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Writing the Wild in Crisis
ECOSEISMOLOGY: Writing the Wild in Crisis Submitted by Miriam Darlington to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English (Creative Writing) In January 2014 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………………….. 1 2 Contents: ABSTRACT .............................................................................................................................................. 5 INTRODUCTION .................................................................................................................................... 6 ECOSEISMOLOGY – A RATIONALE AND DEFINITION ......................................................................................... 6 ECOSEISMOLOGY IN ACTION: OTTER COUNTRY AND THE NEW NATURE WRITING ................................ 20 THE THREE STAGES OF ECOSEISMOLOGY: ............................................................................... 22 (I) ENCOUNTER ................................................................................................................................................... 22 (II) THE ECOSEISMIC MOMENT ........................................................................................................................ -
The Best According To
Books | The best according to... http://books.guardian.co.uk/print/0,,32972479299819,00.html The best according to... Interviews by Stephen Moss Friday February 23, 2007 Guardian Andrew Motion Poet laureate Choosing the greatest living writer is a harmless parlour game, but it might prove more than that if it provokes people into reading whoever gets the call. What makes a great writer? Philosophical depth, quality of writing, range, ability to move between registers, and the power to influence other writers and the age in which we live. Amis is a wonderful writer and incredibly influential. Whatever people feel about his work, they must surely be impressed by its ambition and concentration. But in terms of calling him a "great" writer, let's look again in 20 years. It would be invidious for me to choose one name, but Harold Pinter, VS Naipaul, Doris Lessing, Michael Longley, John Berger and Tom Stoppard would all be in the frame. AS Byatt Novelist Greatness lies in either (or both) saying something that nobody has said before, or saying it in a way that no one has said it. You need to be able to do something with the English language that no one else does. A great writer tells you something that appears to you to be new, but then you realise that you always knew it. Great writing should make you rethink the world, not reflect current reality. Amis writes wonderful sentences, but he writes too many wonderful sentences one after another. I met a taxi driver the other day who thought that. -
Romanında Yabancılaşma1 Defamiliarization in Penelope Fitzgerald’S Novel “The Bookshop”
SDÜ FEN-EDEBİYAT FAKÜLTESİ SOSYAL BİLİMLER DERGİSİ, AĞUSTOS 2020, SAYI: 50, SS. 115-124 SDU FACULTY OF ARTS AND SCIENCES JOURNAL OF SOCIAL SCIENCES, AUGUST 2020, No: 50, PP. 115-124 Makale Geliş | Received : 08.05.2020 Makale Kabul | Accepted : 12.08.2020 Penelope Fitzgerald’ın “Sahaf”* Romanında Yabancılaşma1 Defamiliarization in Penelope Fitzgerald’s Novel “The Bookshop” Yeşim Sultan AKBAY Arş. Gör. Yeşim Sultan AKBAY, Süleyman Demirel Üniversitesi, Fen-Edebiyat Fakültesi, Batı Dilleri ve Edebiyatı Bölümü, İngiliz Dili ve Edebiyatı Ana Bilim Dalı, [email protected]. ORCID Numarası ORCID Numbers: 0000-0001-8170-8219 Beture MEMMEDOVA Doç. Dr. Beture MEMMEDOVA, Süleyman Demirel Üniversitesi, Fen-Edebiyat Fakültesi, Batı Dilleri ve Edebiyatı Bölümü, İngiliz Dili ve Edebiyatı Ana Bilim Dalı, [email protected]. ORCID Numarası ORCID Numbers: 0000-0002-2992-8035 Abstract The aim of the present paper is to reveal how Penelope Fitzgerald (1916-2000), the well-known English writer, employs defamiliarization device in her second novel The Bookshop (1978). Penelope Fitzgerald is mainly known for her distinctive and elegant style, called by many critics the “quiet genius” of the late twentieth-century English fiction. She can also be called the master of the uncanny, or ostranenie (making it strange), as the Russian formalist Viktor Shklovsky defined it. Penelope Fitzgerald brings quite new and original interpretations to the familiar concepts like morality, courage, kindness, help and hope. Through the literary concept of defamiliarization, the reader gains a new awareness of these issues. In her novels, essays, reviews and letters, she surprises the reader by defamiliarizing these well-known notions, loading them with new meaning and surprising the reader with the newly discovered truths which had always been there unnoticed by readers. -
