CALIFORNIA VIRTUAL BOOK FAIR 2021 an Illustrated E-Catalogue Donald A

Total Page:16

File Type:pdf, Size:1020Kb

CALIFORNIA VIRTUAL BOOK FAIR 2021 an Illustrated E-Catalogue Donald A CALIFORNIA VIRTUAL BOOK FAIR 2021 an illustrated e-catalogue Donald A. Heald | Rare Books Donald A. Heald | Rare Books CALIFORNIA VIRTUAL BOOK FAIR 2021 an illustrated e-catalogue Just click the title of each item in this illustrated list and follow the link to a full description and images on our website. Questions? Contact us or email [email protected]. DDoonnaalldd AA.. HHeeaalldd || RRaarree BBooookkss A M E R I C A N A DDoonnaalldd AA.. HHeeaalldd || RRaarree BBooookkss ANSEL ADAMS CLICK THE MARY HUNTER AUSTIN TITLE Taos Pueblo. San Francisco: Grabhorn Press, 1930. Folio (17 x 12 1/2 inches). [6] preliminary pages followed by [14]pp. of text. 12 original mounted photographs, printed on Dessonville paper by Ansel Adams, various sizes to 9 x 6 1/2 inches, each with a corresponding caption leaf. Publisher's tan morocco backed orange cloth, spine with raised bands in six compartments, marbled endpapers. Housed in a custom mor- occo backed slipcase. From an edition of 108 numbered copies signed by the author and the photographer, containing magnificent photographs by Ansel Adams. (#36374) $ 80,000. DDoonnaalldd AA.. HHeeaalldd || RRaarree BBooookkss AMERICAN REVOLUTION GERVASE BUSHE Case of Great-Britain and America, addressed to the King and both Houses of Parliament ... Third Edition. Dublin: James Williams, 1769. 8vo. [4], 43, [1]pp. Half-title. Uncut. Original stitched blue paper wrappers. A pro-American pamphlet advocating self-government: a lovely uncut exam- ple in original wrappers. (#35376) $ 1,750. DDoonnaalldd AA.. HHeeaalldd || RRaarree BBooookkss CALIFORNIA HERBERT O. LANG, compiler A History of Tuolumne County, California. Compiled from the Most Authentic Records. San Francisco: B. F. Alley, 1882. xi, 509, 48pp., plus woodcut frontispiece and eleven other woodcut portraits. Later half calf and con- temporary sheep, gilt morocco spine label, edges sprinkled brown. Ownership inscription on front endpaper recto, scattered manuscript notations in pencil (several on portraits). Final contents page tipped in. A rare history of Tuolumne County, California, covering a variety of topics. (#31379) $ 1,750. DDoonnaalldd AA.. HHeeaalldd || RRaarree BBooookkss ROBERT BENJAMIN HART [Collection of five original watercolors of Pima Indians and their lands in Aravaipa Canyon, Arizona, made by Forty-niner Robert Hart on his journey to the California gold fields]. [Aravaipa Canyon, AZ]: late July 1849]. Five original watercolors on card stock, detailed below. Each matted and housed in a red morocco backed box. An extraordinary group of watercolors made by a Virginian travelling the Southern Route to the California gold fields in 1849, among the earliest illustrations depicting the Pima Indians of southern Arizona, and showing their lands in the Aravaipa canyons. (#27856) $ 17,500. DDoonnaalldd AA.. HHeeaalldd || RRaarree BBooookkss FERDINAND V. HAYDEN ANDREW JOSEPH RUSSELL Sun Pictures of Rocky Moun- tain Scenery, With a Descrip- tion of the Geographical and Geological Features, and Some Account of the Re- sources of the Great West; Containing Thirty Photogra- phic Views Along the Line of the Pacific Rail Road, From Omaha to Sacramento. New York: Julius Bien, 1870. Large 4to (12 x 9 1/2 inches). viii, 150pp. Half-title. Thirty mounted albumen photographs. Contemporary three-quarter green morocco over green cloth, spine gilt, edges gilt. A classic photographically illustrated book on the American West, with albu- men photographs by A. J. Russell. (#27937) $ 15,000. DDoonnaalldd AA.. HHeeaalldd || RRaarree BBooookkss OVERTON JOHNSON WILLIAM H. WINTER Route Across the Rocky Mountains, with a description of Oregon and California: their geographical features, their resources, soil, climate, productions. Lafayette, In.: John B. Semans, printer, 1846. Octavo. 