COMMUNIQUE CONCERN, COMPASSION, CONSCIENCE Rs
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Volume 15 - Number 2 February – March 2019 £4 TTHISHIS ISSUEISSUE: IIRANIANRANIAN CINEMACINEMA ● IIndianndian camera,camera, IranianIranian heartheart ● TThehe lliteraryiterary aandnd dramaticdramatic rootsroots ofof thethe IranianIranian NewNew WaveWave ● DDystopicystopic TTehranehran inin ‘Film‘Film Farsi’Farsi’ popularpopular ccinemainema ● PParvizarviz SSayyad:ayyad: socio-politicalsocio-political commentatorcommentator dresseddressed asas villagevillage foolfool ● TThehe nnoiroir worldworld ooff MMasudasud KKimiaiimiai ● TThehe rresurgenceesurgence ofof IranianIranian ‘Sacred‘Sacred Defence’Defence’ CinemaCinema ● AAsgharsghar Farhadi’sFarhadi’s ccinemainema ● NNewew diasporicdiasporic visionsvisions ofof IranIran ● PPLUSLUS RReviewseviews andand eventsevents inin LondonLondon Volume 15 - Number 2 February – March 2019 £4 TTHISHIS IISSUESSUE: IIRANIANRANIAN CCINEMAINEMA ● IIndianndian ccamera,amera, IIranianranian heartheart ● TThehe lliteraryiterary aandnd ddramaticramatic rootsroots ooff thethe IIranianranian NNewew WWaveave ● DDystopicystopic TTehranehran iinn ‘Film-Farsi’‘Film-Farsi’ ppopularopular ccinemainema ● PParvizarviz SSayyad:ayyad: ssocio-politicalocio-political commentatorcommentator dresseddressed aass vvillageillage ffoolool ● TThehe nnoiroir wworldorld ooff MMasudasud KKimiaiimiai ● TThehe rresurgenceesurgence ooff IIranianranian ‘Sacred‘Sacred DDefence’efence’ CinemaCinema ● AAsgharsghar FFarhadi’sarhadi’s ccinemainema ● NNewew ddiasporiciasporic visionsvisions ooff IIranran ● PPLUSLUS RReviewseviews aandnd eeventsvents -
Department of Extra-Curricular Activities Ms Ramaiah Institute Of
DEPARTMENT OF EXTRA-CURRICULAR ACTIVITIES M. S. RAMAIAH INSTITUTE OF TECHNOLOGY At MSRIT we believe in the holistic development of students in a way that they evolve into full-fledged and confident professionals by the time they graduate. This can be made possible by encouraging them to engage in various extra-curricular activities such as music, theatre, literary, visual and fine arts, apart from sports, NSS and other similar pursuits. Extra-curricular activities are not just about entertainment, they help molding the personality of the students in the following ways: • Enhancing soft skills such as communication skills, etiquette and confidence levels. • Helping them in the areas of time management, emotion management, success (and failure) management, crisis management and more importantly people management. • While good grades equip students to get their first jobs, extra-curricular activities equip students with skills for their whole lives. • They help inculcating in students, values such as empathy, broad-mindedness, team- spirit, self-control, ethics, acceptance of pluralities in society, corporate social responsibility, and so on. MSRIT is the only college to have a separate department for cultural activities, known as the Department of Extra-Curricular Activities (DECA). Following is the committee of faculty responsible for all the activities of the department. Sl Names of the No members Department Position 1 Dr K R Phaneesh Mechanical Engg Coordinator 2 Sri Sanjay H S Medical Electronics Dy. Coordinator 3 Sri Bharath M R Mechanical -
Space Exploration's Next Frontier