"The Problem of Predicting What Will Last"
Allan Massie, "The Problem of Predicting What Will Last" Booksonline, with Amazon.co.uk (An Electronic Telegraph Publication) 4 January 2000 As our Book of the Century series concludes, Allan Massie compares the list with one published by The Daily Telegraph 100 years ago EACH WEEK for the past two years The Daily Telegraph’s literary editor has asked a contributor to name and describe his or her "Book of the Century", and today the series concludes with Arthur C. Clarke’s choice. The full selection invites comparison with a list drawn up by The Telegraph a century ago; we print both here. The comparison cannot, however, be exact. All the books chosen in 1899 were fiction - the paper offered its readers the "100 Best Novels in the World", selected by the editor "with the assistance of Sir Edwin Arnold, K. C. I. E, H. D. Traill, D. C. L, and W. L. Courtney, LL. D.". The modern list includes poetry, plays, history, diaries, philosophy, economics, memoirs, biography and travel writing. It is certainly eclectic, ranging from Wittgenstein’s Tractatus Logico-Philosophicus, selected by David Sylvester, to The Wind in the Willows, chosen by John Bayley, and Down with Skool, Wendy Cope’s Book of the Century. The 1899 list, on offer at the time in a cloth-bound edition at nine guineas the lot (easy terms available), is homogeneous, as the modern one is not, not only because it consists entirely of works of fiction but also because the selection was made by a small group. And since they were picking the 100 Best Novels, they were able to include books that nobody might name as a single "Book of the Century" but which many might put in their top 20 or so. -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
The Harlequin Nina Allan
The Harlequin Nina Allan Publication Date: 30th September Format: B paperback ISBN: 9781910124383 Category: Horror/Ghost Stories RRP: £6.99 Extent: 150 ABOUT THIS BOOK The armistice is months past but the memories won’t go away. ‘A harlequin, leaning against a tree stump and with a goblet of ale clasped in one outstretched hand. Beaumont felt chilled suddenly, in spite of the fire… Most likely it was the thing’s mouth, red-lipped and fiendishly grinning, or maybe its face, which was white, expressionless, the face of a clown in full greasepaint.’ Dennis Beaumont drove an ambulance in World War One. He returns home to London, hoping to pick up his studies at Oxford and rediscover the love he once felt for his fiancée Lucy. But nothing is as it once was. Mentally scarred by his experiences in the trenches, Beaumont finds himself wandering further into darkness. What really happened to the injured soldier he tried to save? Who is the figure that lurks in the shadows? How much do they know of Beaumont, and the secrets he keeps? SALES AND MARKETING HIGHLIGHTS • Campaign by the Award organisers utilising Ruth MARKETING AND Killick Publicity PUBLICITY Contact Rachel Kennedy ABOUT THE AUTHOR [email protected] Nina Allan lives in North Devon and is a previous or 07929 093882 winner of the British Science Fiction Award in 2014 with her novella Spin. In the same year, her second novella The Gateway was shortlisted for the Shirley Jackson Award/Prize. Her debut novel The Race was shortlisted for the Kitschies Red Tentacle, the British Science Fiction Award and the John W Campbell Memorial Award in 2015. -
Business Pass Info Packet 2019 4.22
Full-Access Business Pass Information For writers interested in taking their work to market one day, Lit Fest offers an opportunity to educate yourself about and connect with publishing professionals. Given the busy schedules of agents and editors, it’s a rare chance to receive their direct feedback and advice. You must purchase a Gold, Silver, Bronze, Penny, or Full-Access Business Pass before requesting a meeting with an agent. Thanks to Aevitas Creative Management for their Full Access Business Pass Sponsorship for a writer of color. We have the following agents and editors available for one-on-one meetings at Lit Fest 2021*: Friday Saturday Sunday Monday Tuesday Wednesday Thursday June 4 June 5 June 6 June 7 June 8 June 9 June 10 Lisa Paloma Paloma Danya Sarah Fuentes Sarah Fuentes Jamie Carr Gallagher Hernando Hernando Kukafka Malaga Sue Park Sue Park John Maas Danya Serene Hakim Serene Hakim Baldi Kukafka Angeline Angeline John Maas