152pp. Original green drab boards with cloth spine. Cloth worn, hinges cracked but solid. Corners worn. Bookplate on front pastedown, contemporary ink inscription on front flyleaf. Some light foxing. In a red half morocco and cloth slipcase and chemise, spine gilt. A very rare key overland guide. (#31373) $ 20,000. DDoonnaalldd AA.. HHeeaalldd || RRaarree BBooookkss MICHAEL KRAFFT The American Distiller, or, the theory and practice of distilling, according to the latest discoveries and improvements, including the most approved methods of constructing stills, and of rectification. Philadelphia: Thomas Dobson, 1804. 8vo (8 1/8 x 4 7/8 inches). [4], [1-9], 10-151, [22], 152-219pp. 2 folding plates. Includes errata leaf. Original full calf, spine flat with red morocco lettering piece, neat repairs to hinges. Within modern full morocco box. The first book on distilling in America. (#39487) $ 12,000. DDoonnaalldd AA.. HHeeaalldd || RRaarree BBooookkss ALFRED EDWARD MATHEWS Gems of Rocky Mountain Scenery, Containing Views Along and Near the Union Pacific Rail- road. New York: Published by the Author, 1869. Small folio (13 x 10 1/4 inches). 20 tinted lithographed plates after Mathews. Pub- lisher's purple cloth, covers decoratively blocked in blind, upper cover with a central stamp in gilt, expertly rebacked to style. A rare work by an important western artist, with among the first illustrations of the Rocky Mountains made available to the public. (#31318) $ 17,500. DDoonnaalldd AA.. HHeeaalldd || RRaarree BBooookkss SAMUEL A. MITCHELL A Route-Book, Adapted to Mitchell's National Map of the American Republic; Comprising Tables of the Principal Rail-Road, Steam-Boat and Stage Routes, Throughout the United States. Philadelphia: S. Augustus Mitchell, 1846. 16mo. 46pp. plus large folding map, 25 x 34 1/4 inches, with full period color. Original blindstamped and gilt purple morocco, with original clasp. Second edition, after the first of 1843, of this rare pocket map of North America, showing the United States west to Texas, Indian Territory, and Dakota Territory (i.e. 19° longitude west of Washington, D.C.). (#31381) $ 4,500. DDoonnaalldd AA.. HHeeaalldd || RRaarree BBooookkss NATHANIEL MORTON New England's Memorial: Or, a brief Relation of the most Memorable and Remarkable Passages of the Providence, of God, manifested to the Planters of New-England in America. Newport: S. Southwick, 1772. 8vo. viii, 208, [8]pp. List of subscribers in the rear. Contemporary calf, covers ruled in blind, spine with raised bands, upper cover detached, later red morocco lettering piece. Provenance: T. K. Thomas (early signatures); Society of May- flowers Descendants in Massachusetts (bookplate). A New England cornerstone: the first comprehensive history of Plymouth colony. (#35264) $ 850. DDoonnaalldd AA.. HHeeaalldd || RRaarree BBooookkss JOHN WILLIAM MURPHY Outlaws of the Fox River Country. Story of the Whiteford and Spencer Tragedies, the Assassination of Judge Richardson, the Execution of John Baird, and the Mobbing of W.J. Young: criminal career of Frank Lane, the pseudo detective; Laura Sprouse and her lovers, and her Ohio rival; the Kansas Ex- pedition after John B. Glenn; the raid on St. Fran- cisville; Robbery of the Luray postoffice; confessions of Brady and Marmaduke; a Clark County cam- paign. Hannibal, MO: Hannibal Printing Company, 1882. 8vo (8 1/4 x 5 1/2 inches). 138pp. 7 full-page black and white illustrations. Original printed wrappers. Housed in cloth box. A very fine copy of this rare account of illegal acts in Missouri, Iowa, and Ohio in the 1860s and 70s, with illustrations of the crime scenes and perpetrators' portraits. (#39488) $ 3,500. DDoonnaalldd AA.. HHeeaalldd || RRaarree BBooookkss [THOMAS PAINE] R. WATSON An Apology for the Bible, in a Series of Letters, Addressed to Thomas Paine ... Second Philadelphia Edition. Philadelphia: James Carey, 1796. 