DOCSLIB.ORG

Bibliographie Amandine D'azevedo Mythes, Films, Bazar Formes

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bibliographie Amandine D'azevedo Mythes, Films, Bazar Formes Bibliographie Amandine D’AZEVEDO Mythes, films, bazar Formes transversales des cinémas indiens 1. CINEMA INDIEN Histoire et économie du cinéma BAHADUR Satish, « The Context of Indian Film Culture », Film Miscellany, Pune, National Film Archives of India, 1976. BAMZAI Kaveree, Bollywood Today, New Delhi, Roli, 2007. BANAJI Shakuntala, Reading « Bollywood »: The Young Audience and Hindi Films, Basingstoke, Palgrave Macmillan, 2006. BANKER Ashok, Bollywood, New Delhi, Oxford University Press, 2001. BARNOUW Erik et KRISHNASWAMY S., Indian Film, 2e édition, New Delhi, Oxford University Press, 1980. BHASKAR Ira et ALLEN Richard, Islamicate Cultures of Bombay Cinema, New Delhi, Tulika Books, 2009. BOSE Derek, Brand Bollywood: A New Global Entertainment Order, New Delhi, Sage Publications, 2006. BOSE Mihir, Bollywood: A History, Gloucestershire, NPI Media Group, 2006. BREGEAT Raissa, Indomania : le cinéma indien des origines à nos jours, Paris, Cinémathèque française, 1998. CHABRIA Suresh, Light of Asia: Indian Silent Cinema 1912-1934, édition révisée et augmentée, New Delhi, Niyogi, 2013. DÉSOULIÈRES Alain, « Le non-dit en ourdou : cinéma et poésie (1934-1954) », dans Michèle Therrien (dir.), Paroles interdites, Paris, Karthala, 2008. DWYER Rachel, 100 Bollywood Films, Londres, British Film Institute, 2005. D’AZEVEDO Amandine et PRUVOST-DELASPRE Marie, « L’animation indienne aujourd’hui », Cahiers du cinéma, n° 657, juin 2010, pp. 68-69. GABRIEL Karen, Melodrama and the Nation: Sexual Economies of Bombay Cinema (1970- 2000), New Delhi, Women Unlimited, 2010. GANTI Tejaswini, Bollywood: A Guide to Popular Hindi Cinema, Londres, Routledge, 2004. HUGHES Stephen Putnam, « When Film Came to Madras », BioScope: South Asian Screen Studies, vol. 1, n° 2, juillet 2010. HUGHES Stephen Putnam, « The Lost Decade of Film History in India », Journal of the Moving Image, n° 9, 2010. JHA Subhash K., The Essential Guide to Bollywood, New Delhi, Roli, 2005. JOSHI Lalit et MALCOLM Derek (2e édition) Bollywood: Popular Indian Cinema, Londres, Dakini, 2002. KAZMI Nikhat, The Dream Merchants of Bollywood, New Delhi, UBSPD, 1998. MAHADEVAN Sudhir, « Traveling Showmen, Makeshift Cinemas: The Bioscopewallah and Early Cinema History in India », BioScope: South Asian Screen Studies, vol. 1, n° 1, janvier 2010. MUNNI KABIR Nasreen, Bollywood: The Indian Cinema Story, Farlington, Channel 4 Books, 2001. MUNNI KABIR Nasreen, Women in Indian Film, New Delhi, Zubaan, 2008. MURARI Jagat (dir.), Film Miscellany 1, Pune, Film and Television Institute of India Editions, 1976. NANDY Ashis, « The Popular Hindi Film: Ideology and First Principles », India International Centre Quarterly, vol. 8, n° 1, 1981. NANDY Ashis (dir.), The Secret Politics of Our Desires: Innocence, Culpability and Indian Popular Cinema, New Delhi, Oxford University Press, 1998. NARWEKAR Sanjit, Eena Meena Deeka: The Story of Hindi Film Comedy, New Delhi, Rupa, 2005. OOMMEN M.A. et JOSEPH Kumbattu Varkey, Economics of Film Industry in India, Gurgaon, The Academic Press, 1981. PARRAIN Philippe, Regards sur le cinéma indien, Paris, Le Cerf, 1969. PATEL