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Christina Perri 3
MUSIC PRODUCTION GUIDE OFFICIAL NEWS GUIDE FROM YAMAHA & EASY SOUNDS FOR YAMAHA MUSIC PRODUCTION INSTRUMENTS 03|2015 Contents Interview Christina Perri 3 MOTIF Soundset „Air“ by DCP Productions 6 Yamaha Synth Book reloaded 8 VP1 Soundset for MOTIF XF / MOXF 11 MOTIF XS/XF/MOXF Exploring Sound: „Vintage Keyboards“ 15 MOTIF XF / MOXF Performance Soundset „Hybrid Performer“ Part 3 19 Yamaha DTX M12 Touch App 22 The new e-drum kit Yamaha DTX582k 24 CHRISTINA Yamaha KP100 Kick Pad 26 Sounds & Goodies 29 PERRI Imprint 43 DREAMS COME TRUE MUSIC PRODUCTION GUIDE 03|2015 CHRISTINA PERRI - DREAMS COME TRUE “Every time I dream something up, it’s so “I don’t take it lightly,” she says. “I tell everyone, ‘That’s small compared to what actually happens,” the moment my life changed.’ It was incredibly special.” says singer/songwriter Christina Perri. But even as her own life was changing, Perri was changing “Because what actually happens is just other people’s lives through her music. Just a year later, amazing.” her multi-platinum song, “A Thousand Years,” was As an unsigned artist, Christina once dreamed of making released as the second single from the soundtrack album a career out of performing and recording her deeply to The Twilight Saga: Breaking Dawn – Part 1. It achieved personal yet pop-friendly songs. Then one day four years multi-platinum status, with a video that inspired romantic ago, one of her recordings was featured on the hit TV visions among countless Twilight fans. show So You Think You Can Dance, and suddenly she “I had dreamed of having a song on the Twilight stopped dreaming the dream—and began living it. -
Traditional Funk: an Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio
University of Dayton eCommons Honors Theses University Honors Program 4-26-2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Caleb G. Vanden Eynden University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/uhp_theses eCommons Citation Vanden Eynden, Caleb G., "Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio" (2020). Honors Theses. 289. https://ecommons.udayton.edu/uhp_theses/289 This Honors Thesis is brought to you for free and open access by the University Honors Program at eCommons. It has been accepted for inclusion in Honors Theses by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Abstract Recognized nationally as the funk capital of the world, Dayton, Ohio takes credit for birthing important funk groups (i.e. Ohio Players, Zapp, Heatwave, and Lakeside) during the 1970s and 80s. Through a combination of ethnographic and archival research, this paper offers a pedagogical approach to Dayton funk, rooted in the styles and works of the city’s funk legacy. Drawing from fieldwork with Dayton funk musicians completed over the summer of 2019 and pedagogical theories of including black music in the school curriculum, this paper presents a pedagogical model for funk instruction that introduces the ingredients of funk (instrumentation, form, groove, and vocals) in order to enable secondary school music programs to create their own funk rooted in local history. -
MUSIC PRODUCTION GUIDE Official News Guide from Yamaha & Easy Sounds for Yamaha Music Production Instruments
MUSIC PRODUCTION GUIDE OFFICIAL NEWS GUIDE FROM YAMAHA & EASY SOUNDS FOR YAMAHA MUSIC PRODUCTION INSTRUMENTS 04|2014 SPECIAL EDITION Contents 40th Anniversary Yamaha Synthesizers 3 40 years Yamaha Synthesizers The history 4 40 years Yamaha Synthesizers Timeline 5 40th Anniversary Special Edition MOTIF XF White 23 40th Anniversary Box MOTIF XF 28 40th Anniversary discount coupons 30 40th Anniversary MX promotion plan 31 40TH 40th Anniversary app sales plan 32 ANNIVERSARY Sounds & Goodies 36 YAMAHA Imprint 41 SYNTHESIZERS 40 YEARS OF INSPIRATION YAMAHA CELEBRATES 40 YEARS IN SYNTHESIZER-DESIGN WITH BRANDNEW MOTIF XF IN A STUNNIG WHITE FINISH SARY PRE ER M V IU I M N N B A O X H T 0 4 G N I D U L C N I • FL1024M FLASH MEMORY Since 1974 Yamaha has set new benchmarks in the design of excellent synthesizers