ANNO DI AUTORE TITOLO COLLOCAZIONE PUBBLICAZIONE A study of selected choral ALFRED, E.M. 1980 T.AM.27 works of Claude Debussy Schubert and his public, the ANDRUS, J. 1989 T.AM.107 songs from 1817 to 1828 The oratorios of Benedetto Marcello (1686-1739) as a BAKER, H.E. 1992 T.AM.71 reflection of his musical thought and milieu Carl Friederich Zelter : a study of the in Berlin BARR, R.A. during the late eighteenth 1989 T.AM.120 and early nineteenth centuries Gabriel Faure : a biographical study and a BARSHELL, M.L historical style analysis of his 1988 T.AM.40 nine arch major chamber works for piano and strings Compositional technique in BELLAK, R.C. 1976 T.AM.67 the trascription of Henry Charles Litolff : !1818- BLAIR, T. 1891) : his life and piano 1989 T.AM.68 music Form in the songs of Gabriel BLAND, S.F. 1989 T.AM.37 Faure Serial techniques in the music of Goffredo Petrassi ; BONELLI, A.E. 1996 T.AM.94 a study of his compositions from 1950-1959 The life and the music of BOOTH, R.E. JR 1988 T.AM.56 Stephen Hellen The works of Rinaldo da BOSTIAN, R.L. 1961 T.AM.28 Capua (with supplement) An essay on the life and BOSTON, M.V. 1981 T.AM.30 works of Leo Delibes Paul Dukas and the impressionist milieu: stylistic BOYD, E. V. 1980 T.AM.32 assimilation in three orchestral works Poldowki (Lady Dean Paul) : BRAND, M.F. her life and her song settings 1981 T.AM.96 of french and english poetry and the aesthetics of opra seria in BRAUNER, C. 1989 T.AM.5. 1 the first third of the nineteenth century pt.1 Vincenzo Bellini and the aesthetics of opra seria in BRAUNER, C. 1989 T.AM.5. 2 the first third of the nineteenth century pt. 2 The piano works of Deodat BRODY, E. de Severac : a stylistic 1989 T.AM.112 analysis Maurice Emmanuel and the CARLSON, E.A. 1974 T.AM.34 six sonatines for piano Carmago Guarnieri, a study of a Brazilian composer and CARRAMASCHI, E. 1992 T.AM.55 an analysis of his "sonata para piano" Henri Meilhac-udovic Halévy CLAY, S.M. : des bouffes-parisiens à 1992 T.AM.73 l'Opéra-Comique A comparison of the transcription techniques of CLOUTIER, D. Godowsky and Lisztas 1992 T.AM.60 Exemplified in their transcription of three The development of the and the polonaise CONDER, T.A. from their dance origins 1982 T.AM.15 through their use by chopin as salon pieces for the piano Franz Liszt's " CORY, W.M. de beethoven : partitions de 1982 T.AM.64 piano". (volumes I and II) The of Bernardo CRAIN, G.F. JR Pasquini. Volume one : text. 1989 T.AM.93a Volume two : catalogue The operas of Bernardo CRAIN, G.F. JR Pasquini. Volume one : text. 1989 T.AM.93b Volume two : catalogue The nocturnes and CROUCH, R.H. barcarolles for solo piano of 1982 T.AM.39 Gabriel Faure The piano sonatas of Karl CRUZ-PEREZ, H.A. 1992 T.AM.119 Szymanowski Principles of organization in 's DEAHL, L.G. 1992 T.AM.109 "Davidsbundlertanze", opus 6 and "Kreisleriana", opus 16 Ruggiero Giovanelli and the DEFORD, R.I. madrigal in , 1572- 1993 T.AM.48. 1 1599 Vol. 1 Ruggiero Giovanelli and the DEFORD, R.I. madrigal in Rome, 1572- 1993 T.AM.48. 2 1599 Vol. 2 Ruggiero Giovanelli and the DEFORD, R.I. madrigal in Rome, 1572- 1993 T.AM.48. 