Retro Cameras Retro Cameras the Collector’S Guide to Vintage Film Photography

Total Page:16

File Type:pdf, Size:1020Kb

Retro Cameras Retro Cameras the Collector’S Guide to Vintage Film Photography Retro Cameras Retro Cameras The Collector’s Guide to Vintage Film Photography John Wade With over 550 illustrations Retro Cameras The Collector’s Guide to Vintage Film Photography John Wade With over 550 illustrations Contents 8 Introduction 56 35 mm Rangefinder Cameras 86 35 mm Viewfinder Cameras 11 Value and Rarity 59 Shooting Guide 88 Shooting Guide 62 Voigtländer Prominent 90 Adox 300 66 Leica M3 94 Diax Ia 12 The Basics 68 Canon 7 96 Rollei B35 69 Contax IIIa 97 Olympus Trip 14 Back to Basics 70 Voigtländer Vitomatic IIa 98 Retinette 18 Formats and Focal Lengths 72 Minolta-35 Model II 100 Werra I First published in the United Kingdom in 2018 by Thames & Hudson Ltd, 181A High Holborn, 74 Leica CL 102 Voigtländer Vito B London WC1V 7QX 75 Konica I 103 Ricoh Auto Half Retro Cameras © 2018 Thames & Hudson Ltd, 24 The Cameras 76 Kiev-IIa 104 Favor I London 78 Argus C3 106 Graflex Century 35A Text © 2018 John Wade 26 35 mm Single-Lens Reflexes 79 Mamiya Magazine 35 107 Contessa S310 Photographs © 2018 John Wade unless otherwise 29 Shooting Guide 80 Olympus XA 108 Minox 35 EL stated 32 Canon F-1 81 Voigtländer Vitessa 109 Ilford Advocate 36 Olympus OM-1 82 Leica fakes and copies 110 Periflex I All Rights Reserved. No part of this publication may be reproduced or transmitted in any form or by any 38 Minolta XD-7 means, electronic or mechanical, including photocopy, 39 Pentax ME Super recording or any other information storage and retrieval system, without prior permission in writing 40 Nikon F from the publisher. 42 Zeiss Ikon Contarex British Library Cataloguing-in-Publication Data 44 Topcon RE Super A catalogue record for this book is available from 45 Praktina FX the British Library 46 Canon Pellix ISBN 978-0-500-54490-7 47 Wrayflex II 48 Voigtländer Bessamatic Printed in China by C&C Offset Printing Co. Ltd. 50 Petri Flex V To find out about all our publications, 51 Exakta Varex IIb please visit www.thamesandhudson.com. There you can subscribe to our e-newsletter, 52 Mecaflex browse or download our current catalogue, and buy any titles that are in print. Contents 8 Introduction 56 35 mm Rangefinder Cameras 86 35 mm Viewfinder Cameras 11 Value and Rarity 59 Shooting Guide 88 Shooting Guide 62 Voigtländer Prominent 90 Adox 300 66 Leica M3 94 Diax Ia 12 The Basics 68 Canon 7 96 Rollei B35 69 Contax IIIa 97 Olympus Trip 14 Back to Basics 70 Voigtländer Vitomatic IIa 98 Retinette 18 Formats and Focal Lengths 72 Minolta-35 Model II 100 Werra I First published in the United Kingdom in 2018 by Thames & Hudson Ltd, 181A High Holborn, 74 Leica CL 102 Voigtländer Vito B London WC1V 7QX 75 Konica I 103 Ricoh Auto Half Retro Cameras © 2018 Thames & Hudson Ltd, 24 The Cameras 76 Kiev-IIa 104 Favor I London 78 Argus C3 106 Graflex Century 35A Text © 2018 John Wade 26 35 mm Single-Lens Reflexes 79 Mamiya Magazine 35 107 Contessa S310 Photographs © 2018 John Wade unless otherwise 29 Shooting Guide 80 Olympus XA 108 Minox 35 EL stated 32 Canon F-1 81 Voigtländer Vitessa 109 Ilford Advocate 36 Olympus OM-1 82 Leica fakes and copies 110 Periflex I All Rights Reserved. No part of this publication may be reproduced or transmitted in any form or by any 38 Minolta XD-7 means, electronic or mechanical, including photocopy, 39 Pentax ME Super recording or any other information storage and retrieval system, without prior permission in writing 40 Nikon F from the publisher. 