and has developed • USB FLASH MEMORY (4GB) innovative tools of creativity. The unique sounds of the legendary SY1, VL1 and DX7 have influenced a INCL. SOUND LIBRARIES: whole variety of musical styles. Yamaha‘s know-how, inspiring technique and the distinctive sounds of a - CHICK’S MARK V - CS-80 40-years-experience are featured in the new MOTIF XF series that is now available in a very stylish - ULTIMATE PIANO COLLECTION white finish. - VINTAGE SYNTHESIZER COLLECTION YAMAHASYNTHSEU YAMAHA.SYNTHESIZERS.EU YAMAHASYNTHESIZEREU EUROPE.YAMAHA.COM MUSIC PRODUCTION GUIDE 04|2014 40TH ANNIVERSARY YAMAHA SYNTHESIZERS In 1974 Yamaha produced its first portable Yamaha synthesizers and workstations were and still are analog synthesizer with the SY-1. The the first choice for professionals and amateurs in the multi- faceted music business. -
MOTIF XF Owner's Manual
MUSIC PRODUCTION SYNTHESIZER Owner’s Manual EN SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic ENVIRONMENTAL ISSUES: Yamaha strives to produce products may have either labels similar to the graphics products that are both user safe and environmentally shown below or molded/stamped facsimiles of these graph- friendly. We sincerely believe that our products and the pro- ics on the enclosure. The explanation of these graphics duction methods used to produce them, meet these goals. In appears on this page. Please observe all cautions indicated keeping with both the letter and the spirit of the law, we on this page and those indicated in the safety instruction sec- want you to be aware of the following: tion. Battery Notice: This product MAY contain a small non- rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approx- CAUTION imately five years. When replacement becomes necessary, RISK OF ELECTRIC SHOCK contact a qualified service representative to perform the DO NOT OPEN replacement. Warning: Do not attempt to recharge, disassemble, or CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACK). incinerate this type of battery. Keep all batteries away from NO USER-SERVICEABLE PARTS INSIDE. children. Dispose of used batteries promptly and as regu- REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. lated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you. The exclamation point within the equi- Disposal Notice: Should this product become damaged lateral triangle is intended to alert the beyond repair, or for some reason its useful life is consid- user to the presence of important operat- ered to be at an end, please observe all local, state, and fed- ing and maintenance (servicing) instruc- eral regulations that relate to the disposal of products that tions in the literature accompanying the contain lead, batteries, plastics, etc. -
Projects SHOWCASE DAVE GRIFFITHS Dave Griffiths Is a Game Designer, MIDI Data Is Slowed Down Programmer, and Live-Coding Algoraver
Projects SHOWCASE DAVE GRIFFITHS Dave Griffiths is a game designer, MIDI data is slowed down programmer, and live-coding algoraver. by this buffer so the synth He performs internationally with Slub, can pick it up an algorithmic rave group. fo.am/midimutant RICHARD JAMES Richard’s best-known alias is Aphex Twin, under which he has recorded six acclaimed electronic music albums. aphextwin.warp.net The custom MIDI interface A cheap USB audio is used to send synth data card is used to connect to the TX7 the microphone APHEX TWIN MIDIMUTANT Somewhere in Cornwall, there’s a synthesizer that boinks endless Quick strange sounds as they slowly evolve towards a new synth patch. Facts Sean McManus investigates > Making a good patch manually f you’re a fan of ’80s pop, electronic music as Aphex Twin. essential because you can make can take days I you’ll have heard the “The first proper synth I got was a stable setup that isn’t going to > Midimutant Yamaha DX7. It’s one of a DX100 and I’ve always thought start updating itself and reboot.” can make the best-selling synthesizers, and there’s got to be a more interesting The idea came from a lost thousands its built-in sounds can transport way to program the damn things feature on the Kyma synth, of patches per day… you to the era of big hair and neon than laboriously going through based on the work of Andrew leggings. One reason it is evocative all the hundreds of parameters. Horner, which enables sounds to > …But only about half of them is that so many artists used those Even though I quite like doing that evolve. -
