DOCSLIB.ORG

CONSERVATORIO DI MUSICA “NICCOLO’ PICCINNI” Ministero Dell’Università E Della Ricerca

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CONSERVATORIO DI MUSICA “NICCOLO’ PICCINNI” Ministero Dell’Università E Della Ricerca CONSERVATORIO DI MUSICA “NICCOLO’ PICCINNI” Ministero dell’Università e della Ricerca Alta Formazione Artistica e Musicale Scheda di Insegnamento ( Unità Formativa ) Denominazione Disciplina ed PRASSI ESECUTIVA E REPERTORI 1 eventuale annualità Tipologia ATTIVITA’ CARATTERIZZANTE Area disciplinare INTERPRETATIVA Settore Artistico -disciplinare STRUMENTI A PERCUSSIONE CODI/22 Livell o Accademico I LIVELLO Numero di crediti 18 Obiettivi Formativi – Conoscenze e Il corso ha lo scopo di fornire la abilità da conseguire conoscenza del repertorio solistico e orchestrale degli Strumenti a Percussione dal punto di vista tecnico-interpretativo. Al termine dell'insegnamento, lo studente possiede le conoscenze musicali sufficienti ad affrontare la letteratura più rappresentativa degli strumenti a percussione. Il programma del Corso prevede: - il perfezionamento graduale delle abilità tecniche mediante l'approfondimento di Metodi e Studi specifici; - lo sviluppo delle abilità interpretative tramite l'approccio alla prassi esecutiva nella varietà di stili. Programma/Contenuti TAMBURO: Beniamino Forestiere: “Tecnica e Dinamica”; “Routine for Rudiments” Vic Firth: "The Solo Snare Drummer"; Jacques Délecluse: "12 etudes pour caisse claire"; Antony J. Cirone: "Portraits in Rhythm"; C. Wilcoxon: "Advanced snare drum studies"; TIMPANI: Heinrich Knauer: “85 Ubungen fur Timpani”; Via Cifarelli 26 70124 Bari – tel 080.5740022 Fax 080.5794461 – www.conservatoriopiccinni.it Direttore Onorario M° Riccardo Muti CONSERVATORIO DI MUSICA “NICCOLO’ PICCINNI” Ministero dell’Università e della Ricerca Alta Formazione Artistica e Musicale Alfred Friese -Alexand er Lepak: “The Complete Timpani Method”; Vic Firth: “The Solo Timpanist”; Jan Zegalski : 30 etiud fur 4 Pauken”; B.Forestiere: “Il Timpanista” MARIMBA: Gordon Stout: “Etude for Marimba, Book 1,2,3”; Paul Smadbeck: “Etudes for Marimba #1,2,3”; Luigi Morleo: “60 advanced four mallet studies for marimba”; VIBRAFONO: David Friedman: "Mirror form Another"; Piazzolla/Morleo: “Five miniatures”; R Wiener: Six solos for vibraphone n°2 XILOFONO: Morris Goldenberg: "Modern School For Xilophone"; Wolfgang Pachla: “12 Etudes for Solo Marimba”; L.Torrebruno : 24 studi per xilofono BATTERIA: Jim Chapin: “Advanced Techniques for the Modern Drummer”; John Riley: “Art of Bop Drumming”; Ted Reed: “Syncopation”; Metodi didattici Le lezioni sono svolte in forma individuale e prevedono esercitazioni pratiche. Didattica frontale: 27 ore