42 Zeiss Ikon Contarex British Library Cataloguing-in-Publication Data 44 Topcon RE Super A catalogue record for this book is available from 45 Praktina FX the British Library 46 Canon Pellix ISBN 978-0-500-54490-7 47 Wrayflex II 48 Voigtländer Bessamatic Printed in China by C&C Offset Printing Co. Ltd. 50 Petri Flex V To find out about all our publications, 51 Exakta Varex IIb please visit www.thamesandhudson.com. There you can subscribe to our e-newsletter, 52 Mecaflex browse or download our current catalogue, and buy any titles that are in print. 114 Roll-Film Single-Lens Reflexes 140 Sheet and Roll-film 180 Instamatic Cartridge Cameras 210 Panoramic and Wide-Angle 248 Instant-Picture Cameras 268 Retro Accessories 116 Shooting Guide Folding Cameras 182 Shooting Guide Cameras 250 Shooting Guide 118 Mamiya RB67 Pro-S 142 Shooting Guide 184 Pentax Auto 110 Super 212 Shooting Guide 254 Polaroid SX-70 Alpha I 270 Exposure Meters 122 Hasselblad 500CM 144 MPP Micro-Technical 188 Rolleiflex SL26 214 Noblex 135 & Pro 6/150 258 Polaroid SX-70 271 Rangefinders 124 Zenith 80 Camera Mark VI 189 Minolta Weathermatic 218 FT-2 Sonar Autofocus 272 Flashguns 126 Pentacon Six 148 Voigtländer Bessa II 190 Minolta 110 Zoom Mark II 220 Horizon 202 260 Polaroid P Camera 273 Tripods 128 Exakta B 150 Ensign Commando 191 Minolta Autopak 800 222 Horizont 261 Polaroid SLR 680 SE 274 Filters 130 Agiflex I 152 Minolta Best Model II 192 Rollei A26 224 Globuscope 262 Polaroid ProPack 276 Close-Up Attachments 132 Komaflex-S 153 Zeiss Ikon Super Ikonta A 193 Tasco Bino/Cam 8000 225 Envoy Wide Angle 263 Polaroid Macro 5 277 Focal-Length Adapters 133 Bronica ETRS 154 Primarette 194 126/110 Novelty cameras 226 Spinner 360° 264 Polaroid Image System 278 Stereo Accessories 134 Pentax 6×7 155 Dolly Vest Pocket Model B 228 No.6 Cirkut 266 Graph-Check Sequence 136 Rittreck IIa 156 Plaubel Makina III 196 Stereo Cameras Camera Model 300 198 Shooting Guide 232 Miniature Cameras 280 Further Information 160 Twin-Lens Reflexes 200 Stereo Realist 234 Shooting Guide 164 Shooting Guide 202 Wray Stereo Graphic 236 Minox B 282 Glossary 166 Mamiya C3 204 View-Master Personal Stereo 240 Yashica Atoron 285 Index 170 Rolleicord I 206 View-Master Stereo 241 Leica M3 Classic 172 Voigtländer Superb Color Camera Camera Collection 174 Voigtländer Focusing Brillant 207 Duplex Super 120 242 Ricoh 16 175 Yashica 44LM 208 Coronet 3-D Camera 243 Hapyucc 176 Agfa Flexilette 209 Sputnik (CNYTHNK) 244 Tessina 177 Samocaflex 35 245 Goldeck 16 178 Contaflex 246 Ensign Midgets 114 Roll-Film Single-Lens Reflexes 140 Sheet and Roll-film 180 Instamatic Cartridge Cameras 210 Panoramic and Wide-Angle 248 Instant-Picture Cameras 