Music Production Guide
MUSIC PRODUCTION GUIDE OFFICIAL NEWS GUIDE FROM YAMAHA & EASY SOUNDS FOR YAMAHA MUSIC PRODUCTION INSTRUMENTS 01|2016 Contents MONTAGE Music In Motion 2 reface YC 19 DTX-News from NAMM 2016 24 Sounds & Goodies 27 MUSIC IN MOTION Imprint 44 MUSIC PRODUCTION GUIDE 01|2016 MUSIC IN MOTION The time has come. Yamaha's new The name MONTAGE represents a completely new synthesizer flagship is here: MONTAGE. generation of Yamaha Music Synthesizers, that we want to bring you closer with this document. Welcome to the new era in synthesizers from the company that brought you the It starts with a list of features that is made up of official industry-changing DX and the hugely marketing texts and our supplements. popular MOTIF. This is followed by detailed chapters about the major new Building on the legacy of these two iconic features of MONTAGE. keyboards, the Yamaha Montage sets the next milestone for synthesizers with SOPHISTICATED DYNAMIC sophisticated dynamic control, massive CONTROL sound creation and streamlined workflow Music is expression. MONTAGE adds a new level of all combined in a powerful keyboard expression with the Motion Control Synthesis Engine. designed to inspire your creativity. This engine allows a variety of methods to interact with If you liked the DX and MOTIF, get ready to and channel your creativity into finding your own unique love MONTAGE. sound. YAMAHA.COM 2 MUSIC PRODUCTION GUIDE 01|2016 MOTION CONTROL SYNTHESIS ENGINE The Motion Control Synthesis Engine unifies and controls two iconic Sound Engines: AWM2 (high-quality waveform and synthesis) and FM-X (modern, pure Frequency Modulation synthesis.) These two engines can be freely zoned or layered across eight Parts in a single MONTAGE Performance. -
Pdf Nord Modular
Table of Contents 1 Introduction 1.1 The Purpose of this Document 1.2 Acknowledgements 2 Oscillator Waveform Modification 2.1 Sync 2.2 Frequency Modulation Techniques 2.3 Wave Shaping 2.4 Vector Synthesis 2.5 Wave Sequencing 2.6 Audio-Rate Crossfading 2.7 Wave Terrain Synthesis 2.8 VOSIM 2.9 FOF Synthesis 2.10 Granular Synthesis 3 Filter Techniques 3.1 Resonant Filters as Oscillators 3.2 Serial and Parallel Filter Techniques 3.3 Audio-Rate Filter Cutoff Modulation 3.4 Adding Analog Feel 3.5 Wet Filters 4 Noise Generation 4.1 White Noise 4.2 Brown Noise 4.3 Pink Noise 4.4 Pitched Noise 5 Percussion 5.1 Bass Drum Synthesis 5.2 Snare Drum Synthesis 5.3 Synthesis of Gongs, Bells and Cymbals 5.4 Synthesis of Hand Claps 6 Additive Synthesis 6.1 What is Additive Synthesis? 6.2 Resynthesis 6.3 Group Additive Synthesis 6.4 Morphing 6.5 Transients 6.7 Which Oscillator to Use 7 Physical Modeling 7.1 Introduction to Physical Modeling 7.2 The Karplus-Strong Algorithm 7.3 Tuning of Delay Lines 7.4 Delay Line Details 7.5 Physical Modeling with Digital Waveguides 7.6 String Modeling 7.7 Woodwind Modeling 7.8 Related Links 8 Speech Synthesis and Processing 8.1 Vocoder Techniques 8.2 Speech Synthesis 8.3 Pitch Tracking 9 Using the Logic Modules 9.1 Complex Logic Functions 9.2 Flipflops, Counters other Sequential Elements 9.3 Asynchronous Elements 9.4 Arpeggiation 10 Algorithmic Composition 10.1 Chaos and Fractal Music 10.2 Cellular Automata 10.3 Cooking Noodles 11 Reverb and Echo Effects 11.1 Synthetic Echo and Reverb 11.2 Short-Time Reverb 11.3 Low-Fidelity -
Illustrated Guide to the CP1