Prerequisiti Esecuzione delle seguenti composizioni: TAMBURO-Uno studio a scelta da Beniamino Forestiere: “Tecnica e Dinamica” o “Routine for Rudiments” ; Via Cifarelli 26 70124 Bari – tel 080.5740022 Fax 080.5794461 – www.conservatoriopiccinni.it Direttore Onorario M° Riccardo Muti CONSERVATORIO DI MUSICA “NICCOLO’ PICCINNI” Ministero dell’Università e della Ricerca Alta Formazione Artistica e Musicale MARIMBA -Uno studio a scelta da Luigi Morleo: “60 advanced four mallet studies for marimba”; Vibrafono-Uno studio a quattro bacchette (comprendenti la tecnica del pedale e del dampening) scelti dalla commissione su tre presentati tra quelli preparati durante l'anno; TIMPANI-Uno studio a scelta da L.Morleo: “10 studi melodici per quattro timpani”; Uno studio a 4 timpani da “Il Timpanista” di B. Forestiere; ACCESSORI - Uno studio per ciascuno degli strumenti trattati dal metodo di Alan Payson: "Techniques of Playing Bass Drum, Cymbals & Accessories"; Dar prova di conoscere i passi più significativi del repertorio Lirico/Sinfonico per Timpani, Tamburo, Tastiere e Accessori di “Media Difficoltà”; Esecuzione di alcuni passi tratti dalla "Histoire du Soldat" di Igor Stravinsky; Scale maggiori e relative minori in tutte le tonalità; Strumenti a supporto della Leggii, lavagna, sgabelli, sedie, specchio, didattica diapason, pianoforte, impianto Hi -Fi. Testi di riferimento/Bibliografia GUIDO FACCHIN – Le Percussioni – Ed - EDT BENIAMINO FORESTIERE –Percussione Verticale –(gesto tecnico,suono, fraseggio,..) ed. Tabla LUIGI MORLEO – Il Gesto Percussivo – origini e culture – ED.Morleo Tipologia della verifica Eseguire le seguenti composizioni: Via Cifarelli 26 70124 Bari – tel 080.5740022 Fax 080.5794461 – www.conservatoriopiccinni.it Direttore Onorario M° Riccardo Muti CONSERVATORIO DI MUSICA “NICCOLO’ PICCINNI” Ministero dell’Università e della Ricerca Alta Formazione Artistica e Musicale dell’apprendimento e modalità di valutazione del profitto TAMBURO-Uno composizione a scelta tra quelle studiate durante l’anno TIMPANI-Uno composizione a scelta tra quelle studiate durante l’anno MARIMBA-VIBRAFONO-XILOFONO-Uno composizione a scelta tra quelle studiate durante l’anno BATTERIA-Uno composizione a scelta tra quelle studiate durante l’anno Un Concerto per Percussione e orchestra (o pianoforte) per uno dei seguenti strumenti: Marimba, Vibrafono, Timpani, Percussioni Riunite; tratto da uno dei seguenti autori: Paul Creston, Darius Milhaud, Robert Kurka, Jorge Sarmientos, Luigi Morleo, etc.; La votazione sarà espressa in trentesimi. Lingua d’insegnamento Italiano e Inglese Via Cifarelli 26 70124 Bari – tel 080.5740022 Fax 080.5794461 – www.conservatoriopiccinni.it Direttore Onorario M° Riccardo Muti .