8vo. 80pp. Disbound. Watson's response to Thomas Paine's "The Age of Reason, Part II." (#36523) $ 100. DDoonnaalldd AA.. HHeeaalldd || RRaarree BBooookkss CADWALADER RINGGOLD, surveyor Chart of the Bay of San Pablo Straits of Carquines and part of the Bay of San Francisco California by ... Ringgold assisited by Simon F. Blunt ... Projected, constructed & drawn by Fred. D. Stuart ... assisted by A.H. Campbell. Washington, D.C.: [circa 1850]. Lithographic map, by C.B. Graham from Ringgold's survey. Sheet size: 31 1/8 x 21 5/16 inches. In good condition, on later backing paper with a number of small re- paired marginal tears. Rare unfolded thick paper issue of this important early chart of San Francisco bay and its environs by the 'Gold Rush Surveyor' (A.F. Houston). (#19121) $ 1,200. DDoonnaalldd AA.. HHeeaalldd || RRaarree BBooookkss SAMUEL ROBINSON A Catalogue of American Minerals, with Their Localities: Including All which are Known to Exist in the United States an British Provinces, and Having the Towns, Counties, and Districts in Each State and Province Arranged Alphabetically. With an Appendix, Containing Additional Localities and a Tabular View. Boston: Cummings, Hilliard, and Co., 1825. 8vo (8 1/2 x 5 3/8 inches). vi, 316pp. Original publisher's cloth-backed boards, morocco lettering piece. First edition of an important early American mineralogical work. (#39282) $ 450. DDoonnaalldd AA.. HHeeaalldd || RRaarree BBooookkss WILLIAM ROGERS An Oration, delivered July 4, 1789, at the Presbyterian Church in Arch Street, Philadelphia ... Published at the Request of the Pennsylvania Society of the Cincinnati. Philadelphia: T. Dobson, 1789. 8vo (7 13/16 x 4 13/16 inches). 32pp. Later wrappers. (#36527) $ 400. DDoonnaalldd AA.. HHeeaalldd || RRaarree BBooookkss RUFUS B. SAGE Scenes In The Rocky Mountains, and in Oregon, Califor- nia, New
Recommended publications
  • MODELING HEROINES from GIACAMO PUCCINI's OPERAS by Shinobu Yoshida a Dissertation Submitted in Partial Fulfillment of the Requ
    MODELING HEROINES FROM GIACAMO PUCCINI’S OPERAS by Shinobu Yoshida A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Musicology) in The University of Michigan 2011 Doctoral Committee: Associate Professor Naomi A. André, Co-Chair Associate Professor Jason Duane Geary, Co-Chair Associate Professor Mark Allan Clague Assistant Professor Victor Román Mendoza © Shinobu Yoshida All rights reserved 2011 TABLE OF CONTENTS LIST OF FIGURES ...........................................................................................................iii LIST OF APPENDECES................................................................................................... iv I. CHAPTER ONE........................................................................................................... 1 INTRODUCTION: PUCCINI, MUSICOLOGY, AND FEMINIST THEORY II. CHAPTER TWO....................................................................................................... 34 MIMÌ AS THE SENTIMENTAL HEROINE III. CHAPTER THREE ................................................................................................. 70 TURANDOT AS FEMME FATALE IV. CHAPTER FOUR ................................................................................................. 112 MINNIE AS NEW WOMAN V. CHAPTER FIVE..................................................................................................... 157 CONCLUSION APPENDICES………………………………………………………………………….162 BIBLIOGRAPHY..........................................................................................................
