DOCSLIB.ORG

ARCHITECTURE EHLINGER & ASSOCIATES SECOND QUARTER 2005 Gold

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ARCHITECTURE EHLINGER & ASSOCIATES SECOND QUARTER 2005 Gold ARCHITECTURE EHLINGER & ASSOCIATES SECOND QUARTER 2005 gold. As you can see from the sketch, the Piazza is filled with vehicles of tourists who come to visit and admire the palace and the gardens. This is one of the simplest and grandest of all of the Palazzos, and well worth seeing. RILEM Tube Testing E&A has recently added RILEM Tube Testing along with Thermal Imaging to determine when a cladding surface, such as stucco or EIFS (Exterior Insulation & Finish System: synthetic stucco), is too porous and thus absorbing too much water. RILEM Tubes are about 6" long, with an interior diameter equal to that of your little finger, hold 5 ml of water, and have a reservoir that holds an additional 3 ml at the bottom end either at right angles to the tube or on axis, with a flange at its bottom to which one applies a roll of putty to stick it to the cladding surface. One PALAZZO PITTI extended and the wings added by then fills the tube with water from a rubber successor architects; Luca Fancelli, bulb device and times how long it takes The design of the Palazzo Pitti (Pitti Ammanati, G. and A. Parigi, and Ruggeri. (up to an hour) the cladding surface to Palace) in Firenze (Florence) has been The rear has a wonderful cortile and absorb the water, if at all. attributed to Brunellesci, and to Alberti as overlooks the Boboli Gardens. It was well. This palace is the largest in Italy, erected piecemeal over many years except for the Vatican. It was designed for beginning in 1458 (12 years after Luca Pitti, who thought of himself as Brunellesci’s death) with the major Cosimo dé Medici’s rival, and thus was completion in 1640. Minor remodelings thought to have been a vain and silly old continued after that. With so many man at the time. different architects, it is a wonder that the The Brunellesci design for the Medici final effect is so harmonious and Palace that had been rejected by Cosimo is integrated. probably the model for the Pitti Palace, The palace typifies the Renaissance although Brunellesci may have had nothing Palazzo style. It is of astylar treatment, to do with it. More than likely, it was Luca where the masonry is incised and sculpted Fancelli, a student of Alberti’s, that to look rugged. The arches are of designed it, although the grand scale of horseshoe style, with the same incised the building is why many people associate treatment of the stone. The windows were the design to Brunellesci, even though it by Ammanati, and the lions heads below RILEM (Reunion Internationale des was never listed by Brunellesci as one of the sills were added much later. Laboratoires D’Essais et de Recherches sur his works. It is thought that the Pitti is The palace became the Grand Ducal les Materiaux et les Constructions) — is certainly a lot grander and larger than the residence and is partly occupied by the the European equivalent to ASTM Medici Palace, and that it was intended to famous picture gallery, remodeled for (American Society of Testing Materials), make the Medici look insignificant.. Ferdinand II (1640-7) by P. Cortona. The with headquarters in Paris. RILEM tube The original design only contained the Baroque paintings were displayed in testing is a simple method to determine if central block. The lower stories were elaborate stucco frames painted white and the cladding on the walls absorbs water 2200 Houma Blvd., Metairie, LA 70001-1399 (504) 455-8911 . 3109 Ivy Ave. SW, Huntsville, AL 35805-4698 (256) 534-1900 © 2005 Ehlinger & Associates, P.C. Architects, A Professional Corporation and at what rate. RILEM tube testing was which in a properly built roof isn’t a prob- So, I had to think even harder about developed by RILEM to field test masonry lem for the interior of the attic). doing this. In order to replace the roof, (clay, concrete, and stone) water So, in order to insulate my attic prop- deck and all, I was looking at a similar cost. absorption. ASTM only has a laboratory erly with batt insulation, I was looking at But then I would still have to insulate the test where the porosity test of masonry is ripping off all of the shingles and the bat- attic, at about $0.50/SF for regular R-19 performed in a pressure chamber inside a ten boards, and replacing them with a proper batts, and I would have to wait 2 months, laboratory. There is no ASTM field roof deck (osb board or plywood) and new for the dry