Acts of Identity: a Political Theory of Biography

Total Page:16

File Type:pdf, Size:1020Kb

Acts of Identity: a Political Theory of Biography UCLA UCLA Electronic Theses and Dissertations Title Acts of Identity: A Political Theory of Biography Permalink https://escholarship.org/uc/item/88g0c619 Author Stahl, William Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Acts of Identity: A Political Theory of Biography A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Political Science by William Samuel Stahl 2018 Ó Copyright by William Samuel Stahl 2018 ABSTRACT OF THE DISSERTATION Acts of Identity: A Political Theory of Biography by William Samuel Stahl Doctor of Philosophy in Political Science University of California, Los Angeles, 2018 Professor Joshua F. Dienstag, Chair My dissertation, Acts of Identity: A Political Theory of Biography, is prompted by the puzzle: why have so many political theorists shown interest in the genre of biography, seemingly such a private and apolitical genre? I answer that biography is a powerful lens through which to analyze the link between individual identity formation and political action. I develop this answer through four chapters that engage with a selection of political theorists who have written biographic works. In the first chapter, I examine Hannah Arendt’s claim that human beings are unlike other living things because each one of us develops a unique identity from the singularity of our biography. For her, who we are – and what makes us human – is what we say and do. In chapter two, I analyze Giorgio Agamben’s challenge to Arendt: he concludes that what makes us human is not what we say or do, but what we have the potential to do. This implies that our biography does not define who we are or make us human. I agree with the latter implication, but not the former. While the form of human life may not be biographic, individual identity is. Henceforth, I argue that individual ii identity is an artifact of language – a product of biographizing. In the third chapter, I illustrate this contention through two dossiers edited by Michel Foucault: I, Pierre Rivière and Herculine Barbin. These dossiers – the former about a “village idiot” who commits a terrible crime, the latter about an intersexed convent teacher who is declared to be a “man” after being raised as a “girl” – demonstrate that who we are is not just what we do, but the conceptual framing of what we do. In the fourth chapter, I argue for the democratization of biographizing. I engage with Jacques Rancière, who suggests that biography should adopt the style of modern literature, which treats all literary subjects as worthy of space on the page. In sum, Acts of Identity provides a novel account of biography that contributes to democratic theory and discussions of identity, action, and equality. iii The dissertation of William Samuel Stahl is approved. Laure Murat Melvin Rogers Giulia Sissa Joshua F. Dienstag, Committee Chair University of California, Los Angeles 2018 iv To Phi Hong Su v TABLE OF CONTENTS Introduction………………………………………………………………………………..………1 Chapter 1: The Miracle of Life: Hannah Arendt and the Story-Form of Human Being…………...25 Chapter 2: To Be or To Be Able to Be? Giorgio Agamben on the Potentiality of Humanity……..72 Chapter 3: To Err Is Human: Biography versus Biopolitics in Michel Foucault………………….97 Chapter 4: Life, Literarity, and Equality for All: Biography as Democracy in Jacques Rancière 133 Conclusion...................................................................................................................................163 Bibliography……………………………………………………………………………………167 vi ACKNOWLEDGMENTS This dissertation would not have been possible without the strong support of my committee. Giulia Sissa, Melvin Rogers, and Laure Murat have all shaped this work with their incisive comments and wealth of expertise, and I am grateful for their generosity and wisdom. I owe special thanks to Joshua Dienstag, my chair and advisor, who has supported me since I started at UCLA. I have learned an enormous amount from his mentorship and our many conversations. His good humor and empowering pessimistic spirit have enlivened and enriched my own thinking. I owe gratitude as well to my undergraduate professors and advisors at the University of Chicago: to Nathan Tarcov, whose seminars on Plato, Machiavelli, and Leo Strauss were a revelation; Julie E. Cooper, whose seminar on Rousseau still influences my thinking, as the first chapter of this dissertation clearly shows; and finally Patchen Markell, who advised my undergraduate honor’s thesis. His mentorship and support at that crucial moment in my career has made all the difference. The completion of this project has been made possible by the financial support of the UCLA Department of Political Science and the Dissertation Year Fellowship of the UCLA Graduate Division. In particular I would like to thank Joseph Brown for his extraordinary support. In