, p. 2. PHRASE: “greatly incensed the People of the Town,” in “Newport, July 16,” The Newport [Rhode Island] Mercury, 16 July 1764, p. 3. PHRASE: “these riotous and unlawful proceedings,” in “Providence, April 27,” The Providence [Rhode Island] Gazette, 27 April 1765, pp. 2-3. PHRASE: “a spirit of disloyalty against the crown,” in “Americanus” [Joseph Galloway], letter to the New-York Gazette, 15 August 1765, as printed in the Pennsylvania Journal, Philadelphia, 29 August 1765. ILLUSTRATION with “Boston, February 24,” The Boston Gazette, and Country Journal, 24 February 1766, p. 3. PHRASE: “Let us rise then with one voice,” in “A. F.,” letter in the New York Journal, or the General Advertiser, 10 September 1767. PHRASE: “Here then, my dear countrymen, ROUSE yourselves,” in John Dickinson, Letters from a Farmer in Pennsylvania, letter two, orig. printed in the Pennsylvania Chronicle, Philadelphia, 2 December 1767; as printed in The Pennsylvania Gazette, Philadelphia, 10 December 1767, p.
    [Show full text]
  • De Luxe Illustrated Catalogue of Early American Portraits : Collected by Mr
    '>< )S CO _ C/> — \JI ' — >" uiws saiavaan libraries Smithsonian institution NouniiiSNi nvinoshiiiais sbihv tn ' rr CO -t in ^ CO > iNIAN^INSTITUTION^NOIinillSNI NVINOSHlll/VS^Sa I a Va a M— LI B R AR I ES^SMITHSONIAN — INSTITt co z; \ CO tn DC < Z J nws S3 1 ava ""libraries Smithsonian institution NoiiniiiSNi" NviNOSHiiws*"saiav an r— -^ p- -» S f co X^u,i52^ rn ^ru^^ - -<jg^ m -*^~>- r; N^msjiX m \ z to fr co fr CO NIAN INSTITUTION NOIinillSNI NVINOSH1MS S3iavaan LIBRARIES SMITHSONIAN INSTITI ^ CO Z CO Z „,. — . E '%. — *.. CO 2! CO Z (/) mws saiavaan libraries Smithsonian — institution NouniiiSNi nvinoshiiws saiav CO ^ CO CO = co J Z J >NIAN" |NSTITUTION NOIinillSNI "WlNOSHllWS SSiavaail^LIBRARI ES SMITHSONIAN" |NSTITl z r; „ z i- z r- £> ISfe; as) z. (sit a°l > v ^sank- z. fofe: a^l > felt ^fe) 2 J%3r%*i> 73 TO 33 to — CO ± co — ± CO UIIAIS S3IHVH3I1 LIBRARIES SMITHSONIAN INSTITUTION NOIinillSNI NVIN0SH1IWS S3IHVi to CO INIAN JNSTITUTION NOIinillSNI_ NVIN0SH1IWS_S3 I h ^ Va a ll_LI B RAR I ES SMITHSONIAN INSTITU P> CO J z wins saiavaan libraries Smithsonian institution NouniiiSNi" NviNosHiMs S3iyv^ i 1 /#%\ i /^%\ ! /^s /^%\ ^ /#%\ i 4fe p -^ ii- X E to ^ co ± L \ z ^^ DNIAN NOIinillSNI INSTITUTION NVIN0SH1IWS^S3 I a Va 8 11 LIBRARIES SMITHSONIAN~!NSTITl w& ? ^a . CO > X) 23 ' ~£v£>' m ; ')^ z x^vas^x m Xjv^^x co m \i^vos»iix «; x^^/ m CO _ CO _ CO _ CO ARIES SMITHSONIAN INSTITUTION NOUfUIJLSNI NVIN0SH1IWS S3iaVaail LIBRARIES SMIT ^ to CO CO 2: r z . z , 7 /- V / x^v^ ' 1 1 |/- 1 x^^ |f^ I 3^ y C/> ^^ W I UI1SNI_NVIN0SH1IWS S3 I a Vd a I1_LI B RAR I ES^SMITHSONIAN ^INSTITUTION NOIinillSNI_NVIN Z -> Z _j z _i z ARIES SMITHSONIAN INSTITUTION NOIinillSNI NVIN0SH1IWS S3iavaai1 LIBRARIES SMIT p/ — CO CO \ *E CO UI1SNI NVIN0SH1IWS S3iavaan LIBRARIES SMITHSONIAN INSTITUTION NOIinillSNI NVIN z co z ....••.