Load more

Recommended publications
  • Percussion Solos.Pdf
    Band Association of New South Wales Library Catalogue A registered band can hire Music free of charge (except Post & Handling) for three months. The BANSW also holds a small number of books / magazines and audio recording that are also available for loan. Please contact the Secretary to arrange an appointment if you wish to have access to the library in the office . If you would like to borrow any of the music or other items from the library, please email our Secretary making sure you quote the Folio number. Please see the conditions of borrowing at the end of this document. Folio No Title Composer Type Publisher Percussion Solos 2,922 A STRANGE ACCENT MURRAY HOULIFF SNARE DRUM KENDOR MUSIC 3,719 180 DEGREES Drumkit Solo JEREMY BARNETT JEREMY BARNETT 2,951 A BLACK BAWL HARRY C. THOMPSON arr. RANDALL EYLES XYLOPHONE MEREDITH MUSIC PUBLICATIONS 389 A DANCER AT HEART BILL MOLENHOF MALLET KENDOR MUSIC 2,906 A DANCER AT HEART BILL MOLENHOF PERC.MAR KENDOR 3,955 A LITTLE MORE GERT BOMHOF PERCUSSION DE HASKE 2,953 A REAL DRAG CHARLES MOREY SNARE DRUM KENDOR MUSIC 400 A SUITE FOR SIDE DRUM HAYDEN HUCKSTEPP SNARE DRUM MEAD MUSIC 2,951 A SWELL AFFAIR BERT POTTER arr. RANDALL EYLES XYLOPHONE MEREDITH MUSIC PUBLICATIONS 2,937 AABACAS KEITH REICHELT SNARE DRUM STUDIO 224 896 ACADEMY MITCHELL PETERS TIMPANI ALFRED PUBLISHING 1,524 ADAGIO and PRESTO (from Sonata Flute & Piano) GEORGE F.HANDEL MALLET G. SCHIRMER 424 ADVANCED FUNK STUDIES RICK LATHAM DRUM KIT RICK LATHAM PUBLISHING 2,907 ADVANCED FUNK STUDIES RICK LATHAM PERC.KIT LATHAM 2,908 AGGRESSIVELY ROBERT McCORMICK SNARE DRUM KENDOR MUSIC 2,909 AIN`T IT RICH MURRAY HOULLIF DRUM KIT KENDOR MUSIC 1,524 ALLEGRO (from Sonata for Flute & Piano) JEAN BAPTISTE LOEILLET MALLET G.
    [Show full text]
  • Cv 13Apr2014program
    ! ! "#$%&'()!*+*(,-! ! ! ! Sunday, April 27, 2014 (NYC): Composer’s Voice presents Borderless, an international concert featuring music and performances by Tim Hansen, Nate ! Festinger, Jennifer Shaw, Felipe Salles, Tristan McKay, Madeline Jansen, Brandon Gianetto, Molly Aronson Dan Granda, Greg Mueller. Guest Curator: Masatora Goya "#$#%!!!!日本!! Sunday, April 27, 2014 (New Paltz): Fifteen-Minutes-of-Fame: Poné Ensemble. 15 one-minute works by 15 composers: David Bohn, Scott Brickman, Andrew Bukowski, !!!!!!!!!!!!!!!!の!! Chris Cresswell, Elizabeth Skola Davis, Anthony Donofrio, Fermino Gomes, Nathan R. Johnson, Martin Loridan, Gene Pritsker, Edward Ruchalski, Joaquin Mendoza Sebastián, Juan María Solare, José Jesus de Azevedo Souza, Frederick !!!!!!視点!!!!$&'($&)*+,&!!!!!!!!! Alden Terry 三! Sunday, May 11, 2014 (NYC): Composer’s Voice presents World Premiere of Fifteen-Minutes-of-Fame: Viola Yip, spoken voice Composer’s Voice presents music and performances by Guest Curator/soprano Jin-Xiang “JX” Yu, Kris "#$%&'()*! Becker, Matthew Perez, Markus Kaitila, William Wheeler, Nena Kunnateerachadalai, Kate Goddard, Sverre Kyvik Bauge, Zachary Detrick, ! Charlotte Detrick, Bradley Detrick, Sam Chernoff, Sunny Knable Guest Curator: JX "+,-../01+/2-.304,0"56.7! Sunday, May 18, 2014 (NYC): Composer’s Voice presents: Voices of the Future トーマス・ピアシー%891$:!;(#'<=!! Featuring the amazing a cappella choir from The Masters School, The Dobbs 16. ヴィリアン!!イヴァンチェフ>(?($)!(>$)%<8#>! Music and performances by ./01!203!456758!/93:7;5<=!>ith the World Premiere of Fifteen-Minutes-of-Fame: Yumi Suehiro, piano ! @A5B+/.-!C!D2+-5B! Guest Curator: Jasmin Cowin ! May 20-24, 2014 (Bloomington, Indiana): The World Premiere of Fifteen-Minutes- of-Fame: Kenyon Wilson will take place during the 2014 International -5032?@!AB:76!CD@!EFCG! Tuba/Euphonium Conference in Bloomington, Indiana, on 1:45pm Friday, May 23, 2014 in Ford Hall on the Campus of Indiana University.