Divia, The Art of Bollywood Cinema India, Melbourne, National Gallery of Victoria, 2007. PRASAD Madhava, « Cinema and the Desire for Modernity », Journal of Arts and Ideas, n° 25- 26, 1993. RAHEJA Dinesh et KOTHARI Jitendra, The Bollywood Saga: Indian Cinema, New Delhi, Roli, 2004. RAJADHYAKSHA Ashish, « The Phalke Era: Conflict of Traditional Form and Modern Technology », Journal of Arts and Ideas, n° 14-15, 1987. RAJADHYAKSHA Ashish et WILLEMEN Paul, Encyclopaedia of Indian Cinema (2e édition), New Delhi, Oxford University Press/Londres, British Film Institute, 2008. SAARI Anil, Hindi Cinema: An Insider’s View, New Delhi, Oxford University Press, 2009. SALEH Zeenat, Les cinémas de l’Inde : les années 2000, Paris, Corlet, coll. « CinémAction », 2011. SINGH Vijay, « Le mystère Bollywood », dans Thomas Paris, hors-série Quelle diversité face à Hollywood ?, Paris, Corlet/Télérama, coll. « CinémAction », 2002. SIPPY Sheena, Ligths, Camera, Masala: The Insider’s Bollywood, Bombay, India Book House, 2006. SOMAAYA Bhawana, Salaam Bollywood: The Pain and the Passion, Surrey, Spantech & Lancer, 1999. THORAVAL Yves, Les cinémas de l’Inde, Paris, L’Harmattan, 1998. VALICHA Kishore, The Moving Image: A Study of Indian Cinema, Bombay, Orient Longman, 1988. VASUDEVAN Ravi S., « Madhava Prasad, Ideology of the Hindi Film: A Historical Construction », Journal of Moving Image, n° 1, 1999. VASUDEV Aruna et LENGLET Philippe, Indian Cinema Superbazaar, New Delhi, Vikas, 1983. VASUDEV Aruna et LENGLET Philippe, Les cinémas indiens, Paris, Le Cerf, coll. « CinémAction », 1984. VASUDEV Aruna (dir.), Frames of Mind: Reflections on Indian Cinema, New Delhi, UBSPD, 1995. VELAYUTHAM Selvaraj, Tamil Cinema: The Cultural Politics of India’s Other Film Industry, Londres, Routledge, 2009. WIEL Ophélie, Bollywood et les autres, Paris, Buchet Chastel, 2011. Films, réalisateurs et autres professionnels BHARUCHA Rustom, « Utopia in Bollywood: Hum Aapke Hain Kaun! », Economic and Political Weekly, Bombay, 15 avril 1995. BHASKAR Ira, « Myth and Ritual: Ghatak’s meghe dhaka tara », Journal of Arts and Ideas, avril-juin 1983. CHATTERJEE Gayatri, Mother India, Londres, British Film Institute, 2002. CHATTERJEE Gayatri, Awaara, New Delhi, Penguin, 2003. CHOPRA Anupama, Sholay: The Making of a Classic, New Delhi, Penguin, 2000. CHOPRA Anupama, Dilwale Dulhania Le Jayenge, Londres, British Film Institute, 2003. DAS GUPTA Chidananda, The Cinema of Satyajit Ray, Noida, Vikas, 1980. DWYER Rachel, Yash Chopra, Londres, British Film Institute, 2002. D’AZEVEDO Amandine, dossier « Bollywood », Cahiers du cinéma, n° 686, février 2013, pp. 81-90. HOOD John W., The Essential Mystery: Major Filmmakers of Indian Art Cinema, Hyderabad, Orient Blackswan, 2009. JAIN Jasbir, Film Literature and Culture: Deepa Mehta’s Elements Trilogy, Jaipur, Rawat, 2007. JHA Prakash, Raajneeti: The Film and Beyond, Bombay, Popular Prakashan, 2012. JULURI Vamsee, « Global Weds Local: The Reception of Hum Aapke Hain Kaun », European Journal of Cultural Studies, mai 1999. MEHTA Parvinder, « Predicaments of History and Mimetic Agency: Postcolonial Return, Repetition and Remediation in Rang De Basanti », South Asian Popular Culture, vol. 9, n° 3, octobre 2011. MUNNI KABIR Nasreen, Guru Dutt: A Life in Cinema, New Delhi, Oxford University