John Maas Rodriguez Rodriguez Malaga Baldi Malaga Baldi Tanusri Chris Parris- Chris Parris- Prasanna Lamb Lamb Matt Martz Tanusri Julie Buntin Prasanna Matt Martz June 11 June 12 June 13 Jamie Carr Eric Smith Eric Smith Serene Hakim Julie Buntin *Schedule is subject to change. LIT FEST PASSHOLDERS BEFORE MEETING WITH AN AGENT OR EDITOR Make sure you’re really ready for this. Writing is a competitive business, and agents are direct about their reactions to your work. Have you had a professional read of the work you’re submitting? Is it reasonably edited? If not, we’d recommend attending Lit Fest’s business panels first and then reaching out to agents and editors at a later date. -
F()CUS EDITORIAL Martin Mcgrath Writing ~Career" Is in the Last Chance Cus Editor Saloon
F()CUS EDITORIAL Martin McGrath writing ~career" is in the last chance cus Editor saloon... REVEALING UES ~h~vn ~~:~~~~n how lies can sometimes reveal far more Focus is published twice a yor by the British Sciera fiction ='~'~~~~7:~0~~~~T:l~~ion NOTA BENE writing. Contributions, ideM and corr~eare all_kOf'M. Nina Allan reflects on her relationship with the writer's ~ic':-contact the edit(l( 'im if you intend to submit a lengthy essential companion - the notebook. Individual copyrights are the property of the contributors and MASTERCLASS4: DESCRIPTION edit(l(. Views.~ herein are not M(@SWIrilythoseofthe Another article and still we await the definitive advice on BSFA or 8SM committee members. Erron and omissions are the maps in fantasy novels. This time Christopher Priest fobs us responsibility of tl'le editor tSSN: Ol44-S60X 0 BSFA 2008 off with some guff about making "de5Crlption~ work. 8SFAInformlltion BEWARE OF THE INFO DUMP '3 President Stephen 8lltte. Gillian Rooke warns of the dangers of infodumping and VK;e~t how they might be avoided Chair Tony Cullen cMlr«Jshl.(o.uk KNEE DEEP IN THE SLUSH ,6 Martin McGrath offers some reflection on what he learned ~rt,nPotu in his first experience of slushpile reading as adminstrator 61 IYyCtottRoad, W¥ton. of the BSfA 50th Annive~ry Short Story Competition NrTamworth,l]9oJJ ~.co... CONVENTIONAL WISDOM ,8 Membt'rshtp~es ~erW;lklmon Jetse de Vries makes the case in favour of writers attending (UK.ooEurope:) 39 Glyn Awnue. Newbmet. HeftS. EN.. ",J scien<:e fiction conferences. bsf~---'co.,* BSFA SHORT STORY COMPETmON WINNER ... -
TGC September 2018 Rights Guide
foreign rights September 2018 www.thegernertco.com JOHN GRISHAM #1 New York Times bestseller • Published in 40 languages • 375+ million books in print 23 October 2018 #1 New York Times bestselling author John Grisham returns to Clanton, Mississippi to tell the story of an unthinkable murder, the bizarre trial that follows it, and its profound and lasting effect on the people of Ford County. October 1946, Clanton, Mississippi Pete Banning was Clanton, Mississippi's favorite son - a decorated World War II hero, the patriarch of a prominent family, a farmer, father, neighbor, and a faithful member of the Methodist church. Then one cool October morning he rose early, drove into town, walked into the church, and calmly shot and killed his pastor and friend, the Reverend Dexter Bell. As if the murder weren't shocking enough, it was even more baffling that Pete's only statement about it - to the sheriff, to his lawyers, to the judge, to the jury, and to his family was: "I have nothing to say." He was not afraid of death and was willing to take his motive to the grave. In a major novel unlike anything he has written before, John Grisham takes us on an incredible journey, from the Jim Crow South to the jungles of the Philippines during World War II; from an insane asylum filled with secrets to the Clanton courtroom where Pete's defense attorney tries desperately to save him. Reminiscent of the finest tradition of Southern Gothic storytelling, The Reckoning would not be complete without Grisham's signature layers of legal suspense, and he delivers on every page. -
The Spring 2018 Library Newsletter
