Clemson Commencement Program, May 1974 Clemson University
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Subjectivity in American Popular Metal: Contemporary Gothic, the Body, the Grotesque, and the Child
CORE Metadata, citation and similar papers at core.ac.uk Provided by Glasgow Theses Service Subjectivity In American Popular Metal: Contemporary Gothic, The Body, The Grotesque, and The Child. Sara Ann Thomas MA (Hons) Submitted in fulfilment for the Degree of Doctor of Philosophy Faculty of Arts University of Glasgow January 2009 © Sara Thomas 2009 Abstract This thesis examines the subject in Popular American Metal music and culture during the period 1994-2004, concentrating on key artists of the period: Korn, Slipknot, Marilyn Manson, Nine Inch Nails, Tura Satana and My Ruin. Starting from the premise that the subject is consistently portrayed as being at a time of crisis, the thesis draws on textual analysis as an under appreciated approach to popular music, supplemented by theories of stardom in order to examine subjectivity. The study is situated in the context of the growing area of the contemporary gothic, and produces a model of subjectivity specific to this period: the contemporary gothic subject. This model is then used throughout to explore recurrent themes and richly symbolic elements of the music and culture: the body, pain and violence, the grotesque and the monstrous, and the figure of the child, representing a usage of the contemporary gothic that has not previously been attempted. Attention is also paid throughout to the specific late capitalist American cultural context in which the work of these artists is situated, and gives attention to the contradictions inherent in a musical form which is couched in commodity culture but which is highly invested in notions of the ‘Alternative’. In the first chapter I propose the model of the contemporary gothic subject for application to the work of Popular Metal artists of the period, drawing on established theories of the contemporary gothic and Michel Foucault’s theory of confession. -
Our Kind of People: Social Status and Class Awareness in Post -Reconstruction African American Fiction
OUR KIND OF PEOPLE: SOCIAL STATUS AND CLASS AWARENESS IN POST -RECONSTRUCTION AFRICAN AMERICAN FICTION Andreá N. Williams A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English Chapel Hill 2006 Approved by Advisor: William L. Andrews Reader: James W. Coleman Reader: Philip F. Gura Reader: Trudier Harris Reader: Jane F. Thrailkill © 2006 Andreá N. Williams ALL RIGHTS RESERVED ii ABSTRACT ANDREÁ N. WILLIAMS: Our Kind of People: Social Status and Class Awareness in Post -Reconstruction African American Fiction (Under the dir ection of William L. Andrews) Postbellum African American fiction provides an index to the complex attitudes toward social status and class divisions that arose within post -Civil War black communities. As I argue, African American narratives in the last quarter of the nineteenth century encode the discourse of class in discussions of respectability, labor, and discrimination. Conceiving of class as a concept that does not necessarily denote economic conditions, both well -known and largely ignored narrativ es of the period emphasize moral and ideological parameters for judging social distinctions. Writers theorize whether intraracial class stratification thwarts black sociopolitical advancement, fracturing black communities from within, or conversely, foster s racial uplift led by the black “better class.” Though the fiction variably delineates social classes, each of the texts under study in Our Kind of People imagines classification as an inevitable and useful means of reforming the turn -of-the-century Ameri can social order. Subverting the class disparity spurred by Gilded Age materialism, Frances E. -
LIMP BIZKIT 2018 Veranstaltungsort Westfalenhalle Beginn 20:00 Uhr
