AFTER the TRUTH by Christopher & Kathleen Riley
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The Karma Bums ______
THE KARMA BUMS ______________ A Full-length Play in Two Acts by Cindi Sansone-Braff An aging, down-and-out, one-time-Oscar- nominated Diva inherits a New Age business from her late Wiccan aunt and proceeds to wreak havoc on the pack of metaphysical misfits who run the joint. It’s the classic fish-out-of-water story, or Monster-in-the- house story with Cathy Cloony-Colucci, a larger-than-life-material girl, scheming her way through an over-the-top-spiritual world. August 2021 Draft 38 Clinton Avenue East Patchogue, NY 11772 Phone: (631) 879-3287 E-Mail: [email protected] Member of the Dramatist Guild i Cast of Characters Cathy Cloony-Colucci: A woman in her late 40s. Destiny: A woman in her early 40s. Doc: A man in his late 40s. Bobbi: A woman in her late 20s. Dick: A man in his late 20s. Rita: An 80-years-young woman. Casting Note I strongly encourage diversity in casting. Scene The entire play takes place in The House of Karma Psychic Reading Room. Time The Present, Evening, April Fools’ Day ii THE KARMA BUMS A Full-length, Two-Act Play ACT I Scene One ... April Fools’ Day, Evening. Scene Two ... Summer Solstice. Evening. Scene Three ... A week later. Early Evening. ACT II Scene One ... A few days later. Evening. Scene Two ... July 3. The middle of the Night. Scene Three ... A few hours later. Just before dawn. Scene Four ... A few hours later. Morning. THE KARMA BUMS ACT I Scene 1 April Fools’ Day, Evening. -
The Time Has Come, for You to Lip-Sync, for Your Identity: Bridging the Queer
The Time Has Come, For You to Lip-Sync, For Your Identity: Bridging the Queer Gap Between Theory and Practice Thesis RMA Musicology Vera van Buren (5539307) Feb- Aug 2019 RMA Musicology | Supervisor: Dr. Olga Panteleeva | Second reader: Dr. Judith Peraino Abstract The humanities seem to want to specialize in capturing the human experience in their socio-cultural context. It seems, however, that throughout the past decades, certain experiences are harder to academically pin down than others. The critique posed by queer people on queer theory is one example of this discrepancy. Judith Butler, Maggie Nelson, Sara Ahmed and Crystal Rasmussen are some authors who intellectually capture the experience of queerness. Especially Butler has received critique throughout her career that her description of queerness had very little to do with the real-lived experience of queer people. But, her work showed seminal in the deconstruction of gender identity, as did the works by the other mentioned authors. Despite the important works produced by these authors, it is still difficult to find academic works that are written with a ‘bottom-up’ approach: where the voices of oppressed groups are taken for the truth they speak, while academic references are only there to support their claims. In this thesis, I utilize this ‘bottom-up’ approach, testing through my case study—namely, the experiences of Dutch drag queens, specifically how they experience topics around lip-sync performances—to what extent their lived experience is in accordance with the theoretical works by which they are framed. Through interviews with Dutch drag queens, by attending drag shows, and by critically reviewing academic literature, I will test the discrepancy, or parallel, between the theory, and practice. -
"WEIRD AL" YANKOVIC: POLKAS, PARODIES and the POWER of SATIRE by Chuck Miller Originally Published in Goldmine #514
