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Manchus: a Horse of a Different Color
History in the Making Volume 8 Article 7 January 2015 Manchus: A Horse of a Different Color Hannah Knight CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/history-in-the-making Part of the Asian History Commons Recommended Citation Knight, Hannah (2015) "Manchus: A Horse of a Different Color," History in the Making: Vol. 8 , Article 7. Available at: https://scholarworks.lib.csusb.edu/history-in-the-making/vol8/iss1/7 This Article is brought to you for free and open access by the History at CSUSB ScholarWorks. It has been accepted for inclusion in History in the Making by an authorized editor of CSUSB ScholarWorks. For more information, please contact [email protected]. Manchus: A Horse of a Different Color by Hannah Knight Abstract: The question of identity has been one of the biggest questions addressed to humanity. Whether in terms of a country, a group or an individual, the exact definition is almost as difficult to answer as to what constitutes a group. The Manchus, an ethnic group in China, also faced this dilemma. It was an issue that lasted throughout their entire time as rulers of the Qing Dynasty (1644- 1911) and thereafter. Though the guidelines and group characteristics changed throughout that period one aspect remained clear: they did not sinicize with the Chinese Culture. At the beginning of their rule, the Manchus implemented changes that would transform the appearance of China, bringing it closer to the identity that the world recognizes today. In the course of examining three time periods, 1644, 1911, and the 1930’s, this paper looks at the significant events of the period, the changing aspects, and the Manchus and the Qing Imperial Court’s relations with their greater Han Chinese subjects. -
A Science-Based Guide to Afro-Textured Hair Care from Nylah’S Naturals
FOR IMMEDIATE RELEASE A Science-Based Guide to Afro-Textured Hair Care from Nylah’s Naturals. This vegan hair care brand shares their top five tips on how to care for Black hair. Afro-textured hair requires special care, as the hair unique structure is prone to extra dryness and therefore are more fragile and susceptible to breakage. Kam Davis, Founder and CEO of Nylah’s Naturals, shares some expert advice on how to care for Black hair. Since ancient times, afro-textured hair has been an integral part of Black culture. From the Ancient Nile Valley civilizations to the establishment of Western African empires, hair has maintained a spiritual, social, cultural and aesthetic significance in the lives of African people. It was a part of a person’s social and cultural identity, signifying personal status. Unfortunately, in recent centuries, Black women and men were forced to follow the standards of beauty industries that did not accept natural afro-textured hair, forcing many to chemically straighten their hair or wear wigs. Encouragingly, over the past few years, the tendency started shifting in a different FOR IMMEDIATE RELEASE direction, with natural afro-textured hair being more and more widely accepted, celebrating its curly nature and uniqueness. “At Nylah’s Naturals, we realize that our mission goes way beyond creating natural, high-quality products catering to afro-textured hair. For so many years Black women were fighting the very nature of their hair, so now we feel there is a need to educate and share the best practices on how to care for Black hair in such a way that it highlights its health and beauty,” - shares Kam Davis, Nylah’s Naturals CEO and Founder. -
AFRO-AMERICAN ART the METROPOLITAN MUSEUM of ART Selections of Nineteenth-Century Afro-American Art
<^ ? AFRO-AMERICAN ART THE METROPOLITAN MUSEUM OF ART Selections of Nineteenth-Century Afro-American Art Selections of Nineteenth-Century Afro-American Art June 19-August 1,1976 Catalogue by Regenia A. Perry The Metropolitan Museum of Art, New York ON THE COVER: Ashur Moses Nathan and Son by Jules Lion. Pastel on canvas, ca. 1845. Lent by Francois Mignon, Natchitoches, Louisiana. Pho tograph by Don R. Sepulvado, Natchitoches, Louisiana. Copyright © 1976 by The Metropolitan Museum of Art 1 he Metropolitan Museum is pleased to present the ex hibition Selections of Nineteenth-Century Afro-American Art as part of our observance of the nation's Bicentennial celebration. We are grateful for the generosity of the lenders, whose cooperation made the exhibition possible, and we congratulate Dr. Regenia A. Perry, who or ganized the show. It is fitting at this time not only to ex amine this important aspect of our national heritage but to view it in the broader context of the history of Ameri can art as represented in the collection of The Metropoli tan Museum of Art. THOMAS HOVING Director ACKNOWLEDGMENTS I would like to express my gratitude to the School of the Arts at Virginia Commonwealth University for granting me a leave of ab sence to work on this project during the academic year 1975—1976, to the Andrew W. Mellon Foundation for funding the fellowship at The Metropolitan Museum of Art which I received during this year, to The Metropolitan Museum of Art for working with me in present ing this exhibition, and to the numerous institutions and private col lectors who have generously lent their works. -