268 Retro Accessories 116 Shooting Guide Folding Cameras 182 Shooting Guide Cameras 250 Shooting Guide 118 Mamiya RB67 Pro-S 142 Shooting Guide 184 Pentax Auto 110 Super 212 Shooting Guide 254 Polaroid SX-70 Alpha I 270 Exposure Meters 122 Hasselblad 500CM 144 MPP Micro-Technical 188 Rolleiflex SL26 214 Noblex 135 & Pro 6/150 258 Polaroid SX-70 271 Rangefinders 124 Zenith 80 Camera Mark VI 189 Minolta Weathermatic 218 FT-2 Sonar Autofocus 272 Flashguns 126 Pentacon Six 148 Voigtländer Bessa II 190 Minolta 110 Zoom Mark II 220 Horizon 202 260 Polaroid P Camera 273 Tripods 128 Exakta B 150 Ensign Commando 191 Minolta Autopak 800 222 Horizont 261 Polaroid SLR 680 SE 274 Filters 130 Agiflex I 152 Minolta Best Model II 192 Rollei A26 224 Globuscope 262 Polaroid ProPack 276 Close-Up Attachments 132 Komaflex-S 153 Zeiss Ikon Super Ikonta A 193 Tasco Bino/Cam 8000 225 Envoy Wide Angle 263 Polaroid Macro 5 277 Focal-Length Adapters 133 Bronica ETRS 154 Primarette 194 126/110 Novelty cameras 226 Spinner 360° 264 Polaroid Image System 278 Stereo Accessories 134 Pentax 6×7 155 Dolly Vest Pocket Model B 228 No.6 Cirkut 266 Graph-Check Sequence 136 Rittreck IIa 156 Plaubel Makina III 196 Stereo Cameras Camera Model 300 198 Shooting Guide 232 Miniature Cameras 280 Further Information 160 Twin-Lens Reflexes 200 Stereo Realist 234 Shooting Guide 164 Shooting Guide 202 Wray Stereo Graphic 236 Minox B 282 Glossary 166 Mamiya C3 204 View-Master Personal Stereo 240 Yashica Atoron 285 Index 170 Rolleicord I 206 View-Master Stereo 241 Leica M3 Classic 172 Voigtländer Superb Color Camera Camera Collection 174 Voigtländer Focusing Brillant 207 Duplex Super 120 242 Ricoh 16 175 Yashica 44LM 208 Coronet 3-D Camera 243 Hapyucc 176 Agfa Flexilette 209 Sputnik (CNYTHNK) 244 Tessina 177 Samocaflex 35 245 Goldeck 16 178 Contaflex 246 Ensign Midgets Many retro photographers Introduction begin with manual SLRs such as this Zenit-B, which was made in There were two types of camera buyer in the days before But then a new generation began buying film cameras. the 1960s. digital: photographers and collectors. They were photographers who had grown up in the digital Photographers bought cameras, obviously, to take age or in the last days of film photography when cameras pictures. Collectors bought cameras because they were had developed super-sophisticated fully-auto metering interested in their place in the history of photography, systems and advanced auto-focus functions. Interestingly, or simply because they considered them to be beautiful these new buyers ignored the fully automatic models from objects in their own right – objects to be admired and the end of the film era and were attracted more to manual polished, but rarely to be used. single-lens reflexes (SLRs), or those that had some fairly As the digital age dawned, photographers began basic form of automation. Autofocus too was shunned. to make the move to the new cameras, even though They sought basic camera craft and found it with early initially many agreed that this new-fangled method manual SLRs such as Prakticas, Zeniths (or Zenits) of photography would never catch on.