"WEIRD AL" YANKOVIC: POLKAS, PARODIES AND THE POWER OF SATIRE By Chuck Miller Originally published in Goldmine #514 Al Yankovic strapped on his accordion, ready to perform. All he had to do was impress some talent directors, and he would be on The Gong Show, on stage with Chuck Barris and the Unknown Comic and Jaye P. Morgan and Gene Gene the Dancing Machine. "I was in college," said Yankovic, "and a friend and I drove down to LA for the day, and auditioned for The Gong Show. And we did a song called 'Mr. Frump in the Iron Lung.' And the audience seemed to enjoy it, but we never got called back. So we didn't make the cut for The Gong Show." But while the Unknown Co mic and Gene Gene the Dancing Machine are currently brain stumpers in 1970's trivia contests, the accordionist who failed the Gong Show taping became the biggest selling parodist and comedic recording artist of the past 30 years. His earliest parodies were recorded with an accordion in a men's room, but today, he and his band have replicated tracks so well one would think they borrowed the original master tape, wiped off the original vocalist, and superimposed Yankovic into the mix. And with MTV, MuchMusic, Dr. Demento and Radio Disney playing his songs right out of the box, Yankovic has reached a pinnacle of success and longevity most artists can only imagine. Alfred Yankovic was born in Lynwood, California on October 23, 1959. Seven years later, his parents bought him an accordion for his birthday. -
The Representation of Suicide in the Cinema
The Representation of Suicide in the Cinema John Saddington Submitted for the degree of PhD University of York Department of Sociology September 2010 Abstract This study examines representations of suicide in film. Based upon original research cataloguing 350 films it considers the ways in which suicide is portrayed and considers this in relation to gender conventions and cinematic traditions. The thesis is split into two sections, one which considers wider themes relating to suicide and film and a second which considers a number of exemplary films. Part I discusses the wider literature associated with scholarly approaches to the study of both suicide and gender. This is followed by quantitative analysis of the representation of suicide in films, allowing important trends to be identified, especially in relation to gender, changes over time and the method of suicide. In Part II, themes identified within the literature review and the data are explored further in relation to detailed exemplary film analyses. Six films have been chosen: Le Feu Fol/et (1963), Leaving Las Vegas (1995), The Killers (1946 and 1964), The Hustler (1961) and The Virgin Suicides (1999). These films are considered in three chapters which exemplify different ways that suicide is constructed. Chapters 4 and 5 explore the two categories that I have developed to differentiate the reasons why film characters commit suicide. These are Melancholic Suicide, which focuses on a fundamentally "internal" and often iII understood motivation, for example depression or long term illness; and Occasioned Suicide, where there is an "external" motivation for which the narrative provides apparently intelligible explanations, for instance where a character is seen to be in danger or to be suffering from feelings of guilt. -
SLAVERY Preston, Allan I
FREE a newspaper for the rest of us www.lansingcitypulse.com January 13-19, 2016 S L AV E R Y ISN’T DEAD MSU King tribute puts spotlight on human trafficking --pg. 10 Manager no more? Next stop: Memphis Snyder fails on Flint, SB571 --pg. 6 Local blues musicians head south for international competition --pg. 14 BOBBY MCFERRIN: BOBBY MEETS MICHIGAN! Saturday, February 6 at 8pm Bobby McFerrin comes to East Lansing to celebrate and draw inspiration from the creativity and diversity of Michigan artists. Together they’ll perform, improvise and make a glorious night of music. Variety Series Sponsor $15 STUDENT Media Sponsor TICKETS WHARTONCENTER.COM • 1-800-WHARTON 2 www.lansingcitypulse.com City Pulse • January 13, 2016 Winner of a Juno Award for Roots Album of the Year, Chic Gamine enchants with Motown souls, French pop spirits and rock-and-roll hearts. $15 Student Tickets! With ties to Alvin Ailey, Joffrey Ballet, Cirque du Soleil and appearances on TV’s So You Think You Can Dance, Complexions has a limitless creative vision that “grabs the viewer by the eyeballs and refuses to let go” (Dance Magazine). “...wearing toe shoes has never looked like so much fun” –Washington Post COMPLEXIONS CONTEMPORARY BALLET Thursday, January 21 at 7:30PM DESMOND RICHARDSON & DWIGHT RHODEN Tuesday, January 19 at 7:30PM Variety Series Sponsor Media Sponsor In uniform and kilts of British and Scottish heritage, this ensemble takes over the stage in a grand display of precision marches, bagpipes and Highland dancing. TheTheMOMONNSSTTEERR A worldwide sensation. 2500 years of history’s most memorable speeches from Socrates to JFK, WWhoho AteAte MyMy victory speeches to eulogies, are woven together for a thrilling tour de force one-man show. -