    [Show full text]
  • Music Migration in the Early Modern Age
    Music Migration in the Early Modern Age Centres and Peripheries – People, Works, Styles, Paths of Dissemination and Influence Advisory Board Barbara Przybyszewska-Jarmińska, Alina Żórawska-Witkowska Published within the Project HERA (Humanities in the European Research Area) – JRP (Joint Research Programme) Music Migrations in the Early Modern Age: The Meeting of the European East, West, and South (MusMig) Music Migration in the Early Modern Age Centres and Peripheries – People, Works, Styles, Paths of Dissemination and Influence Jolanta Guzy-Pasiak, Aneta Markuszewska, Eds. Warsaw 2016 Liber Pro Arte English Language Editor Shane McMahon Cover and Layout Design Wojciech Markiewicz Typesetting Katarzyna Płońska Studio Perfectsoft ISBN 978-83-65631-06-0 Copyright by Liber Pro Arte Editor Liber Pro Arte ul. Długa 26/28 00-950 Warsaw CONTENTS Jolanta Guzy-Pasiak, Aneta Markuszewska Preface 7 Reinhard Strohm The Wanderings of Music through Space and Time 17 Alina Żórawska-Witkowska Eighteenth-Century Warsaw: Periphery, Keystone, (and) Centre of European Musical Culture 33 Harry White ‘Attending His Majesty’s State in Ireland’: English, German and Italian Musicians in Dublin, 1700–1762 53 Berthold Over Düsseldorf – Zweibrücken – Munich. Musicians’ Migrations in the Wittelsbach Dynasty 65 Gesa zur Nieden Music and the Establishment of French Huguenots in Northern Germany during the Eighteenth Century 87 Szymon Paczkowski Christoph August von Wackerbarth (1662–1734) and His ‘Cammer-Musique’ 109 Vjera Katalinić Giovanni Giornovichi / Ivan Jarnović in Stockholm: A Centre or a Periphery? 127 Katarina Trček Marušič Seventeenth- and Eighteenth-Century Migration Flows in the Territory of Today’s Slovenia 139 Maja Milošević From the Periphery to the Centre and Back: The Case of Giuseppe Raffaelli (1767–1843) from Hvar 151 Barbara Przybyszewska-Jarmińska Music Repertory in the Seventeenth-Century Commonwealth of Poland and Lithuania.
    [Show full text]
  • Title Pages Contents Lists
    Cover Page The handle http://hdl.handle.net/1887/68235 holds various files of this Leiden University dissertation. Author: Tinbergen, B.E. Title: The 'cello' in the Low Countries : the instrument and its practical use in the 17th and 18th centuries Issue Date: 2018-06-13 The 'cello' in the Low Countries The instrument and its practical use th th in the 17 and 18 centuries Proefschrift ter verkrijging van de graad van Doctor aan de Universiteit Leiden, op gezag van Rector Magnificus prof.mr. C.J.J.M. Stolker, volgens besluit van het College voor Promoties te verdedigen op 13 juni 2018 klokke 11.15 door Berzina Elisabeth Tinbergen geboren te Leiden in 1973 Promotores Prof.dr.h.c. Ton Koopman Universiteit Leiden Prof. Frans de Ruiter Universiteit Leiden Promotiecommissie Prof.dr. Stijn Bussels Universiteit Leiden Prof.dr. Dinko Fabris Universita Basilicata di Potenza & Conservatorio di Musica 'San Pietro e Majella' di Napoli Viola de Hoog Conservatorium van Amsterdam, Hogeschool voor de Kunsten Utrecht & Hochschule für Künste Bremen Prof.dr. Martin Kirnbauer Universität Basel & Schola Cantorum Basiliensis Dr. Jed Wentz Universiteit Leiden Dit proefschrift is geschreven als een gedeeltelijke vervulling van de vereisten voor het doctoraatsprogramma docARTES. De overblijvende vereiste bestaat uit een demonstratie van de onderzoeksresultaten in de vorm van een artistieke presentatie. Het docARTES programma wordt georganiseerd door het Orpheus Instituut te Gent, in samenwerking met de Universiteit Leiden, de Hogeschool der Kunsten Den Haag, het Conservatorium van Amsterdam, de Katholieke Universiteit Leuven en het Lemmensinstituut. Disclaimer The author has made every effort to trace the copyright and owners of the images reproduced in this dissertation.