Press, 1996. MUNNI KABIR Nasreen et AKHTAR Javed, Talking Films: Conversations on Hindi Films with Javed Akhtar, New Delhi, Oxford University Press, 2003. MUNNI KABIR Nasreen, The Immortal Dialogue of K. Asif’s « Mughal-e-Azam », New Delhi, Oxford University Press, 2007. MUNNI KABIR Nasreen, Lata Mangeshkar in Her Own Voice, New Delhi, Niyogi, 2009. MUNNI KABIR Nasreen, The Dialogue of « Mother India », New Delhi, Niyogi, 2010. MUNNI KABIR Nasreen, The Dialogue of « Awaara »: Raj Kapoor’s Immortal Classic, New Delhi, Niyogi, 2010. MUNNI KABIR Nasreen, The Dialogue of « Pyaasa »: Guru Dutt’s Immortal Classic, Noida, Om Books International/Hyphen Films, 2011. MUNNI KABIR Nasreen, A. R. Rahman: The Spirit of Music, Noida, Om Books International, 2011. MUNNI KABIR Nasreen, The Dialogue of « Devdas »: Bimal Roy’s Immortal Classic, Noida, Om Books International, 2012. RANGAN Baradwaj, Conversation with Mani Ratnam, New Delhi, Penguin Viking, 2012. RAY Satyajit, Écrits sur le cinéma, Paris, Ramsay, coll. « Ramsay cinéma », 1999. ROBINSON Andrew, Satyajit Ray: A Vision of Cinema, Londres, I.B. Tauris, 2005. SEN Jayanti, Looking Beyond: Graphics of Satyajit Ray, New Delhi, Roli, 2012. SEN Mrinal, Montage: Life, Politics, Cinema, Calcutta, Seagull, 2002. TESSON Charles, Satyajit Ray, Paris, L’Etoile/Cahiers du cinéma, 1992. THOMAS Rosie, « Sanctity and Scandal: the Mytholization of Mother India », Quarterly Review of Film and Video, vol. 11, octobre 1989. VAN DER HEIDE William, Bollywood Babylon: Interviews with Shyam Benegal, Oxford, Berg, 2006. Analyses et critiques BASU Anustup, Bollywood in the Age of New Media: The Geo-Televisual Aesthetic, Edimbourg, Edinburgh University Press, 2010. BHUGRA Dinesh, Mad Tales from Bollywood: Portrayal of Mental Illness in Conventional Hindi Cinema, New York, Psychology Press, 2006. BOSE Derek, Bollywood Uncensored: What You Don’t See on Screen and Why, New Delhi, Rupa, 2005. DAS GUPTA Chidananda, « The Social Cost of TV Ramayan », dans Jag Mohan (dir.), Indian Cinema 1988, New Delhi, Directorate of Film Festivals, 1989. DAS GUPTA Chidananda, Talking about Films, New Delhi, Orient Longman, 1981. DAS GUPTA Chidananda, The Painted Face: Studies in India’s Popular Cinema, New Delhi, Roli, 1991. DAS GUPTA Chidananda, Seeing Is Believing: Selected Writings on Cinema, New Delhi, Penguin Viking, 2008. DWYER Rachel, All You Want Is Money, All You Need Is Love: Sexuality and Romance in Indian Cinema, Londres, Cassell, 2002. DWYER Rachel et DIVIA Patel, Cinema India: The Visual Culture of Hindi Film, New Brunswick, Rutgers University Press, 2002. DWYER Rachel et PINTO Jerry, Beyond the Boundaries of Bollywood: The Many Forms of Hindi Cinema, Oxford, Oxford University Press, 2011. D’AZEVEDO Amandine, « Super-héros indiens : mythologie hindoue et modèle américain, le cinéma populaire comme laboratoire d’un héros national », dans François-Emmanuël Boucher, Sylvain David et Maxime Prévost (dir.), Mythologies du superhéros : histoire, physiologie, géographie, intermédialités, Liège, Presses universitaires de Liège, 2014. D’AZEVEDO Amandine, « Le renouveau esthétique », dans Kristian
Load more

Recommended publications
  • Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
    University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films.
