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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
NOTICE of SALE of ESTATE PROPERTY Case 1:16-Bk-10543
Case 1:16-bk-10543-VK Doc 141 Filed 10/24/19 Entered 10/24/19 17:29:35 Desc Main Document Page 1 of 8 Attorney or Party Name, Address, Telephone & FAX Nos., State Bar No. & FOR COURT USE ONLY Email Address JEFFREY KRIEGER (SBN 156535) [email protected] KEITH PATRICK BANNER (SBN 259502) [email protected] GREENBERG GLUSKER FIELDS CLAMAN & MACHTINGER LLP 1900 Avenue of the Stars, 21st Floor Los Angeles, California 90067-4590 Telephone: 310.553.3610 Fax: 310.553.0687 Individual appearing without attorney Attorney for: Diane C. Weil, Chapter 7 Trustee UNITED STATES BANKRUPTCY COURT CENTRAL DISTRICT OF CALIFORNIA - SAN FERNANDO VALLEY In re: CASE NO.: 1:16-bk-10543-VK DEAN ALBERT MAURY CAZARES, an individual, CHAPTER: 7 NOTICE OF SALE OF ESTATE PROPERTY Debtor(s). Sale Date: 11/21/2019 Time: 2:00 p.m. Location: Courtroom 301, United States Bankruptcy Court, 21041 Burbank Blvd., Woodland Hills, CA 91367 Type of Sale: Public Private Last date to file objections: November 7, 2019 Description of property to be sold: Pre-petition Composition/Royalty Rights of the Debtor. See Exhibit A. Terms and conditions of sale: Pursuant to the terms of the Asset Purchase Agreement accompanying the sale motion, subject to overbid. Proposed sale price: $90,000.00 This form is mandatory. It has been approved for use in the United States Bankruptcy Court for the Central District of California. December 2012 Page 1 F 6004-2.NOTICE.SALE American LegalNet, Inc. www.FormsWorkFlow.com Case 1:16-bk-10543-VK Doc 141 Filed 10/24/19 Entered 10/24/19 17:29:35 Desc Main Document Page 2 of 8 Overbid procedure (if any): See attached Exhibit B. -
Schedule Report
New Releases - 1 October 2021 SAY SOMETHING RECORDS • Available on stunning Red and Black Splatter vinyl (SSR027LP)! A collector's must!! • Featuring: Vocalist Colin Doran of Hundred Reasons, drummer Jason Bowld from Bullet For My Valentine and formerly Pitchshifter, Killing Joke • Full servicing to all relevant media • Extensive print & internet advertising • Print reviews confirmed in KERRANG! and METAL HAMMER • Featured interviews with ‘The Sappenin’ Podcast’ and ‘DJ Force X’ https://open.spotify.com/episode/0ZUhmTBIuFYlgBamhRbPHW?si=9O4x5SWmT2WbhSC0lR3P3g • For fans of: Hundred Reason, Jamie Lenman, Hell is for heroes, The Xcerts, Bullet For My Valentine, Biffy Clyro • Facebook: https://www.facebook.com/TheyFellFromTheSky Twitter: https://twitter.com/tfftsband Instagram: https://www.instagram.com/tfftsband/ • Soundsphere Magazine: https://www.soundspheremag.com/news/culture/colin-doran-jason-bowld-hundred-reasons-bfmv- pitchshifter-form-rock-studio-project-they-fell-from-the-sky/ GigSoup: https://gigsoupmusic.com/pr/colin-doran-jason-bowld-form-rock-studio-project-they-fell-from-the-sky-and- release-debut-single-dry/ The AltClub: https://thealtclub.com/they-fell-from-the-sky-release-new-single-dry/ Volatile Weekly: https://volatileweekly.com/2021/03/colin-doran-jason-bowld-hundred-reasons-bfmv-pitchshifter-form-rock- studio-project-they-fell-from-the-sky-and-release-debut-single-dry/ The Punksite: https://thepunksite.com/news/they-fell-from-the-sky-announce-debut-single-and-album/ Tinnitist: https://tinnitist.com/2021/03/22/indie-roundup-23-songs-to-make-monday-far-more-enjoyable/ -
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
A Sterile Hole and a Mask of Feces
A STERILE HOLE AND A MASK OF FECES Bert Stabler Gnaw Their Tongues’ album title An Epiphanic Vomiting of Blood1 is a concise ex- ample of black metal’s theme of ecstatic disintegration made tangible in violent outward expression—a slaughterhouse revelation, exposing what was hidden. This purging recalls both the self-emptying (kenosis) of Gospel theology and G.W.F. Hegel’s telos of self-overcoming (“sublation,” or “Aufhebung”), inverting the dead- lock, turning oneself inside-out and thereby becoming transparent, masoch- istically abandoning oneself to the environment, incorporating it and being incor- porated by it. Gilles