Tuesday, June 16, 2020 Shawwal 24, 1441 AH Doha today: 330 - 450 The future Space exploration’s next frontier: Remote-controlled robonauts. P4-5 COVER STORY HOLLYWOOD BACK PAGE White celebs rush to Artists laud Qatar’s resilience amplify Black Lives Matter. during unjust blockade. Page 15 Page 16 2 GULF TIMES Tuesday, June 16, 2020 COMMUNITY ROUND & ABOUT SERIES TO BINGE WATCH ON AMAZON PRIME PRAYER TIME Fajr 3.12am Shorooq (sunrise) 4.45am Zuhr (noon) 11.36am Asr (afternoon) 2.59pm Maghreb (sunset) 6.27pm Isha (night) 7.57pm USEFUL NUMBERS Emergency 999 Worldwide Emergency Number 112 Kahramaa – Electricity and Water 991 Local Directory 180 International Calls Enquires 150 Hamad International Airport 40106666 Labor Department 44508111, 44406537 Mowasalat Taxi 44588888 Qatar Airways 44496000 Hamad Medical Corporation 44392222, 44393333 Qatar General Electricity and Modern Love been a date. An unconventional new family. These are unique Water Corporation 44845555, 44845464 CAST: Anne Hathaway, Tina Fey, Andy Garcia stories about the joys and tribulations of love, each inspired Primary Health Care Corporation 44593333 SYNOPSIS: An unlikely friendship. A lost love resurfaced. by a real-life personal essay from the beloved New York Times 44593363 A marriage at its turning point. A date that might not have column Modern Love. Qatar Assistive Technology Centre 44594050 Qatar News Agency 44450205 44450333 Q-Post – General Postal Corporation 44464444 Humanitarian Services Office (Single window facility for the repatriation of bodies) Ministry of Interior 40253371, 40253372, 40253369 Ministry of Health 40253370, 40253364 Hamad Medical Corporation 40253368, 40253365 Qatar Airways 40253374 ote Unquo Qu te “Childhood is a short season.” — Helen Haye The Expanse to find a missing young woman; Julie between Earth, Mars and The Belt. -
Delhi Address for Mother of All Infections
YOUR NEWSPAPER IS TOTALLY SAFE BENGALURU WEDNESDAY APRIL 01, 2020 `6.00 PAGES 16 LATE CITY EDITION PSU BANKS KICKSTART LOAN CUSTOMERS CAN OPT OUT, IF THEY WISH MOST PSU BANK CUSTOMERS TO BENEFIT The relief will be on EMIs of all term loans and deferral of interest ■ EMI deductions are system-generated at a prefixed date. For next MORATORIUM MEASURES payments on working capital loans. It means EMIs on home or auto loans three months, banks will deactivate the automatic deduction of EMI due on April 1 can be deferred for three months and the instalment can be EMIs, though the process differs from bank to bank Days after RBI allowed banks to offer a 3-month freeze on all paid in June. However, the repayment schedule will get extended by three ■ SBI, PNB, IDBI Bank, Canara Bank, Andhra Bank, Indian Bank and DUES FALLING BETWEEN MARCH 1 AND EMIs, PSU banks announced their intent to do so on Tuesday months. Customers willing to pay can opt out of the moratorium | P10 Indian Overseas Bank and many others will freeze EMIs MAY 31 ARE EXEMPT, ACCORDING TO RBI CHENNAI ■ MADURAI ■ VIJAYAWADA ■ BENGALURU ■ KOCHI ■ HYDERABAD ■ VISAKHAPATNAM ■ COIMBATORE ■ KOZHIKODE ■ THIRUVANANTHAPURAM ■ BELAGAVI ■ BHUBANESWAR ■ SHIVAMOGGA ■ MANGALURU ■ TIRUPATI ■ TIRUCHY ■ TIRUNELVELI ■ SAMBALPUR ■ HUBBALLI ■ DHARMAPURI ■ KOTTAYAM ■ KANNUR ■ VILLUPURAM ■ KOLLAM ■ WARANGAL ■ TADEPALLIGUDEM ■ NAGAPATTINAM ■ THRISSUR ■ KALABURAGI DELHI ADDRESS FOR MOTHER OF ALL INFECTIONS FIR against head of Nizamuddin mosque MARCH 21 TABLIGHI JAMAAT’S FOOTPRINT Action begins to isolate and where large religious gathering was held in quarantine Tablighi Jamaat activists Karnataka tracks down violation of prohibitory orders; hundreds after positive cases found in suspected to have been infected; 7 dead Telangana TOTAL 79 who attended jamaat 115 FOREIGNERS EXPRESS NEWS SERVICE tailed statement in defence, By then, Haryana @ New Delhi saying they haven’t violated ANUSHA RAVI @Bengaluru K’TAKA COVID-19 ROUNDUP any law. -