addition, I want to thank my peers and colleagues who have supported me as scholars and in friendship: Libby Barringer, Hollie Blake, Anuja Bose, John Branstetter, Andre Comandon, Arash Davari, Megan Gallagher, Emily Hallock, Naveed Mansoori, and Christopher Walker- Krisman. To my family, who have always supported my education, no matter how far it has flung me across the globe, and above all to Phi: your love has made this not only possible, but worthwhile. You have brought a happiness into my life that will never cease to stun and amaze me. vii VITA William Samuel Stahl graduated with honors from the University of Chicago in June, 2009, with a B.A. in Political Science and Philosophy. After a year of service providing literacy tutoring and after-school programming at an elementary school on the South Side of Chicago, he began as a Ph.D. student in the Department of Political Science at the University of California, Los Angeles. In 2017, he published “To Err Is Human: Biography vs. Biopolitics in Michel Foucault” in the peer-reviewed journal, Contemporary Political Theory. For the 2017-2018 academic year, he has been awarded the Dissertation Year Fellowship by the UCLA Graduate Division. For the 2018- 2019 academic year, he will be in residence as a visiting scholar at New York University, Abu Dhabi. viii Introduction Political theory addresses questions of public concern. What is justice? What is freedom? Under what conditions may the exercise of power be considered legitimate and incur the obligation to obey? Given this, we are presented with a puzzle: why have so many political theorists shown interest in the genre of biography, which would seem to be such a personal and apolitical literary form? From Plato’s episodic accounts of the life of Socrates to Hannah Arendt’s Eichmann in Jerusalem, political theory has often, and paradoxically, fixed its focus on the life of a single person. The answer to this puzzle, I think, is that biography reveals the connection between individual identity and political action. It connects the “who” and the “what” of politics. More pointedly, it reveals that who we are is determined by what we do. This is evident from its form: the basis for a biographic plot is the course of action that an individual has taken through life. Through recounting an individual’s course of action, a biography reveals to us who that individual is. It might sound straightforward, but this formulation of the relation between identity and action is at odds with our modern commonsense understanding of what it means to be a “self.” One of the defining features of the modern age in which we live is its subjectivism. On this, the genealogists of modernity can agree, whether they call it “emotivism” (MacIntyre 2007), “inwardness” (Taylor 1989), or bald “self-assertion” (Blumenberg 1983). One aspect of this inward turn is what J.B. Schneewind calls “the invention of autonomy” (Schneewind 1998). Autonomy is the notion that our outward acts are authorized by our inward selves. Thus, in this model, individual identity – the consistency of the self with itself – is the source of action, not the result. 1 The “invention of autonomy” has had an enormous impact on modern political thought. Liberalism, republicanism, and even critical schools of thought like Marxism and existentialism have posited autonomy, whether taken in an individual or collective sense, as a normative ideal. In liberalism, with its values of individual freedom and independence; republicanism, with its veneration of popular sovereignty; Marxism, with its goal of transforming the proletariat from a class “in itself” to a class “for itself;” and existentialism, with its anxious quest for authenticity, political action has been conceived as the self-expression of a determinate subject. In these models, political action is “correct” when it is an accurate and authentic reflection of the acting subject. What I wish to argue, in this study of biography, is that things are the other way around. What we do is not a reflection of who we are. Instead, who we are is a reflection of what we do. We become who we are through what we do, and we have no identity until we have a story. In political terms, this means that we do not carry our private selves, already fully formed, over into politics. Our identity is formed, not in our own private thoughts, but through our role in public life. This thesis is at odds with current identity politics just as it is with the ideal of autonomy. In contemporary political life, identity is often conceived in terms of categorization and labeling: an individual is identified with a particular class, race, sex, gender, religion, nationality, etc. However, while these labels may or may not accurately categorize “what” a person is, they do not tell us “who” a person is. To understand “who” someone is, we need to know their life story. We are more than the sum of our parts or a cross-tabulation of our characteristics.