spell to hit, put up with the heat porosity test of masonry. Stucco is a shingling. This was quickly going beyond in my house, pray for no rain, keep an eye porous, cementitious type of cladding that the scope of work I’d planned for this sum- on workers, and expect cost overruns absorbs water in a manner similar to mer... (which are just unavoidable on a house this masonry, and is frequently classed as a I looked for another solution, and I old). type of masonry by some authors. EIFS, found it. Closed-cell Foaming Insulation. I also looked at it from the energy sav- (a synthetic stucco) if it is porous (and it Now, perhaps you’ve already heard of foam- ings perspective. This isn’t the first time now appears that it is from E&A testing of ing insulation. Do-it-yourself products, like our firm has used closed-cell insulation. In fact, for the past several years we’ve been a couple of projects), may well be classed Great Stuff, are a type of foaming insula- designing it for metal roofs, and low-slope the same, and thus the RILEM tube test is tion. Most foaming insulations are open- roofs, in both new buildings and renova- appropriately extrapolated to test it. cell, which means the air that’s in the foam communicates between the different tions. Not the sprayed foaming insulation bubbles of the foam, and the interior and I was looking at, but as pre-made panels My Old House exterior sides. that are screwed in place and taped to- In fact, most insulations allow air trans- gether. Our New Orleans office, in fact, had I live in an old house, built in 1938. mission. If you go into an attic with sprayed this insulation installed when it was reroofed Among many other problems, the house in cellulose insulation, you can see where it a couple of years back. was not insulated; at all. The previous air is being drawn into the interior of the I discovered I could realize savings of owners had sprayed cellulose insulation in house from the big dirty spots. If you take up to 50% or more in my heating/cooling the ceiling joists, but it was getting dirty a wall down that has batt insulation, you bill, even with the added square footage in and old, and was definitely not doing the can also see similar spots where the insula- the attic that would now have to be condi- job. tion is acting as a ventilation filter (you tioned. For summer months, I was looking As I’ve been renovating, I’ve been actually shouldn’t see this, because of at saving nearly $100 month. The recovery placing new wall insulation. The energy house-wrap, but nothing is ever installed time in savings looked to be about 2 years. savings have been noticeable from this, but perfectly). This air movement and filtering This is what made the decision for me. definitely not enough to make the house action reduces the effectiveness of most I made the leap. I spent about 2 weeks truly comfortable. In the long, dry spell insulations over time, as the particles and moving the boxes and boxes that had been from mid-July through August, the central dirt that replaces the air pockets reduces piling up there over the years, and then air unit can’t keep up, and often the inside the insulation value of the material. another week filling up over 30 lawn bags temperature would climb up to 80 degrees Closed-cell insulation, on the other with the old cellulose insulation. In con- by mid-afternoon. hand, doesn’t allow air transmission, nor trast, it only took the contractor 4 hours to It was definitely time to do something does it allow vapor transmission. So, in spray the attic, and a 1/2 hour visit 2 days about the attic. Now, this is a small house addition to providing a better insulation, it later to spot fill a couple of shallow spots. that I live in, about 1200 s.f. - too small for a also prevents humidity from entering the The difference was noticeable imme- growing family, so if I’m going to put any house, and acts a vapor barrier. This means diately. The temperature reading on the money into this house, I want to get some I wouldn’t have to worry about the gaps thermostat stopped climbing up to 80 in space out of it. Therefore, instead of just between the batten boards, and when I do the afternoons; it stopped climbing at all. replacing the horrible, smelly, dirty sprayed need to replace the roof, I can just pull up Even with a couple of hot walls that I in cellulose insulation with the same stuff, the shingles, and lay a new deck on top of haven’t insulated yet, the house is sud- I decided that I was going to insulate be- the old batten boards.