Recommended publications
  • Phase One H 20 Getting Started
    H 20 GETTING START E D PostScript billede (black logo) Phase One A/S Phase One U.S. Roskildevej 39 24 Woodbine Ave DK-2000 Frederiksberg Northport, New York Denmark 11768 USA Tel +45 36 46 01 11 Tel +1 631-757-0400 Fax +45 36 46 02 22 Fax +1 631-757-2217 Notice The name Phase One is a trademark of Phase One A/S. The names Hasselblad, Mamiya and Rollei are registered trademarks of their respective companies. All specifications are subject to change without notice. Phase One takes no responsibility for any loss or damage sustained while using their products. This manual ©2003, Phase One A/S Denmark. All rights reserved. No part of this manual may be reproduced or copied in any way without prior written permission of Phase One. Printed in Denmark. Part #: 80016001 Table of Contents 1 Contents 1 I n t r o d u c t i o n . .2 2 Special Phase One H 20 features . .3 ISO Settings . .3 Double exposure protection . .3 IR filter on CCD . .4 Large format photography . .4 3 Getting ready for taking pictures . .6 Mounting the viewfinder mask . .6 Mounting the H 20 on a Hsselblad Camera . .7 Cable mounting on Hasselblad . .8 Hasselblad 553 ELX . .9 Hasselblad 555 ELD . .10 Hasselblad 501 CM and 503 CW . .10 Mamiya RZ67 Pro II . .11 Rolleiflex 6008 AF/Integrale . .13 4 Maintenance . .17 Cleaning the IR filter . .17 5 Technical data . .18 1 H 20 Getting Started 1 Introduction The Phase One H 20 single shot camera back, is designed for high-end advertising studios with a need for productivity, flexibility and the absolute best in image quality.
    [Show full text]
  • Film Camera That Is Recommended by Photographers
    Film Camera That Is Recommended By Photographers Filibusterous and natural-born Ollie fences while sputtering Mic homes her inspirers deformedly and flume anteriorly. Unexpurgated and untilled Ulysses rejigs his cannonball shaming whittles evenings. Karel lords self-confidently. Gear for you need repairing and that film camera is photographers use our links or a quest for themselves in even with Film still recommend anker as selections and by almost immediately if you. Want to simulate sunrise or sponsored content like walking into a punch in active facebook through any idea to that camera directly to use film? This error could family be caused by uploads being disabled within your php. If your phone cameras take away in film photographers. Informational statements regarding terms of film camera that is recommended by photographers? These things from the cost of equipment, recommend anker as true software gizmos are. For the size of film for street photography life is a mobile photography again later models are the film camera that is photographers stick to. Bag check fees can add staff quickly through long international flights, and the trek on entire body from carrying around heavy gear could make some break down trip. Depending on your goals, this concern make digitizing your analog shots and submitting them my stock photography worthwhile. If array passed by making instant film? Squashing ever more pixels on end a sensor makes for technical problems and, in come case, it may not finally the point. This sounds of the rolls royce of london in a film camera that is by a wide range not make photographs around food, you agree to.
    [Show full text]
  • Do Something Important.TM
    2.6X zoom in a cool, compact, capsule design with Advanced Photo System convenience. Do somethingwww.minolta.com important.TM www.minolta.com It’s All Within Your Grasp The VECTIS 260 makes picture-taking more fun for the whole family. The Advanced Photo System means easier operation and higher quality pictures, and a powerful 2.6X zoom expands your photo possibilities. Various automatic functions make it simple for everyone to take great pictures. It’s the compact camera that gives you more. ADVANCED PHOTO SYSTEM Get closer with 2.6X zoom! High-quality zoom lens adds variety to your photos. Powerful 2.6X Zoom A zoom lens this powerful gives you much greater versatility in framing your shots. You can take broad shots of the scenery, then zoom in for close-ups of the kids. The zoom range is a wide 25 — 65mm (equivalent to 31— 81mm in 35mm for- mat). For close-ups, you can move in as close as 1.64 ft. to your subject at any focal length, without having to set a special mode. Best of all, 25mm WIDE your photo will be sharp and clear, thanks to the Minolta high quality 4-element, 4-group zoom lens. 65mm TELE Greater ease and convenience Advanced Photo System makes photography more enjoyable — from start to finish! Index Prints for At-a-Glance Selection Drop-In Loading With photos this good, you’ll want to make reprints ... and now and Film Chamber Lock you can easily select the ones you want. With your pictures The ultimate in film loading you’ll receive an Index Print sheet, making it easy ease.
