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Sociolinguistic Variation and Enregisterment in an Online Community of Practice: a Case Study of Metafilter.Com
Sociolinguistic Variation and Enregisterment in an Online Community of Practice: A Case Study of MetaFilter.com Kimberly Ann Witten PhD University of York Language and Linguistic Science September 2014 I Abstract With the emergence of communities that are primarily based in computer-mediated communication (CMC) environments, we see the prevalence of internet-derived neologisms, i.e., netologisms. Often these netologisms are acronyms (e.g., ‘LOL’), blends (e.g., ‘weblog’), or other forms of abbreviation. These new forms may present challenges for English phonotactics, which must be spontaneously resolved by first-time speakers of the netologisms. If the forms contain orthographic characters or sequences that do not directly or consistently correlate to specific English phonemes or phoneme sequences, it is likely that these new forms display phonetic variation. Netologisms can also be used as linguistic resources in taking stances or asserting aspects of identity, especially where phonetic variation is possible. These stances may represent the identity of the group, or they may become associated with particular identities within the group. The process by which sounds, features and word forms become associated with particular identities is known as enregisterment (Agha, 2003, 2005; Squires, 2010). Enregisterment has traditionally been studied in sociolinguistics as a function of individuals interacting in face-to-face (FtF) environments (Johnstone, Andrus and Danielson, 2006; Beal, 2009). However, as more of our daily interactions are mediated by computers and technology, attention must be paid to how enregisterment may take place in primarily text-based social environments. This research presents the first large-scale mixed-methods study of enregisterment occurring in CMC. -
BAS Shakespeare Chapter Sampler
R O U T L E D G E . TAYLOR & FRANCIS Shakespeare Studies A Chapter Sampler www.routledge.com/literature Contents “WITHIN THIS WOODEN [2.]O” Shakespeare and new media in the digital age by Brett Greatley-Hirsch and Michael Best From: The Shakespearean World, edited by Jill L Levenson and Robert Ormsby SHAKESPEARE’S LANGUAGE An eventful afterlife by Keith Johnson From: The Shakespearean World, edited by Jill L Levenson and Robert Ormsby Why unrehearsed? From: Performing Shakespeare Unrehearsed? by Bill Kincaid To Quote or Not to Quote From: Casual Shakespeare by Regula Hohl Trillini Early modern women’s narratives of marital betrayal From: Women and Shakespeare's Cuckoldry Plays by Cristina León Alfar 20% Discount Available Enjoy a 20% discount across our entire range of Literature books. Simply add the discount code BAS18 at the checkout. Please note: This discount code cannot be combined with any other discount or offer and is only valid on print titles purchased directly from www.routledge.com. www.routledge.com/literature Copyright Taylor & Francis Group. Not for distribution. CHAPTER TWENTY-FIVE “WITHIN THIS WOODEN [2.]O” Shakespeare and new media in the digital age Brett Greatley-Hirsch and Michael Best NEW MEDIA, OLD PROBLEMS Between April and September 2013, a series of graffi ti artworks appeared on the streets of Glasgow. Headed by pixelated emoticons (the typographical representa- tions of facial expressions used to convey emotion or tone in electronic correspond- ence), the anthropomorphic graffi ti-fi gures bemoan their existence through selective quotation from Hamlet (Figure 25.1), posing questions to passers-by about “the fragmentation of complex emotions as they pass through technology” (Drew 2013). -
Plutoed” Voted 2006 Word of the Year by American Dialect Society