Illustrated Guide to the CP1 U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation ©2009 Yamaha Corporation WR95750 909 MWDH**-01A0 Printed in Japan +20dB 0dB -20dB 10 Hz 10 0 Hz 1. 0 kHz 10 . 0 kHz +20dB 0dB -20dB 10 Hz 10 0 Hz 1. 0 kHz 10 . 0 kHz Only Yamaha could bring so much to the stage piano: Perfect marriage of keyboard touch and sound was possible only thanks to our extensive knowledge and experience of the building of acoustic pianos. Unrivalled richness of tone is a direct product of our tireless participation in the development of pianos for stage and +20dB recording environments. And against the backdrop of our continued stage-piano 0dB production since introducing the CP70 and CP80 in the -20dB seventies, we have remained loyal to the proud tradition of vintage electric pianos in the recreation of their unique 10 Hz 10 0 Hz 1. 0 kHz 10 . 0 kHz sound. Achieved through uncompromising pursuit of perfection in an instrument that surpasses the sum of its +20dB parts, allow us to present… 0dB The Yamaha CP1 – Ultimate Stage Piano -20dB 10 Hz 10 0 Hz 1. 0 kHz 10 . 0 kHz +20dB 0dB -20dB 10 Hz 10 0 Hz 1. 0 kHz 10 . 0 kHz +20dB 0dB -20dB 10 Hz 10 0 Hz 1. 0 kHz 10 . 0 kHz The CP1 Concept Contents In the CP1, we have recreated the unique sounds not only of acoustic pianos, vintage electric pianos, and synthesizer piano voices, but also of the effect units, amplifiers, and other equipment commonly used with each in actual performance and recording settings. -
Music Production Guide
MUSIC PRODUCTION GUIDE OFFICIAL NEWS GUIDE FROM YAMAHA & EASY SOUNDS FOR YAMAHA MUSIC PRODUCTION INSTRUMENTS 07|2019 MONTAGE OS V3.0 MODX OS V2.0 New Features & Effects 3 Yamaha 45 years of synthesizers 12 Yamaha DTX Drums & EAD10 It's your turn now! 28 YAMAHA – Goodies & Sounds 29 45 YEARS OF Imprint 46 SYNTHESIZERS MONTAGE OS V3.0 MODX OS V2.0 NEW FEATURES & EFFECTS OVERVIEW These are the new features and therefore the topics of this Guide: • New Effects: • „VCM Mini Filter“ • „VCM Mini Booster“ • „Wave Folder“ • High-Speed LFO • „Super Knob Link“ storable per Scene • „Keyboard Control“ storable per Scene • MIDI Mode „Hybrid“ (in addition to "Multi" and "Single") The OS Updates to Version 3.0 for MONTAGE • Links between Performances and Songs, Patterns, or and 2.0 for MODX are among the most Audio files via the Live Set comprehensive since the release of the • „Rhythm Patterns“ (MODX feature) for MONTAGE MONTAGE series. For this reason, we have • USB Host function for direct connection of class- decided to publish a Quick Guide in two compliant compatible instruments parts. This first part covers all new features • Global Micro-Tuning except the Pattern Sequencer, which will be discussed in part 2. • Audition Loop selectable (ON/OFF) • General improvements of the user interface However, the actual update process is not part of this Quick Guide. Please simply follow the instructions included with In addition, 52 new Performances have been added with the Update. the Update, but those are not discussed in this Guide. MONTAGE / MODX ESSENTIAL KNOWLEDGE 09|2019 VCM EFFECTS This Update includes two new VCM Effects (Virtual Component Modeling) in the Insert Effects and in System Effect Variation. -
MOTIF XF Owner's Manual
MUSIC PRODUCTION SYNTHESIZER Owner’s Manual EN SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic ENVIRONMENTAL ISSUES: Yamaha strives to produce products may have either labels similar to the graphics products that are both user safe and environmentally shown below or molded/stamped facsimiles of these graph- friendly. We sincerely believe that our products and the pro- ics on the enclosure. The explanation of these graphics duction methods used to produce them, meet these goals. In appears on this page. Please observe all cautions indicated keeping with both the letter and the spirit of the law, we on this page and those indicated in the safety instruction sec- want you to be aware of the following: tion. Battery Notice: This product MAY contain a small non- rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approx- CAUTION imately five years. When replacement becomes necessary, RISK OF ELECTRIC SHOCK contact a qualified service representative to perform the DO NOT OPEN replacement. Warning: Do not attempt to recharge, disassemble, or CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACK). incinerate this type of battery. Keep all batteries away from NO USER-SERVICEABLE PARTS