    [Show full text]
  • Assets.Kpmg › Content › Dam › Kpmg › Pdf › 2012 › 05 › Report-2012.Pdf
    Digitization of theatr Digital DawnSmar Tablets tphones Online applications The metamorphosis kingSmar Mobile payments or tphones Digital monetizationbegins Smartphones Digital cable FICCI-KPMG es Indian MeNicdia anhed E nconttertainmentent Tablets Social netw Mobile advertisingTablets HighIndus tdefinitionry Report 2012 E-books Tablets Smartphones Expansion of tier 2 and 3 cities 3D exhibition Digital cable Portals Home Video Pay TV Portals Online applications Social networkingDigitization of theatres Vernacular content Mobile advertising Mobile payments Console gaming Viral Digitization of theatres Tablets Mobile gaming marketing Growing sequels Digital cable Social networking Niche content Digital Rights Management Digital cable Regionalisation Advergaming DTH Mobile gamingSmartphones High definition Advergaming Mobile payments 3D exhibition Digital cable Smartphones Tablets Home Video Expansion of tier 2 and 3 cities Vernacular content Portals Mobile advertising Social networking Mobile advertising Social networking Tablets Digital cable Online applicationsDTH Tablets Growing sequels Micropayment Pay TV Niche content Portals Mobile payments Digital cable Console gaming Digital monetization DigitizationDTH Mobile gaming Smartphones E-books Smartphones Expansion of tier 2 and 3 cities Mobile advertising Mobile gaming Pay TV Digitization of theatres Mobile gamingDTHConsole gaming E-books Mobile advertising RegionalisationTablets Online applications Digital cable E-books Regionalisation Home Video Console gaming Pay TVOnline applications
    [Show full text]
  • Games+Production.Pdf
    This may be the author’s version of a work that was submitted/accepted for publication in the following source: Banks, John& Cunningham, Stuart (2016) Games production in Australia: Adapting to precariousness. In Curtin, M & Sanson, K (Eds.) Precarious creativity: Global media, local labor. University of California Press, United States of America, pp. 186-199. This file was downloaded from: https://eprints.qut.edu.au/87501/ c c 2016 by The Regents of the University of California This work is licensed under a Creative Commons CC-BY license. To view a copy of the license, visit http://creativecommons.org/licenses. License: Creative Commons: Attribution 4.0 Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. http:// www.ucpress.edu/ book.php?isbn=9780520290853 CURTIN & SANSON | PRECARIOUS CREATIVITY Luminos is the open access monograph publishing program from UC Press. Luminos provides a framework for preserving and rein- vigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org Precarious Creativity Precarious Creativity Global Media, Local Labor Edited by Michael Curtin and Kevin Sanson UNIVERSITY OF CALIFORNIA PRESS University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advanc- ing scholarship in the humanities, social sciences, and natural sciences.
