Music-Week-1986-06-2
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Sexual Liberty and Same-Sex Marriage: an Argument from Bisexuality
University at Buffalo School of Law Digital Commons @ University at Buffalo School of Law Journal Articles Faculty Scholarship 2012 Sexual Liberty and Same-Sex Marriage: An Argument from Bisexuality Michael Boucai University at Buffalo School of Law Follow this and additional works at: https://digitalcommons.law.buffalo.edu/journal_articles Part of the Civil Rights and Discrimination Commons, and the Gender and Sexuality Commons Recommended Citation Michael Boucai, Sexual Liberty and Same-Sex Marriage: An Argument from Bisexuality, 49 San Diego L. Rev. 415 (2012). Available at: https://digitalcommons.law.buffalo.edu/journal_articles/66 This Article is brought to you for free and open access by the Faculty Scholarship at Digital Commons @ University at Buffalo School of Law. It has been accepted for inclusion in Journal Articles by an authorized administrator of Digital Commons @ University at Buffalo School of Law. For more information, please contact [email protected]. Sexual Liberty and Same-Sex Marriage: An Argument from Bisexuality MICHAEL BOUCAI* TABLE OF CONTENTS 1. INTRODUCTION.........................................................416 II. SEXUAL LIBERTY AND SAME-SEX MARRIAGE .............................. 421 A. A Right To Choose Homosexual Relations and Relationships.........................................421 B. Marriage'sBurden on the Right............................426 1. Disciplineor Punishment?.... 429 2. The Burden's Substance and Magnitude. ................... 432 III. BISEXUALITY AND MARRIAGE.. ......................................... -
Nepantla.Issue3 .Pdf
Nepantla A Journal Dedicated to Queer Poets of Color Editor-In-Chief Christopher Soto Manager William Johnson Cover Image David Uzochukwu Welcome to Nepantla Issue #3 Wow! I can't believe this is already the third year of Nepantla's existence. It feels like just the other day when I only knew a handful of queer poets of color and now my whole life is surrounded by your community. Thank you for making this journal possible! This year, we read thousands of poems to consider for publication in Nepantla. We have published twenty-seven poets below (three of them being posthumous publications). It's getting increasingly more difficult to publish all of the amazing poems we encounter during the submissions process. Please do not be discouraged from submitting to us multiple years! This decision, to publish posthumously, was made in a deep desire to carry the legacies of those who have helped shape our understandings of self and survival in the world. With Nepantla we want to honor those who have proceeded us and honor those who are currently living. We are proud to be publishing the voices of June Jordan, Akilah Oliver, and tatiana de la tierra in Issue #3. This year's issue was made possible by a grant from the organization 'A Blade of Grass.' Also, I want to acknowledge other queer of color journals that have formed in the recent years too. I believe that having a multitude of journals, and not a singular voice, for our community is extremely important. Oftentimes, people believe in a destructive competition which doesn't allow for their communities to flourish. -
The A-Z of Brent's Black Music History
THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business. -
SPR2013 SOC200 Syllabus DRAFT.Docx