Cinematic Modernity Cosmopolitan Imaginaries in Twentieth Century Iran
Cinematic Modernity Cosmopolitan Imaginaries in Twentieth Century Iran by Golbarg Rekabtalaei A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Near and Middle Eastern Civilizations University of Toronto © Copyright by Golbarg Rekabtalaei 2015 Cinematic Modernity Cosmopolitan Imaginaries in Twentieth Century Iran Golbarg Rekabtalaei Doctor of Philosophy Near and Middle Eastern Civilizations University of Toronto 2015 Abstract Cinematic Modernity explores the ―genesis amnesia‖ that informs the conventional scholarly accounts of Iranian cinema history. Critiquing a ―homogeneous historical time,‖ this dissertation investigates cinematic temporality autonomous from (and in relation to) political and social temporalities in modern Iran. Grounding the emergence of cinema in Iran within a previously neglected cosmopolitan urban social formation, it demonstrates how the intermingling of diverse Russian, Georgian, Armenian, Azerbaijani, French and British communities in interwar Tehran, facilitated the formation of a cosmopolitan cinematic culture in the early twentieth century. In the 1930s, such globally-informed and aspiring citizens took part in the making of a cinema that was simultaneously cosmopolitan and Persian-national, i.e. cosmo-national. This dissertation explains how in the late 1940s, after a decade long hiatus in Iranian feature-film productions—when cinemas were dominated by Russian, British, and German films—Iranian filmmakers and critics actualised their aspirations for a sovereign national cinema in the form a sustained commercial industry; this cinema staged the moral compromises of everyday life and negotiation of conflicting allegiances to families and social networks in a rapidly changing Iran—albeit in entertaining forms. While critiqued for ―imitating‖ European commercial films, this cinema—known as ―Film-Farsi‖ (Persian-Language)–was highly ii informed by lived experiences of Iranians and international commercial motion pictures. -
Vol. 24.1 (March 2017) Newsletter of the Nordic Anthropological Film
Contents Editorial ……………………………………………………… 2 NAFA Festivals 2017 and 2018 ………………………………. 3 CINEBLEND FESTIVAL: Call for Films ……………………. 3 Visual anthropology of ethnomusicology ……………………… 4 TIEFF 2017: Final Call for Films …………………………….. 5 Festival Jean Rouch 2017: Call for Films ……………………… 6 nafa:// 15th RAI Film Festival, Bristol, March 29 – April 1, 2017 ……. 7 Viscult 2017: Call for Films …………………………………... 8 2017 Visual Research Conference: Call for Participation ……… 9 Crossing Borders 2017: Call for Projects ……………………… 9 Athens Ethnographic Film Festival: Call for Films …………… 10 SPECIAL SECTION: Visual Anthropology Programmes …. 11 Media Anthropology, University of Bern, Switzerland ………. 11 network Visual Anthropology in Taiwan ……………………………… 13 MA in Visual Anthropology at San Francisco State University .. 14 vol. 24.1 (March 2017) Chair of Visual and Media Anthropology, Heidelberg ……….. 16 Newsletter of the Nordic Anthropological Film Association Master Program in Visual Anthropology, Lima, Peru ………… 18 Incorporating the Commission of Visual Anthropology (CVA) Circular Visual Cultural Studies, Arctic University of Norway – UiT … 19 Visual Anthropology at the University of Münster ………….. 21 Web version: http://www.nafa.uib.no Visual and Media Anthropology at Freie Universität, Berlin … 24 ISSN: 0805 - 1046 MA in Visual Anthropology at Goldsmiths ………………….. 26 Please send news, articles and announcements to: Visual Anthropology at University of Southern California …… 28 Master in Visual Anthropology, FLACSO, Ecuador ………… 34 Berit Madsen, Anne Mette Jorgensen, Kayla Reopelle, and Christian Suhr Department of Anthropology The Granada Centre for Visual Anthropology ………………. 36 Moesgaard Visual Anthropology, University of Maroua, Cameroon …….. 38 8270 Hoejbjerg MA in Audiovisual Ethnography at Tallinn University ……… 40 Denmark Fax: +45 89424655 Visual Anthropology at LMU Munich ……………………… 41 E-mail: [email protected] Eye & Mind, Visual Anthropology at Aarhus University ……. -