Allan Metcalf, Executive Secretary American [email protected] English Department MacMurray College Dialect Society Jacksonville, Illinois 62650–2590 Contacts for Word of the Year: Wayne Glowka (Georgia College and State University), Chair, ADS New Words Committee: [email protected], office (478) 445-4222, cell (478) 414-8578. Grant Barrett (Double-Tongued Dictionary, http://www.doubletongued.org/): [email protected], cell (646) 286-2260. David K. Barnhart (Lexik House): [email protected], (914) 850-8484. Contact for Name of the Year: Cleveland K. Evans, President, American Name Society, [email protected], (402) 557-7524 Hilton Anaheim: 714-750-4321. (For immediate release) January 5, 2007 “Plutoed” Voted 2006 Word of the Year by American Dialect Society In its 17th annual words of the year vote, the American Dialect Society voted “plutoed” as the word of the year, in a run-off against climate canary. To pluto is to demote or devalue someone or something, as happened to the former planet Pluto when the General Assembly of the International Astronomical Union decided Pluto no longer met its definition of a planet. Presiding at the Jan. 5 voting session were ADS Executive Secretary Allan Metcalf of McMurray College and Professor Wayne Glowka of Georgia College and State University, chair of the New Words Committee of the American Dialect Society. He conducts the column “Among the New Words” in the society’s quarterly journal American Speech. “It was good that the society focused on a genuine scientific concern,” Professor Glowka said. “Though I believe the nomination came in from outer space.” Word of the Year is interpreted in its broader sense as “vocabulary item”—not just words but phrases. -
Raja SINGAPOREAN INTERNET MEMES 7 Ubiquity: the Journal Of
Raja SINGAPOREAN INTERNET MEMES Ubiquity: The Journal of Literature, Literacy, and the Arts, Research Strand, Vol. 5 No. 1, Spring/Summer 2018, pp. 7-48 Ubiquity: http://ed-ubiquity.gsu.edu/wordpress/ ISSN: 2379-3007 Singaporean Internet Memes in Visual Culture © Pavithra Raja National Institute of Education Nanyang Technological University, Singapore Correspondence concerning this article should be directed to Pavithra Raja, National Institute of Education, Nanyang Technological University, 1 Nanyang Walk, Singapore 637616 Contact: [email protected] Ubiquity: The Journal of Literature, Literacy, and the Arts, Research Strand, Vol. 5 No. 1, Spring/Summer 2018 7 Raja SINGAPOREAN INTERNET MEMES Abstract Internet memes have been studied as digital artifacts in pop polyvocality (Milner, 2013b; Yoon 2016), and for vernacular creativity (Burgess, 2007; Milner, 2013a; Tannen, 2007). Educators’ engagement with memes is crucial to aid young students’ critical readings of them (Knobel & Lankshear, 2007). In late-authoritarian Singapore, memes have been studied for their popularity and as outlets for expression (Sreekumar & Vadrevu, 2013; Liew, 2015). In this study, I examined memes related to education using theories and methods of social semiotics (Kress, 2010; Kress & van Leeuwen, 1996), and Machin and Mayr’s (2012) Multimodal Critical Discourse Analysis to understand discursive and social practices surrounding Internet memes, and education, a perennial issue for Singapore. The analysis suggests Singaporean memes exhibit dense networks of intersemiotic meaning, sharing features of comic and sequential art in portraying local educational issues related to public pedagogy and hegemonic discourses. Intertextuality and humor featured in cultural representations, with global memetic vernacular and local languages. In the context of art education, meme literacy may help teachers equip students with skills to respond knowledgably to online visual culture. -
E-Lit: What Is It? Revised & Expanded UCLA Edition, V2.01, 10.3.17, 3:15