GWS 340 Bi/Pan/Asexuality: Community & Representation Spring 2020 3 credits Intermediate; Humanities or Social Science NOTE: Based on the traditional “Carnegie unit” definition for credit hours in a traditionally formatted college course, you should expect to spend an average of approximately 7-8 hours a week outside of class on readings and assignments in a 14-week semester Grainger 1185 MW 2:30 – 3:45 Dr. Cabell Gathman (she/her) Office: Sterling 3323 Office hours: W 10:30 – 11:30; F 3:00 – 4:00; by appointment (must be arranged via email >24 hours in advance) Email: [email protected] Please do NOT contact me via Canvas messaging—use email. Electronic materials, assignments, and required activities available through Canvas course site: https://canvas.wisc.edu/courses/193658 – 2 – Course Description Bisexual/biromantic, pansexual/panromantic, and asexual/aromantic (BPA) people are often denied (full) membership in the "queer community," or assumed to have the same experiences and concerns as lesbian and gay (LG) people and thus not offered targeted programs or services. Recent research has shown a wide variety of negative outcomes experienced by bisexual/biromantic people at much higher rates than LG people, and still barely acknowledges the existence of pansexual/panromantic or asexual/aromantic people. (Although research differentiating pan and bi people is still quite sparse, what exists suggests that systematic differences may exist between these groups, as well.) This course builds on concepts and information covered in Introduction to LGBTQ+ Studies (GWS 200). It will explore the experiences, needs, and goals of BPA people, as well as their interactions with the mainstream lesbian & gay community and overlap and coalition building with other marginalized groups. -
June Jordan's Transnational Feminist Poetics Julia Sattler in Her Poetry, the Late African Am
Journal of American Studies of Turkey 38 (2013): 65-82 “I am she who will be free”: June Jordan’s Transnational Feminist Poetics Julia Sattler In her poetry, the late African American writer June Jordan (1936- 2002) approaches cultural disputes, violent conflicts, as well as transnational issues of equality and inclusion from an all-encompassing, global angle. Her rather singular way of connecting feminism, female sexual identity politics, and transnational issues from wars to foreign policy facilitates an investigation of the role of poetry in the context of Transnational Feminisms at large. The transnational quality of her literary oeuvre is not only evident thematically but also in her style and her use of specific poetic forms that encourage cross-cultural dialogue. By “mapping connections forged by different people struggling against complex oppressions” (Friedman 20), Jordan becomes part of a multicultural feminist discourse that takes into account the context-dependency of oppressions, while promoting relational ways of thinking about identity. Through forging links and loyalties among diverse groups without silencing the complexities and historical specificities of different situations, her writing inspires a “polyvocal” (Mann and Huffmann 87) feminism that moves beyond fixed categories of race, sex and nation and that works towards a more “relational” narration of conflicts and oppressions across the globe (Friedman 40). Jordan’s poetry consciously reflects upon the experience of being female, black, bisexual, and American. Thus, her work speaks from an angle that is at the same time dominant and marginal. To put it in her own words: “I am Black and I am female and I am a mother and I am a bisexual and I am a nationalist and I am an antinationalist. -
Smash Hits Volume 17