    [Show full text]
  • Carl Zeiss, 32, Wagnergasse, Jena, Germany. ((1847) Also: 29/II Dorotheen Strasse 29, Berlin, Germany
    Carl Zeiss, 32, Wagnergasse, Jena, Germany. ((1847) also: 29/II Dorotheen strasse 29, Berlin, Germany. (1901) and 29, Margaret St, Regent St, London W (1901) The founder, Carl Zeiss (1816-1888) was born in Weimar, the son of a cabinet maker and ivory carver. He graduated from school in 1834, qualified to be apprenticed to the Grand Dukes Instrument maker, Dr Koerner, and attended academic courses as well as working as apprentice. Next he travelled from Jan. 1838 to Oct. 1845 to study in Stuttgart, Darmstadt, Vienna, and Berlin to broaden his experience. Back at home, he studied chemistry and higher mathematics. By May 1845, he felt well enough qualified to apply to the County Administration at Weimar for permission to found "An establishment for the production of advanced mechanical devices", hoping for a relationship with the University to advance designs. Money was tight with capital of 100 Thalers (possibly £100) only, but in Nov. 1846, he opened at 7, Neugasse. It remained a small business for years, as it took some 20 years for the University relationship to be productive, and he often grew weary of the trial and error methods traditionally used in the trade. Much of the production was of microscopes- often relatively simple ones by modern standards, such as dissection viewers. Then in 1863, a young lecturer Ernst Abbe (1840-1905) joined the University to teach physics and astronomy. Zeiss approached him in 1866 for cooperation in the design of improved systems and this lead to new ideas, eg in the Abbe refractometer (1869), a comparator and a spectrometer.
    [Show full text]
  • 2300 Anos De Fotografia Índex Distribuído Quarta Fase
    2300 Anos de Fotografia Índex Distribuído Quarta fase: Volumes 8, 9, 10, 11 e 12 Técnica construtiva e Tipos e Modelos sugestões. Construção doméstica e Tipos mais difundidos. Posters e Descrições das Câmaras mais influentes. E seus fabricantes. Histórico das inovações tecnológicas nas Câmaras que marcaram época. Construção 2300 Anos de Fotografia Livro 8 1ª parte Capítulo 1. Esquemas gerais de montagem J. Pranchas descritivas................................................................................ 2827 • Prancha 1- Aparelhos fotográficos de 1895.............................................. 2830 • Prancha 2- Aparelhos fotográficos Especiais de 1895............................... 2831 • Prancha 3- Aparelhos fotográficos de 1895 Detalhes............................... 2832 • Prancha 4- Obturadores Fotográficos Centrais......................................... 2833 • Prancha 5- Tipos de Obturadores............................................................ 2834 • Prancha 6- Construção de Câmaras com Fotômetro................................ 2835 • Prancha 7- Sistemas Automáticos de Exposição....................................... 2836 • Prancha 8- Sistemas de Medição em Câmaras Reflex............................... 2837 • Prancha 9- Construção da câmara Kiev 10................................................ 2838 • Prancha 10- Peças e Mecânica da Câmara Kiev 10 ................................... 2839 • Prancha 11- Peças e Mecânica da Câmara Kiev 10 ................................... 2840 • Prancha 12- Construção da Câmara Kiev
    [Show full text]
  • User Manual Hasselblad CF Digital Camera Back Range C O N T E N T S
    User Manual Hasselblad CF Digital Camera Back Range C O N T E N T S Introduction 3 5 MENU—ISO, White balance, Media, Browse 31 1 General overview 6 Menu system overview 31 Parts, components and control panel 8 Navigating the menu system 31 Initial setup 10 Language choice 33 Shooting and storage modes 11 ISO 33 White balance 34 2 Initial General Settings 14 Media 34 Overview of menu structure 15 Browse 35 Setting the menu language 17 6 MENU—Storage 36 Delete 37 3 Storage overview – Format 42 working with media and batches 18 Copy 42 Batc hes 18 Batch 43 Navigating media and batches 18 Default Approval Level 44 Creating new batches 20 Using Instant Approval Architecture 21 7 MENU—Settings 45 Reading and changing approval status 22 User Interface 46 Browsing by approval status 22 Camera 48 Deleting by approval status 23 Capture sequence 50 Connectivity 51 4 Overview of viewing, deleting Setting exposure time/sequence 54 and copying images 24 Miscellaneous 56 Basic image browsing 24 About 57 Choosing the current batch 24 Default 58 Browsing by approval status 24 Zooming in and out 24 8 Multishot 59 Zooming in for more detail 25 Thumbnail views 25 General 59 Preview modes 26 Histogram 27 9 Flash/Strobe 60 Underexposure 27 General 60 Even exposure 27 TTL 60 Overexposure 27 Full-details 27 10 Cleaning 61 Battery saver mode 28 Full-screen mode 28 11 Equipment care, service, Overexposure indicator 28 technical spec. 63 Deleting images 29 General 63 Transferring images 29 Technical specifications 64 Inset photo on cover: © Francis Hills/www.figjamstudios.com.Not all the images in this manual were taken with a Hasselblad CF.