3 1599 Vol. 3 DELIO, T.J. Structural pluralism 1989 T.AM.117 A stilistic analysis of selected DICUS, K.T. piano works of Louis Moreau 1992 T.AM.49 Gottschalk Franz Liszt and his Verdi DORGAN, P.P. 1988 T.AM.65 transcription A study of the Beethoven piano sonatas in the light of DRAKE, K.O. 1989 T.AM.4 evidence provided by Beethoven's pupils The french piano of the nineteenth and ELLIS, M. 1989 T.AM.43 2 early twentieth centuries Vol. 2 The french piano character piece of the nineteenth and ELLIS, M. 1989 T.AM.43.1.1 early twentieth centuries Vol. 1, Pt. 1 The french piano character piece of the nineteenth and ELLIS, M. 1989 T.AM.43.1.2 early twentieth centuries Vol. 1, Pt. 2 The dissolution if the ENIX, M. functional harmonic tonal 1989 T.AM.47 system : 1850-1910 FANG, S.C. as teacher 1988 T.AM.108 An analytic study of the FINETTI, T.A. piano music of Giovanni 1992 T.AM.113. 1 Sgambati pt. 1 An analytic study of the FINETTI, T.A. piano music of Giovanni 1992 T.AM.113. 2 Sgambati pt. 2 A comparative analysis of the piano writing in four FOWLER, L. 1992 T.AM.63 versions of Liszt's petrarchan sonnets The original cadenzas in the FRIEDMAN, R.M. piano concertos of 1992 T.AM.2 Beethoven : an analysis Beethoven's last piano FRITSCH, M.F. 1992 T.AM.3 sonatas as fantasy sonatas Robert Franz : a biographical GAEDDERT, W.K. 1988 T.AM.42 and critical study Representative madrigals of Giovanni Mario Nanino ( GARNER, C.A. 1993 T.AM.86 1545-1607) : a discussion and modern edition Ambiguity in Chopin's GOEPFERT, R.H. 1981 T.AM.18 rythmic notation The piano trascriptions of GOERTZEN, V.W. 1992 T.AM.10 Johannas Brahms Selected piano etudes of GOLDENZWEIG, H. Frederic Chopin: a 1987 T.AM.20 performance guide Women creating music, 1750-1850 : Marianne Martinez, Maria Theresia GORDY, L.A. 1992 T.AM.122 von Paradis, Fanny Mendelsshon Hensel, and Clara Wieck Schumann The operas of Rossini : problems of textual criticism GOSSETT, P.E. 1975 T.AM.99 in the nineteenth-century opera An analytical study of GRAHAM, D.M. twenty-four etudes by 1982 T.AM.54 Adolph von Henselt Muzio Clementi and the GRAUE. J.C. development of pianoforte 1971 T.AM.22 music in industrial England The oratorios of Giovanni Paolo Colonna and the late GRIFFIN, J.A. 1978 T.AM.23 seventeenth century oratorio in Bologna and Modena The french piano duet (1850- HAUN, A.L.W. 1982 T.AM.44 1930) The keyboard works of HAYNES, M.B. Bernardo Pasquini (1963- 1991 T.AM.92. 1 1710) Vol. 1 The keyboard works of HAYNES, M.B. Bernardo Pasquini (1963- 1991 T.AM.92. 2-3 1710) Vol. 2 & 3 The keyboard works of HAYNES, M.B. Bernardo Pasquini (1963- 1991 T.AM.92. 4-5 1710) Vol. 4 & 5 The harpsichord and HENRICKSON, D.G. development of the piano 1989 T.AM.106 prior to the lieder of Schubert W.A.Mozart's sonatas for solo clavier: recent HIMES. D.D. developments in chronology, 1988 T.AM.24 transmission, and biographic context An examination of the compositions by Darius HODGSON, K.D. 1982 T.AM.78 Milhaud for unaccompanied mixed voices Ensemble and solo works of Ignaz Pleyel originally HORNICK, A.M. 1992 T.AM.95 composed for keyboard : a style-analitic review The life and works of HUNT, J.L. 1988 T.AM.89 Cesar Frank's works for JAMES, W.R 1992 T.AM.41 piano and The works of Alessandro JANDER, O.H. Stradella releted to the 1962 T.AM.128 cantata and the opera A catalogue of the manuscripts od compositions JANDER, O.H. by Alessandro Stradella 1962 T.AM.129 found in european and american libraries (1797- 1848): the evolution of his JENNINGS, N.L. style leading to the 1987 T.AM.31 production of Anna Bolena in 1830 