Deleuze says the masochist does not derive most of his pleasure from pain; rather, his “real pleasure is obtained subsequently, in that which is made possible by the punishment.”2 This suspended gratification evokes the self-transcending “surplus-enjoyment” represented in the Resurrection, follow- ing the self-annihilating degradation in the Incarnation and the Passion. This is the sacrifice that believers are to mirror in order to receive the blessing of divine grace, as set forth by theologians from Paul to St. John of the Cross to St. Ignatius Loyola to Kierkegaard. In black metal, this rebirth for which “creation groans” fol- lows many revivals, from the Renaissance through Romanticism, in its nostalgia for a golden age of occult magic. It appears in lyrics as the return of a latent pagan- barbarian consciousness; Satyricon screams, “In this land where the forest is my throne / I have come to re-hunt,”3 and Katharsis shrieks: “The sleeper will wake and the world will bleed.”4 The self-cannibalizing and subsequent self-expulsion of these linked zeitgeists is not unlike that associated with trauma. -
Thematic Patterns in Millennial Heavy Metal: a Lyrical Analysis
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2012 Thematic Patterns In Millennial Heavy Metal: A Lyrical Analysis Evan Chabot University of Central Florida Part of the Sociology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Chabot, Evan, "Thematic Patterns In Millennial Heavy Metal: A Lyrical Analysis" (2012). Electronic Theses and Dissertations, 2004-2019. 2277. https://stars.library.ucf.edu/etd/2277 THEMATIC PATTERNS IN MILLENNIAL HEAVY METAL: A LYRICAL ANALYSIS by EVAN CHABOT B.A. University of Florida, 2011 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Sociology in the College of Sciences at the University of Central Florida Orlando, Florida Fall Term 2012 ABSTRACT Research on heavy metal music has traditionally been framed by deviant characterizations, effects on audiences, and the validity of criticism. More recently, studies have neglected content analysis due to perceived homogeneity in themes, despite evidence that the modern genre is distinct from its past. As lyrical patterns are strong markers of genre, this study attempts to characterize heavy metal in the 21st century by analyzing lyrics for specific themes and perspectives. Citing evidence that the “Millennial” generation confers significant developments to popular culture, the contemporary genre is termed “Millennial heavy metal” throughout, and the study is framed accordingly. -
Running Order
20:55 23:55 19:55 22:55 01:55 20:50 23:50 19:50 22:50 01:50 20:45 23:45 19:45 22:45 01:45 20:40 23:40 19:40 Black Spiders 22:40 01:40 20:35 23:35 19:35 22:35 01:35 20:30 23:30 19:30 22:30 01:30 20:25 23:25 19:25 22:25 01:25 A 20:20 23:20 Silent Disco 19:20 22:20 01:20 20:15 23:15 19:15 22:15 01:15 65daysofstatic 20:10 23:10 19:10 22:10 01:10 20:05 23:05 19:05 22:05 Cooper Alice 01:05 20:00 23:00 02:00 19:00 22:00 01:00 19:55 22:55 01:55 18:55 Bigelf Bizzare 21:55 00:55 19:50 22:50 01:50 18:50 21:50 00:50 19:45 22:45 01:45 18:45 21:45 00:45 19:40 22:40 01:40 18:40 21:40 00:40 Failsafe Chrome Hoof 19:35 22:35 01:35 18:35 Chickenhawk21:35 00:35 Havana Deaf A 19:30 22:30 01:30 18:30 Never Means Maybe21:30 00:30 What You And Army 19:25 22:25 01:25 18:25 21:25 00:25 Turisas Europe 19:20 22:20 01:20 18:20 21:20 00:20 Disco Silent Rock Karaoke Rock 19:15 22:15 01:15 18:15 21:15 00:15 Ultimate Power DJS a 19:10 22:10 01:10 18:10 21:10 00:10 Bizz 19:05 22:05 01:05 18:05 21:05 00:05 e c 19:00 22:00 01:00 18:00 im 21:00 00:00 03:00 Sylosis Bizzare T 18:55 21:55 00:55 17:55 20:55 23:55 02:55 18:50 21:50 00:50 17:50 20:50 23:50 02:50 18:45 21:45 00:45 17:45 20:45 23:45 02:45 18:40 21:40 00:40 17:40 20:40 23:40 02:40 18:35 21:35 00:35 17:35 20:35 23:35 02:35 18:30 21:30 00:30 17:30 20:30 23:30 02:30 18:25 21:25 00:25 17:25 20:25 23:25 02:25 A 18:20 21:20 00:20 17:20 20:20 23:20 02:20 18:15 21:15 00:15 17:15 20:15 23:15 02:15 18:10 21:10 00:10 17:10 20:10 23:10 02:10 18:05 21:05 00:05 17:05 20:05 23:05 02:05 18:00 21:00 00:00 17:00 20:00 23:00 02:00 Friday -