Recommended publications
  • Foucault and Deleuze, April 2014 Nicolae Morar, Penn State University, Thomas Nail, University of Denver, and Daniel W
    Nicolae Morar, Thomas Nail, and Daniel W. Smith 2014 ISSN: 1832‐5203 Foucault Studies, No. 17, pp. 4‐10, April 2014 INTRODUCTION Foucault Studies Special Issue: Foucault and Deleuze, April 2014 Nicolae Morar, Penn State University, Thomas Nail, University of Denver, and Daniel W. Smith, Purdue University Gilles Deleuze and Michel Foucault are widely accepted to be central figures of post‐war French philosophy. Philosophers, cultural theorists, and others have devoted considerable effort to the critical examination of the work of each of these thinkers, but despite the strong biographical and philosophical connection between Foucault and Deleuze, very little has been done to explore the relationship between them. This special issue of Foucault Studies is the first collection of essays to address this critical deficit with a rigorous comparative discussion of the work of these two philosophers. Deleuze’s Course Lectures on Foucault In particular, this special issue is motivated by the recent (2011) online publication of Gilles Deleuze’s course lectures on Michel Foucault (1985‐86) at the Bibliothèque Nationale de France (French National Library) in Paris. The BNF collected the available recordings of Deleuze’s seminar lectures at the University of Paris 8 and converted them into digital files. Needless to say, the task was a painstaking one, but the mp3 files have now been made accessible online through the Gallica search engine at the library.1 When Foucault died in 1984, Deleuze was so affected by the death of his friend, that he began lecturing and writing a book about Foucault’s philosophical corpus immediately. When asked why he wanted to write such a book, Deleuze was quite clear, “it marks an inner need of mine, my admiration for him, how I was moved by his death, and his unfinished work.”2 Deleuze’s desire for some kind of reconciliation with Foucault seems to have been a mutual one.
    [Show full text]
  • 1 from the Loving Struggle to the Struggle to Love
    1 ᳚ From the Loving Struggle to the Struggle to Love A Conversation with Calvin O. Schrag RAMSEY ERIC RAMSEY AND DAVID JAMES MILLER INTRODUCTORY REMARKS RER/DJM: Professor Schrag, we are immensely grateful for the opportu- nity to reflect here on the richness of the work that marks your distin- guished career. We hope that, in some small way, we can offer something here that acknowledges the time, encouragement, and support you so selflessly and graciously give those who are working in philosophy and communication. It is our intention to conduct this conversation in such a way that it will prove to be useful both to those who are familiar with your work and to those as yet unfamiliar with it. We hope to offer those already familiar with the work, not only further contextualization, but a new perspective on the work as well. We have always believed that the radical implications of your work, implications that have become obvious to us in our many conversations with you, have too often been overlooked, and we hope that in this conversation we can bring some of these implications to the fore. For those unfamiliar with your work, we hope to offer a consoli- dated, if not a comprehensive, introduction to your thought. In discussing your work, it will become evident that we have a par- ticular interest in your reflections on the phenomenon of “communicative praxis.” We are scholars trained in both the disciplines of philosophy and communication and have been dedicated from the first to an elaboration of the philosophy of communication.
    [Show full text]
  • Historical Critique Or Transcendental Critique in Foucault: Two Kantian Lineages Colin Koopman, University of Oregon
    Colin Koopman 2010 ISSN: 1832-5203 Foucault Studies, No. 8, pp. 100-121, February 2010 ARTICLE Historical Critique or Transcendental Critique in Foucault: Two Kantian Lineages Colin Koopman, University of Oregon ABSTRACT: A growing body of interpretive literature concerning the work of Michel Foucault asserts that Foucault’s critical project is best interpreted in light of various strands of philosophical phenomenology. In this article I dispute this interpretation on both textual and philosophical grounds. It is shown that a core theme of ‘the phenomenological Foucault’ having to do with transcendental inquiry cannot be sustained by a careful reading of Foucault’s texts nor by a careful interpretation of Foucault’s philosophical commitments. It is then shown that this debate in Foucault scholarship has wider ramifications for understanding ‘the critical Foucault’ and the relationship of Foucault’s projects to Kantian critical philosophy. It is argued that Foucault’s work is Kantian at its core insofar as it institutes a critical inquiry into conditions of possibility. But whereas critique for Kant was transcendental in orientation, in Foucault critique becomes historical, and is much the better for it. Keywords: Michel Foucault, Critique, Immanuel Kant, Phenomenology, Transcen- dental Critique. 100 Koopman: Historical Critique or Transcendental Crititique in Foucault ‚You seem to me Kantian or Husserlian. In all of my work I strive instead to avoid any reference to this transcendental as a condition of the possibility for any knowledge. When I say that I strive to avoid it, I don’t mean that I am sure of succeeding< I try to historicize to the utmost to leave as little space as possible to the transcendental.