Face to Face AUTUMN 2008
Face to Face AUTUMN 2008 Annie Leibovitz: A Photographer’s Life, 1990 – 2005 Taylor Wessing Photographic Portrait Prize 2008 Four Great Portraits My Favourite Portrait by Bill Morris From the Director The Gallery has this year the opportunity to acquire four exceptional portraits for the Collection: Lady Dacre and her son by Hans Eworth – an outstanding and well preserved Tudor portrait; Sir Richard Arkwright by Joseph Wright of Derby (left and cover) – a towering figure in the British Industrial Revolution; Mary Seacole by Albert Challen – a remarkable individual in terms of nineteenth-century army healthcare; and finally Marc Quinn’s Self – the latest of the artist’s self-portrait images, created out of his own blood and frozen. While the Gallery is familiar with raising extra resources for one special portrait at a time, as with the successful appeals for the portraits of John Donne in 2006 or John Fletcher in 2007, these four potential acquisitions pose a great challenge for us. We COVER AND ABOVE Sir Richard Arkwright have some funding already secured, including generous support from the Art Fund by Joseph Wright of Derby, and a contribution from the Gallery’s Portrait Fund, and we are making application to c.1783–85 appropriate external bodies. However, this will leave us with a shortfall and we need substantial help to ensure that we secure these important works for the nation. If you are interested in donating, please contact Emma Black, Individual Giving Manager, on 020 7312 2444 or email her on [email protected]. The article in this issue of Face to Face gives more information. -
Experimenting with Analogy for Lyrics Transformation
WeirdAnalogyMatic: Experimenting with Analogy for Lyrics Transformation Hugo Gonc¸alo Oliveira CISUC, Department of Informatics Engineering University of Coimbra, Portugal [email protected] Abstract Our main goal is thus to explore to what extent we can rely on word embeddings for transforming the semantics This paper is on the transformation of text relying mostly on of a poem, in such a way that its theme shifts according a common analogy vector operation, computed in a distribu- to the seed, while text remains syntactically and semanti- tional model, i.e., static word embeddings. Given a theme, cally coherent. Transforming text, rather than generating it original song lyrics have their words replaced by new ones, related to the new theme as the original words are to the orig- from scratch, should help to maintain the latter. For this, we inal theme. As this is not enough for producing good lyrics, make a rough approximation that the song title summarises towards more coherent and singable text, constraints are grad- its theme and every word in the lyrics is related to this theme. ually applied to the replacements. Human opinions confirmed Relying on this assumption and recalling how analogies can that more balanced lyrics are obtained when there is a one-to- be computed, shifting the theme is a matter of computing one mapping between original words and their replacement; analogies of the kind ‘what is to the new theme as the origi- only content words are replaced; and the replacement has the nal title is to a word used?’. same part-of-speech and rhythm as the original word. -
Edward.Alan.Fire.Worshipper.Pdf