An analytical survey of the unaccompanied choral JESSOP, G.D. 1982 T.AM.76 works for mixed voices by -Bartholdy Debussy's Douze Etudes: JOHNSON, R.W. 1987 T.AM.29 guidelines for performance Thirteen from the three yearbooks "Das KALIB, S. meisterwerk in der musik" by 1987 T.AM.101.1 "Heinrich Schenker : an annotated translation. Vol. 1 Thirteen essays from the three yearbooks "Das KALIB, S. meisterwerk in der musik" by 1987 T.AM.101.2 "Heinrich Schenker : an annotated translation. Vol. 2 Thirteen essays from the three yearbooks "Das KALIB, S. meisterwerk in der musik" by 1987 T.AM.101.3 "Heinrich Schenker : an annotated translation. Vol. 3 Debussy and musical coherence: a study of KINARIWALA, N.D. 1987 T.AM.26 succession and continuity in the preludes The golden ratio in Chopin's KIRK, K.P. 1987 T.AM.19 preludes, opus 28 Cipriano de Rore as reades and as read : a literary- LA VIA, S. musical study of madrigals 1991 T.AM.98 from rore's later collections (1557-1566) Au silence des belles nuits : LANGEVIN, K.W. the earlier songs of Charles 1981 T.AM.53 Gounud Luca Marenzio : new LEDBETTER, S. 1990 T.AM.72 biographical findings The lieder of Beethoven : a LIN, S. 1992 T.AM.1 stylistic analysis A bibliographic scrutiny of LINDGREN, L.E. dramatic works set by 1981 T.AM.126. 1 Giovanni… pt. 1 A bibliographic scrutiny of LINDGREN, L.E. dramatic works set by 1981 T.AM.126. 2 Giovanni… pt. 2 Romantic italian song style in the works of Francesco LITTLE, J.A. 1981 T.AM.121 Paolo Tosti and some of his contemporaries Music and language : an ethnographic study of music , M.M. 1989 T.AM.83 learning and interpreting situation The motets, and LONG, J.A. hymns of Adrian Willaert : a 1999 T.AM.127 liturgico-musical study New concepts in music from 1950 to 1970 : a critical investigation of MARCUS, G. 1989 T.AM.85 contemporary aesthetic philosophy and its translation into musical Antonio Soler : a biographical inquiry and MARESTAING, G.M. 1989 T.AM.114 analysis of a keyboard sonata The life and works of Adolph MILLER, D.R. 1988 T.AM.57 Henselt Word-sound and musical MILLER, J.M. texture in the mid-sixteenth- 1996 T.AM.70 century venetian madrigal Elements of romantic style in MITCHELL, I. the music of Chopin and 1980 T.AM.16 Liszt The six sonatinas for piano MOCKOVAK, H.E. 1992 T.AM.7 of Gesture, sign, song : an interdisciplinary approach to MOSLEY, D.L. 1992 T.AM.110 Robert Schumann's "Liederkreis" Op. 39 Embellishing Shubert's MUSSARD, T.S songs : a performance 1992 T.AM.104 practice The neoclassic aesthetic in NOBLE, N.N. two early song cycles by 1982 T.AM.79 Darius Milhaud The clavier fantasy from PARKER, J. mozart to Liszt : a study in 1989 T.AM.124 style and content Hans von Buelow as music PATRICK, S.B. 1988 T.AM.8 critic Music and drama in the "opera buffa" finale : Mozart PLATOFF, J. 1989 T.AM.82 and his contemporaries in Vienna, 1781-1790 Opera buffa and the POLZONETTI, P. 2003 T.AM.125 american revolution The oratorios of Alessandro POULTNEY, D.G. Scarlatti : their lineage, 1986 T.AM.100 milieu, and style Marathi and Konkani speaking women in QUINN, J.P. 2002 T.AM.123 Hindustani music, 1880- 1940 Franz Liszt's settings of RAY, B.C. 1992 T.AM.66 three petrarch sonnets Emperor and impresario : Leopold II and the RICE, J.A. 1992 T.AM.59 trasformation of viennese musical theater, 1790-1792 Articulation in mozart's and