Production Perspectives of Heavy Metal Record Producers
This article has been accepted for publication in a revised form by Popular Music and end- users may view and download the material for private research and study only. Production Perspectives of Heavy Metal Record Producers Dr Niall Thomas University of Winchester Dr Andrew King University of Hull Abstract The study of the recorded artefact from a musicological perspective continues to unfold through contemporary research. Whilst an understanding of the scientific elements of recorded sound is well documented the exploration of the artistic nature of this endeavour from a production viewpoint is still developing. This study presents an understanding of the phenomenological aspects of Heavy Metal music from the perspective of seven renowned producers working within this genre. Through a series of interviews and subsequent in-depth analysis particular sonic qualities are identified as key within the production of this work: impact; energy; precision; and extremity. A framework is then put forward for understanding sonic elements of recorded Heavy Metal Music. Keywords: recording; Heavy Metal; production; producers; phenomenology Introduction The twenty-first century provides a rich source of creative opportunity through digital technology for practicing musicians to record music. The affordances of the digital revolution have subsequently changed the opportunities for those involved in the creation of such works. Technology enables those who could be described as amateur music makers the opportunity to record music with relative ease. The democratisation of technology has meant that mobile devices can become pocket sized recording studios (Leyshon, 2009), whilst affordable solutions and emulations of previously prohibitively expensive computing and recording technology are readily available via the Internet. -
Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)
"THE SCREAMING SUCCESSOR": EXPLORING THE CHINESE METAL SCENE IN CONTEMPORARY CHINESE SOCIETY (1996-2015) Yu Zheng A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2016 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2016 Yu Zheng All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This research project explores the characteristics and the trajectory of metal development in China and examines how various factors have influenced the localization of this music scene. I examine three significant roles – musicians, audiences, and mediators, and focus on the interaction between the localized Chinese metal scene and metal globalization. This thesis project uses multiple methods, including textual analysis, observation, surveys, and in-depth interviews. In this thesis, I illustrate an image of the Chinese metal scene, present the characteristics and the development of metal musicians, fans, and mediators in China, discuss their contributions to scene’s construction, and analyze various internal and external factors that influence the localization of metal in China. After that, I argue that the development and the localization of the metal scene in China goes through three stages, the emerging stage (1988-1996), the underground stage (1997-2005), the indie stage (2006-present), with Chinese characteristics. And, this localized trajectory is influenced by the accessibility of metal resources, the rapid economic growth, urbanization, and the progress of modernization in China, and the overall development of cultural industry and international cultural communication. iv For Yisheng and our unborn baby! v ACKNOWLEDGMENTS First of all, I would like to show my deepest gratitude to my advisor, Dr. -
Original Austrian Alpencore