    [Show full text]
  • From Zo¯Epolitics to Biopolitics: Citizenship and the Construction Of
    European Journal of Social Theory 13(2) 155–172 ª 2010 Sage Publications: From Zoepolitics¯ to Los Angeles, London, New Delhi, Singapore and Washington DC Biopolitics: Citizenship DOI: 10.1177/1368431010362300 and the Construction est.sagepub.com of ‘Society’ Willem Schinkel Erasmus University, Rotterdam, The Netherlands Abstract Giorgio Agamben’s work on biopower thematizes the biopolitical distinction between what the 1789 Declaration distinguishes as citoyen and homme. In this contribution, Foucault’s and Agamben’s views on biopolitics are critically discussed. It argues that a crucial distinction exists between what can be called zo¯epolitics and biopolitics. Whereas the former takes the biological body as its object and is only indirectly geared towards the social body, the latter more directly has the social body as its object. Citizenship can be regarded a crucial form of population control that is both zo¯epoliticaland biopolitical in scope. It is zo¯epoliticalin that it distinguishes citizens from non-citizens. It is biopolitical in that it separates the life of ‘society’ from what is today, for instance, in discourse on immigrant integration, discursively articulated as the ‘outside society’. It is thus crucial to take seriously a discourse on what ‘society’ is, who belongs to it, and who resides ‘outside of society’, instead of taking the sovereign posi- tion of defining ‘society’ as a social body existing prior to its biopolitical articulation. Keywords Agamben, biopolitics, citizenship, Foucault, immigrant integration In 2008, Sami al-Hajj, an Al Jazeera cameraman mistaken for an enemy combatant, was released from the US detention facilities at Guanta´namo Bay after being detained for over six years.
    [Show full text]
  • The Notion of Life in the Work of Agamben
    CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 14 (2012) Issue 1 Article 1 The Notion of Life in the Work of Agamben Carlo Salzani Monash University Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Comparative Literature Commons, and the Critical and Cultural Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Salzani, Carlo. "The Notion of Life in the Work of Agamben." CLCWeb: Comparative Literature and Culture 14.1 (2012): <https://doi.org/10.7771/1481-4374.1760> This text has been double-blind peer reviewed by 2+1 experts in the field. The above text, published by Purdue University Press ©Purdue University, has been downloaded 1850 times as of 11/ 07/19.
    [Show full text]
  • The Open Man and Animal by Giorgio Agamben
    The Open: Man and Animal Giorgio Agamben Stanford University Press The Open This page intentionally left blank Meridian Crossing Aesthetics Werner Hamacher Editor Translated by Kevin Attell Stanford University Press Stanford California The Open Man and Animal Giorgio Agamben Stanford University Press Stanford, California The Open was originally published in Italian in under the title L’ aperto: L’ uomo e l’animale. © , Bollati Boringhieri. English translation © by the Board of Trustees of the Leland Stanford Junior University. All rights reserved. Printed in the United States of America on acid-free, archival-quality paper Library of Congress Cataloging-in-Publication Data Agamben, Giorgio, – [Aperto. English] The open : man and animal / Giorgio Agamben. p. cm. — (Meridian, crossing aesthetics) Includes bibliographical references and index. --- (cloth : alk. paper) — --- (pbk. : alk. paper) . Philosophical anthropology. Human beings— Animal nature. I. Title. II. Series: Meridian (Stanford, Calif.) . — Original Printing Last figure below indicates year of this printing: Typeset by Tim Roberts in . ⁄ Adobe Garamond Contents Translator’s Note ix § Theriomorphous § Acephalous § Snob § Mysterium disiunctionis § Physiology of the Blessed § Cognitio experimentalis § Taxonomies § Without Rank § Anthropological Machine § Umwelt § Tick § Poverty in World § The Open § Profound Boredom viii Contents § World and Earth § Animalization § Anthropogenesis § Between § Desœuvrement § Outside of Being Notes Index of Names Translator’s Note Wherever possible, I have quoted from published English translations of Agamben’s French, German, Greek, Italian, and Latin sources. However, in order to maintain consistency in ter- minology throughout the text, and to better reflect Agamben’s own translations of these sources, the published English versions have frequently been modified. Where no English edition is cited, the translation is mine.