25p TLY. July 26- August 8 1979 **r w*- Silly Games ere Comes The Summer Disco ABBA and STING in colour Stay With Me Till Dawn By Judie Tzuke on Rocket Records Is this a game you're playing I don't understand what's going on I can't see through your frown First you're up then you're down You're keeping me from someone I want to know But I need you tonight (need you tonight) Yes I need you tonight (need you tonight) And I'll show you a sunset if you'll stay with me till down It's the same old situation Every word so finely placed Running around my concentration Is the feeling that I've just got to break out and say Oh I need you tonight (need you tonight) Yes I need you tonight (need you tonight) And I'll show you a sunset if you'll stay with me till dawn Is this a game you're playing Playing with my heart (need you tonight) Ooh stop playing with my heart (need you tonight) And I'll show you a sunset if you'll stay with me till dawn Yes I'll I show you a sunset if you'll stay with me till dawn 1 ^. ^sssk —.lirt. ~ -* ~~- f** W-3 Reproduced by permission Consortway/Unit Artists Music Ltd. 2 SMASH HITS i^illiiPt0 l?**,-, SQ:Y2^W^|^& Arties^^i^^flopd^^« «*? ^dies «nsgH#i ^BWfeW27- 23$Si»«Sr«"gHK8j8»rV 'pa9e ^ IsSgissfe?. Sits i WW Soo^XO^° Ta9® «ot*ssi5 eS \CaV pa9 \0 v\et age ?m Ja g0^ ~pa§® z \d go^S 80^ e Qav 8U# uVce ~pa§ - •v* ?o^\c tt^9? 3o?S Ssco SSN? pag® A3 \0£mss*^SS§E W de^i pag® ?veten pav>5. -
The Politics of Loving Blackness in the UK By
The Politics of Loving Blackness in the UK By Lisa Amanda Palmer A thesis submitted to The University of Birmingham For the degree of DOCTOR OF PHILOSOPHY Department of American and Canadian Studies The University of Birmingham March 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract Can ‘loving blackness’ become a new discourse for anti-racism in the UK and the broader black diaspora? This thesis will critically assess the concept of ‘loving blackness as political resistance’ as outlined by the African American feminist bell hooks (1992). The thesis will show the ways in which blackness has been both negated and denigrated in western cultures and thus constructed in opposition to notions of love and humanness. Conversely, love and blackness are also rehabilitated in different ways by Black diasporic populations in Britain through the transnational space. The transnational space can provide opportunities for constructing, networks of care, love and anti racist strategies that affirm the value of blackness and Black life. However, the transnational space can also be fraught with risks, dangers and exclusions providing Black and migrant populations with uneven forms of citizenship and belonging to western neo-liberal states. -
14,99€ 9,99€ 17,99€ 20,99€ 21,99€ 19,99€
IRIE RECORDS GMBH IRIE RECORDS GMBH NEW RELEASE CATALOGUE NO. 398 RINSCHEWEG 26 (CD/LP/10"&12"/7") 48159 MUENSTER (23.08.2015 - 12.09.2015) GERMANY TEL. +49-(0)251-45106 HOMEPAGE: www.irie-records.de MANAGING DIRECTOR: K.E. WEISS EMAIL: [email protected] REG. OFFICE: MUENSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- OPENING HOURS: MONDAY/TUESDAY/WEDNESDAY/THURSDAY/FRIDAY 13 – 19; SATURDAY 12 – 16 CD CD CD JAPAN IMPORT CD 2CD CD 9,99€ 17,99€ 18,99€ 16,99€ 1)19,99€ 17,99€ 1) 16,99€ 14,99€ 1) 16,99€ CD CD CD CD CD CD 14,99€ 9,99€ 17,99€ 20,99€ 21,99€ 19,99€ 1) PLEASE NOTE: SPECIAL SALE PRICE ONLY VALID FOR ORDERS RECEIVED UNTIL OCTOBER 15th 2015! IRIE RECORDS GMBH NEW RELEASE-CATALOGUE 09/2015 PAGE 2 *** CDs *** CD CD CD CD CD CD 11,99€ 18,99€ 16,99€ 19,99€ 20,99€ 18,99€ ALDUBB............................ A TIMESCALE OF CREATION....... ONE DROP....... (GER) (15/15). 14.99EUR ALDUBB............................ ADVANCED PHYSICS.............. ONE DROP....... (GER) (08/08).. 9.99EUR ERROL BELLOT...................... KNOW JAH (11 VOC & 5 DUBS).... REALITY SHOCK.. (GBR) (11/12). 17.99EUR BLAAK LUNG (feat. BATCH/LUTAN FYAH/RAS ATTITUDE/MALIKA MADREMANA/MAHAD MAHAN).....(@ sale price now!)... ASPIRE (V.I. ROOTS)........... GREEN SPHERE... (USA) (08/08).. 9.99EUR BLACK HEAT DUB.................... GREATEST DUB HITS............. GOLDENLANE..... (GER) (--/11). 17.99EUR RICHIE CAMPBELL................... IN THE 876.................... BRIDGETOWN..... (POR) (15/15). 17.99EUR DON FE............................ I-VOLUTION.................... ORGANIC ROOTS. -