    [Show full text]
  • Mus Lab Muslab.Org
    MUSLAB.ORG MUS LAB ESPACIO SONORO UAMXOCHIMILCO Martes y Jueves 3 de Nov - 15 de Dic Calzada del Hueso 1100, Col. Villa Quietud, Delegación Coyoacán, C.P. 04960, México D.F. MUSLAB 2015 MUSLAB.ORG MUS LAB ESPACIO SONORO UAMXOCHIMILCO Concierto de Clausura 15 de Diciembre Calzada del Hueso 1100, Col. Villa Quietud, Delegación Coyoacán, C.P. 04960, México D.F. MUSLAB 2015 MUS ESPACIO SONORO - UAM-X LAB Nathan Corder Nathan Corder is a composer and guitarist currently living in Tampa, Fl. Nathan holds degrees in composition and philosophy from the University of South Florida. Nathan’s works, ranging from chamber ensembles to interactive computer music, progressive rock, and noise, have been performed nationwide. Recently, Nathan’s works have been recognized at events such as the NYC Electroacoustic Music Festival, and the Society of Electro-Acoustic Music in the United States (SEAMUS) Conference at Wesleyan University. In 2014, Nathan was awarded the Allen Strange award from SEAMUS. Currently, Nathan has been touring with his rock bands, Jitters and Nude Tayne. Armchair “The past is an old armchair in the attic, the present an ominous ticking sound, and the future is anybody’s guess.” -James Thurber MUSLAB 2015 MUS ESPACIO SONORO - UAM-X LAB Benjamin O’Brien Benjamin O’Brien composes, researches, and performs acoustic and electro-acoustic music that focuses on issues of translation and machine listening. He is a Doctoral Fellow currently pursuing a Ph.D in Music Composition at the University of Florida. He holds a MA in Music Composition from Mills College and a BA in Mathematics from the University of Virginia.
    [Show full text]
  • Japan Perspective with Thomas Piercy and Vilian Ivantchev Thomas Piercy Is a Critically Acclaimed Clarinetist
    Fifteen Minutes of Fame: Japan Perspective with Thomas Piercy and Vilian Ivantchev Thomas Piercy is a critically acclaimed clarinetist. His performances have been described by critics as "passionate," "pulling out all the stops," “the best Piazzolla in NYC,” and by the New York Times as “brilliant,” “playing with refinement and flair” and “evoking a panache in the contemporary works.” A versatile artist defying categorization - the clarinetist on the Emmy Award-winning Juno Baby CD and DVDs; performing Mozart with mezzo-soprano Frederica von Stade; playing Broadway songs with Raoul Julia; working with the composer Leonard Bernstein; appearing in a KRS-ONE rap music video; performing concert improvisations with jazz pianist Donal Fox; premiering new works; recording with members of Maroon 5 - as an instrumentalist, he has performed and recorded for Broadway and Off-Broadway, commercial recordings, television, radio, videos, and movie soundtracks. Piercy has performed at acclaimed concerts halls including Carnegie Hall, Lincoln Center, the Kennedy Center, the Dame Myra Hess Memorial Concert Series (Chicago, Illinois), Centre Pompidou (Paris, France), Wigmore Hall (London, England), Accademia di Santa Cecilia (Rome, Italy) and Parthenon (Tokyo, Japan). He has performed several times at the International Clarinet Festival, the world's largest annual gathering of noted clarinetists, including a concert in memory of Leon Russianoff, a concert of contemporary American music in Japan. Guitarist Vilian Ivantchev began his studies in his native country, Bulgaria, at the Lubomir Pipkov National Music School. When he moved to New York at age 11, he joined the Mannes Preparatory Division and its honors program. Mr. Ivantchev holds a Bachelor’s Degree from Mannes the New School for Music and a Master’s Degree from Manhattan School of music.