Beauty Trends 2015
Beauty Trends 2015 HAIR CARE EDITION (U.S.) The image The image cannot be cannot be displayed. displayed. Your Your computer computer may not have may not have enough enough memory to memory to Intro open the open the With every query typed into a search bar, we are given a glimpse into user considerations or intentions. By compiling top searches, we are able to render a strong representation of the United States’ population and gain insight into this specific population’s behavior. In our Google Beauty Trends report, we are excited to bring forth the power of big data into the hands of the marketers, product developers, stylists, trendsetters and tastemakers. The goal of this report is to share useful data for planning purposes accompanied by curated styles of what we believe can make for impactful trends. We are proud to share this iteration and look forward to hearing back from you. Flynn Matthews | Principal Industry Analyst, Beauty Olivier Zimmer | Trends Data Scientist Yarden Horwitz | Trends Brand Strategist Photo Credit: Blind Barber (Men’s Hair), Meladee Shea Gammelseter (Women’s Hair), Andrea Grabher/Christian Anwander (Colored Hair), Catface Hair (Box & Twist Braids), Maria Valentino/MCV photo (Goddess Braid) Proprietary + Confidential Methodology QUERY To compile a list of accurate trends within the Jan-13 Aug-13 Jan-14 Aug-14 Jan-15 Aug-15 beauty industry, we pulled top volume queries related to the beauty category and looked at their monthly volume from January 2013 to August 2015. We first removed any seasonal effect, and DE-SEASONALIZED QUERY then measured the year-over-year growth, velocity, and acceleration for each search query. -
Hairstyles with Instructions and Pictures
Hairstyles With Instructions And Pictures ProsecutableCommutable NielsOsborn never sometimes glove so filibuster unmanly his or tabbiescheckmates insuperably any peristerite and rethinks quarterly. so headfirst! Randal unionise hideously if wizened Aubert inculcating or rescues. Just pick the picture they like rape be ready to donate on will new stunning look. Braids twists and buns 20 easy DIY wedding hairstyles. 20 Simplest Ideas How it Cut Your liver Hair loss Home Hair. Cool variation on classic spikes this messy styles pulls spikes in all directions. The ability to communicate what king want and plant specific instructions. 25 Low Bun Hairstyles That You Can multiply Yourself. Get complete directions here neither can find silly and affordable scarves on eBay or in own local stores 3 Milkmaid Braid. 26 Incredible Hairstyles You country Learn In 10 Steps Or Less. We're willing to bet although there's only certain style you tick when curly hairstyles come time mind below we aware of curly hairstyles for tape hair. 22 Easy Kids Hairstyles Best Hairstyles for Kids. Below are various step just step instructions along water a short video that I borrow on YouTube that demonstrates a. Hair Terminology How to giving Your Barber Exactly which You. Short Hairstyles for Women Short Hair Styles Short Haircuts. Curling hair over chain is have great help and set good basis for various hairstyles. 44 Incredibly Chic Updo Ideas for Short Hair Byrdie. And a charm and hairstyles with and instructions pictures will all your loose strands short sides take them, creating simple steps, and see every section, dass dieses konto beiträge gefunden. -
How to Make a Ballet Bun
How to Make a Ballet Bun Hair : Girls in all ballet classes must wear their hair in a neat and tidy classical bun or pinned up so hair does not obscure the neckline or get in the students' eyes. The ballet bun keeps hair from flying in a dancer's face; it also creates a clean, elegant line for the dancer. Follow these steps to make the perfect bun: Materials List → Hairspray or hair gel → Elastic band → U-shaped hair pins (thicker type with plastic tips) → Comb & brush (a fine tooth comb is preferable) → Bobby pins → Hair net (fine net, elastic edges, same color as hair.) 1. To start the process, wet your hands and the hair with water. This will give you better control over the hair. Gather the hair and pull it back. Apply hair gel if you need more control over the hair. 2. Use a hair brush to smooth out rough or uneven areas. Form a pony tail by brushing the hair up from the jaw line to the top part of the back of the head. This will form a high bun. The placement of the pony tail determines the placement of the bun. Mid and low buns are sometimes used with short hair. Very short hair can be done in two low side buns, or use hair clips to fasten the hair down without a bun. 3. Use an elastic hair band to secure the pony tail. A tidy pony tail with hair drawn snugly back is the key to making a good ballet bun. -
An Exploration of the Hierarchies in the Natural Hair Community