    [Show full text]
  • ! Dil!Maange!More! !! Cultural!Contexts!Of!Hinglish!In!Contemporary!India! ! Francesca!Orsini!(SOAS)! ! This!Is!An!Accepted!Manu
    ! Dil!Maange!more! !! Cultural!contexts!of!Hinglish!in!contemporary!India! ! Francesca!Orsini!(SOAS)! ! This!is!an!Accepted!Manuscript!of!an!article!due!to!be!published!by!Taylor! &!Francis!in!African!Studies![DOI:!10.1080/00020184.2015.1045721].! ! Abstract:!After!over!a!century!of!language!nationalism!and!almost!as!long!a!period! of!intense!competition!and!mutual!contempt,!in!post;liberalisation!and!post;low! caste!assertion!India!the!boundaries!between!English!and!Hindi!have!recently! become!more!porous,!and!the!hold!of!both!“pure!Hindi”!and!“British/pure!English”! has!become!much!more!limited.!English!is!of!course!still!the!language!of!greater! opportunities!in!local!and!global!terms,!and!increasingly!so,!but!as!low;caste! politicization!and!literacy!widen!the!sphere!of!Hindi,!and!the!“new!middle!class”! remains!resolutely!bilingual!in!its!everyday!and!entertainment!practices,!the!relation! between!English!and!Hindi!has!become!more!a!relationship!of!parallel!expansion,! though!still!perceived!in!public!discourse!as!a!zero;sum!game.!! Keywords:!Hinglish,!Hindi,!English,!code;switching,!mixed!language,! advertising!language,!language!of!politics,!media!language! Francesca!Orsini,!Professor!of!Hindi!and!South!Asian!Literature,! SOAS,!University!of!London,!Thornhaugh!Street,!Russell!Square,!London! WC1H!0XG,!Ph.!+442078984242,!email:[email protected]! 1 Dil!Maange!more! !! Cultural!contexts!of!Hinglish!in!contemporary!India! ! Francesca!Orsini!(SOAS)! ! ! ! ! A!vivacious!mixture!of!English!and!native!tongues,!Hinglish!is!a! dialect!pulsating!with!energy!and!invention!that!captures!the!essential!
    [Show full text]
  • Iifa Awards 2011 Popular Awards Nominations
    IIFA AWARDS 2011 POPULAR AWARDS NOMINATIONS BEST FILM MUSIC DIRECTION ❑ Band Baaja Baaraat ❑ Salim - Sulaiman — Band Baaja Baaraat ❑ Dabangg ❑ Sajid - Wajid & Lalit Pandit — Dabangg ❑ My Name Is Khan ❑ Vishal - Shekhar — I Hate Luv Storys ❑ Once Upon A Time In Mumbaai ❑ Vishal Bhardwaj — Ishqiya ❑ Raajneeti ❑ Shankar Ehsaan Loy — My Name Is Khan ❑ Pritam — Once Upon A Time In Mumbaai BEST DIRECTION ❑ Maneesh Sharma — Band Baaja Baaraat BEST STORY ❑ Abhinav Kashyap — Dabangg ❑ Maneesh Sharma — Band Baajaa Baaraat ❑ Sanjay Leela Bhansali — Guzaarish ❑ Abhishek Chaubey — Ishqiya ❑ Karan Johar — My Name Is Khan ❑ Shibani Bhatija — My Name Is Khan ❑ Milan Luthria — Once Upon A Time In Mumbaai ❑ Rajat Aroraa — Once Upon A Time In Mumbaai ❑ Vikramaditya Motwane — Udaan ❑ Anurag Kashyap, Vikramaditya Motwane — Udaan PERFORMANCE IN A LEADING ROLE: MALE LYRICS ❑ Salman Khan — Dabangg ❑ Amitabh Bhattacharya — Ainvayi Ainvayi, Band Baajaa Baraat ❑ Hrithik Roshan — Guzaarish ❑ Faaiz Anwar — Tere Mast Mast, Dabangg ❑ Shah Rukh Khan — My Name Is Khan ❑ Gulzar — Dil Toh Bachcha, Ishqiya ❑ Ajay Devgn — Once Upon A Time In Mumbaai ❑ Niranjan Iyengar — Sajdaa, My Name Is Khan ❑ Ranbir Kapoor — Raajneeti ❑ Irshad Kamil — Pee Loon, Once Upon A Time In Mumbaai PERFORMANCE IN A LEADING ROLE: FEMALE PLAYBACK SINGER: MALE ❑ Anushka Sharma — Band Baaja Baaraat ❑ Vishal Dadlani — Adhoore, Break Ke Baad ❑ Kareena Kapoor — Golmaal 3 ❑ Rahat Fateh Ali Khan — Tere Mast Mast Do Nain, Dabangg ❑ Aishwarya Rai Bachchan — Guzaarish ❑ Shafqat Amanat Ali — Bin Tere, I Hate
    [Show full text]
  • Pjsoft Ventures Celebrity List S.No Image Bio Languages Spoken I