20.06.2018 LIMP BIZKIT 2018 Veranstaltungsort Westfalenhalle Beginn 20:00 Uhr Veranstalter handwerker promotion e.GmbH LIMP BIZKIT Live 2018 Mittwoch, 20.06.2018 – Dortmund, Westfalenhalle Beginn: 20:00 Uhr Support: Blvck Ceiling Große Sommer-Tournee der Nu Metal-Pioniere im Juni 2018 Nach ihrer erfolgreichen Tournee im Sommer 2015 haben LIMP BIZKIT ihre erneute Rückkehr nach Deutschland angekündigt. Die Mitbegründer des Nu Metal sind für sieben Shows im Juni 2018 hierzulande bestätigt. Das Quintett um Frontmann Fred Durst wird am 20. Juni 2018 in der Westfalenhalle in Dortmund zu sehen sein. Der einzige Auftritt in NRW! LIMP BIZKIT gehören zu den innovativsten Bands ihres Genres und sind mit über 40 Millionen verkauften Tonträgern eine der erfolgreichsten dazu. Seit ihrer Gründung 1994 in Jacksonville/Florida beeinflussen LIMP BIZKIT im Laufe der letzten beiden Jahrzehnte eine Unzahl von Nachwuchsmusikern. Ihr innovativer, mitreißender Mix aus peitschenden Rhythmen, massiven Gitarrenwänden und funkigen HipHop-Elementen, der Nu Metal, ist eine Neuinterpretation der Crossover-Musik aus den frühen 90ern. Damals gründet Bandleader Fred Durst mit dem Bassisten Sam Rivers und John Otto am Schlagzeug sein erstes Musikprojekt, einige Monate später stößt Gitarrist Wes Borland hinzu. Mithilfe der befreundeten Band Korn touren sie mit den Deftones und House Of Pain. Von letzteren steigt DJ Lethal von House Of Pain ein. Das im Juli 1997 veröffentlichtes Debüt „Three Dollar Bill, Y’all“ wird mit über zwei Millionen Verkäufen zum überwältigenden Erfolg. Die Nachfolger „Significant Other“ (1999) und „Chocolate Starfish And The Hot Dog Flavored Water“ (2000) verkaufen sich zusammen über 16 Millionen Mal, es folgen drei Grammy-Nominierungen, die Singlehits wie „Nookie“, „Rollin’“, „Take A Look Around“ oder die Coverversion von George Michaels „Faith“ untermauern ihre Stilbreite und Experimentierfreude. -
The Morehead Family of North Carolina and Virginia
Digitized by the Internet Archive in 2011 with funding from State Library of North Carolina http://www.archive.org/details/moreheadfamilyofOOmore THIS COPY IS NUMBER OF AN EDITION OF FIFTY COPIES PRINTED IN FEBRUARY, NINETEEN HUNDRED AND TWENTY-ONE AND IS PRESENTED TO <f^ tatc £lbraru ,6valclgk,?l . C. THE MOREHEAD FAMILY ; RaleigM 1 1 ;, fHE U ii/ FAMILY GOVERNOR JOHN MOTLEY MOREHEAD , ^VHNMO 1796-1866HEHEAD Portrait by William Garl Broiine, 1S59 IVATfeLY PRINTf NEWYOEF- 1921 ! L ±J G J: ..•i,\\iVn yd Library Worth Carolina State Raleigh THE MOREHEAD FAMILY OF NORTH CAROLINA AND VIRGINIA JOHN MOTLEY MOREHEAD (III) '/ ', PRIVATELY PRINTED NEW YORK 1921 an CopjTight, 1921, by John Motley Morehead (HI) CONTENTS CHAPTER ' PAGE I The Moreheads of England, Scotland and Ireland . 3 II David jNIorehead of London 24 III The Moreheads of the Northern Neck, Virginia . 32 IV The Moreheads of the Northern Piedmont Region 37 V The Moreheads of the South Piedmont Region, Virginia 44 VI The Moreheads of North Carolina 51 VII The Lindsay Family 94 VIII The Harper Family 99 IX The Motley Family 102 X The Forrest Family 106 XI The Ellington Family 107 XII The Norman Family 108 XIII The Gray Family Ill XIV The Connally Family 115 XV The Graves Family 118 XVI The Lathrop Family 124 The Turner Family (See Chapter IV) 37 The Williams Family (See Chapter XIV) . .115 The Lanier Family (See Chapter XIV) .... 115 The Kerr Family (See Chapter XV) 118 r '^' ^ A 7 (.. ?:• 'J- k s ILLUSTRATIONS PAGE Coat of Arms of the Morehead Family .... Facing page lu Governor John Motley Morehead Frontispiece Mrs. -
The Nineteenth Amendment and the Democratization of the Family Reva B
THE YALE LAW JOURNAL FORUM JANUARY 20, 2020 The Nineteenth Amendment and the Democratization of the Family Reva B. Siegel abstract. This Essay recovers debates over the family connecting the Reconstruction Amendments and the Nineteenth Amendment, and considers how this lost history can guide the Constitution’s interpretation, in courts and in politics. A woman’s claim to vote contested a man’s prerogative to represent his wife and daughters, and so was a claim for democratization of the family. Suffragists argued that women needed the vote to change the ways that law structuring the family governed their lives. They argued that law should recognize women’s right to voluntary motherhood and to be remunerated equally with men for work performed inside and outside the