E-Lit: What Is It? Revised & Expanded UCLA Edition, v2.01, 10.3.17, 3:15-3:45pm UCLA ELIT 624206 800124 5 E-Lit: What is it? v2.01 October 3, 2017 By UCLA E-LIT 2017 For updates, Follow us on Instagram @uclaelit Electronic Literature: What Is It? V.01 N. Katherine Hayles (UCLA) http://eliterature.org/pad/elp.html Suzy Menazza: “What we have is 200 pages of incomprehensible nonsense” — that’s how UNFCCC Executive Secretary Yvo De Boer commented on the status oF the negotiations early this week during a meeting with NGO representatives here in Bonn, which included The Nature Conservancy. De Boer was reFerring to the new negotiating text For an international climate agreement, which includes a document drafted by the chair of the proceedings back in spring with additions submitted in June by the 192 countries discussing this new agreement. The result is a 199-page-long (and almost unmanageable) document — a combination oF old text, “new paragraphs or subparagraphs,” “alternatives to the original paragraphs” and “special cases” that comprise more than 2,000 brackets and are challenging even the most experienced delegates. Contents 1. Abstract 2. An abstract is a brieF summary oF a research article, thesis, review, conference proceeding, or any in- depth analysis of a particular subject and is often used to help the reader quickly ascertain the paper's purpose.[1] When used, an abstract always appears at the beginning of a manuscript or typescript, acting as the point-of-entry For any given academic paper or patent application. -
Raja SINGAPOREAN INTERNET MEMES 7 Ubiquity: the Journal Of
Raja SINGAPOREAN INTERNET MEMES Ubiquity: The Journal of Literature, Literacy, and the Arts, Research Strand, Vol. 5 No. 1, Spring/Summer 2018, pp. 7-48 Ubiquity: http://ed-ubiquity.gsu.edu/wordpress/ ISSN: 2379-3007 Singaporean Internet Memes in Visual Culture © Pavithra Raja National Institute of Education Nanyang Technological University, Singapore Correspondence concerning this article should be directed to Pavithra Raja, National Institute of Education, Nanyang Technological University, 1 Nanyang Walk, Singapore 637616 Contact: [email protected] Ubiquity: The Journal of Literature, Literacy, and the Arts, Research Strand, Vol. 5 No. 1, Spring/Summer 2018 7 Raja SINGAPOREAN INTERNET MEMES Abstract Internet memes have been studied as digital artifacts in pop polyvocality (Milner, 2013b; Yoon, 2016), and for vernacular creativity (Burgess, 2007; Milner, 2013a; Tannen, 2007). Educators’ engagement with memes is crucial to aid young students’ critical readings of them (Knobel & Lankshear, 2007). In late-authoritarian Singapore, memes have been studied for their popularity and as outlets for expression (Sreekumar & Vadrevu, 2013; Liew, 2015). In this study, I examined memes related to education using theories and methods of social semiotics (Kress, 2010; Kress & van Leeuwen, 1996), and Machin and Mayr’s (2012) Multimodal Critical Discourse Analysis to understand discursive and social practices surrounding Internet memes, and education, a perennial issue for Singapore. The analysis suggests Singaporean memes exhibit dense networks of intersemiotic meaning, sharing features of comic and sequential art in portraying local educational issues related to public pedagogy and hegemonic discourses. Intertextuality and humor featured in cultural representations, with global memetic vernacular and local languages. In the context of art education, meme literacy may help teachers equip students with skills to respond knowledgably to online visual culture. -
2 International Symposium on Figurative Thought and Language
DEPARTMENT of HUMANITIES - UNIVERSITY of PAVIA 2nd International Symposium on Figurative Thought and Language Plenary Speakers Angeliki ATHANASIADOU, Aristotle University of Thessaloniki, Greece Mario BRDAR, Osijek University, Croatia, & Rita SZABÓ, ELTE University, Hungary Herbert L. COLSTON, University of Alberta, Canada Zóltan KÖVECSES, Eötvös-Loránd University, Hungary Günter RADDEN, University of Hamburg, Germany Francisco José RUIZ DE MENDOZA IBÁNÉZ, University of La Rioja, Spain Luca VANZAGO, University of Pavia, Italy AIA contact: ASSOCIAZIONE ITALIANA Annalisa Baicchi (Symposium Chair) DI ANGLISTICA [email protected] BOOK OF ABSTRACTS Table of contents Senior Consultant Committee Scientific Committee Symposium Chair Organizing Committee Abstracts 2 Senior Consultant Committee Angeliki ATHANASIADOU (Aristotle University of Thessaloniki, Greece) Annalisa