Tourjet the Only Constant Is Change Clair on the Road with Bon Jovi's
volume 6 issue 4 2013 BON JOVI A Crew Still Doing It ‘Because They Can’ Control Freak Systems If You Can Think It, They Can Do It TourJet The Only Constant is Change Tales from the Road with Mark Monroe of Country Coach Plus Clair Inside Sheraton On the Road with Bon Jovi’s Indianapolis Because We Can Tour StageCo Barry Fey Pros of On Call Labor Gigs N A E, S A A. W ... B W N A E, S A A. W ... CONTENTS B W vol.6 issue 4 2013 21 >The Who Crew+Vendors >IN“XL T VideoHE NEW ProvidesS Specialist LED >“The Who Reign FO’erEATUR ES for Mumford & Sons US Tour” Quadrophenia” 4 >“Bandit Lites Catches Its Breath 10 > Pros of On Call Labor Gigs- >“Pete’s With Big NeedToBreathe” TVs Provides Video PTT of Florida Pays to Train and Then Retains Equipment for Dreamgirls Tour 23 >”LMG’s Music City Center Office 12 > Tales from the Road With Mark Monroe Opens for Business in Nashville” >“Wisdom of the Gods” of Country Coach >”Rihanna’s Diamonds World Tour 16 > Barry Fey: Two That Knew Him Well Sparkles With DiGiCo” 14 (A Remembrance of a Legend) 20>“Rush > Bon Finally Jovi: Gets A Crew Some Still Doing It ‘Because They Can’ 5 >“TAIT Creates Massive, Inflatable >“Prevost Joins Family Respect of Classic Buick for Bon Jovi’s Official Nascar26 Partners” > Bon Jovi Crew Because We Can Tour” 28 30>“Clair > Control and Rush Freak Playing Systems- to If You Can Think It, They Can Do It >Obituaries Their Strengths...As Usual” 6 >“Kenny Chesney Travels with Gear 32 > Blinded by the Dashboard Lights Worth Over $100,000 in Reunion > The Who: ”Quadrophenia & Blues Guitar Cases” 32 33 > Stageco on the Road With Bon Jovi A Bit and More” a Classic Car Stage 8 > New Hires 34 > TourJet-The Only Constant is Change 33 38 > Clair- On the Road with Bon Jovi’s Because We Can Tour 39 > Sheraton Indianapolis at Keystone Crossing- If Walls Could Talk >> IN THE NEWSFROM THE Publisher In this issue, we are taking a look at the recent Bon Jovi Because We Can Tour. -
1 PHILIP LOBEL. Born 1956. TRANSCRIPT of OH 2055V This
PHILIP LOBEL. Born 1956. TRANSCRIPT of OH 2055V This interview was recorded on September 20, 2015, for the Maria Rogers Oral History Program. The interviewer and videographer is Sue Boorman. The interview was transcribed by Susan Becker. ABSTRACT: This interview is part of a series about three football games known as the Hairy Bacon Bowl, which occurred during the early 1970s. Participants included University of Colorado students who identified with hippie culture and/or anti-war sentiment, versus campus and Boulder police officers. The games were seen as a way to address tensions between the two groups. The idea for the games originated with the Program Council office at CU. Phil Lobel became involved with Program Council in 1973 and then led the program from 1976 to 1979. He touches on the concept of the Hairy Bacon Bowl, but by the time he was Program Council director, the days of the Hairy Bacon Bowl competitions were almost over—he describes the change in culture at that time from the tense, seriousness of anti-war protests to a light-hearted one exemplified by the practice of streaking. Much of the interview focuses on the transformation of Program Council into one of the most successful student organizations of its kind in the country (culminating in Program Council winning the 1978 Billboard Magazine College Talent Buyer of the Year Award) and how Mr. Lobel’s work for Program Council paved the way to his long career in entertainment public relations. He provides a fascinating window into the workings of Program Council and into the music scene of the 1970s. -