    [Show full text]
  • 'Die Zauberflöte, Eine Operette in Zwey Aufzügen': on the 18Th
    ‘Die Zauberfl öte, eine Operett e in zwey Aufzügen’: On the 18th-century Prehistory of a Genre Designation* Péter Bozó (Budapest/Budimpešta) UDC/UDK: 792.54:782.8Mozart, W. A. Original Scholarly Paper / Izvorni znanstveni članak Since the nineteenth century, it has been claimed several times that the term ‘operett a’ was coined by Mozart. In what follows here, I will argue that this claim is surely false, and that it probably originates with the nineteenth-century lexicogra- pher, Henri de Castil-Blaze. However, it is a fact that the term Operett e was in use during the eighteenth century, even if not in the same sense as it has been used since the European dissemination of Jacques Off enbach’s works. I will also indicate the kind of pieces for which the term was used in Mozart’s lett ers, in the catalogue of his juvenile works compiled by his father, as well as in contemporary printed librett os and music scores. Last but not least, I will give an overview of the eighteenth- century defi nitions of the term Operett e, published in music lexicons from Johann Gott fried Walther (1732) to Johann Christoph Koch (1802), and I will explain in this way what Operett e meant during these decades, even before Mozart’s birth. * * * In Act 2, scene 23 of the The Magic Flute, the following dialogue takes place between Papageno and the Speaker: SPEAKER: Man, you deserve to wander forever in the dark recesses of the earth, but the merciful gods exempt you from this punishment.
    [Show full text]
  • Alcune Interpretazioni Di Caffarelli
    Alcune interpretazioni di Caffarelli In alcune delle seguenti citazioni, che non pretendono certo di esser esaustive, vi sono indicate le biblioteche presso le quali si conserva il libretto d’opera che si riferisce a quella determinata rappresentazione: l’elencazione, non solo ha lo scopo di individuare le opere in cui cantò il Grande Caffarelli, ma anche di elencare i nomi dei compositori minori o medi, del tutto dimenticato oggigiorno, ed elencare i nomi dei cantanti che contribuirono, volendo anche nel loro piccolo, a creare il meraviglioso mondo dell’Opera Barocca. 1726 prima Carnevale - Roma Teatro delle Dame (o Teatro Albert) ILVALDEMARO Biblioteca del Liceo di Bologna Libretto di anonimo, musica di Domenico Sarro, tra gli Arcadi denonimato “Daspio”, vice maestro della Real Cappella di Napoli Cantanti: Valdemaro - Gaetano Bernstadt Gerilda - Giacinto fontana, detto il Farfallino Rosmonda – Filippo Finazzi Sueno – Domenico Gizzi Sivardo – Antonio Barbieri Alvida – Gaetano Maiorano, eto il Caffarellino Aldano – Angelo Franchi 1728 prima Carnevale - Torino Teatro Regio I VERI AMICI Libretto di Silvana Lalli, musica di A. S. Fiore e G. Ant. Gay e Library of Congress - Washington ARIANNA Libretto di P. Paraiati, musica di Francesco Feo 1728 prima Venezia – Fiera dell’Ascensione Teatro San Samuele NERINA Library of Congress – Washington Libretto di Pietro Averara, musica di Antonio Pollarolo Cantanti: Nerina – Teresa Peruzzi, detta la Denzia Silvia – Antonia Negri Alcasto – Gaetano maiorano, detto Gafariello Tirsi – G.B. Pinacci Idrano – Elisabetta Uttini 1728 Milano – Teatro Ducale DIDONE ABBANDONATA Libretto di Pietro Metastasio, musica di Domenico Sarro 1729 1°, 16, 21 Agosto – Pistoia, Palazzo dei Signori Priori Durante le accademie tenute il 1, 16 e 21 agosto, il Caffarelli si esibì con successo.
