Nofa6 Conference May 29-31 2017
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Teemu Mäki, CV, www.teemumaki.com TEEMU MÄKI www.teemumaki.com teemu [at] teemumaki.com CURRICULUM VITAE (updated: August 3, 2021) Artist / Director / Writer / Researcher (Doctor of Fine Arts) Education: Doctor of Fine Arts 2005, Academy of Fine Arts, University of the Arts Helsinki, Helsinki, Finland. Lives in Helsinki, born 1967, in Lapua, Finland. I’m an artist, director, writer and researcher. A Doctor of Fine Arts (Academy of Fine Arts, University of the Arts Helsinki 2005). Since 1990 I have been an independent, freelancing artist, except for the years 2008–2013, when I was Professor of Fine Arts in Aalto University. I'm also the chairman of The Artists' Association of Finland. I work in the fields of art, philosophy and politics by whatever means necessary. The results are usually some kind of visual art, literature, theater, film or theory. For me art is the best way to respond to the questions: "How should we live? Why should we keep on living? What is good life?" Art is the most flexible, versatile and holistic form of philosophy and politics. I’ve had 58 solo exhibitions, participated in over 200 group shows, written nine books and written & directed numerous theatre plays, films and operas. #1 / 42# Teemu Mäki, CV, www.teemumaki.com Table of contents My Books 3 Theatre Works (as director / writer) 3 Other functions in performing arts$4! Solo exhibitions 6 Group exhibitions$7! Filmography 13 Works for Radio$14! Festivals (participations with performances, films or music) 14 Artistic inputs into other artists' electronic art$17! -
Music and Performing Arts in Graz, Austria, April 11-14, 2019, 18 Months from Now
Jazz Jazz Welcome A warm welcome to the over 140 delegates of more than thirty nationalities, to the Fifth International Rhythm Changes Conference. Rhythm Changes ran from 2010 till 2013, as part of the Humanities in the European Research Area’s (HERA) theme, ‘Cultural Dynamics: Inheritance and Identity’, a joint research programme funded by thirteen national funding agencies to ‘create collaborative, trans-national research opportunities that will derive new insights from humanities research in order to address major social, cultural, and political challenges facing Europe’. Our fi rst Conference, Jazz and National Identities, was in Amsterdam, 2-4 September 2011. Rhythm Changes II was themed Rethinking Jazz Cultures, (Salford, 11-14 April 2013). The third Conference, Jazz Beyond Borders, was in Amsterdam again (4-7 September 2014). Conference Four, Jazz Utopia was held at Birmingham City University, 14-17 April 2016, and now we are back in Amsterdam for our fi rst lustrum, with Re/Sounding Jazz. Mark your calendars for Rhythm Changes Six, which will take us to the oldest Jazz Research Institute in Europe, at the University of Music and Performing Arts in Graz, Austria, April 11-14, 2019, 18 months from now. On behalf of the Conference Team Walter van de Leur Head of the Fifth Rhythm Changes Conference Beyond Jazz Jazz Borders Jazz Conference Conference Amsterdam 2014 Birmingham 2016 4 September - 7 September 14 April - 17 April -3- Schedule Thursday 31 August 2017 - Conservatorium van Amsterdam 14.00-15.30 Europeana Collections introduction Adrian Murphy (Blue Note, open to the public) Hosted by the Dutch Jazz Archive (NJA), Siena Jazz Archive, and Jazzinstitut Darmstadt 15.30-16.00 Coffee break (Mezzo) 16.00-18.00 European Jazz Archives Round Table (Blue Note, invitees only) 18.00-20.30 Rhythm Changes Conference Registration and Drinks (Mezzo). -
IIPC Annual Report 2010-2011
International Institute for Popular Culture, IIPC, is is a multi-disciplinary research unit, concerned not only with issues in contemporary popular culture but also in its history and transformations. Annual Report 2010 & 2011 Contents 1. Foreword ……………………………………………………………....…………...… 3 2. Research ………………………………………………………………....…………… 4 IIPC Debates – Monthly series of seminars …………………………..………… 4 Other lectures and events …....………………………………………..………....10 Selected publications by IIPC members in 2010 and 2011 ………………….… 11 Doctoral theses ...…………….…………………………….....………....…...…. 17 Invited talks, seminar papers and lectures …………....…………………..……. 18 3. International cooperation ……………………………………………………..…..... 24 Visiting professors …………………………………………………...….....….... 24 4. Science for the society ....……………………………………..…………………...… 25 5. Administration ….……………………………………………………………...…... 26 Further Information ...…………...……………….......……………………....… 28 1. Foreword The International Institute for Popular Culture (IIPC) is a multi-disciplinary research unit, concerned not only with issues in contemporary popular culture but also in its history and transformations. The Institute is committed to pursuing academic excellence, to promote ambitious, high-quality research and to facilitate international scholarly exchange and collaborative publications. The years 2010–2011 have been particularly important, since the IIPC has gained strategic funding from the University of Turku and has been able to concentrate on long-term initiatives. During these years, the IIPC has hosted 14 visiting researchers from Australia, England, Holland, Japan, Norway, Scotland, and the United States. In 2010, we started a discussion forum on popular culture studies un- der the title of the IIPC Debates, and in sum 29 interdisciplinary debates, most of them documented as audio files, took place by the end of the year 2011. A book series was also contracted with the British publisher Intellect, based in Bristol, and, at this time, four volumes have been commissioned. -