Load more

Recommended publications
  • 09 GUZA.Indd
    Kamela Guza La villa di Piero Del Tovaglia a Santa Margherita a Montici presso Firenze Piero del Tovaglia — procurator and factotum of Ludovico Gonzaga in Florence – participated actively in the tormented affaire of the building of the Tribune in Santissima Annunziata, showing a complete loyalty towards the solution proposed by Leon Battista Alberti. This successful task led him into the very core of the architectural debate in Florence and allowed him to get in touch with the most important architects and patrons of the time. In the last decades of the 15th century he decided to build a villa near the city, in Santa Margherita a Montici. The new building was inserted in a pre-existing organism and consists basically of a hall covered by a coffered barrel vault, with symbols related to the families of the Gonzaga and Este, and is representative of the updated architectural culture of its patron and of his social prestige. The monolithic compactness and the isolation from the medieval pre-existing structures emphasize the exceptional nature and modernity of the building, which seems to have caught the attention of Leonardo da Vinci at the beginning of the 16th century. ‘La Bugia’ è il nome con il quale la villa di Pie- Gonzaga, sostenuto dalla attiva mediazione di nalmente Alberti nell’agosto del 14707, è un fer- ro Del Tovaglia a Santa Margherita a Montici è Piero Del Tovaglia, che all’attività di mercante mo sostenitore del suo progetto e si impegna a nota a partire dall’inizio dell’Ottocento1. L’uti- di seta unisce il ruolo di agente commerciale del fondo affinché quest’ultimo prevalga su quello di lizzo di un appellativo così insolito ma puntua- Gonzaga a Firenze2.
    [Show full text]
  • The Architecture of the Italian Renaissance
    •••••••• ••• •• • .. • ••••---• • • - • • ••••••• •• ••••••••• • •• ••• ••• •• • •••• .... ••• .. .. • .. •• • • .. ••••••••••••••• .. eo__,_.. _ ••,., .... • • •••••• ..... •••••• .. ••••• •-.• . PETER MlJRRAY . 0 • •-•• • • • •• • • • • • •• 0 ., • • • ...... ... • • , .,.._, • • , - _,._•- •• • •OH • • • u • o H ·o ,o ,.,,,. • . , ........,__ I- .,- --, - Bo&ton Public ~ BoeMft; MA 02111 The Architecture of the Italian Renaissance ... ... .. \ .- "' ~ - .· .., , #!ft . l . ,."- , .• ~ I' .; ... ..__ \ ... : ,. , ' l '~,, , . \ f I • ' L , , I ,, ~ ', • • L • '. • , I - I 11 •. -... \' I • ' j I • , • t l ' ·n I ' ' . • • \• \\i• _I >-. ' • - - . -, - •• ·- .J .. '- - ... ¥4 "- '"' I Pcrc1·'· , . The co11I 1~, bv, Glacou10 t l t.:• lla l'on.1 ,111d 1 ll01nc\ S t 1, XX \)O l)on1c111c. o Ponrnna. • The Architecture of the Italian Renaissance New Revised Edition Peter Murray 202 illustrations Schocken Books · New York • For M.D. H~ Teacher and Prie11d For the seamd edillo11 .I ltrwe f(!U,riucu cerurir, passtJgts-,wwbly thOS<' on St Ptter's awl 011 Pnlladfo~ clmrdses---mul I lr,rvl' takeu rhe t>pportrmil)' to itJcorporate m'1U)1 corrt·ctfons suggeSLed to nu.• byfriet1ds mu! re11iewers. T'he publishers lwvc allowed mr to ddd several nt•w illusrra,fons, and I slumld like 10 rltank .1\ Ir A,firlwd I Vlu,.e/trJOr h,'s /Jelp wft/J rhe~e. 711f 1,pporrrm,ty /t,,s 11/so bee,r ft1ke,; Jo rrv,se rhe Biblfogmpl,y. Fc>r t/Jis third edUfor, many r,l(lre s1m1II cluu~J!eS lwvi: been m"de a,,_d the Biblio,~raphy has (IJICt more hN!tl extet1si11ely revised dtul brought up to date berause there has l,een mt e,wrmc>uJ incretlJl' ;,, i111eres1 in lt.1lim, ,1rrhi1ea1JrP sittr<• 1963,. wlte-,r 11,is book was firs, publi$hed. It sh<>uld be 110/NI that I haw consistc11tl)' used t/1cj<>rm, 1./251JO and 1./25-30 to 111e,w,.firs1, 'at some poiHI betwt.·en 1-125 nnd 1430', .md, .stamd, 'begi,miug ilJ 1425 and rnding in 14.10'.