    [Show full text]
  • (14Th Century-19Th Century) (Add MS 31384-31823) Table of Contents
    British Library: Western Manuscripts The following collection of MS. Music, Nos. 31,384-31,823, was formed by Mr. Julian Marshall. (14th century-19th century) (Add MS 31384-31823) Table of Contents The following collection of MS. Music, Nos. 31,384–31,823, was formed by Mr. Julian Marshall. (14th century–19th century) Key Details........................................................................................................................................ 1 Provenance........................................................................................................................................ 1 Add MS 31396–31397 MOTETS and madrigals for five voices, in score; by Palestrina. Two volumes; the first an Italian transcript................................................................................................. 9 Add MS 31444–31445 SERVICES and anthems, principally in organ–score, by M. Wise, Pelham Humfrey, Dr. H. Aldrich, Dr. Blow, Dr.................................................................................................. 40 Add MS 31487–31489 CANTATAS, and a few duets and terzets, with occasional instrumental accompaniment, chiefly by Giovanni.................................................................................................... 65 Add MS 31493–31494 DUETS, by Agostino Steffani; a printed life of whom, attributed to Sir John Hawkins, is prefixed to the first................................................................................................... 69 Add MS 31507–31508 CANTATAS by A.
    [Show full text]
  • The Influence of the Paris Stage on Kane O'hara's Midas
    The Influence of the Paris Stage on Kane O’Hara’s Midas RACHEL TALBOT Introduction Kane O’Hara’s Midas introduced a new operatic genre to the Dublin and London stages: the English burletta.1 The name of the new genre may owe something to the circumstances of the opera’s first public performance; it was staged at Crow Street theatre in 1762 ‘in opposition to the Italian burletta at Smock-alley’.2 However, Midas led an independent existence before its association with the Italian burlettas, in which intriguing references to the Paris stage are intermingled with allusions to the music popular in Dublin at the time. Midas had originally been performed ‘at the private theatre attached to the residence of the Right Hon. William Brownlow, at Lurgan, in April, 1760’,3 and existed in a number of different versions over the course of its performance history. No libretto or music survives from the first performance but The Private Theatre of Kilkenny reports that Midas ‘originally consisted of but one Act’ and that ‘many additions were made to it, before its introduction to the Public’.4 It was performed as a three-act mainpiece in Crow Street in 1762 and in Covent Garden in 1764, but its most enduring form was the second edition of 1766, which is a two-act afterpiece. 1 ‘The result was Midas, the first English burletta.’ Nicholas Temperley, ‘Burletta’, in Stanley Sadie and John Tyrrell (eds), The New Grove Dictionary of Music and Musicians, second edition, 29 vols (London: Macmillan, 2001), vol. 4, 634. Although Midas has been identified in the twentieth century as the first English burletta, it was not the first English opera to be referred to as a burletta.
    [Show full text]
  • Jane Austen: the French Connection Gillian Dooley (Voice) Christine Morphett (Harp) Mark Smith (Cello)
    Jane Austen: The French Connection Gillian Dooley (voice) Christine Morphett (harp) Mark Smith (cello) Barr Smith Library Reading Room, Adelaide University 3pm, Saturday 17 October 2020 A benefit concert for the Barr Smith Library Arranged by the Friends of the Library and the Jane Austen Society of Adelaide Program Song in La Fée Urgèle – Egidio Duni (1708-1775) De Richard Coeur-de-Lion – André-Ernest-Modeste Grétry (1741-1813) Air [Plus ne veux jamais m’engager] – Anon Duo du Roi Théodore – Giovanni Paisiello (1740-1816) Ouverture de Renaud d’Ast –Nicolas-Marie Dalayrac (1753-1809) Pauvre Jacques – attrib. Marie Antoinette (1755-1793) & Marquise de Travanet (1753-1828) Chanson Béarnoise – Anon Captivity – Stephen Storace (1762-1796) Romance du concerto en fa – Jean-Baptiste Krumpholtz (1742-1790) Romance [Que j’aime à voir les hirondelles] – François Devienne (1759-1803) Air du Marquis de Tulipano – Giovanni Paisiello arr. C.J.A. Gourbillon [Laisse là sur l’herbette] – Benoît Pollet [Sous un berceau de Jasmin] – attrib. André Grétry Air for harp with variations – Krumpholtz [Vous l’ordonnez] – Antoine Laurent Baudron (1742-1834) [Since then I’m Doomed] – adapted from Baudron The Waterloo – Anon. The Marseilles March – Claude Joseph Rouget de Lisle (1760-1836) Jane Austen: The French Connection Jane Austen (1775-1817) is often thought of as provincial, apolitical and quint-essentially English. She never travelled abroad. But she had a cousin, Eliza Hancock, who moved to Paris in 1779 with her mother and married Jean-François Capot de Feuillide, a young military officer from Nérac in the province of Guienne, in 1781. Eliza often visited the Austen family in Steventon during Jane’s childhood and teenage years.