Alan Edward the Fire-Worshiper © 1993 by The Acolyte Press Printed in The Netherlands by Krips Repro, Meppel First Edition published January, 1994 All rights reserved. Except for brief passages quoted in a newspaper, magazine, radio or television review, no part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage or retrieval system, without permission in writing from the publishers. Cover design and painting by Huibert Krolis The Acolyte Press P. O. Box 12731 1100 AS Amsterdam The Netherlands CIP-GEGEVENS KONINKLIJKE BIBLIOTHEEK, DEN HAAG Edward, Alan The Fire-Worshipper / Alan Edward. - Amsterdam: The Acolyte Press ISBN 90-6971-050-1 Trefw.: homoseksualiteit ; mannen / romans ; oorspronkelijk - Engels. As if the evil Loki himself were at his heels, the boy raced through the old town's tangle of narrow lanes and down its tumble of steep alleys, his sandals pounding the uneven cobbles, the icy air hurting in his chest, his breath coming in rapid, painful gulps. Already the twelve bells of the Fane had ceased pealing, and Great Edwyn swung alone, making the air, the houses, and even the ground shake with his thunder. The boy quickened his pace; snow-feathers were beginning to tumble all around him again, and last night's fall was already hard-packed on the pavements, making the boy skid sometimes on corners, making him whirl his arms extravagantly to keep balance. In the town square he slowed, drawing long, deeper breaths. His cloak was of lined brown cotton in double thickness and tightly belted, but now the icy air struck sharply on his bare legs; he paused by a workmen's brazier, going as close as he dared, until his skin burned and tingled. -
Echoes & Images
Acknowledgements • Student Editors: Andrew Christian and Sherry Crigger • Editor: Tempi Hale • Fiction Editor: Tamara Baxter • Visual Art Editor: Dr. Christal Hensley • Poetry Editor: Dr. Sandy Hiortdahl • Non-Fiction Editor: Josh Archer • Visual Art Editor: Donna Wilt • Fiction Judge: Rebecca Elswick • Poetry Judge: William Wright • Non-fiction Judge: Dr. Louis Gallo • Visual Art Judge: John W. Hilton • Design: Jonathan Brooks • Printed by: Franklin Graphics Special thanks to William Wilson, Robert Carpenter, Debi Beverly, Keith Glover, Mark Beaty, Thomas Wilson, and Beverly Leonard for help with the production of this magazine. All rights to individual works are retained by the authors or artists. For permission to reprint, contact the author or artist directly. The works published here were created by current students and chosen by outside judges, who are experts in Visual Art and Literature. Views expressed herein are those of the authors, and not necessarily those of the editors or of Northeast State. Northeast State Community College is one of 45 institutions in the Tennessee Board of Regents system, the sixth largest system of higher education in the nation. The Tennessee Board of Regents is the governing board for this system, which is comprised of six universities, 13 community colleges, and 26 area technology centers. The TBR system enrolls more than 80 percent of all Tennessee students attending public institutions of higher education. Northeast State is committed to the education of a non-racially identifiable student body. The college does not discriminate on the basis of race, sex, color, religion, national origin, age, disability, or veteran status in the provision of educational opportunities and benefits. -
"MALCOLM X" Screenplay by Arnold Perl, Spike Lee and James Baldwin
"MALCOLM X" Screenplay by Arnold Perl, Spike Lee and James Baldwin (uncredited) Based on the book "The Autobiography of Malcolm X" by Malcolm X and Alex Haley Fourth Draft 1991 FADE IN: EXT. ROXBURY STREET - THE WAR YEARS - DAY It is a bright sunny day on a crowded street on the black side of Boston. PEOPLE and KIDS are busy with their own things. SHORTY bops his way down the street. He is a runty, very dark young man of 21 with a mission and a smile on his face. He wears the flamboyant style of the time: the whole zoot- suit, pegged legs and a wide brim hat with a white feather stuck in the hat band. EXT. STREET - DAY FOLLOW SHOT. Shorty dodges through the crowd with his packages. His smile