household. Suffragists sought to create a world in which adult members of the household could be recognized and participate in democratic life as equals. And they debated how to realize these goals when women faced different and intersectional forms of discrimination. Claims for democratic reconstruction of the family that began in the quest for 450 the nineteenth amendment and the democratization of the family the vote continued in the immediate aftermath of the Nineteenth Amendment’s ratification and in 1970 during its half-century anniversary, and continue today in the era of its centennial. Courts can draw on this history and interpret the Amendments synthetically. For example, judges can integrate the history of suffrage struggle into the equal-protection framework of United States v. Virginia. The Essay shows how an historical and intersectional understanding of suffrage struggle could change the way courts approach cases concerning the regulation of pregnancy, con- traception, sexual violence, and federalism. -
Download Get More Fans: the DIY Guide to the New Music Business: (2017 Edition) PDF
Download: Get More Fans: The DIY Guide To The New Music Business: (2017 Edition) PDF Free [508.Book] Download Get More Fans: The DIY Guide To The New Music Business: (2017 Edition) PDF By Jesse Cannon, Todd Thomas Get More Fans: The DIY Guide To The New Music Business: (2017 Edition) you can download free book and read Get More Fans: The DIY Guide To The New Music Business: (2017 Edition) for free here. Do you want to search free download Get More Fans: The DIY Guide To The New Music Business: (2017 Edition) or free read online? If yes you visit a website that really true. If you want to download this ebook, i provide downloads as a pdf, kindle, word, txt, ppt, rar and zip. Download pdf #Get More Fans: The DIY Guide To The New Music Business: (2017 Edition) | #137340 in eBooks | 2014-04-06 | 2014-04-06 | File type: PDF | |4 of 4 people found the following review helpful.| This Is The Real Thing | By Paul A. Godwin |I've honestly read 'em all. Book after book on the music industry. And then...I came across "Get More Fans..." and it blew all the rest away. What I wanted was a book that was practical. That had real plans and methods and procedures that would lead to achieving actual, real-world goals. Not theory. Not possibilities. Not yesterday's old | | "This is the most up to date, reliable source of information I've seen in any form for up- and-coming bands" - Ross Robinson (A&R for I Am Recordings - Slipknot, The Cure, Glassjaw; Producer - At The Drive In, Korn, Deftones)||"This is How Do I Promote My Music On A Small Budget? How Do I Get My YouTube Videos to Spread? How Do I Turn Casual Fans Into One's Who Buy From Me? How Do I Get Written About On Blogs? How Do I Increase Turnout At Shows? How Do I Make Fans Using Facebook, Twitter, Tumblr And SoundCloud? With every day that passes, the power the major labels once had dies a little more. -
Reproductions Supplied by EDRS Are the Best That Can Be Made from the Original Document
DOCUMENT RESUME ED 449 105 SO 032 503 TITLE Maryland Women Who Dare: Paving the Way to the New Millennium. Maryland Women's History Display Kit 2000. INSTITUTION Maryland'State Dept. of Education, Baltimore. SPONS AGENCY Maryland State Dept. of Human Resources, Baltimore.; Maryland State Commission for Women, Baltimore. PUB DATE 2000-00-00 NOTE 160p.; This kit contains a booklet of activities and a packet of black and white photographs of notable Maryland women with profiles of their lives. AVAILABLE FROM Equity Assurance and Compliance Branch, Maryland State Department of Education, 200 West Baltimore Street, Baltimore, MD 21201. Tel: 410-767-0433. PUB TYPE Historical Materials (060) EDRS PRICE MF01/PC07 Plus Postage. DESCRIPTORS *Community Involvement; *Females; *Leaders; *Leadership; Leadership Qualities; *Recognition (Achievement); Secondary Education; Social Studies; State History; *Womens History IDENTIFIERS Biodata; *Maryland ABSTRACT This resource packet highlights over 30 contemporary Maryland women who reveal motivating stories from diverse backgrounds and occupations. The