    [Show full text]
  • A Multidisciplinary Conservation Project for the Cavallerizza Courtyard, Palazzo Ducale Di Mantova
    heritage Case Report A Multidisciplinary Conservation Project for the Cavallerizza Courtyard, Palazzo Ducale di Mantova Andrea Adami 1,*, Luigi Fregonese 1, Daniela Lattanzi 2, Antonio Mazzeri 3, Olga Rossignoli 1 and Barbara Scala 4,* 1 Dept. ABC (Architecture, Built Environment and construction engineering), Politecnico di Milano, Via Ponzio 31, 20133 Milano, Italy; [email protected] (L.F.); [email protected] (O.R.) 2 Segretariato Regionale del Ministero per i beni e le attività culturali per la Lombardia, Palazzo Litta-Corso Magenta 24, 20123 Milano, Italy; [email protected] 3 Complesso Museale di Palazzo Ducale di Mantova, Piazza Sordello 40, 46100 Mantova, Italy; [email protected] 4 Dept. DICATAM (Department of Civil, Environmental, Architectural Engineering and Mathematics), Università degli Studi di Brescia, Via Branze 43, 25100 Brescia, Italy * Correspondence: [email protected] (A.A.); [email protected] (B.S.) Received: 1 April 2019; Accepted: 13 May 2019; Published: 16 May 2019 Abstract: The “Palazzo Ducale” museum complex in Mantua has been the object of intermittent interventions, which have not represented, over the last 30 years, a consistent strategy in terms of conservation. In the light of new financial and technological possibilities, a renewed management synergy has been activated: better operative decisions and the application of innovative tools are the core of this attitude. The article illustrates the path of knowledge activated in the museum’s “Cortile della Cavallerizza”: from archival research, geometrical survey and diagnostic analysis, up to the executive design of its conservative project. Keywords: historical analysis; conservation project; survey; BIM 1. Introduction The Palazzo Ducale complex of Mantua has been classified by d.m.
    [Show full text]
  • Diapositiva 1
    PREFAZIONE Caro lettore, questa ricerca è in verità poco più di un riassunto. Un breve condensato di quello che ogni mantovano dovrebbe sapere sulla storia della sua città. La ricerca parte da Longino che raccoglie il terriccio intriso di sangue ed acqua sgorgati dal costato di Cristo morto in croce e, passo dopo passo, procede sino ai giorni nostri. Nel breve capitolo “Riepilogo della storia di Mantova scandita in gocce di tempo“ accenno anche alle vicende più remote dal nostro territorio, perché il presente è ed il futuro non sarà altro che il prolungamento del nostro passato Le situazioni, gli avvenimenti, i personaggi che si intrecciano nello svolgersi del testo, sono tutti carichi di sfumature e meriterebbero un maggior approfondimento. Questa ricerca nasce quindi, anche, come invito ad approfondire le nozioni presentate. Questo non toglie che l’elaborato sia frutto di un lungo impegno. Ho confrontato testi di opere scritte in tempi diversi, e visionato ricerche trovate un po’ ovunque. Ho riportato ciò che mi sembrava più verosimile, senza dimenticare, tuttavia, le tradizioni più radicate. Alcune opere consultate sono citate nel testo, altre sono raccolte nella bibliografia. Per altro, non sta a me giudicare la validità del lavoro, solo spero che risulti utile al lettore e che questi l’accetti con semplicità, che è poi l’atteggiamento che mi ha mosso a realizzare l’opera. Con stima. Fausto P. Baraldi Giugno 2012 STRUTTURA DELLA RICERCA 1 - IL SANGUE DI GESÙ LEGATO ALLA STORIA DI LONGINO Diap. 3 - 25 2 - LA CRIPTA Diap. 26 -29 3 - Altri luoghi dove si venera il sangue di Gesu’ Diap.