Georgia State University ScholarWorks @ Georgia State University Institute for Women's, Gender, and Sexuality Women's, Gender, and Sexuality Studies Theses Studies 8-11-2015 (De)Tangled: an Exploration of the Hierarchies in the Natural Hair Community Schillica Howard Follow this and additional works at: https://scholarworks.gsu.edu/wsi_theses Recommended Citation Howard, Schillica, "(De)Tangled: an Exploration of the Hierarchies in the Natural Hair Community." Thesis, Georgia State University, 2015. https://scholarworks.gsu.edu/wsi_theses/49 This Thesis is brought to you for free and open access by the Institute for Women's, Gender, and Sexuality Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Women's, Gender, and Sexuality Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. (DE)TANGLED: AN EXPLORATION OF THE HIERARCHIES IN THE NATURAL HAIR COMMUNITY by SCHILLICA HOWARD Under the Direction of Tiffany King, PhD ABSTRACT Within popular discourse, natural hair is considered to be a source of liberation where Black women can accept and nurture their natural hair texture. My research explores the points of contention in this community and the hierarchies that exist based on length of hair, curl pattern, and texture. By using product content analysis, interviews with Black women with natural hair, and analysis of social media, this thesis brings the ideal aesthetics in the natural hair community to the forefront for closer examination. Findings insist that, in the natural hair community, a curl is more attractive than a kink, longer hair more preferable than short, and that “manageable hair” is vital to Black women’s successful performances of Black femininity. -
Black Music of All Colors
SÉRIE ANTROPOLOGIA 145 BLACK MUSIC OF ALL COLORS. THE CONSTRUCTION OF BLACK ETHNICITY IN RITUAL AND POPULAR GENRES OF AFRO-BRAZILIAN MUSIC José Jorge de Carvalho Brasília 1993 Black Music of all colors. The construction of Black ethnicity in ritual and popular genres of Afro-Brazilian Music. José Jorge de Carvalho University of Brasília The aim of this essay is to present an overview of the charter of Afro-Brazilian identities, emphasizing their correlations with the main Afro-derived musical styles practised today in the country. Given the general scope of the work, I have chosen to sum up this complex mass of data in a few historical models. I am interested, above all, in establishing a contrast between the traditional models of identity of the Brazilian Black population and their musics with recent attempts, carried out by the various Black Movements, and expressed by popular, commercial musicians who formulate protests against that historical condition of poverty and unjustice, forging a new image of Afro- Brazilians, more explicit, both in political and in ideological terms. To focus such a vast ethnographic issue, I shall analyse the way these competing models of identity are shaped by the different song genres and singing styles used by Afro-Brazilians running through four centuries of social and cultural experience. In this connection, this study is also an attempt to explore theoretically the more abstract problems of understanding the efficacy of songs; in other words, how in mythopoetics, meaning and content are revealed in aesthetic symbolic structures which are able to mingle so powerfully verbal with non-verbal modes of communication. -
“Hair” They Are: the Ideologies of Black Hair
THE YORK REVIEW, 9.1 (Spring 2013) “Hair” They Are: The Ideologies of Black Hair Tiffany Thomas woman’s hair is said to be her crowning glory and man- Aifestation of her femininity. Hair is considered a key indicator of a woman’s health and beauty. The Western standard of beauty defines beautiful hair as that which is long and prefer- ably straight. Having such a standard creates a hair hierarchy, with long straight hair on the top of the hair pyramid and Afri- can American hair on the bottom. A black woman’s hair is tradi- tionally dry, tightly coiled or curled. In order to attain the West- ern standard of beauty, the majority of African American women chemically straighten or “relax” their hair. This notion is embed- ded in media such as Sophisticate’s Black Hair Styles and Care Guide and other magazines featuring black women with straightened hair. However, more recently, there has been an increase in the number of black women returning to their natural hair texture; that is, they are no longer chemically straightening their hair (Healy, 2011). The decision to return to the natural texture of one’s hair is termed “going natural.” The media has noticed black women’s sudden movement toward natural hair and has begun to include more natural-haired African Americans in advertisements. Some reasons that black women decide to go natural are: to follow a healthier lifestyle, to explore curiosity about their natural texture, to support their daughters’ hair, and to save the time and energy they spend using relaxers. -
Taking the Kinks out of Your Hair and out of Your Mind: a Study on Black Hair and the Intersections of Race and Gender in the United States