    [Show full text]
  • Opera's En Libretto's Uit Het Théatre De Metz
    EHC: C 100015 [S0–283 g / Zie : 100013] La prison d'Edimbourg: opera-comique´ en trois actes / Eugene` Scribe ; Franc¸ois Antoine Eugene` de Planard ; Michele Enrico Carafa de Colobrano ; [pass. aut.] William Scott. — Paris : Gretry´ au Parnasse: tableau mythologique en action, prec´ ed´ e´ Barba, 1833. — 65 p. d'un prologue impromptu melˆ e´ de vaudevilles / J.B.A. Artesis-KC: MM–LZ–CARAF-prison-1 Chatelain. — Havre : Faure, 1825. — 23 p. EHC: C 100285:[201] [S0–244 b] Artesis-KC: MT–TF–CHATE-gretry-1 Le puits d'amour: opera-comique´ en trois actes / Eugene` L'homme a` bonne fortune: comedie´ en cinq actes et en prose / Scribe ; Adolphe de Leuven ; Michael William Balfe. — Paris : Michel Boyron. — 2 ed. — Paris : Duchesne, 1789. — 76 p. Boule,´ 1843. — 32 p. Artesis-KC: MTOD–TF–BARON-homme-1 Artesis-KC: MM–LZ–BALFE-puitsda-1 EHC: C 100285:[712] [S0–244 b] Le tonnelier: opera-comique,´ mesle´ d'arriettes / Franc¸ois-Joseph Gossec ; Franc¸ois-Antoine Quetant´ ; Les projets de mariage, ou: Les deux militaires: comedie´ en un Nicolas-Medard´ Audinot ; e.a. — 2 ed. — Paris : Duchesne, acte et en prose / Alexandre Vincent Pineux Duval. — Paris : 1770. — 45 p. Barba, an 11[=1803]. — 40 p. Artesis-KC: MMOD–LZ–GOSSE-tonneli-1 Artesis-KC: MT–TF–DUVAL-projets-1 EHC: C 271767 [C3–108 b / ds 984] Fra-Diavolo, ou: L'hotellerie de Terracine: opera´ comique en trois actes / Daniel Franc¸ois Esprit Auber ; Eugene` Scribe. — Les deux grenadiers, ou: Les quiproquos: comedie´ en trois Paris : Bezou, 1830. — 80 p. actes et en prose / Joseph Patrat.
    [Show full text]
  • Ian Page and the Mozartists Announce Recording of Jommelli’S Il Vologeso and Concerts at Wigmore Hall and Cadogan Hall
    IAN PAGE AND THE MOZARTISTS ANNOUNCE RECORDING OF JOMMELLI’S IL VOLOGESO AND CONCERTS AT WIGMORE HALL AND CADOGAN HALL © Sebastiano Ragusa 16 September 2021 | Wigmore Hall ‘The Swinging Sixties’ concert 17 September 2021 | Release of Il Vologeso album, Signum SIGCD692 22 November 2021 | Cadogan Hall ‘1771 – Mozart’s Perspective’ concert Ian Page and The Mozartists announce their autumn plans including the release of their recording of Jommelli’s Il Vologeso and live concerts at Wigmore Hall and Cadogan Hall. Soloists joining them include Jessica Cale, Alessandro Fisher and Emily Pogorelc. Ian Page, Founder and Artistic Director of The Mozartists, said: “It is a huge relief as well as pleasure to be resuming our activities and planning for the future again, after the dreadful hiatus that the world has endured over the past sixteen months. We’re delighted to be returning to Wigmore Hall and Cadogan Hall in the autumn, and also to be releasing on CD our one-off 2016 concert performance of Jommelli’s Il Vologeso. All three of these projects reflect our firm commitment to unearthing beautiful but largely forgotten repertoire and to developing and championing outstanding young singers.” NEW ALBUM The Mozartists’s new album Jommelli: Il Vologeso features a live recording from April 2016 where Ian Page and the ensemble performed the UK premiere of the work. It is due for release by Signum Records on 17 September 2021. The soloists on the album are Stuart Jackson (Lucio Vero), Rachel Kelly (Vologeso), Gemma Summerfield (Berenice), Angela Simkin (Lucilla), Jennifer France (Flavio) and Tom Verney (Aniceto).