    [Show full text]
  • Possibilities of Processing Archival Photogrammetric Images Captured by Rollei 6006 Metric Camera Using Current Method
    The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Volume XLII-2, 2018 ISPRS TC II Mid-term Symposium “Towards Photogrammetry 2020”, 4–7 June 2018, Riva del Garda, Italy POSSIBILITIES OF PROCESSING ARCHIVAL PHOTOGRAMMETRIC IMAGES CAPTURED BY ROLLEI 6006 METRIC CAMERA USING CURRENT METHOD A. Dlesk 1,*, P. Raeva 1, K. Vach 2 1 Department of Geomatics, CTU in Prague - [email protected] 2 EuroGV s.r.o. - [email protected] Commission II, WG II/8 KEY WORDS: Rollei 6006 metric, Photo negatives, Structure from motion, Archival data, Close range photogrammetry ABSTRACT: Processing of analog photogrammetric negatives using current methods brings new challenges and possibilities, for example, creation of a 3D model from archival images which enables the comparison of historical state and current state of cultural heritage objects. The main purpose of this paper is to present possibilities of processing archival analog images captured by photogrammetric camera Rollei 6006 metric. In 1994, the Czech company EuroGV s.r.o. carried out photogrammetric measurements of former limestone quarry the Great America located in the Central Bohemian Region in the Czech Republic. All the negatives of photogrammetric images, complete documentation, coordinates of geodetically measured ground control points, calibration reports and external orientation of images calculated in the Combined Adjustment Program are preserved and were available for the current processing. Negatives of images were scanned and processed using structure from motion method (SfM). The result of the research is a statement of what accuracy is possible to expect from the proposed methodology using Rollei metric images originally obtained for terrestrial intersection photogrammetry while adhering to the proposed methodology.
    [Show full text]
  • Learn Camera Repair
    3. A. VISHNEVSKY CAMERA REPAIR Publishing House "Light Industry" Mo s k in a —1964 The book describes the structure of the mechanisms of most photographic devices currently produced by the industry. interaction of parts and for each unit and mechanism, a list of inconsistencies that may arise during the operation of cameras is provided The book is designed not only for repairmen, but also for qualified amateur photographers. Along with complex cameras, the repair of which requires a lot of experience and skill, simpler devices are described. and other organizations that use a large number of cameras FOREWORD The traditional optomechanical industry produces a large number of different cameras, ranging from the simplest to the most sophisticated In 1962 alone, about 2,000,000 cameras were produced During the operation of cameras, naturally, various kinds of malfunctions arise that require qualified repair.In most large cities, photo cameras are repaired in warranty workshops of manufacturers' factories However, such workshops are still not enough The author of this book shares his practical experience, as well as the experience of training camera repairmen at the Training Center for the Management of Consumer Services of the iMocrop Executive Committee. The book examines in detail the structure of mechanisms of various cameras, describes in detail the interaction of parts and gives a list of possible malfunctions for each unit and mechanism with indicating ways to eliminate them The book will help novice masters learn how to repair cameras.Photo
    [Show full text]
  • Digital Vs 35-Mm Photography to Convert Or Not to Convert?