ORIGINAL AUSTRIAN ALPENCORE TUXEDO, often referred to as one of the most upcoming core bands of Austria. They convey power, energy and, most important, they enjoy what they do. A concert of tuXedo is not just a concert, it`s an experience in which in every second on stage something happens. Not for nothing they were nominated for the title „Best Austrian band 2014 „ by the largest Austrian music station and reached the 2nd place in that voting! Their so-called Alpine Core is a blend of metalcore and thrash metal in many facets. Powerful, but also very melodic guitar riffs, combined with brutal shoutings and ear worms which you will not forget. A trademark for that incredible pressure, the guys convey on stage, are the pounding, monstrous drums and percussions, which give the show something really special. Everything is rounded off by their traditional Austrian stage outfit. What would be Alpine Core without leather pants and shirt? tuXedo is celebrating its 10th anniversary this year. This will be celebrated at several shows in 2015. The boys have plenty of stage experience. In over 150 shows, since 2012, they have destroyed stages in Austria, Germany, Croatia, Slovenia, Italy, the Czech Republic and Slovakia. This is the reason why they have a quiet big fan base. Due to their versatile music and their likeable live show with many funny moments, the band succeeded in winning fans with completely different tastes of music. From the typical core audience, metallers with other preferences, right up to the „non-metallers“, everybody is in front of stage when tuXedo asks for a dance. -
Arbiter, August 17 Students of Boise State University
Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 8-17-2005 Arbiter, August 17 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. Autumn Haynes takes over as coordinator of Women's Center BY SARA BAHNSON of residence life. "I absolutely loved residence life, Win trow will put' Assistant News Editor WintrQw ran the my work at the . herwork experience to use in her Women's Center for Women's Center," new job. Student Activities Program five years and was Wintrow said. .Tve .'. She was a resident assistant at Coordinator Autumn Haynes has ,- the first full-time _been a feminist my Miami University in Ohio and suo replaced Melissa Wintrow as co- coordinator. Haynes whole life." pervised three residence halls' at ordinator of the Women's Center. said that she will be But Win trow said Michigan State University, where The change took place about two interim coordina- she saw the change of ,she also began her work as a crime weeks ago, according to officials.' tor until a perm a- WOMEtr5 CENTER positions as an excel- victim advocate. ItS the Women's Center. ' nent replacement for Haynes Ient opportunity for Whilesheisnolongeremployed Wintrow has joined Student 'Wintrow is found via a national career development. -
Fleshgod Apocalypse Surpass Themselves
New Release Information uu May FLESHGOD APOCALYPSE Release Date Pre-Order Start Veleno uu 24/05/2019 uu 08/03/2019 uu Digi incl. 2 bonus tracks & live BluRay! uu Digital singles: 08.03. “Sugar”, 05.04. “Carnivourus Lamb” uu Tags: DEATH METAL, TECHNICAL DEATH METAL, HYPOCRISY, AENIMUS, EPICA, SEPTICFLESH Price Code: CD01 uu advertising in many important music magazines APR/MAY 2019 NB 4540-0 CD+BluRay-DIGI uu album reviews, interviews in all important Metal magazines in (incl. 2 bonus tracks & live-BluRay) Europe’s APR/MAY 2019 issues uu song placements in European magazine compilations uu spotify playlists in all European territories uu instore decoration: flyers uu Facebook, YouTube, Twitter, Google+ organic promotion uu Facebook ads and promoted posts + Google ads in both the search and display networks, bing ads and gmail ads uu Banner advertising on more than 60 most important Metal & Rock websites all over Europe uu additional booked ads on Metal Hammer Germany and UK, and in the Fixion network (mainly Blabbermouth) uu video and pre-roll ads on You tube uu ad campaigns on iPhones for iTunes and Google Play for Androids uu banners, featured items at the shop, header images on nuclear- blast.de and nuclearblast.com uu features and banners in newsletters, as well as special mailings to targeted audiences in support of the release Price Code: LP17 NB 4540-1 2LP FLESHGOD APOCALYPSE (black in gatefold) SURPASS THEMSELVES Italian grandmasters of orchestral death metal FLESHGOD APOCA- Tommaso Riccardi, both of whom predate the »Mafia« EP (2010). Tri- LYPSE are finding spontaneity rewarding on new album, »Veleno«.