    [Show full text]
  • Sovereignty, Law, and Play in Agamben's State of Exception
    Marshall University Marshall Digital Scholar English Faculty Research English Winter 2005 The Killing Machine of Exception: Sovereignty, Law, and Play in Agamben’s State of Exception Puspa Damai Marshall University, Huntington, WV, [email protected] Follow this and additional works at: http://mds.marshall.edu/english_faculty Part of the Italian Language and Literature Commons, Military History Commons, and the Political History Commons Recommended Citation Damai, Puspa. “The Killing Machine of Exception: Sovereignty, Law, and Play in Agamben’s State of Exception. CR: The eN w Centennial Review, 5.3, (2005): 255-276. This Book Review is brought to you for free and open access by the English at Marshall Digital Scholar. It has been accepted for inclusion in English Faculty Research by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. book review The Killing Machine of Exception Sovereignty, Law, and Play in Agamben’s State of Exception P USPA D AMAI University of Michigan in Ann Arbor, and Tribhuvan University, Kathmandu, Nepal State of Exception. Giorgio Agamben. Translated by Kevin Attell. Chicago: University of Chicago Press, 2005. Giorgio Agamben’s slender but profound monograph on the state of exception is an intervention into a world that is becoming more and more exceptionalist. The events of 9/11, the War on Terror, and the succes- sive decrees and acts authorizing fingerprinting, interrogation, and indefinite detention of suspects in terrorist activities, all testify to Agamben’s prophetic portrayal of contemporary politics in which the state of exception—normally a provisional attempt to deal with political exigen- cies—has become a permanent practice or paradigm of government.
    [Show full text]
  • Nine Inch Nails Pretty Hate Machine Free
    FREE NINE INCH NAILS PRETTY HATE MACHINE PDF Daphne Carr | 144 pages | 03 May 2011 | Bloomsbury Publishing PLC | 9780826427892 | English | London, United Kingdom Nine Inch Nails - Wikipedia The album consists of reworked tracks from the Purest Feeling demo tape, as well as songs composed after its original recording. The album, which features a heavily synth-driven electronic sound blended with industrial and rock elements, bears little resemblance to the band's subsequent work. Conversely, much like the band's later Nine Inch Nails Pretty Hate Machine, the album's lyrics contain themes of angst, betrayal, and lovesickness. The record was promoted with the singles " Down in It ", " Head Like a Hole ", and " Sin ", as well as the accompanying tour. A remastered edition was released in Although the record was successful, reaching No. Pretty Hate Machine was later certified triple-platinum by RIAAbecoming one of the first independently released albums to do so, and was included on several lists of the best releases of the s. During working nights as a handyman and engineer at the Right Track Studio in ClevelandOhioReznor used studio "down-time" to record and develop his own music. The sequencing was done on a Macintosh Plus. With the help of manager John Malm, Jr. Reznor received contract offers from many of the labels, but eventually signed with TVT Recordswho were known mainly for releasing novelty and television jingle records. Much like his recorded demo, Reznor refused to record the album with a conventional band, recording Pretty Hate Machine mostly by himself. I became completely withdrawn. I couldn't function in society very well.
    [Show full text]
  • Acts of Identity: a Political Theory of Biography
    UNIVERSITY OF CALIFORNIA Los Angeles Acts of Identity: A Political Theory of Biography A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Political Science by William Samuel Stahl 2018 Ó Copyright by William Samuel Stahl 2018 ABSTRACT OF THE DISSERTATION Acts of Identity: A Political Theory of Biography by William Samuel Stahl Doctor of Philosophy in Political Science University of California, Los Angeles, 2018 Professor Joshua F. Dienstag, Chair My dissertation, Acts of Identity: A Political Theory of Biography, is prompted by the puzzle: why have so many political theorists shown interest in the genre of biography, seemingly such a private and apolitical genre? I answer that biography is a powerful lens through which to analyze the link between individual identity formation and political action. I develop this answer through four chapters that engage with a selection of political theorists who have written biographic works. In the first chapter, I examine Hannah Arendt’s claim that human beings are unlike other living things because each one of us develops a unique identity from the singularity of our biography. For her, who we are – and what makes us human – is what we say and do. In chapter two, I analyze Giorgio Agamben’s challenge to Arendt: he concludes that what makes us human is not what we say or do, but what we have the potential to do. This implies that our biography does not define who we are or make us human. I agree with the latter implication, but not the former. While the form of human life may not be biographic, individual identity is.