5/31/2018 BPSI Library Newsletter, Spring 2018 Boston Psychoanalytic Society and Institute Spring 2018 Quick Links Hanns Sachs Library Newsletter Recent Work Library News Libraries are more than about books these days. Many exhibit BPSI Home art and host concerts. They offer the free use of computers. Beside books, they loan videos, CD's, games and even cake baking tins. In keeping with the times, the BPSI library offers a In This Issue variety of videos to watch, audiotapes to listen to, recipes of Grete Bibring to try, and historic photographs to peruse. The Meet the Author most recent addition to our collection is Alex Hoffer's interview with Ana-Maria Rizutto before she left for Argentina. We have In Memoriam recently added material from our recent library program on the In the Archives Wolf-Man. Of course, there are still books to check out and journals to read. There is a computer for your use. And there What Are We Reading? is always help available from our extraordinary librarian, Olga Umansky. __________________ ~ Dan Jacobs, MD, Director of the Library Director of Library Dan Jacobs, MD In the Library The latest video in our new webcast series "The Voice of Experience" is the interview of Ana-María Rizzuto, MD, Librarian/Archivist recorded in the library last fall. Click on the image below to Olga Umansky, MLS watch. Library and Education Program Coordinator Drew Brydon, MLS Library Committee Ana-Maria Rizzuto interviewed by Axel Hoffer on Sep 15, 2017 in the BPSI Library James Barron, PhD Ellen Goldberg, PhD Malkah Notman, MD Dr. -
Mancunicon PR 3
Words from the Chair Eastercon as a Community So, I’m sitting here on a train to Manchester on a grey, gloomy February Saturday. I happen to know that there’s another group holding an Eastercon committee meeting today, so at least 20 people are wending their way across the country to those committee meetings. This weekend, as any weekend, hundreds of people all over the country will be reading their Eastercon, Worldcon, other convention email, making calls, working on websites and spreadsheets - and this is a weekend when there is no actual convention*. We’re all volunteers. For Eastercons, everyone except our guests pays their own membership, transport and hotels; there’s a lot of time and money being put in for the pleasure of working an Easter or August weekend. I remember the story of a Turkish fan who took leave from his military service and hitch-hiked across Europe to attend the 1995 Glasgow Worldcon. When he got there, he volunteered to help and spent large chunks of the weekend guarding a door. When asked if he was enjoying himself, he said that he was, he was used to guarding doors, but it was very different not having a gun… We are not a literary festival, where some people get paid for their time and others are told to treat it as a promotional activity. We are a community, a group of participants; we’re all donating our time, our energy, our money to an event we all own; that’s what makes an Eastercon special, and keeps it going from year to year and decade to decade. -
Post-Secular Nature and the New Nature Writing Alexander J
Post-secular Nature and the New Nature Writing Alexander J. B. Hampton Christianity & Literature, Volume 67, Number 3, June 2018, pp. 454-471 (Article) Published by Johns Hopkins University Press For additional information about this article https://muse.jhu.edu/article/735875 [ Access provided at 1 Jul 2020 18:35 GMT from University of Toronto Library ] Article Christianity & Literature 2018, Vol. 67(3) 454–471 Post-secular Nature and ! The Conference on Christianity and Literature, 2018 Reprints and permissions: the New Nature Writing sagepub.co.uk/ journalsPermissions.nav Alexander J. B. Hampton DOI: 10.1177/0148333117735878 journals.sagepub.com/home/cal University of Toronto, Canada Abstract With the turn of the twenty-first century, a group of writers began rehabilitating British nature writing and the voice of the individual interacting with it, producing what has become collectively known as the new nature writing. This examination considers how this literature represents a post-secular re-conceptualization of our relationship to nature. The new nature writing challenges a key element of the secular social imaginary, namely the subject-centered, immanence-bound, disenchanted representation of nature, which sets the self over and above nature, destabilizing existing dichotomies, and generating a multiplicity of hybridized possibilities that re-conceptualize our relationship to nature. Keywords new nature writing, nature, post-secular, Robert Macfarlane, Helen Macdonald For a good part of the twentieth century, British nature writing found itself caught amongst the brambles. Though many authors continued to make outstanding con- tributions, the respect afforded to the genre was far from the heady days of Romantic and Victorian literature.1 In 1932 it came in for one of its fiercest attacks, with the highly successful and entertaining comedic novel Cold Comfort Farm by Stella Gibbons, which offered a pastiche of countryside novels by the likes of Hardy, Lawrence and Bronte¨.