is one of anticipation. He nods to a PAL without stopping; eyes a COUPLE OF CHICKS dancing on the street, but is not dissuaded. INT. BARBER SHOP - DAY Shorty has his jacket and hat off, his sleeves rolled up. He Script provided for educational purposes. More scripts can be found here: http://www.sellingyourscreenplay.com/library is like a surgeon preparing for an operation. His equipment is spread out on a table: can of lye, large mason jar, wooden stirring spoon, knife, the eggs. His actions have the character of a ritual: each thing being done just so, in time-honored fashion. He slices the potatoes and drops the thin slices into the mason jar. He adds water and makes a paste of the starch. Behind Shorty is a spirited barbershop conversation. -
Karaoke Songs We Can Use As at 22 April 2013
Uploaded 3rd May 2013 Before selecting your song - please ensure you have the latest SongBook from the Maori Television Website. TKS No. SONG TITLE IN THE STYLE OF 21273 Don't Tread On Me 311 25202 First Straw 311 15937 Hey You 311 1325 Where My Girls At? 702 25858 Til The Casket Drops 16523 Bye Bye Baby Bay City Rollers 10657 Amish Paradise "Weird" Al Yankovic 10188 Eat It "Weird" Al Yankovic 10196 Like A Surgeon "Weird" Al Yankovic 18539 Donna 10 C C 1841 Dreadlock Holiday 10 C C 16611 I'm Not In Love 10 C C 17997 Rubber Bullets 10 C C 18536 The Things We Do For Love 10 C C 1811 Because The Night 10,000 Maniacs 24657 Hot And Wet 112/ Ludacris 21399 We Are One 12 Stones 19015 Simon Says 1910 Fruitgum Company 26221 Countdown 2 Chainz/ Chris Brown 15755 You Know Me 2 Pistols & R Jay 25644 She Got It 2 Pistols/ T Pain/ Tay Dizm 15462 Citizen Soldier 3 Doors Down 23044 Everytime You Go 3 Doors Down 24923 Here By Me 3 Doors Down 24796 Here Without You 3 Doors Down 15921 It's Not My Time 3 Doors Down 15820 Let Me Be Myself 3 Doors Down 25232 Let Me Go 3 Doors Down 22933 When You're Young 3 Doors Down 15455 Don't Trust Me 3 Oh!3 21497 Double Vision 3 Oh!3 15940 StarStrukk 3 Oh!3 21392 My First Kiss 3 Oh!3 / Ke$ha 23265 Follow Me Down 3 Oh!3/ Neon Hitch 20734 Starstrukk 3 Oh3!/ Katy Perry 10816 If I'd Been The One 38 Special 10112 What's Up 4 Non Blondes 9628 Sukiyaki 4.pm 15061 Amusement Park 50 Cent 24699 Candy Shop 50 Cent 12623 Candy Shop 50 Cent 1 Uploaded 3rd May 2013 Before selecting your song - please ensure you have the latest SongBook from the Maori Television Website. -
Ozark County Times |
Hay Hollow YCC Years: All-girl camp described as ‘pigtails - and hard hats’ - SEE PAGE 3 Ozark COunTy Colorful quilts exhibitTimes generations of talent at the Historium - SEE PAGE B1 75¢ GAINESVILLE, Mo. www.ozArkcouNtytimes.coM wEdNESdAy, AuGuSt 1, 2018 New Ozark Voters head to the polls to elect prosecutor, judge, County emergency representative – and decide Gainesville school levy management director hired The Ozark C o u n t y Commision has hired Stephen A. Ator as the coun- ty’s new emer- Ator gency manage- ment director. Ator and his wife, Janeen, moved to the Tecumseh area eight years ago, and he immediately joined the Tecumseh Volunteer Fire Department. Ator is a certi- fied emergency medical responder and holds several certifications in firefighting, law enforcement and emer- gency medical response. He also serves as a reserve dep- uty with the Ozark County Sheriff’s Department. “We’re extremely fortunate to have him,” said presiding Times photo / Sue Ann Jones commissioner John Turner. Ator replaces Brent Meints, A large crowd filled the main dining room and the two side rooms Friday at The Center in Gainesville, where the who resigned last month. Ozark County Farm Bureau hosted an after-lunch “Candidates Meet-and-Greet” session. Most of the candidates in the locally contested races made brief presentations; circuit clerk / recorder Becki Strong, running unopposed for re-election, also spoke to the audience. A spokesperson at The Center said about 130 fried-fish lunches were Clerk’s office open served before the political event, up from the average 80 lunches usually purchased on Fridays.