    [Show full text]
  • Pasic 2001 Marching Percussion Festival
    TABLE OF CONTENTS 2 Welcome Messages 4 PASIC 2001 Planning Committee 5 Sponsors 8 Exhibitors by Name/Exhibitors by Booth Number 9 Exhibitors by Category 10 Exhibit Hall Map 12 Exhibitors 24 PASIC 2001 Map 26 PASIC 2001 Area Map 29 Wednesday, November 14/Schedule of Events 34 Thursday, November 15/Schedule of Events 43 Friday, November 16/Schedule of Events 52 Saturday, November 17/Schedule of Events 60 Artists and Clinicians 104 Percussive Arts Society History 2001 111 Special Thanks/PASIC 2001 Advertisers NASHVILLE NOVEMBER 14–17 2 PAS President’s Welcome It is a grim reminder of the chill- from this tragedy. However, in a happier world that lies ® ing events that shook the U.S. this land of diversity, we all deal ahead for all of us. on September 11. I am espe- with grief and healing in differ- cially grateful to all of our PAS ent ways. I’m in no way international members who sent trivializing this tragedy when I personal messages to me, tell you that I’m especially look- members of the Board of Direc- ing forward to seeing friends tors, and into the PAS office in and colleagues from around the www.pas.org Lawton, Oklahoma. Your out- globe at PASIC in Nashville. pouring of support and conso- Percussion is the passion that oday, as I sit to write my lation are deeply appreciated. binds us all and allows us to T“welcome to PASIC” I applaud those of you who come together in a common message, I realize that our have offered to use your re- place to see our friends, hear world has forever changed.
    [Show full text]
  • Serpent Newsletter
    Serpent Newsletter Serpent Newsletter P.O. Box 954 Mundelein, Illinois 60060 USA Newsletter for Serpent Enthusiasts September 27, 2012 A Note from the Editor Gavino Murgia-Magalitico features Murgia on soprano saxophone, flaute, bassu and tumborro, Luciano Biondini on I’m happy to issue yet another issue of the Serpent fisarmonica, Franck Tortiller on vibraphone, and Pietro Newsletter. This time it is notable for having more pictures Iodice on percussion. Le sonnet oublie has Roberto than usual; there were so many good ones that it was Martinelli on soprano and alto saxophones, and Francesco difficult to decide which ones to cut. It is also unusual that I D'Auria on percussion. Ivresses features Franck Tortiller on had no new materials to review, although a few previously vibraphone and marimba, and Patrice Héral on percussions, unnoticed CDs are brought to light and will be reviewed in voice, and synthesizer. the next issue. We also have coverage of two interesting workshops, and keep in mind that the next Serpentarium is Impertinance is percussion focused, with Patrice Héral on only half a year and change away. drums and Franck Tortiller on vibraphone and marimba. Cousins Germains has Christof Lauer on soprano and tenor Based on the feedback I have been receiving since the April saxophone, Wolfgang Puschnig on alto saxophone and flute, 2011 edition of this newsletter, it seems that most readers Herbert Joos on trumpet and flugelhorn, Franck Tortiller on that received the electronic version are happy with it. This vibraphone and marimba, and Wolfgang Reisinger on makes it seem inevitable that the remainder of the drums.