    Note: Charges may vary depending on your requirement Category: Pjsoft Ventures Celebrity List Social Media Only Video S.No Image Name Bio Languages Spoken IG Followers Post Charges Ashnoor Kaur is an Indian actress. She made her television debut through Zee TV's Jhansi Ki Rani, but became known 1 English,Hindi 5.9m 5-8Lakh 3 - 6 Lakh portraying Naira Singhania in Yeh Rishta Kya Kehlata Hai on Star Plus and Mini Khurana in Sony TV's Patiala Babes Anita Hassanandani is an Indian actress who primarily works in Hindi, Telugu, and Tamil films and serials. She is best known for portraying Anjali in the Star 5-8Lakh 3.6-5 Lakh 2 English,Hindi 5.7m Plus's Kkavyanjali, Shagun onwards onwards Arora in Star Plus's Yeh Hai Mohabbatein and Vishakha Khanna in Colors TV's Naagin 3, 4 and 5 Neha Sharma, known by her stage name Nia Sharma, is an Indian television actress. She made her television debut Price on 3-5 Lakh 3 playing Anu in Kaali – Ek English,Hindi 5.3m Request onwards Agnipariksha in 2010. She is best known for her portrayal as Manvi in Ek Hazaaron Mein Meri Behna Hai Amala Paul is an Indian film actress who mainly appears in Tamil, Malayalam and Telugu films. After appearing in a supporting role in the 3-5 Lakhs 4 English,Hindi 3.7m 5-8Lakh Malayalam-language film onwards Neelathamara, Amala became noted after playing the title role in Mynaa, receiving critical acclaim for her work Karan Kundra is an Indian film and television actor best known for the role of Arjun Punj in Ekta Kapoor's Kitani Mohabbat Hai that aired on NDTV Imagine.
    [Show full text]
  • Current Affairs Q&A PDF 2019 Subscribe(Buy)
    Current Affairs Q&A PDF Current Affairs Q&A PDF 2019 Contents Current Affairs Q&A – July 2019 .......................................................................................................................... 2 INDIAN AFFAIRS ............................................................................................................................................. 2 INTERANTIONAL AFFAIRS ......................................................................................................................... 78 BANKING & FINANCE ................................................................................................................................ 102 BUSINESS AND ECONOMY ....................................................................................................................... 119 AWARDS AND RECOGNITIONS ............................................................................................................... 136 APPOINTMENTS & RESIGNS .................................................................................................................... 156 ACQUISITIONS AND MERGERS ............................................................................................................... 178 SCIENCE & TECHNOLOGY ....................................................................................................................... 180 ENVIRONMENT ........................................................................................................................................... 194 SPORTS .........................................................................................................................................................
    [Show full text]
  • Affairscloud July (15-21)
    Page 1 of 98 AFFAIRSCLOUD JULY (15-21) 1. Who released the report titled ‘National Digital Health Blueprint’ which proposes to form a National Digital Health Mission ? 1) Raj Kumar Singh 2) Jitendra Singh 3) Kiren Rijiju 4) Dr. Harshavardhan 5) None of these Answer & Explanation Answer – 4) Dr. Harshavardhan Explanation: On July 15, 2019, A high-level committee set up by the Union ministry of health and Family Welfare, Government of India has produced their report called ‘National Digital Health Blueprint’ was released by Health Minister Dr. Harshavardhan in New Delhi. The committee proposed to form a National Digital Health Mission & both the centre and state Governments will be the owners and stakeholders in the new organization.Combined GST-N(Goods and Service Tax Network) and UIDAI (Unique Identification Authority of India) models of the institutional structure has also been proposed by the committee. It has been put in the public domain for suggestions from all stakeholders, including common people. 2. GST- N is in news recently, what does N stands for _______________ . 1) Normative 2) Network 3) Net 4) Neutrality 5) None of these Answer & Explanation Answer – 2) Network Explanation: N stands for Network in GST-N.The full form of GST-N is Goods and Service Tax Network. For more join - https://t.me/bhawna_weekly_quiz_pdf https://t.me/reasoning_group https://t.me/quant_group https://t.me/adda4ssc https://t.me/adda4english https://t.me/ca_quizzes https://t.me/target_mains_puzzles Page 2 of 98 3. Which institute has collaborated with