    ORIGINAL ARTICLE Digital vs 35-mm Photography To Convert or Not to Convert? Mimi S. Kokoska, MD; John W. Currens, MD; Chris S. Hollenbeak, MA; J. Regan Thomas, MD; Brendan C. Stack, Jr, MD Objectives: To compare the quality of images gener- Results: The null hypothesis that there is no difference ated from a conventional 35-mm camera with those gen- between photographs taken with the various cameras was erated from various digital cameras; and to note the costs rejected (P,.001) for each of the image attributes. The im- of the cameras and ease of use. ages produced by the 35-mm camera (Nikon 6006) had the best overall quality, followed by the Olympus D600L, Design: A prospective, randomized, independent analy- Kodak DCS 315, and Olympus D320L digital cameras. Dif- sis of specific facial images taken with a 35-mm camera ferences in individual attributes between several of the cam- and 3 digital cameras by 3 facial plastic surgeons who eras in each category were statistically significant (P,.05). were blinded to camera type. Conclusions: The 35-mm camera produced the best over- Setting: An academic medical center. all image quality and ranked first for each of the indi- vidual attributes analyzed in this study. The Olympus Subjects: Thirteen volunteer subjects ranging from age D600L digital camera placed second in overall quality, 27 to 58 years. but there was no statistically significant difference in fo- cus, distortion, and resolution compared with the im- Main Outcome Measures: The overall quality, fo- ages generated by the 35-mm camera. The Olympus cus, distortion, trueness of color, resolution, contrast, and D600L digital camera also ranked second in color, con- presence of shadows were evaluated for each image.
    [Show full text]
  • Hugostudio List of Available Camera Covers
    Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII
    [Show full text]
  • Disassembly of Pentax ME Super
    Disassembly of Pentax ME Super Attributed to Gordon Stalker This camera proved to be one of the most popular Pentax shutter priority automatic cameras. This file shows you how to take one apart, and (rather importantly) put it back together again for servicing. If your ME Super has never been serviced, take it from me, it is now long overdue! In the grand Pentax tradition of design the camera shares the same basic mechanical design as the rest of the popular 'M' series ( MV, MV-1, MG, ME, ME Super, ME-F.). The only real mechanical differences are those required to deal with the different metering electronics. (Some models e.g., MV lack one or two parts internally, such as a mirror damper, but these are not major components.) Therefore what follows should apply with only few differences between models. What follows is the basic disassembly of the camera into it's major sub-assemblies. It does not show the disassembly of the sub-assemblies themselves, which is in most cases unnecessary. I have only once had to disassemble these in two cases, once to correct a misaligned mirror release latch, which is fairly straightforward once the mechanism is exposed, and once to replace a part in the film advance, broken by trying to force a jammed camera. (Don't ever force a jammed camera. You always break something when you do this, and the cause of the jam is often something quite minor and easily rectified, or even completely avoidable by regular servicing.) Disassembly Before starting, make sure that you have provided yourself with a notebook and a pencil.
    [Show full text]
  • Kiev-60TTL Posted 2-12-'04
    Kiev-60TTL posted 2-12-'04 This camera manual library is for reference and historical purposes, all rights reserved. This page is copyright© by , M. Butkus, NJ. This page may not be sold or distributed without the expressed permission of the producer I have no connection with any camera company On-line camera manual library This is the full text and images from the manual. If you find this manual useful, how about a donation of $3 to: M. Butkus, 29 Lake Ave., High Bridge, NJ 08829-1701 and send your e-mail address so I can thank you. Most other places would charge you $7.50 for a electronic copy or $18.00 for a hard to read Xerox copy. This will help me to continue to host this site, buy new manuals, and pay their shipping costs. It'll make you feel better, won't it? If you use Pay Pal, use the link below. Use the above address for a check, M.O. or cash. www.PayPal.me/butkus Back to main camera manual page Since efforts are continually made to improve the reliability and performance of the product, minor changes may be introduced without special notice. CAMERA KIEV -60 TTL 1. GENERAL The KIEV-60 TTL is a reflex camera with frame size 6x6 cm of the TTL system. The camera is designed for the use of a roll non-perforated photographic film of 61.5 mm in width, type 120 (122 pictures can be taken using this film). It is intended for amateur picture-taking.
    [Show full text]