In the Mood for Love Priyanka Dating Nick Jonas Volume 67 # July 2018 / ISSN NUMBER 0971-7277
July 2018 `60 ALIA-RANBIR JOHN RED HOT ABRAHAM ROMANCE! returns with a bang SALMANEXPLOSIVE! & JACQUELINE in the mood for love Priyanka dating Nick Jonas Volume 67 # July 2018 / ISSN NUMBER 0971-7277 COVER Salman Khan and Jacqueline July 2018 `60 ALIA-RANBIR JOHN Fernandez speak on success, RED HOT ABRAHAM ROMANCE! returns with 27 STORY a bang survival and showbiz SALMANEXPLOSIVE! & JACQUELINE in the mood for love Priyanka dating Nick Jonas PHOTOGRAPHS: SURESH NATARAJAN STYLING: ASHLEY REBELLO SALMAN KHAN: HAIR: HAKIM AALIM MAKE-UP: SUDESH NAAG JACQUELINE FERNANDEZ: HAIR AND MAKE-UP: SHAAN Salman’s suit: Ashley Rebello Jacqueline’s jumpsuit: Sonakshi Raj Editor’s Choice 04The ed praises Salman Khan The ed wishes more 88 women-centric films be made Masala Fix 08 Ranbir-Alia the newest lovebirds in B-town, Priyanka Chopra and Nick Jonas paint the town red, Salman Khan to launch Shera’s son and other grist from the rumour mills 11 8 58 46 50 p eview Malobika Banerjee on 70 her debut in B-town Sneak peek of Priya Dutt on her 144 Soorma 74 movie memories Sky is the limit for 166 Malavika Mohanan your say Readers send in their fasshion 82 reviews beauty Shatrughan Sinha’s 86 wacky witticisms 54 Style quotient of the 199 stars decoded exclusivec Priyanka Chopra’s 466 heart is in the right place John Abraham is 500 happy after the success of Parmanu Neha Dhupia speaks 544 on marriage and more Meghna Gulzar is Å 666 Top: Aditi Gupta on cloud nine 86 70 Skirt: Purple Paisley after Raazi Letter from the Editor Bhai rocks! Salman Khan is a true maverick. -
Pdf 379.18 K
Persian Literary Studies Journal (PLSJ) Vol. 7, No. 12, 2018 ISSN: 2322‐2557 DOI: 10.22099/jps.2020.37257.1114, pp. 39-68 First as Farce, Then as Filmfarsi: Film Adaptation of Shakespeare’s The Taming of the Shrew in Iran Mostafa Sadeghi Kahmini Bahee Hadaegh PhD Candidate Assistant Professor Shiraz University, Iran Shiraz University, Iran [email protected] [email protected] Parvin Ghasemi Professor Shiraz University, Iran [email protected] Abstract This article is concerned with William Shakespeare’s famous farce play The Taming of the Shrew and its Persian adaptation as an Iranian film called Gorbe ra dame Hejleh Mikoshand (Cat Should Be Killed at the Bridal Chamber’s Entrance) in 1969. The point that informs the inquiry is the way the film departs and differs from the play in relation to the issue of women within the patriarchal society. The play and the film will be examined separately in detail, while their similarities and differences will be also accounted for. By going through the structure of the play, in particular, by showing attention to the importance of the Christopher Sly Induction which frames the narrative of the play, as well as surveying the critical looks on the play throughout the last century, it will be argued that the Bard’s work, far from being an anti- feminine play that reflected the male authority of the society of its time, allows for new possibilities for the autonomy of women within the patriarchal system. The Persian adaptation, however, deliberately forecloses the same possibilities * Corresponding Author Received: 12/05/2020 Accepted: 14/06/2020 40 Persian Literary Studies Journal by trying to cater to the taste of its mainstream male, chauvinist audience. -