    [Show full text]
  • FALL 2010 COURSE DESCRIPTIONS (9-4-10) Complete and Up-To-Date Course Information Is Available on Thehub
    FALL 2010 COURSE DESCRIPTIONS (9-4-10) Complete and up-to-date course information is available on TheHub COGNITIVE SCIENCE (CS) CS-104T-1 DR; FY Cognitive Science Fiction Lee Spector Can androids fall in love? Could a planet have a mind of its own? How might we communicate with alien life forms? Will it ever be possible for two people to "swap minds"? How about a person and a robot? And what would it feel like to engage in a Vulcan "mind meld"? Cognitive science research can shed light on many of these questions, with results that are often as strange and as wonderful as the inventions of science fiction authors. In this course we will read and view science fiction while simultaneously reading current scientific literature on the mind, the brain, and intelligent machines. The science fiction will provide a framework for our discussions, but the real goal of the course is to provide a tour of issues in cognitive science that will prepare students for more advanced cognitive science courses. PRS, QUA, REA MW 10:30AM-11:50AM ASH 111 M 07:00PM-09:00PM ASH 112 CS-117T-1 DR; FY Philosophy of Education Ernest Alleva This course explores central questions in the philosophy of education: What is education, and what is it for? What is the meaning and value of education to individuals and society? What should the aims and content of education be? Are there things that everyone should know or be able to do? Should education promote moral virtue? What are alternative methods of education? How should educational opportunities and resources be distributed? What roles should the individual, family, community, and state have in education? What should the role of education be in democratic societies? We will examine alternative perspectives on these and related issues of educational theory and practice.
    [Show full text]
  • Computer Science and Generalities
    July 2012 Adult Materials 000 - Computer Science and Generalities Western Fiction 100 - Philosophy and Psychology Foreign Languages 200 - Religion Genealogy 300 - Social Sciences Large Print 400 - Language Graphic Novels 500 - Science Music Scores 600 - Technology Newspaper Room 700 - Art 800 - Literature Audiovisual Materials 900 - History Books on CD Biography Music CDs Fiction DVD/Videorecording Mystery Fiction eAudioBooks and eBooks Science Fiction MP3 Fiction Return to Index Call Number Author Title FIC/ADIGA Adiga, Aravind. The white tiger : a novel FIC/ALCOTT Alcott, Kate. The dressmaker : a novel FIC/ALDRICH Aldrich, Bess Streeter, 1881-1954.Journey into Christmas and other stories FIC/AMANTE Amante, Julia. Say you'll be mine FIC/ANNECHINO Annechino, D. M. Resuscitation FIC/ANTHONY Anthony, Piers. Jumper cable FIC/ARCHER Archer, Jeffrey, 1940- Only time will tell FIC/ARDIES Ardies, Tom. Marching at the Chi Chi Club : a novel FIC/ARDIES Ardies, Tom. Palmetto : a novella FIC/ARDIES Ardies, Tom. Quick river : a novella FIC/ARSENAULT Arsenault, Emily. The broken teaglass : a novel FIC/AUDUA. OLAFSDOTTIR Auður A. Ólafsdóttir, 1958- The greenhouse FIC/AUSTER Auster, Paul, 1947- Sunset Park FIC/BALDACCI Baldacci, David. Zero day : a novel FIC/BARAGER Barager, Richard. Altamont Augie : [a novel] FIC/BARBIERI Barbieri, Heather Doran, 1963- The lace makers of Glenmara : a novel FIC/BARRATT Barratt, Pamelia. An ostentation : a novel FIC/BARRERRA Barrera, Alberto. The sickness FIC/BERENSON Berenson, Alex. The shadow patrol FIC/BERG Berg, Elizabeth. We are all welcome here : a novel FIC/BERGSMA Bergsma, Harold M Cries in the night : Mimi's travail FIC/BERTLING Bertlng, Carolina Ramirez.