    [Show full text]
  • 32 PAGINE PARCO ING.Indd
    UNIONE EUROPEA TERRE DEL MINCIO THE MINCIO PARK BETWEEN LAKE GARDA AND THE PO RIVER Corners, villages and places to discover in the “The lands of good living” MANTUA - LOMBARDY - ITALY Discovering the Mincio River and its treasures e are in the heart of the Po river Valley, on the eastern edge of Wthe Lombard Region. The Mincio River runs between the Garda Lake and the Po Valley, surrounded by protected lands and consists of medieval villages, nature reserves, cycle paths, river routes, hilly landscapes, cultivated horizons, authentic flavors and the cradle of the Renaissance. Nature, history, culture and “human capital” are all available to each visitor, permitting everyone a choice of their preference: in less than 80 km by foot, by canoe, by bike, by riverboat, by car or simply at a table prepared with delicacies of the land. These pages offer some suggestions and information to the visitor in order to help organize a wonderful stay in the Terre del Mincio, “The lands of good living.”, between the Garda Lake and the Po River. TEN THINGS TO DO 1Discover Mantegna, L.B. Alberti and On Ferragosto, admire 6the Giulio Romano through their greatest masterpieces of madonnari in the masterpieces: the Bridal Chamber, churchyard of the Grazie di Curtatone the Basilica of Sant’Andrea and Sanctuary Palazzo Te in Mantua 2 7 The Far East in the Po valley: a boat Contemplating the spring blooming trip to admire the August blooming of permanent grasslands and tasting of lotus flowers on Lake Superior in Grana Padano cheese with mostarda Mantua 3 8
    [Show full text]
  • Common Space Politics and the Production of Architectural Knowledge
    Common Space Politics and the Production of Architectural Knowledge Proefschrift ter verkrijging van de graad van doctor aan de Technische Universiteit Delft, op gezag van de Rector Magnifi cus prof. ir. K.C.A.M. Luyben, voorzitter van het College voor Promoties, in het openbaar te verdedigen op vrijdag 16 mei om 10.00 uur door Amir DJALALI Master of Engineering, Università di Bologna geboren te Tehran, Iran Dit proefschrift is goedgekeurd door de promotor(en): Prof. ir. M. Riedijk Prof. ir. S. U. Barbieri Copromotor: Dr. ir. P. V. Aureli Samenstelling promotiecommissie: Rector Magnifi cus, voorzitter Prof. ir. M. Riedijk, Technische Universiteit Delft, promotor Prof. ir. S. U. Barbieri, Technische Universiteit Delft, promotor Dr. ir. P. V. Aureli, Architectural Association, copromotor Prof. C. Rice, Kingston University Prof. ir. D. Van Gameren, Technische Universiteit Delft Prof.ir. Kees Kaan, Technische Universiteit Delft T. Weaver, Architectural Association ISBN 9789461863089 Contents xix Introduction Towards Commonspace xxxv Acknowledgments 3 I. Prehistories of Common Space The Project of the Renaissance City, 1378-1570 49 II. Taming Monsters The Construction of the French Public Sphere, 1770-1851. 97 III. Will to Architecture Alois Riegl’s Kunstwollen and the Politics of the Grossstadt, 1896-1936 149 IV. Architectures of Tendency The Image of Time in Aldo Rossi’s Analogous City, 1966- 1979. 185 V. A Grammar of Common Space Architectural Language in Peter Eisenman’s Work 1963- 1984 227 Epilogue 241 Bibliography Propositions I The common is the collective faculty to transform and organize the world by producing it. II The common is not universal. Its history is written in letters of blood and fi re.
    [Show full text]
  • Terim B D 2021.Pdf (6.235Mb)
    FILARETE’S BODY: Unpacking the Pregnancy analogy in the Renaissance Patronage Context Berrin Terim Dissertation submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Architecture and Design Research Paul Emmons Donald Kunze Marcia Feuerstein Jaan Holt April 22, 2021 Alexandria, Virginia Keywords: patronage anthropomorphism disegno generation architecture © 2021 by Berrin Terim FILARETE’S BODY: Unpacking the Pregnancy analogy in the Renaissance Patronage Context Berrin Terim ABSTRACT Fifteenth century Florentine architect Il Filarete authored the first illustrated book on architecture, with a distinct pedagogical agenda to teach his patron to build nobly. Written as a dialogical narrative, taking place between a patron and his architect, the treatise’s pedagogical tone unfolds as a form of storytelling about the design and construction of an ideal city. Despite its miscellaneous aspects embedded in the book, which differentiates it significantly from the architectural treatises belonging to the Western cannon, the author stresses his role as an architect, and proposes an unprecedented analogy to define the role of the architect (his profession) in regards to building practice [edificare]. Extending the Vitruvian body topos under the influence of Civic Humanism to an organic anthropomorphism, Filarete bases the generation of a building on similar grounds to human generation, through which he defines gender-specific roles to the patron (male agent) as the father of the building, and the architect (female agent) as its mother. This generally known analogy, although it has been frequently mentioned, was not taken as a clue that can pertain to the essence of architectural production in the Renaissance patronage context.