purpose of the packet is to recognize representative women of achievement and to ensure that teachers have the necessary tools to illustrate the extensive leadership and community involvement of Maryland women. The resource packet has three components:(1) display photographs of contemporary Maryland women;(2) descriptive captions to accompany each photograph; and (3)a resource booklet which contains a brief biographical profile of each woman pictured; personal reflections; suggested activities; and a resource directory. (BT) Reproductions supplied_by_EDRS are_the_best that can_be made from the original document. Maryland Women Who Dare: Paving the Way to the New Millennium. Maryland Women's History Display Kit 2000. Maryland State Dept. -
English (ENGL) 1
English (ENGL) 1 ENGL 1009 (c, FYS) The Ravages of Love ENGLISH (ENGL) Non-Standard Rotation. Enrollment limit: 16. ENGL 1003 (c) Shakespeare's Afterlives Examines examples of overwhelming love in eighteenth and nineteenth Non-Standard Rotation. Enrollment limit: 16. century novels from England, France, and Germany. Through close reading and intensive writing, considers the intersection of love with Romeo and Juliet as garden gnomes, Richard III as Adolf Hitler, King Lear the difficulties created by class and gender difference; the power of as aging patriarch of an Iowa family farm...these are just some of the desire to challenge social convention and the terms of ordinary reality; ways that Shakespeare’s plays and characters have been reimagined in the confrontations between love, egotism, and seduction; and the literature produced in the time since he lived and wrote for the London implications of love’s attempt to dare all, even at the risk of death. stage. Placing individual plays by Shakespeare in conversation with Discusses the political overtones of these narratives of love and their particular adaptations, we examine the aesthetic, cultural, and political place within the construction of gender, sexuality and subjectivity in dimensions of Shakespearean drama and his literary and cultural legacy Western culture. Authors may include Prevost, Goethe, Laclos, Hays, as found in later fiction, drama, and film. Plays by Shakespeare may Austen, Bronte, and Flaubert. (Same as: GSWS 1009) include 1 Henry IV, Twelfth Night, Hamlet, King Lear, and The Tempest, together with adaptations by Oscar Wilde, Tom Stoppard, Jane Smiley, Previous terms offered: Fall 2019, Fall 2017. -
African-American Writers
AFRICAN-AMERICAN WRITERS Philip Bader Note on Photos Many of the illustrations and photographs used in this book are old, historical images. The quality of the prints is not always up to current standards, as in some cases the originals are from old or poor-quality negatives or are damaged. The content of the illustrations, however, made their inclusion important despite problems in reproduction. African-American Writers Copyright © 2004 by Philip Bader All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Bader, Philip, 1969– African-American writers / Philip Bader. p. cm.—(A to Z of African Americans) Includes bibliographical references (p. ) and indexes. ISBN 0-8160-4860-6 (acid-free paper) 1. American literature—African American authors—Bio-bibliography—Dictionaries. 2. African American authors—Biography—Dictionaries. 3. African Americans in literature—Dictionaries. 4. Authors, American—Biography—Dictionaries. I. Title. II. Series. PS153.N5B214 2004 810.9’96073’003—dc21 2003008699 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by Joan M. -
New Releases