    [Show full text]
  • Rajneeti Full Movie 720P Free Download
    Rajneeti Full Movie 720p Free Download ERROR_GETTING_IMAGES-1 Rajneeti Full Movie 720p Free Download 1 / 2 tamil hd full movies 1080p blu I Love Desi free download mp3 A . TE3N 1 full movie download .. Bawaria Gang - The True Story full movie 720p free . 1080p 2012 ...... Raajneeti 2010 Full Movie Download 720p BluRay, Raajneeti . Sex and the .... Trending Hindi Movies and Shows ... Ajay Devgn and Prakash Jha at an event for Raajneeti (2010) Arjun Rampal and Ranbir Kapoor in Raajneeti (2010) Manoj .... Full Movie Raajneeti 2010 Watch Online DVD Print Download. 720p DVDRip Bluray Rip, Quality Movie. Mobile MP4 DVD 3GP MKV Free. Oct 21, 2015 .. Raajneeti. 2010TV-MA 2h 41mPolitical Dramas. When the American-educated scion of a powerful Indian family returns to the subcontinent, his first taste of power starts him down a corrupt path. ... TRY 30 DAYS FREE ... This movie is... Dark.. Raajneeti 2010 Movie Free Download 720p BluRay. { PoweredBy SHBD }. at August 04, 2017. Share. No comments. Post a Comment. ‹ › Home · View web .... raajneeti hindi status raajneeti hindi movie hd. Raajneeti 2010 Hindi 550MB BRRip 720p ESubs HEVC . Free Download Via Resumeable .... Filmywap 2018 Bollywood Movies Free Download 720p HD Mp4 Movies, Full ... Pari full movie watch online free download 2018 in hindi live streaming hd 1080p 720p 4k 123movies openload by mariarose4568. ... Raajneeti (2010) Full.. Filmyzilla is a public torrent website which leakes pirated Bollywood and Hollywood movies online. The website Filmyzilla org uploads the pirated versions of .... Amazon.com: Raajneeti: Naseeruddin Shah, Arjun Rampal, Nana Patekar, Ranbir ... on orders over $25.00 shipped by Amazon or get Fast, Free Shipping with ...
    [Show full text]
  • Abrogation of Article 370 a Historic Step: Army Chief
    WWW.YUGMARG.COM FOLLOW US ON REGD NO. CHD/0061/2006-08 | RNI NO. 61323/95 Thursday, January 16, 2020 CHANDIGARH, VOL. XXIV, NO. 335, PAGES 12, RS. 2 YOUR REGION, YOUR PAPER HP CM directs to 78 lakh applications Rohit named '2019 Janhvi enjoys time identify MoUs for received for various ODI cricketer of the with friends, second ground schemes in year'; Virat Kohli shares adorable clip breaking Haryana: Rakesh wins ICC's 'Spirit of of getting a ceremony Gupta Cricket Award' piggyback ride PAGE 5PAGE 3 PAGE 12 PAGE 10 Abrogation of Article 370 a historic step: Army Chief AGENCY the charge as Chief of Army Staff occasion, the Army showcased AP Maheshwari NEW DELHI, JAN 15 ARMY DAY on December 31, succeeding Gen its military might and some of its Bipin Rawat who became the state-of-the-art assets at the ma- takes over as Calling abrogation of Article 370 out by the western neighbor (Pak- country's first Chief of Defence jestic Army Day parade at the a 'historic step', Army Chief Gen istan). 'Abrogation of Article 370 Staff (CDS). The Army Chief said Cariappa Parade Ground in Del- new CRPF DG Manoj Mukund Naravane on will help Jammu and Kashmir in- the soldiers are the strength of the hi Cantt. In-a-first for any NEW DELHI: IPS officer Anand Wednesday said that the move tegrate into the mainstream. The armed forces. India has 'zero-tol- woman officer, Captain Tania Prakash Maheshwari on would help in integrating Jammu historic step has disrupted proxy erance' for terrorism, he added.
    [Show full text]