Taking the Kinks Out of Your Hair and Out of Your Mind: A study on Black hair and the intersections of race and gender in the United States Tyler Berkeley Brewington Senior Comprehensive Thesis Urban and Environmental Policy Professor Bhavna Shamasunder Professor Robert Gottlieb April 19, 2013 Acknowledgements First and foremost, I would like to thank God for giving me the strength to finish this project. All thanks goes to Him for allowing me to develop this project in ways that I didn’t even believe were possible. Secondly, I would like to thank my family and friends for supporting me through this process. Thank you for helping me edit my thesis, for sharing links about natural hair with me, and for connecting me with people to interview. Your love and support enable me to do everything – I am nothing without you! I would also like to thank Professor Shamasunder for being an amazing advisor and for always being there for me. Thank you for all of our office hours sessions, for your critical eye, and also for supporting this project from day one. I appreciate you so much! Also, I would like to thank Professor Gottlieb for helping me remain calm and thinking about the important body of work that I am producing. Thank you also for being such a great advisor to me throughout the years and for helping me find my passion! Finally, I would like to dedicate this report to “all the colored girls who considered going natural when the relaxer is enuf.” Thank you for inspiring me to go natural, this project would not have been possible without you. -
{Download PDF} Good Hair : the Essential Guide to Afro, Textured
GOOD HAIR : THE ESSENTIAL GUIDE TO AFRO, TEXTURED AND CURLY HAIR PDF, EPUB, EBOOK Charlotte Mensah | 288 pages | 29 Oct 2020 | Penguin Books Ltd | 9780241423523 | English | London, United Kingdom Good Hair : The Essential Guide to Afro, Textured and Curly Hair PDF Book Buy from…. Please sign in to write a review. Picture Information. Report item - opens in a new window or tab. We are temporarily unable to accept orders for delivery to destinations on Royal Mail's suspension list see below. Featuring case studies of clients who came to her looking for a 'hair fix', and informed by her own story from apprentice to business-owner, this book will dispel common hair myths and give you the knowledge and tools to attain good hair health. Reserve online, pay on collection. If you have any issues or concerns, please contact our customer service team within 60 days of purchase and they will be more than happy to help. With millions of satisfied customers who enjoy low prices on a huge range of books, we offer a reliable and trusted service and consistently receive excellent feedback. Return policy. Any international shipping is paid in part to Pitney Bowes Inc. Special financing available Select PayPal Credit at checkout to have the option to pay over time. Gorgeous Wedding Hairstyles. Item description Please note, the image is for illustrative purposes only, actual book cover, binding and edition may vary. We offer a huge range of over 8 million books; bestsellers, children's books, cheap paperbacks, baby books, special edition hardbacks, and textbooks. Happy and other ridiculous aspirations. -
Barriers to Braiding How Job-Killing Licensing Laws Tangle Natural Hair Care in Needless Red Tape
Barriers to Braiding How Job-Killing Licensing Laws Tangle Natural Hair Care in Needless Red Tape By Angela C. Erickson July 2016 Barriers to Braiding Barriers to Braiding How Job-Killing Licensing Laws Tangle Natural Hair Care in Needless Red Tape By Angela C. Erickson July 2016 Barriers to Braiding Barriers to Braiding Table of Contents Executive Summary . 1 Introduction . 3 Barriers to a Traditional Art . 7 Methods . 10 Results . 13 Discussion . 18 Implications . 22 Appendix A . 25 Appendix B . 27 Appendix C . 28 Endnotes . .29 Barriers to Braiding Executive Summary African-style hair braiding is a traditional art and a time-tested way of caring for tightly coiled Afro-textured hair naturally, without scissors, heat or chemicals. Yet, in most states, people who wish to braid for a living must first obtain a government permission slip—an occupational license requiring up to 2,100 hours of training. This study investigates whether the natural craft of braiding poses risks that justify occupational licensing and whether braiding licenses create barriers that keep people out of work. 1 Barriers to Braiding This report finds: Braiding is safe—in states with strict licensing and in states without. • Complaints against braiders are extremely rare. Licensing boards in nine states and the District of Columbia turned up just 130 complaints in seven years—and the vast majority concerned whether braiders were properly licensed, not health or safety. Only six complaints raised questions of consumer harm, none of them verified by boards. • Complaints against braiders are so rare that a person is 2.5 times more likely to get audited by the IRS (8.6 in 1,000) than a licensed or registered braider is to receive a complaint of any kind (3.4 in 1,000).