INSIDE. children. Dispose of used batteries promptly and as regu- REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. lated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you. The exclamation point within the equi- Disposal Notice: Should this product become damaged lateral triangle is intended to alert the beyond repair, or for some reason its useful life is consid- user to the presence of important operat- ered to be at an end, please observe all local, state, and fed- ing and maintenance (servicing) instruc- eral regulations that relate to the disposal of products that tions in the literature accompanying the contain lead, batteries, plastics, etc. -
NEWS RELEASE Contact: Ann Braithwaite (781) 259-9600 [email protected]
NEWS RELEASE Contact: Ann Braithwaite (781) 259-9600 [email protected] Trumpeter John Vanore & Pianist Ron Thomas to Release Long-Lost Duo Recordings as Primary Colors out February 7, 2020 via Acoustical Concepts Captured in the mid-’80s, experimental sessions meld masterful playing with far-out sonics and electric-Miles funk In the small, elite group of performing musicians better known as composers, arrangers and bandleaders, the trumpeter John Vanore has carved out a uniquely brilliant niche. Vanore, who was still a teenager when his life’s mission was made clear after he heard the great Oliver Nelson, is best known for helming Abstract Truth, an innovative, long-running ensemble combining the flexibility of a combo with the might of a big band. Over the past four decades, he’s earned the kind of gushing press rare for any jazz artist—much less one who directs an unconventional little-big-band. “Vanore’s touch with ensemble texture and color, and his sense of narrative timing, recall Gil Evans,” wrote Stereophile, before going on to call Vanore’s Easter Island Suite “a musical portrait of wonder.” JazzTimes has chosen hosannas like “hauntingly beautiful,” “well crafted,” “stirring orchestration” and “edgy.” Now, after so much acclaim for his signature ensemble, Vanore is releasing Primary Colors, a compelling collection of seven sonic adventures that he recorded with the keyboardist and composer Ron Thomas in 1984 and ’85. Captured just outside the musicians’ native Philadelphia, these duo-logues provide a fascinating snapshot of both Vanore’s career and improvised music in the midst of an underrated era when so much about jazz was in flux—the music’s aesthetics, its culture, even its technology. -
PL88 Patch Library Quickstart 1) Connect MIDI Cables: PL88 Synth out ------> Synthesizer MIDI in PL88 Synth in ------> Synthesizer MIDI OUT
PL88 Patch Library QuickStart 1) Connect MIDI cables: PL88 Synth OUT ------> Synthesizer MIDI IN PL88 Synth IN ---------> Synthesizer MIDI OUT 2) Power the device with either: 5V USB adapter with the included cord OR - 9V, center+ adapter. After a few seconds, the display should display PrSt, indicating preset mode. Pre Flight Checks Prepare your Synth to send and receive data from the PL88 Patch Library. See the Owner’s Manual for instructions or guidelines on your particular synthesizer. This usually involves enabling SysEx messages and disabling Memory Protection. Set your Synthesizer Model 1) Press A (Main Menu), then 0 (SyNT), then D(Enter). 2) Use the * and # keys to scroll through the available synthesizer models. 3) Press D to confirm your choice. Load a Preset Bank to Your Synthesizer 1) Press A (Main Menu), then 1 (PrSt), then D(Enter). 2) Enter the number of the preset that you want to send to your synth. 3) If necessary, prepare your synth to receive SysEx data. See the Owner’s Manual for instructions or guidelines on your particular synthesizer. 4) Press D. The preset bank is sent to your synth. Save Data from Your Synthesizer 1) Press A (Main Menu), then 2 (UseR), then D (Enter). 2) Enter a number from 0000 to 9999 as the save destination. 3) If the number is displayed with a colon (e.g., 12:34), that destination already contains data and you will overwrite it if you continue. 4) Press C to enter Save Mode. The number begins flashing rapidly. 5) Press D to confirm.