    [Show full text]
  • Opéra-Comique, Cultural Politics and Identity in Scandinavia 1760–1800
    Scandinavian Journal of History ISSN: 0346-8755 (Print) 1502-7716 (Online) Journal homepage: http://www.tandfonline.com/loi/shis20 OPÉRA-COMIQUE, CULTURAL POLITICS AND IDENTITY IN SCANDINAVIA 1760–1800 Charlotta Wolff To cite this article: Charlotta Wolff (2018) OPÉRA-COMIQUE, CULTURAL POLITICS AND IDENTITY IN SCANDINAVIA 1760–1800, Scandinavian Journal of History, 43:3, 387-409, DOI: 10.1080/03468755.2018.1464631 To link to this article: https://doi.org/10.1080/03468755.2018.1464631 © 2018 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. Published online: 15 May 2018. Submit your article to this journal Article views: 175 View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=shis20 Scandinavian Journal of History, 2018 Vol. 43, No. 3, 387–409, https://doi.org/10.1080/03468755.2018.1464631 Charlotta Wolff OPÉRA-COMIQUE, CULTURAL POLITICS AND IDENTITY IN SCANDINAVIA 1760–1800 As a contribution to the history of public life and cultural practice, this article examines the political and social implications of the fondness for French comic opera in Scandinavia between 1760 and 1800. The urban elites’ interest in opéra-comique is examined as a part of the self-fashioning processes of mimetism and distinction, but also as a way to consolidate the community. Opéra-comique was promoted by the literary and diplomatic elites. It became important for the cultural politics of the Scandinavian monarchies as well as for intellectual milieus able to propose alternative models for life in society. The appropriation of opéra-comique by an expanding public transformed the nature of the supposedly aristocratic and cosmopolitan genre, which became an element in the defining of new bourgeois and patriotic identities.
    [Show full text]
  • Autore Titolo Anno Di Pubblicazione Collocazione
    ANNO DI AUTORE TITOLO COLLOCAZIONE PUBBLICAZIONE A study of selected choral ALFRED, E.M. 1980 T.AM.27 works of Claude Debussy Schubert and his public, the ANDRUS, J. 1989 T.AM.107 songs from 1817 to 1828 The oratorios of Benedetto Marcello (1686-1739) as a BAKER, H.E. 1992 T.AM.71 reflection of his musical thought and milieu Carl Friederich Zelter : a study of the lied in Berlin BARR, R.A. during the late eighteenth 1989 T.AM.120 and early nineteenth centuries Gabriel Faure : a biographical study and a BARSHELL, M.L historical style analysis of his 1988 T.AM.40 nine arch major chamber works for piano and strings Compositional technique in BELLAK, R.C. 1976 T.AM.67 the trascription of Franz Liszt Henry Charles Litolff : !1818- BLAIR, T. 1891) : his life and piano 1989 T.AM.68 music Form in the songs of Gabriel BLAND, S.F. 1989 T.AM.37 Faure Serial techniques in the music of Goffredo Petrassi ; BONELLI, A.E. 1996 T.AM.94 a study of his compositions from 1950-1959 The life and the music of BOOTH, R.E. JR 1988 T.AM.56 Stephen Hellen The works of Rinaldo da BOSTIAN, R.L. 1961 T.AM.28 Capua (with supplement) An essay on the life and BOSTON, M.V. 1981 T.AM.30 works of Leo Delibes Paul Dukas and the impressionist milieu: stylistic BOYD, E. V. 1980 T.AM.32 assimilation in three orchestral works Poldowki (Lady Dean Paul) : BRAND, M.F. her life and her song settings 1981 T.AM.96 of french and english poetry Vincenzo Bellini and the aesthetics of opra seria in BRAUNER, C.
    [Show full text]