    [Show full text]
  • Marshall University Music Department Presents a Joint Senior Recital, Derik Staley and Ross Patrick Derek Staley Marshall University
    Marshall University Marshall Digital Scholar All Performances Performance Collection 11-9-2013 Marshall University Music Department Presents a Joint Senior Recital, Derik Staley and Ross Patrick Derek Staley Marshall University Ross Patrick Marshall University Follow this and additional works at: http://mds.marshall.edu/music_perf Part of the Fine Arts Commons, and the Music Performance Commons Recommended Citation Staley, Derek and Patrick, Ross, "Marshall University Music Department Presents a Joint Senior Recital, Derik Staley and Ross Patrick" (2013). All Performances. Book 238. http://mds.marshall.edu/music_perf/238 This Recital is brought to you for free and open access by the Performance Collection at Marshall Digital Scholar. It has been accepted for inclusion in All Performances by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. Program The Swan Princess Daniel Eisenhardt b. 1982 Derek Staley vibraphone SCHOOL of MUSIC and Four Pieces for Timpani John Bergamo THEATRE 1. Recitative (1940-2013) MUSIC 2. Perpetual Motion 3. Elegia presents 4. Finale Derek Staley timpani Scenes from the Woods Brian Blume b. 1950 Joint Senior Recital Derek Staley, Sean McCallister, Ross Patrick, and Jacob Hoskins Tango Nils Rohwer b. 1963 Derek Staley and Ross Patrick J ens Schliecker b. 19 59 Derek Staley and Shane Stevens marimba and piano duet Intermission With guest artists Two Mexican Dances Gordon Stout 1. Allegro b. 1952 2.Allegro Joe Crowe, cajon Ross Patrick marimba Jacob Hoskins, marimba Bateria Darin Kamstra b ~ 1976 Sean McCallister, marimba Ross Patrick timpani Shane Stevens, piano Three Miniatures Astor Piazolla (1921-1992) 1.
    [Show full text]
  • December 2010 Percussion News
    percussion news The newsletter of the PERCUSSIVE ARTS SOCIETY DECEMBER 2010 IN THIS ISSUE: 2010 PERCUSSIVE ARTS SOCIETY AWARDS 6 PASIC 2010 Returns to Indy PASIC 2010 MARCHING ver 5,000 percussionists and industry leaders from PERCUSSION FESTIVAL 8 Oaround the world gathered at the Indiana Conven- PEOPLE AND PLACES 10 tion Center, Westin Hotel and Rhythm! Discovery IN MEMORIAM: JACK H. MCKENZIE 12 Center to attend the 2010 Percussive Arts Society Inter- national Convention (PASIC). A truly international event, DAYS OF PERCUSSION INTERnatiONAL PERCUSSION PASIC attendees represented Asia, Australia, Europe, FESTIVAL AND COMPETITION P North America and South America. PASIC attendees HOTO 2010, FERMO, ItaLY 14 experienced over 120 clinics, concerts, master classes PASIC 2010 TEXAS PAS BY SCHOLARSHIP WINNERS 15 and performances by the world’s most noted percussion W ARREN LEIGH HOWARD STEVENS artists. Events covered everything from drumset and or- SUMMER MARIMBA SEMINAR 16 L chestral percussion to world percussion and marching. A F INDUSTRY NEWS 24 The International Drum and Percussion Expo expe- EVER SCHOLARSHIP & rienced growth this year, noting increases in both the Ten Drum Art Percussion Ensemble Assistantship NEWS 28 number of exhibiting companies and the number of CLASSIFIEDS 31 booths sold compared to PASIC 2009. More than 120 drum and percussion manufacturers, retailers, publish- ers and related organizations were featured at the expo, making it the world’s largest expo exclusively dedicated to drum and percussion exhibitors. Exhibitor packets for PONTIAC IL PERMIT NO. 19 PASIC 2011 will be made available in February 2011. NON PROFIT ORG. U.S. POSTAGE PAID U.S.