Music New Releases GERALD LEVERT synts on the theme song give the lyrics the SINGLES I'D Give Anything - East West ACE/D/EHR ALBUMS required credibility, however. Get Ready is PRODUCER:David Foster still blatantly Euro, and the single edit of ALL -4 -ONE With a wall of violins behind him, Levert BABY CHAOS You & Me (Innocence) is a no risk disc too, (She's Got) SkiIlz -Blitzz D/EHR would give anything to win over his aspirant but with Get On The Move she again strays PRODUCER: Gary St. Clair/Tim O'Brien lover. If she won't give in to this much pas- from the beaten path. Carefully you may A major departure from the sugar sweet I sion, than a whole bunch of romantic pro- speak of an innovation when.P.F.B. comes Swear-one of the biggest singles of 1994-the grammers will. to your ears with its psalm -like aura. four nightingales are now fast womanisers, jive talking on top of a great drum sound. MAGIC AFFAIR THE NOTORIOUS BIG Fire -CDL/Electrola D/EHR Ready To Die - Bad Boy/Arista D/A ANITA PRODUCER: Mike Staab PRODUCER:Sean "Puffy" Combs Na Na Na (EverybodyWake Up) - Ala Bianca D/EHR Nomen est Omen. From the album by that HeavyweightworldchampGeorge PRODUCER: S. Dall'Ora name, the story continues with the fourth sin- Foreman watch out, because here's a real The lyrics are simplistic enough for a nursery gle-basically more of the same. Compared to Big Poppa ready to beat ya. The gangsta rhyme-"na na na, we do it every time!" and the competition, there are only more synth rapper is a big mouth of unknown propor- all that. -
Black Feminist Thought
Praise for the first edition of Black Feminist Thought “The book argues convincingly that black feminists be given, in the words immor- talized by Aretha Franklin, a little more R-E-S-P-E-C-T....Those with an appetite for scholarese will find the book delicious.” —Black Enterprise “With the publication of Black Feminist Thought, black feminism has moved to a new level. Collins’ work sets a standard for the discussion of black women’s lives, experiences, and thought that demands rigorous attention to the complexity of these experiences and an exploration of a multiplicity of responses.” —Women’s Review of Books “Patricia Hill Collins’ new work [is] a marvelous and engaging account of the social construction of black feminist thought. Historically grounded, making excellent use of oral history, interviews, music, poetry, fiction, and scholarly literature, Hill pro- poses to illuminate black women’s standpoint. .Those already familiar with black women’s history and literature will find this book a rich and satisfying analysis. Those who are not well acquainted with this body of work will find Collins’ book an accessible and absorbing first encounter with excerpts from many works, inviting fuller engagement. As an overview, this book would make an excellent text in women’s studies, ethnic studies, and African-American studies courses, especially at the upper-division and graduate levels. As a meditation on the deeper implications of feminist epistemology and sociological practice, Patricia Hill Collins has given us a particular gift.” —Signs “Patricia Hill Collins has done the impossible. She has written a book on black feminist thought that combines the theory with the most immediate in feminist practice. -
Manson Back WVU Newsstand
6 Monday, October 26,1998 MUSIC The Capital Times Vanilla Ice comes back and colder than ever on Hard to Swallow By Brad Moist then I can’t see how you won’t love to hear that track seven is in fact Assistant Editor this album. If you are true punk, the lyrics of “Ice, Ice Baby” but then Hard to Swallow is just for reved up and retitled as “Too Cold.” Well, the man that told us to The album is worth it just to hear “Stop, collaborate and listen” is Vanilla Ice leaves the flashy, girly this track. back at it again.Vanilla Ice has re- lyrics behind this time. Instead he It is quite an experience to hear turned to the music scene with his attacks the industry, critics, hypo- some ofthe most famous lyrics ever newest project, Hard to Swallow. crites and posers of the world. You set to music that is, for all intents First let me say, “do not and purposes, very be alarmed,” for the once hardcore. The guitarriffs cheesy lyrics and flashy on this track will stick in clothes that made Vanilla your mind all night along photo by Kim Glass Ice popular is not what with the words that you’ll find on his newest started it allfor Rob Van Kastle pounds the keys venture. Instead you will Winkle. But "ice, ice find aggressive and direct baby" will mean some- lyrics backed with slam- thing totally different in Gallery Lounge show ming hardcore music that is once you have heard this recently made a visit to Penn State Harris- dark and scary.