BAICCHI (University of Pavia, Italy) Mario BRDAR (Osijek University, Croatia) Herbert COLSTON (University of Alberta, Canada) Ad FOOLEN (Rabdoub University, Nijmegen, The Netherlands) Klaus-Uwe PANTHER (University of Hamburg, Germany) Günter RADDEN (University of Hamburg, Germany) Francisco RUIZ DE MENDOZA (University of La Rioja, Spain) Gerard STEEN (University of Amsterdam, The Netherlands) Scientific Committee Stefano ARDUINI (Urbino); Angeliki ATHANASIADOU (Thessaloniki); Annalisa BAICCHI (Pavia); Valentina BAMBINI (IUSS, Pavia); Antonio BARCELONA (Cordoba); Carla BAZZANELLA (Torino); Marcella BERTUCCELLI PAPI (Pisa); Réka BENCZEK (Budapest); Boguslaw BIERWIACZONEK -
Crisis Memes: the Importance of Templatability to Internet Culture and Freedom of Expression
AJPC 2 (2) pp. 253–271 Intellect Limited 2013 Australasian Journal of Popular Culture Volume 2 Number 2 © 2013 Intellect Ltd Article. English language. doi: 10.1386/ajpc.2.2.253_1 sean rintel The University of Queensland Crisis memes: the importance of templatability to internet culture and freedom of expression abstraCt Keywords Crisis memes are the ghoulish and satirical posts that spread through social media crisis concurrently with serious journalistic reportage. They are folk productions that memes respond to challenging events based on thematic and structural templates of popu- image macro lar online image macros. This article explores how templatability is relevant to the templatability underpinnings, development, structure and value of crisis memes. The combination Internet culture of frivolity and ghoulishness that is typical of crisis memes may be criticized for social media not being reasoned discourse, reinforcing cultural divides and making use of copy- visual communication righted content without permission and in ways that the copyright holder may not freedom of expression wish. However, the value of crisis memes lies not in their content but rather their place as a public voice that sidesteps the constraints of traditional media and as an illustration of freedom of expression that may be threatened by increasingly restrictive copyright regimes. 253 AJPC_2.2_Rintel_253-271.indd 253 10/18/12 7:13:14 PM Sean Rintel introduCtion When natural disasters, political feuds, terrorist attacks and other crises arise, ghoulishly humorous posts created by users spread concurrently with seri- ous professional reportage. By the day after the Mail Online (9 August 2011) published a mobile phone picture of a hooded man defiantly displaying a bag of looted basmati rice, the image spread from Facebook (EgonAllanon, 2011) to Reddit (okanagandude 2011) accompanied by the text ‘I don’t always loot/but when I do, its cuz I need some basmati rice’ (Figure 1). -
Extending Ethos in Digital Rhetorics
Utah State University DigitalCommons@USU All Graduate Theses and Dissertations Graduate Studies 8-2020 Extending Ethos in Digital Rhetorics Andrew J. Hillen Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/etd Part of the Communication Technology and New Media Commons, Social Media Commons, and the Speech and Rhetorical Studies Commons Recommended Citation Hillen, Andrew J., "Extending Ethos in Digital Rhetorics" (2020). All Graduate Theses and Dissertations. 7885. https://digitalcommons.usu.edu/etd/7885 This Dissertation is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Theses and Dissertations by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. EXTENDING ETHOS IN DIGITAL RHETORICS by Andrew J. Hillen A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in Technical Communication and Rhetoric Approved: ______________________ ____________________ Keith Grant-Davie, Ph.D. Jared Colton, Ph.D. Major Professor Committee Member ______________________ ____________________ Rebecca Walton, Ph.D. Lynne McNeill, Ph.D. Committee Member Committee Member ______________________ ____________________ Erica Holberg, Ph.D. Richard S. Inouye, Ph.D. Committee Member Vice Provost for Graduate Studies UTAH STATE UNIVERSITY Logan, Utah 2020 ii Copyright © Andrew J. Hillen 2020 All Rights Reserved ABSTRACT Extending Ethos in Digital Rhetorics by Andrew J. Hillen, Ph.D. Utah State University, 2020 Major Professor: Dr. Keith Grant-Davie Program: Technical Communication and Rhetoric This dissertation investigated instantiations of the rhetorical concept of ethos on the social media platform Twitter. It was a mixed methods study, combining critical analysis of example tweets selected through iterative sampling with corpus analysis on six separate corpora of Twitter posts. -