    [Show full text]
  • Primo Levi and the Material World
    Gerry Kearns1 If wood were an element: Primo Levi and the material world Abstract The precarious survival of a single shed from the Jewish slave labour quarters of the industrial complex that was Auschwitz- Monowitz offers an opportunity to reflect upon aspects of the materiality of the signs of the Holocaust. This shed is very likely ne that Primo Levi knew and its survival incites us to interrogate its materiality and significance by engaging with Levi’s own writings on these matters. I begin by explicating the ways the shed might function as an ‘encountered sign,’ before moving to consider its materiality both as a product of modernist genocide and as witness to the relations between precarity and vitality. Finally, I turn to the texts written upon the shed itself and turn to the performative function of Nazi language. Keywords Holocaust, icon, index, materiality, performativity, Primo Levi Fig. 1 - The interior of the shed, December 2012 (Photograph by kind permission of Carlos Reijnen) It is December 2012, we are near the town of Monowice in Poland. Alongside a small farmhouse, there is a hay-shed. The shed is in two parts with two doorways communicating and above these, “Eingang” and “Ausgang”. In the further part of the shed, there is more text, in Gothic font, in German. Along a crossbeam 1 National University of Ireland, Maynooth; [email protected]. I want to thank the directors of the Terrorscapes Project (Rob van der Laarse and Georgi Verbeeck) for the invitation to come on the field trip to Auschwitz. I want to thank Hans Citroen and Robert Jan van Pelt for their patient teaching about the history of the site.
    [Show full text]
  • The Trolley Problem and the Dropping of Atomic Bombs Masahiro Morioka*
    Journal of Philosophy of Life Vol.7, No.2 (August 2017):316-337 The Trolley Problem and the Dropping of Atomic Bombs Masahiro Morioka* Abstract In this paper, the ethical and spiritual aspects of the trolley problem are discussed in connection with the dropping of atomic bombs on Hiroshima and Nagasaki. First, I show that the dropping of atomic bombs was a typical example of the events that contained the logic of the trolley problems in their decision-making processes and justifications. Second, I discuss five aspects of “the problem of the trolley problem;” that is to say, “Rarity,” “Inevitability,” “Safety Zone,” “Possibility of Becoming a Victim,” and “Lack of Perspective of the Dead Victims Who Were Deprived of Freedom of Choice,” in detail. Third, I argue that those who talk about the trolley problem are automatically placed in the sphere of the expectation of response on the spiritual level. I hope that my contribution will shed light on the trolley problem from a very different angle, which has not been made by our fellow philosophers. 1. Introduction Brian Short writes a concise explanation of a standard type of the trolley problem in a recent issue of the LSA Magazine. You’re standing next to a train track when you spot a locomotive approaching. Farther down the track are five people in the path of the train but too far away for you to shout a warning to them. A lever next to you would allow you to divert the train – saving the lives of five people – onto a track with only one person standing on it.
    [Show full text]
  • Sponsoring Committee: Professor Jennifer S. Tsien, Chairperson Professor Janet R
    Sponsoring Committee: Professor Jennifer S. Tsien, Chairperson Professor Janet R. Horne Professor Stéphanie Bérard Professor Emily Ogden BEYOND “QUELQUES ARPENTS DE NEIGE : ” REPRESENTATION OF NEW FRANCE IN FRENCH TEXTS, 1703 TO 1780 Nathan D. Brown Department of French Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of French University of Virginia 2014 Copyright © 2014 Nathan D. Brown TABLE OF CONTENTS ACKNOWLEDGEMENTS 3 CHAPTER INTRODUCTION Abandoned Children on the Banks of the Saint Lawrence 5 CHAPTER 1 The Travel Narratives of Lahontan and Charlevoix: Imaging New France and 36 Naming its People CHAPTER 2 Sauvage foils or sauvage foibles ? : Fear of Degeneration and Hope for 88 Regeneration in New France CHAPTER 3 Utopian Visions and Dressing Across Borders : 136 The Discursive Role of New France in Alain-René Lesage's Beauchêne, Les Mariages de Canada, and La Sauvagesse CHAPTER 4 New France in the Discourse of Voltaire and Raynal : Cautionary Tales, 198 Sentimentality, Anglophilia. CONCLUSION Memories of New France : The New Becomes Old 249 ACKNOWLEDGEMENTS I wish to express my gratitude to Jennifer Tsien, who encouraged me to embark on this project, for her continuing advice, support, and enthusiasm. I also wish to thank Janet Horne and Stéphanie Bérard both of whom provided useful guidance and whose courses influenced my thinking on this topic. I would also like to acknowledge and thank Emily Ogden for her thoughts on this project. Any remaining errors and malapropisms in these pages are, of course, entirely my own. Finally, my deepest thanks go to Elizabeth Brown whose encouragement and good humor kept this project enjoyable and on time.
    [Show full text]