[PMH 3.2 (2008) 103-122] Popular Music History (print) ISSN 1740-7133 doi:10.1558/pomh.v3i2.103 Popular Music History (online) ISSN 1743-1646 Peter Webb ‘Infected by the seed of post- industrial punk bohemia’: Nick Cave and the milieu of the 1980s underground Peter Webb is a lecturer and researcher in Media Department of Sociology and Culture in the Department of Sociology at 32 Pritchatts Road, Edgbaston, the University of Birmingham. He has published Birmingham, B15 2TT work on the Internet and the music and fashion UK industries, music scenes or milieu, notions of
[email protected] independence in the music industry, globaliza- tion and music and theories of music cultures. He also is a musician who has released several albums, singles and EPs under the name ‘Statik Sound System’. Abstract This article uses the concepts of cultural milieu and music genre to explore the work of Nick Cave in the 1980s and later. Milieu theory is derived from the work of phenomenologists Alfred Schutz and Jorg Durschmitt. The article analyses the transgressive milieu of Cave and such col- laborators as Blixa Bargeld and Lydia Lunch and considers the way in which the music genres of punk, post-punk, gothic and industrial have been implicated in Nick Cave’s recorded output. Keywords: genre, gothic, industrial, milieu, post-punk, punk, scenes There’s a real need for an intelligent but aggressive group in London. All the treasured groups are just so softcore. At one time there was a real upsurge of new young groups and incredible records like ‘She is beyond Good and Evil’, you know the Pop Group before they sacrificed the music for that soapbox, toilet-roll politics.