    [Show full text]
  • Program for Salon 3
    Concrete Timbre is a collective of working composers intertwining fascinating stories, movement, visuals, STAY IN TOUCH Concrete Timbre, Inc. and media with our live contemporary music. Click here to sign up for our mailing list. presents Facebook Concrete Timbre www.facebook.com/concretetimbre wants to acknowledge and thank the following people and organizations that have Tw i t t e r contributed money, space, and/or materials to @ConcreteTimbre make another production possible: Ivy Adrian Acknowledgements: Concrete Timbre, Inc. would like Richard C. Agins Aperitivo Cafe to thank Volunteer Lawyers for the Arts for its help Carina Beckerman and support in providing legal assistance, especially Crispin Restaurant Richard C. Agins. Also, we’d like to thank Stephanie Terence Diamond Greig and The Drawing Room for making us a part of Dorothy Fennell Gallery MC their wonderful arts programming; Fractured Atlas; Timothy Gooden Materials for the Arts/NYC Department of Cultural Nancy Greening Affairs; and oodles of production support from George Harpham Richard Sage; John Keiser; Coran Newland, Milica Sylvaine Hinglais John Keiser Paranosic; & all the artists who have worked so hard Margaret Lancaster to enable Concrete Timbre to create opportunities. Manhattan Community Arts Fund/LMCC Manuela Lechler The LIT Fund Allan Markowitz SAVE THE DATES #3 Identity Materials for the Arts/NYC Dept. of Cultural Affairs May 21 - #4 Expatriate Aleksandra Miglowiec Robert Morton September 17 - #5 Trade Chris Kadis Moscato October 15 - #6 Lethal Coran Newland Sandy Noble November 19 - #7 Justice Brendan O’Leary December 17 - #8 Belief The Old Stone House Milica Paranosic For more information: Gorazd Poposki www.ConcreteTimbre.com The Puffin Foundation The Drawing Room Lillian Redl Sage Entertainment Concrete Timbre, Inc.
    [Show full text]
  • Morleo Mette in Musica Il Canto Dei Migranti Con Il Suono Universale
    XVI I Martedì 26 giugno 2018 AL MOVING CENTER DI BARI TRA CUCINA E SALUTE autori del volume: Elisabetta Sbisà (biologa mo- lecolare, ricercatore ITB CNR), G. Adolfo Sbisà STASERADOVE Cibo, arte e prevenzione: oggi l’incontro (CEO Corte Bracco dei Germani e fondatore Apu- n «Cibo tra arte e prevenzione» è il tema dell'incon- lian Natural Cookery School), Maria Grazia Forte TEATRO E DANZA tro che si terrà martedì 26 alle 18,30 per la rassegna (medico chirurgo, Dietologia e Nutrizione Clini- Bari, «Denuncio tutti! Lea» «Porte aperte alla cultura» del gruppo Moving ca). Francesco Montaruli (di «Mezza Pagnotta» Ru- Center. Ogni appuntamento ruota attorno a un li- vo) spiegherà i segreti della sua cucina. La serata Fino a venerdì 29 giugno, dal martedì al venerdì, alle 21, al Teatro Duse, sarà di scena la Compagnia «Teatro Prisma» con un bro: stavolta si parlerà di salute e alimentazione a sarà anche una «passeggiata letteraria e artistica» nuovo lavoro scritto e diretto da Giovanni Gentile «Denuncio partire dal volume «Cucina mediterranea integra- con Sabina Minerva e Marianna Damiani. Modera tutti! Lea» con Barbara Grilli. Info 080/504.69.79 - 328/607.00.23. ta e terapie oncologiche» (ed. Latitudine 41). Dopo i Enrica Simonetti; coordinamento Lilla Mangini. saluti di Miriam e Gaj Loiacono, interverranno gli L’incontro si terrà a Bari in via Napoli 364. MUSICA & CONCERTI Monopoli, Attanasi dirige la Sinfonica Domani sera, alle 20.30, nel chiostro del Conservatorio di musica “Nino Rota” di Monopoli, l’Orchestra Sinfonica della Città metropolitana si esibirà in un concerto diretto dal maestro, Walter Attanasi, e con la partecipazione dei solisti Luigi Morleo al vibrafono, Ivan Mancinelli alla marimba e Admir Shkurtaj alla fisarmonica.