    [Show full text]
  • L' Imp. E Reale Palazzo Pitti
    The persoti charging this material is re- the sponsive for its return on or before Latest Date stamped below. of books Theft, mutilation, and underlining and may are reasons for disciplinary action University. result in dismissal from the University of Illinois Library m * & J\JH \ L161— O-1096 L' IMP. E REALE PALAZZO PITTI DESCRITTO DAL C A V« FRANCESCO INGHIRAMI POLIGRAFIA FIESOLANA CON PRIVATIVA PER ANNI DIECI XXV OTTOBRE MDCCCXXVUI. Ilir Sigr Sigr pé&rc Col: HoV'onore di partecipare a V* S* lllma che S* A. I. e R. il Gran Duca nostro Signore, con suo venerato Dispaccio del 22 corrente, si è degnata concederle per- missione di percorrere gli appartamenti e gallerie del R. Palazzo Pitti, per pren- der nota delle variazioni modernamente accadute nella collocazione dei monumen- ti d'arte, all' effetto di preparare una nuo- va edizione della Guida del Palazzo me- desimo j a condizione peraltro, che Urna- noscritto da pubblicarsi debba esser prima sottoposto ali approvazione e firma del Conservatore degli Oggetti d arte dei RR. Palazzi. E pieno di stima e di rispetto mi pre- gio di rassegnarmi. Di V* lllma Di Casa 25 Ottobre 1826. Sig. Gay. Francesco Ingliirami S°. Bibliotecario della Marucelliana Umilissimo e devotissimo servo Antonio Jìamirez di Montah'o. 4811 f>7 Illr Sig." Sig." Pron' Col: A tenore delle rispettabili Sovrane Di" sposizioni da V. Illma. comunicatemi colla pregiatissima sua de 20 Ottobre 1826. Le presento il Manoscritto della Guida del R. Palazzo dei Pitti, al quale non prima d ora potevasi dar compi- mento j poiché attesa la maggiore am- piezza data dagli ultimi nostri Sovrani alt appartamento nobile di questo loro Palazzo, e t aumento considerabile e J quasi duplicato di oggetti d arte desti- nati a decorarlo 5 questi non avevano peranche ricevuta la conveniente collo-" cazione.
    [Show full text]
  • The Triumphal Arch Motif in Sant'andrea
    THE TRIUMPHAL ARCH MOTIF IN SANT’ANDREA, MANTUA: RESPONDEO AND RHETORIC IN ALBERTI’S ARCHITECTURE AND THEORY by Tomaso Carrer Dissertation submitted for the degree of Doctor of Philosophy at the University of New South Wales Kensington campus, Sydney, NSW. March 2007. PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Carrer First name: Tomaso Other name/s: Abbreviation for degree as given in the University calendar: School: Architecture Faculty: Built environment Title: PhD Abstract 350 words maximum: (PLEASE TYPE) Leon Battista Alberti’s church of Sant’Andrea in Mantua has been closely studied by many Renaissance scholars in relation to its layout, dimensions, proportions, chronology, style and aesthetics, as well as earning its place in both Alberti’s corpus and the sweep of Renaissance architecture. The thesis investigates how eloquence is embodied in the sequential repetition of the triumphal arch motif between inside and outside. This thesis it is based on extensive and critical review of historical and theoretical literature. It marks a close examination of Sant’Andrea and to lesser extent San Francesco in Rimini, revisiting key ideas, texts and words. The principal finding of the thesis is that Alberti’s concept of respondeo, as developed in De Re Aedificatoria is the key to understanding the triumphal arch motif and its repetition in the interior. The thesis also comprehensively outlines the variety of contexts in which repondeo can be understood. This term, correlated to the passing of time and to rhetorical-based Albertian terms as decorum and convenio, means a ‘sensitive suitability’ between parts.