    [Show full text]
  • Independence
    INDEPENDENCE National Historical Park Project j% Pennsylvania was removed to Allentown where it was hidden The Building of Independence Hall The Liberty Bell ington to be General and Commander in Chief dependence had been adopted, were conducted for almost a year. It was returned to Philadelphia of the Army; and he gave his acceptance to the in the strictest secrecy. No other room in INDEPENDENCE HALL was originally the State It was not until the 1740's that the Assembly after the departure of the British. Congress in Independence Hall. While Wash­ America has ever been the scene of such politi­ House for the Province of Pennsylvania. Prior authorized the erection of the tower on the After the Revolution the bell was tolled at ington organized the army, the Continental cal courage and wisdom. The result of their to its construction the Provincial Assembly had south side of Independence Hall "to contain a Independence the deaths of the heroes of the war and the lead­ Congress organized the Revolutionary govern-' labors was the Constitution of the United States, no official building for its meetings, but was staircase, with a suitable place therein for hang­ ing citizens of the Nation. It is the tradition ment. On July 4, 1776, the document known which, with amendments, has continued as the compelled "to hire a house annually." In order ing a bell." In 1751, the bell for the State House that the bell was cracked in 1835 while being as the Declaration of Independence was adopted law of the land. to meet the needs of the Provincial Govern­ was ordered from England.
    [Show full text]
  • A Declaration of the Necessity for the Public Good a Project by Buster Simpson in Collaboration with Tyler School of Art and Its Students
    A Declaration of the Necessity for the Public Good A Project by Buster Simpson in collaboration with Tyler School of Art and its students September 3 – October 23, 2004 Buster Simpson, an artist based in Seattle who is well known in the United States and in Europe for his work in public spaces, has designed this workshop project for the production of chairs from recycled wooden pallets in collaboration with Tyler School of Art students. During the first week of the exhibition, the gallery was turned into a workshop, with Simpson building “Philadelphia stick pallet Windsor” chairs from recycled pallet wood with student assistants. Following Simpson’s residency, the gallery provides a showroom for the pallet Windsors as well as some materials that reference the design and construction processes. The exhibition also features images and documents of some of his earlier projects that relate to public sites and seating, public discourse, and agitprop. Each pallet Windsor represents a stage in the morphing--or amalgamation--of pallet to chair. Windsor chairs were ubiquitous--as Simpson says, “the most democratic of chairs.” They produced throughout the thirteen original colonies that sent representatives to sign the Declaration of Independence, and a broad range of stylistic interpretation developed through regional and individual variations; Philadelphia was an important center of “Philadelphia stick” Windsor chair production. The transformation of Temple Gallery from traditional presentation space to workshop and showroom manifested the cycle of production and consumption that was initiated with the use of wooden pallets as raw material. The original idea for the pallet Windsors was derived from the Windsor chairs depicted in the popular engraving by Edward Savage of the signing of the Declaration of Independence.
    [Show full text]
  • Congress Noting Independence the Trumbull and T^In E-Savage Tpaintings
    Congress Noting Independence The Trumbull and T^in e-Savage TPaintings EITHER the aesthetic values nor the accuracy with which the event or characters are portrayed in the Trumbull and N Pine-Savage paintings of Congress voting independence is of prime importance in this investigation of the authenticity with which the Assembly Room of Independence Hall has been pictured. Briefly, we want to determine which painting more accurately pre- sents the furnishings and accessories and the architectural detail of the Assembly Room as it was in 1775-1787.1 Let us first examine the reliability of Colonel John Trumbull's "Declaration of Independence."2 When John Trumbull conceived the idea of painting a series of historical pictures to preserve the great moments of the American Revolution, conditions were nearly ideal for such an undertaking. Many of the participants were still vigor- ously alive. Trumbull himself had participated in the war. He had been appointed an aide-de-camp to Washington in 17753; later, as deputy adjutant general, he had been with General Gates at Ticon- deroga.4 His acquaintance with the prominent figures of the day was wide. As the son of the legendary "Brother Jonathan," Revolution- ary governor of Connecticut, he had a claim on the affections of all patriots. His eldest brother, Joseph, was the commissary general,5 1 This investigation was undertaken as part of the research program at Independence National Historical Park, Philadelphia. Its immediate aim was to determine whether either painting could be used to help interpret the documentary evidence relating to the furnishings, accessories, and architectural detail of the Assembly Room.