beethoven's sonata for piano RIGGS, R.D 1992 T.AM.81 and violin : source-critical and analytic studies The "goyescas" for piano by RIVA, J.D. Enrique Granados : a critical 1983 T.AM.52 edition The nocturnes of Frederic Chopin and Gabriel Faure, a lecture recital together with ROBERSON, R.E. 1979 T.AM.17 three recitals of selected works by other composers for Solo vocal settings of texts ROY, M.S. by Stephane Mallarme(1842- 1982 T.AM.69 1898) The piano suite "goyescas" SALVADOR, M. by enrique granados : an 1992 T.AM.50 analitical study A comprensive study of the SAMULSKI-PAREKH, piano suite "goyescas" by 1995 T.AM.51 M.M. Enrique Granados The life and works of SAND, W.E. 1988 T.AM.97 Ferdinand Ries Chromaticism in the solo SANGER, G.N. keyboard works of Franck 1976 T.AM.36 and Faure The life and liturgical works of Giovanni Maria Nanino SCHULER, R.R 1993 T.AM.87.1.1 (1545-1607) volume two : trascriptions Vol. I ; Book I The life and liturgical works of Giovanni Maria Nanino SCHULER, R.R 1993 T.AM.87.2.2 (1545-1607) volume two : trascriptions Vol. II ; Book II The life and liturgical works of Giovanni Maria Nanino SCHULER, R.R 1993 T.AM.87.2.3 (1545-1607) volume two : trascriptions Vol. II ; Book III Structuralism, post- structuralism, and a classical SCHWARZ, D.B. 1992 T.AM.115 musical text : a new look at Chopin's "preludes", opus 28 Pedaling in the duo sonatas SHEFFET, A.M. for piano and strings of 1992 T.AM.9 Johannes Brahams The papal chapel ca. 1492- SHERR, R.J. 1513 and its polyphonic 1988 T.AM.91 sources The piano sonatas of Carl SHHETS, R.K. 1987 T.AM.25 Czerny Schubert's harmonic geometry : structural means SIEGEL, L. 1992 T.AM.105 in the first movement of the BB piano sonata ( D. 960) Mendelssohn and the SILBER, J.K "reformation" : a 1992 T.AM.75 critical and historical study The life and works of Fanny SIROTA, V.R. 1988 T.AM.74 Mendelsshon Hensel The theories of Heinrich SLATIN, S. 1990 T.AM.102.1 Schenker in perspective pt. 1 The theories of Heinrich SLATIN, S. 1990 T.AM.102.2 Schenker in perspective pt. 2 Contemporary sacred SMEDLEY, B.R. chamber opera : a medieval 1998 T.AM.88 form in the twentieth-century Egidio Duni and the SMITH, K.M. development of the Opera 1980 T.AM.33 Comique from 1753 to 1770 Music and music patronage STARR, P.F. at the papal court, 1447- 1992 T.AM.90 1464 Franz Liszt's approach to STEINBERG, A.J. 1988 T.AM.61 piano playing A structuralist approach to STOFFT, P.W. music and painting, 1989 T.AM.116 emphasizing space and time Muzio Clementi and his TIGHE S.L.A.E. sonatas surviving as solo 1964 T.AM.21 piano works The instrumental music of Felix Mendelssohn-Bartholdy TODD, R.L. 1982 T.AM.77 : selectedd studies based on primary sources Structural thought in the TREIBITZ, C.H. music evolution of modern 1989 T.AM.80 musical concepts Robert Schumann's song cycles in the context of the TURCHIN, B.P. 1982 T.AM.111 early nineteenth-century 'Liederkreis' Images of self in the music WHITESELL, L.A. 1998 T.AM.13 of Benjamin Britten : WILLIAMS, D.M. a stylistic overview and 1988 T.AM.58 selected analyses : a study of WILLIS, S.C. his life and dramatic music, 1988 T.AM.6 & T.AM.14 1795-1815 Music and language : some YOUNGBLOOD, J.E. 1989 T.AM.84 related analytical techniques The harmonic language of Karol Szymanowsky's ZENT, D.A. 1992 T.AM.118 "Metopes", Op. 29, and "Masques", Op. 34