Growth of OTT in India: the Covid Factor
E-CineIndia April-June 2020 ISSN: 2582-2500 Article Mausumi Bhattacharyya Growth of OTT in India: The Covid Factor Introduction ing pattern of consumption of products and service offerings. This shift of consumption Greeted with much fanfare and hope, year preference is happening on a gigantic scale 2020 has presented humanity with a challenge and in all likelihood, will have a lasting ef- that is ominous and debilitating. With each fect on the functioning of several industries. passing month, the Covid-19 pandemic has Lockdowns, social distancing and evolving firmed its grip, bringing in its wake unfore- norms of ensuring personal hygiene, as route seen misery, suffering and deaths. Optimism, to protection from corona virus infection, is which marked the start of the year, lies in modifying on an everyday basis the way we complete shambles. With most governments work, relax, think and read (Mallikarjunan imposing national lockdowns and emphasiz- 2020). Taking this line of argument further ing on strict compliance of social distancing Matthew (2020) adds that Covid-19 outbreak norms, to arrest spread of Covid-19, free and has accomplished what advertisement cam- normal movement of millions of citizens has paigns by top-notch brands have often failed been disrupted. Home confinement, physical to. The pandemic has forced consumers, in separation from families, friends and relatives, large numbers, to revise their preferences al- spectra of employment loss or pay cuts and most overnight. Matthew (2020) opines that above all constant anxiety about preventing stimulating change of customer preferences is contacting the disease is the emerging order. never easy. -
Finding Audiences Through Brand Campaigns
Brand development Finding audiences through brand campaigns Deepak Lamba CEO, Worldwide Media, The Times of India Group, India THE LEADING & THE MOST CREDIBLE ENTERTAINMENT & LIFESTYLE COMPANY A presentation by TOPIC: BRAND DEVELOPMENT A case study of best practice use of a media campaign using multiple platforms to deliver exceptional results WWM 2004 PORTFOLIO OF BRANDS 2017 OBJECTIVE Becoming King of Content by creating content for various brands and on various platforms FILMFARE AWARDS FILMFARE GLAMOUR & STYLE AWARDS BBC TOPGEAR AWARDS HELLO! HALL OF FAME 75 EVENTS IN 10 CITIES Photo Shoot for Mercedes Benz Video/Photo Shoot for Honda Amaze drive in a Calvin Klein ‐ Shoot mall Photo shoot for Lakme Special feature for Wella Professionals Upload and Transform activity for Godrej Interio Sangria for Jabong Special content creation for Raymond CONTENT SYNDICATION PRINT – DIGITAL ‐ TELEVISION Stylised shoots Digital content for Reliance JIO THE ON SHOW NEXA JOURNEY ON AH1 ‐ DISCOVERY NETWORK INDIA FAMOUSLY FILMFARE – COLOURS COMING SOON INFINITY & JIO NETWORK TV SHOWS LICENSING PRINT 6.63 MN+ MONTHLY THE LEADING & THE MOST IPS & EVENTS CREDIBLE TELEVISION 3202 MN+ ANNUALLY ENTERTAINMENT & LIFESTYLE COMPANY DIGITAL CONTENT LICENSING PROPERTIES SYNDICATION 100 MN+ MONTHLY *Duplicated event reach across all WWM brands THE OSCARS OF INDIA • INDIA’S MOST DEFINITIVE PUBLICATION ON INDIAN CINEMA, FILMFARE IS ALSO ONE OF THE COUNTRY’S OLDEST AND MOST ESTABLISHED FILM MAGAZINES • OVER THE LAST SIX DECADES IT HAS DOCUMENTED THE RISE AND FALL OF -