Cowboys and Idioms
Cowboys and Idioms Engaging with Cliché through Creative Variation Creativity can be eye-opening, humorous, and sometimes shocking, but it is always relative. It can only truly be appreciated relative to the norms that guide our expectations about the equivalent un-creative behaviours. In this chapter we continue our defence of cliché, and of norms in general, and further explore the relationship between the normative and the creative in language. Our explorations of how the latter often arises out of the former will take us from stock phrases and acronyms to the multimodal canvas of comic-books and the cinema. The War on Cliché A recent collection of assorted essays and reviews by the English novelist Martin Amis is provocatively titled “The War Against Cliché”. Amis is a one-time agent provocateur of English letters and a scorchingly funny writer in or out of a “massage” parlour, but he is in a truly militant mood when he argues that cliché is the enemy of “freshness, energy, and reverberation of voice”. Few would disagree that cliché is a safe harbour for trite and unoriginal writers, but is it really a worthy cause for war? True, clichés can numb our critical faculties, and they are pervasive in language, which does make them an insidious adversary. Moreover, though clichés are obvious and easy to spot, it would be wrong to dismiss them out of hand as worthless and ineffective; rather, they are often too effective for the low costs they demand of an author. As John F. Kennedy put it some time before Amis, clichés allow us to “enjoy the comfort of opinion without the discomfort of thought”, making the use of cheap sentiments a tell-tale sign of a bargain-basement writer. -
BAS Shakespeare Chapter Sampler
R O U T L E D G E . TAYLOR & FRANCIS Shakespeare Studies A Chapter Sampler www.routledge.com/literature Contents “WITHIN THIS WOODEN [2.]O” Shakespeare and new media in the digital age by Brett Greatley-Hirsch and Michael Best From: The Shakespearean World, edited by Jill L Levenson and Robert Ormsby SHAKESPEARE’S LANGUAGE An eventful afterlife by Keith Johnson From: The Shakespearean World, edited by Jill L Levenson and Robert Ormsby Why unrehearsed? From: Performing Shakespeare Unrehearsed? by Bill Kincaid To Quote or Not to Quote From: Casual Shakespeare by Regula Hohl Trillini Early modern women’s narratives of marital betrayal From: Women and Shakespeare's Cuckoldry Plays by Cristina León Alfar 20% Discount Available Enjoy a 20% discount across our entire range of Literature books. Simply add the discount code BSA18 at the checkout. Please note: This discount code cannot be combined with any other discount or offer and is only valid on print titles purchased directly from www.routledge.com. www.routledge.com/literature Copyright Taylor & Francis Group. Not for distribution. CHAPTER TWENTY-FIVE “WITHIN THIS WOODEN [2.]O” Shakespeare and new media in the digital age Brett Greatley-Hirsch and Michael Best NEW MEDIA, OLD PROBLEMS Between April and September 2013, a series of graffi ti artworks appeared on the streets of Glasgow. Headed by pixelated emoticons (the typographical representa- tions of facial expressions used to convey emotion or tone in electronic correspond- ence), the anthropomorphic graffi ti-fi gures bemoan their existence through selective quotation from Hamlet (Figure 25.1), posing questions to passers-by about “the fragmentation of complex emotions as they pass through technology” (Drew 2013).