    [Show full text]
  • Mark Ford Charlct 0Rrcrr{Lerimha Solm *Scott Herring
    rncorporates jazz infledions in.the Faquir" is a nlodern straight-eighth. {ormed by Dietz. music, "Duo Conrertante,, The 6nal selcction, wrllr urrrson svnropalt d rhyrhmir hasla stron- notP lune in ll i l-he br,,ad 4 spectrurrr "Hurricane," is ior a Iargr lorce Ber relationjhip to the cxrnp65;11on5 o{ l,l lines of taleut lrere * wortlr tlru prrce prrrusslonr\t\ ol Michael Daugherty Inspin{ L,y hurrr. rnc The finll movement and loseph --Teny O'Mahoney opens rvilh a Katrina, lht rvr)rk has an ethcreal, Schwarrter than Benny Loodlnan.s getrtle nnd rather free percussion lolo anti{ipatury opening nrusrc. Ihe solo percussion part that leads to an sertion with lhe orcheslra calls Charlct 0rrcrr{lerimha Solm entenng extremely visceral and energetic for a fivc-rx-tave marimba and stx con_ soon aftur in regular pulsed rhythmic Charles Owen and the U S. Marine tont-tom$ (or cluslon. patterns, anv combinarion of bon- Band Unis{rn lines are expertly The L5U percussion ensemble gtx, trmbales and congas). Burritt,s Sur 0rrtn-Blrdri played, atrd the vibe and marimtra use handles Leonarri's music with energv solos ol dralogue and mlor thruughout This timeless are very tmpressive. Ihe ending CD includes the fol- sensitlvrty thr onp.mdvem(nt worl and profssioniiisrn, Jnd a su.stained disxnant lughlights lowrng marimba solos rlitrrd, is a bil trt arangcd and wc nre fortnnals to ha vc lhe soloists well, anri s111[ 3 6nn a surprisr a.s opposed ,,usual,, the cncrgy and pertormrrl by PAS to the Hall ol Farrrer repr$entation {)i this inflft,ntial drivc is similar to the cornposer,s rlimatic building to a dramatic Charles Owen "Clrand Valsc Brillant,, conclu- prcussion percussionist's nrusic.
    [Show full text]
  • Marshall University Music Department Presents a Joint Sentior Recital
    Marshall University Marshall Digital Scholar All Performances Performance Collection Fall 11-9-2013 Marshall University Music Department Presents a Joint Sentior Recital, Derek Staley and Ross Patrick, with guest artists, Joe Crowe, cajon, Jacob Hoskins, marimba, Sean McCallister, marinba, Shane Stevens, piano Derek Staley Marshall University Ross Patrick Marshall University Follow this and additional works at: http://mds.marshall.edu/music_perf Recommended Citation Staley, Derek and Patrick, Ross, "Marshall University Music Department Presents a Joint Sentior Recital, Derek Staley and Ross Patrick, with guest artists, Joe Crowe, cajon, Jacob Hoskins, marimba, Sean McCallister, marinba, Shane Stevens, piano" (2013). All Performances. Book 270. http://mds.marshall.edu/music_perf/270 This Recital is brought to you for free and open access by the Performance Collection at Marshall Digital Scholar. It has been accepted for inclusion in All Performances by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. Program The Sw!ln Princess Daniel Eisenhardt b. 1982 SCHOOL of MUSIC and Derek Staley vibraplwue THEATRE Four Pieces for Timpani John Bergamo MUSIC 1. Recitative (1940-2013) 2. Perpetual Motion presents 3. Elegia 4. Finale Derek Staley timpani Scenes from the Woods Brian Blume Joint Senior Recital b. 1950 Derek Staley, Seau McCallister, Ross Patrick, fl/1(/ Jacob Hoskins Derek Staley and Ross Patrick Tango Nils Rohwer b. 1963 Jens Schliecker b. 1959 Derek Staley mul S/ume Stevens marimba ami piano duet With guest artists Intermission Two Mexican Dances Gordon Stout Joe Crowe, cajon 1. Allegro b. 1952 2. Allegro Jacob Hosldns, marimba Ross Patrick marimba Sean McCallister, marimba Batcria Darin Kamstra Shane Stevens, piano b.
    [Show full text]