Music Glocalization
Music Glocalization Music Glocalization: Heritage and Innovation in a Digital Age Edited by David Hebert and Mikolaj Rykowski Music Glocalization: Heritage and Innovation in a Digital Age Edited by David Hebert and Mikolaj Rykowski This book first published 2018 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2018 by David Hebert, Mikolaj Rykowski and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-0393-3 ISBN (13): 978-1-5275-0393-9 This book originated as part of Mikołaj Rykowski’s research project “Franz Xaver Scharwenka (1850-1924) - Virtuoso, Composer, Pedagogue from the Perspective of Glocalization”, financed by Poland's National Centre of Science reference number 2015/19/D/HS2/01125. TABLE OF CONTENTS Contributors .............................................................................................. viii Acknowledgements .................................................................................. xvi Preface ...................................................................................................... xix Mikołaj Rykowski Introduction ........................................................................................... -
Rudresh Calling Bird
AUGUST 2015—ISSUE 160 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM ORNETTE COLEMAN MEMORIAMIN MAHANTHAPPARUDRESH CALLING BIRD CÉCILE CHARNETT MCLORIN FRANKLIN MULGREW MOFFETT SALVANT KIERMYER MILLER Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 116 Pinehurst Avenue, Ste. J41 AUGUST 2015—ISSUE 160 New York, NY 10033 United States New York@Night 4 Laurence Donohue-Greene: [email protected] Interview : Charnett Moffett by alex henderson Andrey Henkin: 6 [email protected] General Inquiries: Artist Feature : Cecile McLorin Salvant 7 by russ musto [email protected] Advertising: On The Cover : Rudresh Mahanthappa 8 by terrell holmes [email protected] Editorial: [email protected] Encore : Franklin Kiermyer 10 by james pietaro Calendar: [email protected] Lest We Forget : Mulgrew Miller 10 by ken dryden VOXNews: [email protected] Letters to the Editor: LAbel Spotlight : Xanadu 11 by donald elfman [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 For subscription assistance, send check, cash or money order to the address above In Memoriam 12 by andrey henkin or email [email protected] Festival Report Staff Writers 13 David R. Adler, Clifford Allen, Fred Bouchard, Stuart Broomer, In Memoriam : Ornette Coleman 14 Katie Bull, Thomas Conrad, Ken Dryden, Donald Elfman, Brad Farberman, Sean Fitzell, -
Jazz, Gender, Authenticity Proceedings of the 10Th Nordic Jazz Research Conference Stockholm August 30–31 2012 Alf Arvidsson, Editor
Jazz, Gender, Authenticity Proceedings of the 10th Nordic Jazz Research Conference Stockholm August 30–31 2012 Alf Arvidsson, editor I Svenskt visarkiv/Statens musikverk statensmusikverk.se The articles published here are the authors’ revised versions of the presentations at the 10th Nordic Jazz Conference: Gender and Notions of Authenticity in Jazz, Stockholm, August 30-31, 2012. The Centre for Swedish Folk Music and Jazz Research does not necessarily support opinions, statements and results clai- med in the texts. Cover photo: Monica Petrini, alto sax, ca. 1956. One of Sweden’s first female saxophonists. Photo from Estrad’s archive/Rolf Dahlgren, in Svenskt visarkiv. Alf Arvidsson, editor: Jazz, Gender, Authenticity Copyright © 2014 Svenskt visarkiv and the authors Publikationer från jazzavdelningen, Svenskt visarkiv, nr 25 ISBN: 978-91-979205-3-7 ISSN: 0281-5567 II Contents Introduction by Alf Arvidsson 5 For Whom is It Important? Marie Selander 16 The Conceptualization of Race, Masculinity, and Authenticity in Early Jazz Historiography Mario Dunkel 25 Billie Holiday, Authenticity and Translation Annjo Klungervik Greenall 35 Come Sunday Morning: Mahalia Jackson, Jazz, and Signifying Spirituality Barry Long 52 Nordic Jazz: A Historical View Janne Mäkelä 61 Østerdalsmusikk 1975–2012: New Wine in New Bottles? James Dickenson 72 The Racial Imagination and Authenticity in Swedish Jazz: The Swedish Reception of Miles Davis’ Versions of Dear Old Stockholm Mischa van Kan 79 Is She a True Jazz Singer? Viveka Hellström 88 Jazz, Popular Music,