    [Show full text]
  • Lorenzo Il Magnifico's Façade for the Cathedral of Florence And
    1orenzo il -agnifico 2s 7aSade for the Cathedral of 7lorence and -ichelangelo2s .postle Statues, Nith an .ddendu on the St. -attheN in 1515 Michaql J. Amy Tor Alessandro 1. The Co ission: Reading BetNeen the 1ines Michelangelo received the commission to carve twelve over life-si$ed Apostles for the Cathedral of Tlorence on April 24 th , 1503 The statues were to replace paintings in Santa Maria del Tiore, or to be installed elsewhere according to the judgment of the Consuls of the Arte della Lana and the Cathedral Operai. 1 The paintings that are so cryptically referred to are the Apostles 8ith the Crosses of the Consecration that were painted in 1436 at the bottom of the colossal pilasters covering the eight narrower sides of the four great crossing piers, and in the center of the aisle-walls in the first and third bays (fig 1) 2 The break down of MichelangeloWs cycle into one group of four statues placed against walls in the aisles and a second group of eight statues placed against pilasters 1 0Statuas duodecim apostolorum O Q ponendorum in dicta ecclesia in loco pictura- rum que in presenti sunt in dicta ecclesia, vel alibi ubi videbitur et placebit et OblankQ et commodius prefatis Consulibus et Operariis pro tempore existentibus 1 Tor the most recent transcription of MichelangeloWs lengthy contract for twelve Apostle statues, see Bardeschi Ciulich 2005, 18-21, no V222 Tor a discussion of the contract, see Amy 1887, 111-134 Tor the Cathedral Board of Works and its relationship to the Wool Huild, see Iaines 1884, 71-83( Iaines 1886,
    [Show full text]
  • Architecture in Mantua from the Palazzo Ducale to the Burgo Paper Mill Contents
    Luigi Spinelli Luigi Marco Introini Marco Introini Luigi Spinelli Marco Introini Luigi Spinelli Marco Introini (Milan 1968), a documentary photographer of Luigi Spinelli (Milan 1958) teaches architectural design at the landscape and architecture, teaches architectural photography School of Architecture, Urban Planning and Civil Engineering of at the School of Architecture, Urban Planning and Civil the Politecnico di Milano. A member of the teaching board of the Architecture in Mantua Architecture in Mantua Engineering of the Politecnico di Milano. PAUI doctorate course of the Department of Architecture and From the Palazzo Ducale From the Palazzo Ducale Included in the catalogue of the Italian Pavilion at the 2006 Urban Studies, he also supervises the master’s degree course to the Burgo Paper Mill to the Burgo Paper Mill Venice Biennial of Architecture, he is recognized as one of in architectural design and history of the School of Architecture, the twenty leading architectural photographers of the last ten Urban Planning and Civil Engineering at the Mantua campus of From the Palazzo Ducale to the Burgo Paper Mill Ducale to the Burgo Paper the Palazzo From in Mantua Architecture years and was one of the figures interviewed for the book La the Politecnico di Milano. An editor of the magazine Domus from Misura dello Spazio (Rome 2010). Involved in the project of the 1986 to 2013, he has been a member of the scientific editorial Lombardy Region and the Ministry of Cultural Heritage for the board of the magazine Territorio since 2010. documentation of architecture in Lombardy from the post-war Major publications include Sede dell’A.M.I.LA.
    [Show full text]
  • The Role of Internal Politics in American Diplomacy
    Francesco di Giorgio and the Formation of the Renaissance Architect Elizabeth Mays Merrill Evanston, Illinois B.A., Columbia College, Columbia University, New York, 2007 M.A., History of Art and Architecture, University of Virginia, 2010 A Dissertation presented to the Graduate Faculty of Art and Architectural History at the University of Virginia for the Degree of Doctor of Philosophy McIntire Department of Art University of Virginia May, 2015 TABLE OF CONTENTS Acknowledgements ............................................................................................................ i Abstract .............................................................................................................................. ii Introduction ....................................................................................................................... 1 Francesco di Giorgio Martini (1439 – 1501): A chronology ....................................... 14 Chapter I: Critical Biography of Francesco di Giorgio, Architect of Siena.............. 19 Beginnings in Siena: 1439 – 1464................................................................................. 22 Early success, Siena: 1464 – 1475 ................................................................................ 28 Transfer to Urbino: 1475 – 1482 ................................................................................... 35 Political service: Siena, Urbino and Naples (1475 – 1482) .......................................... 39 “Purveyor” to the Court of Urbino: 1483 –
    [Show full text]