NAFA-Network 15.1
Contents Editorial . 2 Presentation of new co-editor: Christian Suhr Nielsen . 3 News from the Commission on Visual Anthropology . 5 NAFA 2008: Festival and Conference, 29/5–1/6-2008 . 7 New Films in the NAFA Film Archives . 8 nafa:// The 10th Biennial Conference of the European Association of Social Anthropologists: Call for papers . 14 Announcement of DEF - Days of Ethnographic Film, Ljubljana, May 19-23, 2008 . 17 19th edition of Beeld voor Beeld, Documentary Film Festival 2008, June 4-8, 2008: final call for films . 17 Programme of Jean Rouch International Film Festival, network Paris, March 2008 . 18 Programme of the 9th Göttingen International Film vol. 15.1 (February 2008) Festival, April 30-May 4, 2008 . 22 Newsletter of the Nordic Anthropological Film Association International Visual Sociology Association: Conference Incorporating the Commission of Visual Anthropology (CVA) Circular August 2008: Announcement and call for panels . 24 Visual and Critical Studies Graduate Symposium: Call for Web version: http://www.nafa.uib.no projects . 25 ISSN: 0805 - 1046 Call for papers for a special issue of Accounting, Auditing and Accountability Journal: “Accounting and the Visual” 27 Please send news, articles and announcements to: The 5th Cosmobilities Conference: Tracing the New Berit Madsen, Anne Mette Jorgensen and Christian Suhr Nielsen Mobilities Regimes, Munich, October 16-17, 2008 . 28 Department of Anthropology Review of the 1st VIDOVIN: open festival of Moesgaard ethnographic and documentary film from the Periphery, 8270 Hoejbjerg 2007, Tolmin, Slovenia . 29 Denmark Fax: +45 89424655 NOTICE BOARD . 31 E-mail: [email protected] ; [email protected] CALENDAR . 33 NAFA Network vol. -
INDIAN OTT PLATFORMS REPORT 2019 New Regional Flavours, More Entertaining Content
INDIAN OTT PLATFORMS REPORT 2019 New Regional Flavours, more Entertaining Content INDIAN TRENDS 2018-19 Relevant Statistics & Insights from an Indian Perspective. Prologue Digital technology has steered the third industrial revolution and influenced human civilization as a whole. A number of industries such as Media, Telecom, Retail and Technology have witnessed unprecedented disruptions and continue to evolve their existing infrastructure to meet the challenge. The telecom explosion in India has percolated to every corner of the country resulting in easy access to data, with Over-The-Top (OTT) media services changing how people watch television. The Digital Media revolution has globalized the world with 50% of the world’s population going online and around two-thirds possessing a mobile phone. Social media has penetrated into our day-to-day life with nearly three billion people accessing it in some form. India has the world’s second highest number of internet users after China and is fully digitally connected with the world. There is a constant engagement and formation of like-minded digital communities. Limited and focused content is the key for engaging with the audience, thereby tapping into the opportunities present, leading to volumes of content creation and bigger budgets. MICA, The School of Ideas, is a premier Management Institute that integrates Marketing, Branding, Design, Digital, Innovation and Creative Communication. MICA offers specializations in Digital Communication Management as well as Media & Entertainment Management as a part of its Two Year Post Graduate Diploma in Management. In addition to this, MICA offers an online Post-Graduate Certificate Programme in Digital Marketing and Communication.