    [Show full text]
  • Portraits of the Founders in a Transitional Era, 1780-Early 1790S
    National Humanities Center Resource Toolbox Making the Revolution: America, 1763-1791 GEORGE WASHINGTON THOMAS JEFFERSON JAMES MADISON ALEXANDER HAMILTON BENJAMIN FRANKLIN __PORTRAITS of the FOUNDERS in a TRANSITIONAL ERA__ 1780-early 1790s * Portraits by Charles Willson Peale, John Trumbull, Edward Savage, Robert Edge Pine, and Joseph-Siffred Duplessis The familiar portraits of the Founders do not include the likenesses above, Presented here are eleven portraits from 1780, when the Revolutionary War painted as the nation floundered under the Articles of Confederation and was still unwon, to the early 1790s, as the nation began to solidify under began anew under the Constitution. The famous and oft-produced portraits Washington’s presidency. Six of the portraits⎯and at least one of each come from later, more confident years when Founders served as the first group⎯were painted by the renowned Charles Willson Peale (himself a five presidents⎯Washington, Adams, Jefferson, Madison, and Monroe⎯and Revolutionary War veteran), many for the expanding portrait gallery of as cabinet members, such as Alexander Hamilton. Only Franklin’s portraits Revolutionary heroes in his Philadelphia museum, portraits composed to from 1785 portray the iconic image Americans hold of the oldest Founding embody the virtue and resolve that had created the new nation and to serve Father, who died in 1790 at age 84. as inspiration to its citizens. How were the Founders represented in this transitional period? How do these portraits differ from later portraits of the
    [Show full text]
  • Historic Resource Study Independence Mall the 18Th
    HISTORIC RESOURCE STUDY INDEPENDENCE MALL THE 18TH CENTURY DEVELOPMENT BLOCK ONE CHESTNUT TO MARKET, FIFTH TO SIXTH STREETS Anna Coxe Toogood Historian Cultural Resource Management Independence National Historical Park August 2001 TABLE OF CONTENTS List of Appendices iv List of City Surveys v List of Illustrations vi Management Summary Background and Purpose viii Methodology and Scope ix Summary of Significance ix Acknowledgments xii Chapter I: Early Land Divisions Topography on the Outskirts of Town 1 William Parsons Plans, 1741-1747 3 Early Ownership/Settlement, 1685-1747 4 Chestnut Street Back Lots 4 Market Street "Great Lotts" 9 Chapter II: Mid-Century, Years of Expansion, 1748-1775 The State House Neighborhood 16 The Clarkson-Biddle 1762 Map of Philadelphia 16 Chestnut Street Lots 20 Market Street Lots and Minor Street 20 The Pennsylvania Hospital, 1750-1756 21 Partitioning the Kinsey Estate and Laying out Minor St. 24 Chapter III: Philadelphia, Political Center for the Colonies and New Nation, 1774-1800 Why Philadelphia? 33 The American Revolution and the Birth of a Nation 34 The State House Activity 35 The British Occupation of Philadelphia, 1777-78 37 Galloway's Property Confiscated by the State 39 Benedict Arnold in Command of Philadelphia 41 French Consul John Helker and Robert Morris 42 Mary House's Boardinghouse, Fifth and Market 44 Congressmen on Chestnut Street 45 Robert Morris, Superintendent of Finance 45 Robert Morris Acquires Richard Penn House on Market 49 President's (Governor's) Mansion, 1781-1785 51 Superintendent of Foreign Affairs, Sixth and Chestnut 51 Physical Changes and Demographics During the Revolution 55 Market Street: Robert Morris House & Governor's Mansion 56 Fifth Street 58 Chestnut and Fifth Streets: The Emlen Famlly Property 59 Chestnut Street: Hamilton Family Property 60 Chestnut and Sixth Streets 60 Minor Street 62 ·African American Presence 62 Post-War Recovery, 1783-1789 64 The Federal Convention, 1787 67 U.S.
    [Show full text]