Read the Rock Vegas Table of Contents and an Excerpt
Contents Acknowledgments Introduction Rock ’n’ Roll’s Roots The Sun Came Up for Rock First in San Francisco The ’60s End Badly for Rock, But Kickstart the Live-Music Industry Rock Rolls into Vegas The Beatles (Fans) Blow the Roof off the Rotunda The Sound of Vegas Gary Naseef—Rockin’ the Boat Rock-Concert Riot The Second Generation of Las Vegas Live A Jewel in the Middle of a Mine Field—The Aladdin Theater An Evening Star over Las Vegas—Danny Zelisko Fred Ordower and Jammin’ Barry Fey the Rock Father Caesars Palace Takes Live Music Under the Stars Las Vegas’ First Outdoor Concerts Big, Bold, and Brash—Thomas and Mack Center Thomas and Mack Center Inc. Loverboy Shows No Love Las Vegas Jumps on the Touring Caravan Brooks and Bono The Grateful Dead From Tragic to Magic On a Magic Carpet Ride Truckin’, Got My Chips Cashed In … A Seven-Foot Deadhead Doing the Dead Not Such a Strange Trip After All Sam Boyd Stadium—Vegas Becomes Big Enough This Ever-Changing World in which We’re Living Hell Freezes Over Azoff—A Small Guy Gets Big Results Metallica and Lollapalooza Scorch a Parched Stadium U2 Two George Strait and Friends From Improv to Pop U2 Too MGM Grand Garden Arena—A Green Giant that Kept Growing Event Edison The MGM Differential Rockin’ All the Way to the Bank Wastin’ Away Again in Vegas Fight for the Right to the Fight Grand Garden Kick-Starts Ticket Price Surge Three New Vegas Arenas Mandalay Bay Events Center—Three Should Be Enough Y2K in LV—Learning a Hard Lesson in Yield Management The Orleans Arena—Four Should Be Enough T-Mobile -
Billboard 1976-02-21
February 21, 1976 Section 2 m.,.., 'ti42 CONTEMPORARY GORDON LIGHTFOOT LOGGINS & MESSINA KIP ADDOTA MAZING RHYTHM ACES MAHAVISHNU ORCHESTRA ANNA MARIA ALBERGHETTI M'3ROSIA TAJ MAHAL THE ALLEN FAMILY AMERICA MAHOGANY RUSH AB CALLOWAY LYNN ANDERSON ROGER MILLER ICK CAPRI RTFUL DODGER TIM MOORE ETULA CLARK HE ASSOCIATION MARIA MULDAUR AT COOPER BURT BACHARACH ANNE MURRAY ORM CROSBY EACH BOYS JUICE NEWTON AND ILLY DANIELS SILVERSPUR EFF BECK OHN DAVIDSON BLOOD, SWEAT & TEARS OLIVIA NEWTON -JOHN HILLIS DILLER TONY ORLANDO & DAWN PAT BOONE LIFTON DAVIS GILBERT O'SULLIVAN DAVID BOWIE BILLY ECKSTINE PARIS CAMEL BARBARA EDEN BILLY PAUL CAPTAIN & TENNILE KELLY GARRETT POINTER SISTERS ARAVAN THE GOLDDIGGERS PRELUDE ERIC CARMEN BUDDY GRECO PRETTY THINGS CARPENTERS KATHE GREEN ALAN PRICE CLIMAX BLUES BAND OEL GREY LOU RAWLS BILLY COBHAM ICK GREGORY RENAISSANCE NATALIE COLE LORENCE HENDERSON RETURN TO FOREVER LINT HOLMES GENE COTTEN Featuring COREA, B.J. COULSON CLARKE, DIMEOLA. UDSON BROTHERS CROWN HEIGHTS AFFAIR WHITE ALLY KELLERMAN MAC DAVIS LINDA RONSTADT EORGE KIRBY DE FRANCO FAMILY DAVID RUFFIN RANKIE LAINE THE 5TH DIMENSION FRED SMOOT HARI LEWIS BO DONALDSON PHOEBE SNOW AL LINDEN & THE HEYWOODS TOM SNOW HIRLEY MACLAINE KENNY ROGERS STAPLE SINGERS McMAHON AND THE FIRST EDITI STATUS QUO ONY MARTIN & FLEETWOOD MAC RAY STEVENS CYD CHARISSE FLO & EDDIE AND AL STEWART ARILYN MICHAELS THE TURTLES ILLS BROTHERS RORY GALLAGHER STEPHEN STILLS SWEET IM NABORS BOBBY GOLDSBORO JAMES TAYLOR OB NEWHART GRAND FUNK RAILROAD LILY TOMLIN NTHONY NEWLEY AL GREEN